Reviews

Film Review: Knock (France, 2017) fails to embrace the dark satirical properties of its source material

Based on the oft-adapted French satire Knock by writer and poet Jules Romains, this name-same feature fails to embrace the dark satirical properties of its source material and instead plays out all too predictably and implausible. At the centre of the film is a suitably charismatic turn from the reliable Omar Sy, and had Knock…

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Film Review: Mission: Impossible – Fallout (USA, 2018) toys with the expected and presents itself as a fresh product

Up to this point each Mission: Impossible film has operated on their own mechanisms.  The 1996 Brian De Palma-directed original felt like an organic extension of the 1960’s television series it drew its inspiration from; the 2000-released sequel was an orgy of unsubtle combat buoyed by the favoured-slow motion of Hong Kong filmmaker Jon Woo;…

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Film Review: Funny Cow (UK, 2018) sees Maxine Peake delivers heart and humour

I’m going to throw out a hot take – It’s tough to be a woman in comedy these days. Late night talk shows and weekly round ups are still dominated by male comics, you try to put out a new-take on an old concept with an all-female cast and unearth the wrath of legions of…

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Film Review: Whitney (UK/USA, 2018) is a bittersweet love letter celebrating the enigmatic star’s rise & tragic downfall

Whitney may not be the most necessary film but it’s certainly an entertaining one. This documentary comes hot on the heels of Whitney: Can I Be Me, but where this latest offering differs is in its unprecedented access to Whitney Houston’s family and friends. The result is an intimate and bittersweet portrait of her meteoric…

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Film Review: Her Sound, Her Story (Australia, 2018) is an eye-opening look at women in Australian music

In the nineties, The Go-Betweens’ Lindy Morrison made the documentary, Australian Women In Rock & Pop Music- Sisters Are Doing It For Themselves. Fast forward to 2018 and the film Her Sound, Her Story documents many of the same issues that are still relevant. Gender disparity in the music industry is a pervasive issue with…

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Film Review: Skyscraper (USA, 2018) delivers lunacy and ridiculous physic-defying stunts in spades

Is there anything Dwayne Johnson can’t overcome? Earthquakes, tsunamis, oversized gorillas, Vin Diesel’s ego…the hulking man mountain has tackled them all and emerged victorious.  For his latest spat with big screen-worthy roadblocks, the man no longer credited with his “Rock” moniker faces his biggest challenge yet – a skyscraper some three-times taller than the Statue…

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Scandinavian Film Festival Review: A Horrible Woman (En frygtelig kvinde) shows us all how not to have a relationship

It may be cliché to say, but it takes two to tango. That is certainly the environment that the film, A Horrible Woman (En frygtelig kvinde) operates in. This Danish dramedy is a provocative observation of a dysfunctional relationship. It is also one that will prompt some serious discussion by audiences in its wake. The…

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Film Review: The Second (Australia, 2018) is a slow-burning look at the blurred lines between art & real life

When you think of words like “The Second” it’s easy to be dismissive and consider it something sub-par. In the context of the new Australian film, it’s all about a writer grappling with penning her sophomore novel. But this plodding, psychological drama ultimately comes off as second-best due to some issues with its pacing and…

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Film Review: Ant-Man and the Wasp (USA, 2018) is the perfect antidote from the doom and gloom of Avengers: Infinity War

The superhero film boom continues! After the gloom-and-doom of Avengers: Infinity War, we now have the sequel to the miniature superhero franchise, Ant-Man and the Wasp. Free from the shackles of predetermined disappointment after the absence of original director Edgar Wright from the first film, returning director Peyton Reed and lead actor/co-writer Paul Rudd truly…

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Film Review: Show Dogs (USA, 2018) is a big “bark-you” to the audience

“Live-action family movies are somewhat of an endangered species these days as most family entertainment is now animated.” That is a line that is spoken by the director of the film Show Dogs, Raja Gosnell, who has a long pedigree (pun intended) of films that involve canines, as well as family entertainment. Starting off with…

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Film Review: Ideal Home (USA, 2018) is an average comedy with some chuckles, thanks to the leads

Considering the political climate that were in, you figure a mainstream comedy like Ideal Home, a film about two gay fathers that borders on stereotypes would be a bad idea. At least, that’s what people have been saying out there, due to impressions from the trailers and the posters. But considering that this is a…

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Sydney Film Festival Review: BlacKKKlansman (USA, 2018) sees Spike Lee channel his frustration for one of his finest films to date

Spike Lee is quite clearly fired up as he scatters sharp, defiant dialogue all through BlacKKKlansman, his first feature film since 2015’s good-but-uneven Chi-Raq and without a doubt one of his best works to date. That is no overstatement either, with Lee directing a big middle finger to the racism both explicit and implicit, by…

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Film Review: Brothers’ Nest (Australia, 2018) is a tight, well paced pitch black comedic thriller

If you thought the family in Animal Kingdom had problems, wait until you meet Australia’s newest dysfunctional family. In the new film from Director Clayton Jacobson, starring both himself and his brother Shane Jacobson, we spend some time getting to know the real life brothers as they play fictional brothers Jeff and Terry – reuniting…

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Sydney Film Festival Review: Ex Libris: The New York Public Library (USA, 2017) is like a long, detailed book

The New York Public Library is one large institution. So it should come as no surprise that the documentary about it is also quite big and sprawling in nature. Ex Libris: The New York Public Library is like reading hundreds of chapters from various books; you might learn something but that doesn’t change the fact…

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Sydney Film Festival Review: Yellow Is Forbidden (China/NZ, 2017) is an intimate slice of fashion gold

Colours have different meanings. In Imperial China, yellow was reserved for the emperor. It was believed to be the centre of everything because it generated yin and yang. For fashion designer, Guo Pei it is a colour that has become a signature part of her colour palate. If you don’t believe us, you need look…

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Sydney Film Festival Review: Colin Minihan overindulges in tension with What Keeps You Alive (Canada, 2018)

Not truly knowing your significant other post-marriage must be a terrifying thought, and it’s one that grounds Colin Minihan‘s What Keeps You Alive in a genuinely frightening premise. Lock that idea up and throw it into a cliche cabin-in-the-woods scenario and you have yourself a fun horror film that’s intriguing and entertaining, if not a…

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Sydney Film Festival Review: McQueen (UK, 2018) is a heart-breaking work of staggering genius

Fashion designer (Lee) Alexander McQueen was a true artist. He would say, “If you want to know me, look at my work.” The documentary, McQueen captures some of his enigma by looking behind-the-scenes at his extraordinary talent and story. While you get some sense of what this artistic genius was like you also get the…

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Sydney Film Festival Review: Bad Reputation (USA, 2017) is one badass party with a rebellious Joan Jett

Joan Jett’s documentary, Bad Reputation had me from the moment she was told girls can’t play rock and roll music and she went ahead and did it anyway. The leather clad rocker has had a brilliant career, which this film celebrates. Bad Reputation is ultimately a fun and rollicking watch about a strong woman who…

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Film Review: Jurassic World: Fallen Kingdom (USA, 2018) Is An Action-Horror-Monster Movie Mashup

In 1993 Steven Spielberg brought dinosaurs to life on the big screen in Jurassic Park. And for all its puppetry and animatronics and cinema wizardry then, it astounded us. Now in 2018 Jurassic World: Fallen Kingdom establishes that dinosaurs are now part of the world around us. It also makes us want to empathise for…

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Sydney Film Festival Review: Holiday (Denmark, 2018) is an shocking, brutal and unforgettable experience… if you can stomach it

Have you ever seen a film that was so unexpected in its brutality and its disturbing content that you found it unforgettable? Well, one such example screening as part of Sydney Film Festival is Isabella Eklof‘s Holiday. Judging from the poster, you would expect some sort of exploitative saga about a woman in trouble, but through…

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Sydney Film Festival Review: The Miseducation of Cameron Post (USA, 2018) is a sensitive, frank, funny and remarkably inclusive coming-of-age LGBTIQ film

For those who have read my glowing review of American Honey, I praised the main actress Sasha Lane for being a natural on-screen and a talent to look out for. Flash-forward to almost two years later, we have her on-screen again in the comedy-drama The Miseducation of Cameron Post and that had me excited. But fortunately,…

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Film Review: Tag (USA, 2018) is a hilarious mix of action and comedy about the joy of play

When you think of a get together for a bunch of grown men, you usually think beers at the pub, or playing a round of golf, or watching a football match, so your first thought would not be playing a game of tag. Well the new movie Tag is based on the true story of…

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Sydney Film Festival Review: Piercing (USA, 2018) is a sadistic screwball macabre comedy with two fantastic lead performances

Before I start this review, it has to be said that this writer has a sick and depraved sense of humour. So stepping in to watch this sadistic horror/comedy film Piercing for Sydney Film Festival 2018, my expectations were sky-high. The feature has been adapted from a novel by acclaimed author Ryu Murakami, who is…

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Sydney Film Festival Review: Juliet, Naked (USA, 2018) Is The Rom-Com We Deserve

Relationships are hard, messy complicated things. Finding a balance between what you want and what your partner wants, whilst still retaining a sense of uniqueness feels impossible. Most mainstream Hollywood rom-coms would have us believe that it’s possible with their glossy happy endings. Juliet, Naked is not the rom-com we need but the one we…

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Film Review: Incredibles 2 (USA, 2018) brings more laughs than the original as the cast shines

It has been a very, very long 14 years, but the long-awaited sequel that many were asking for is finally here. Toy Story 4 Incredibles 2 has finally arrived! The first film was branded as the Fantastic Four film that people deserved and it catapulted the career of director Brad Bird to new heights, including…

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Sydney Film Festival Review: The Children Act (USA, 2018) is a slow-burning & challenging moral drama

The Children Act is a drama that is wrapped around a moral quandary. It asks the question, “How old should someone be before they can refuse medical treatment?” This adaptation of an Ian McEwan novel is an emotive legal and moral drama that will give audiences pause to think. This film is directed by Richard…

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Sydney Film Festival Review: Jirga (Australia, 2017) is a humane look behind the curtain of war

That Jirga is quiet and understated is the film’s biggest strength, consciously moving away from the lurid details of your typical war blockbuster and presenting something of a bare-bones human story about redemption and forgiveness. When Director Benjamin Gilmour and actor Sam Smith, both Australian, spent 20 days shooting this film they did so at…

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Sydney Film Festival Review: The Wife (Sweden/UK, 2017) is a slow-burning & tense character study about a woman’s conflicting emotions

The title of the film, The Wife, gives away about as much as the titular character. Is she a good one? A bad lady? The answer is a mystery for a large portion of this slow-burning character study. One thing’s for certain, this wifey is brimming with conflicting emotions in this bittersweet, character-driven drama. Glenn…

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Sydney Film Festival Review: The Breaker Upperers (New Zealand, 2018) is immensely entertaining, genuinely hilarious, and wonderfully heartfelt

Given that we can almost outsource every chore, errand, and activity that come our way, it only makes sense that the unfortunate responsibility that is breaking up with someone be a lucrative business too.  Enter The Breaker Upperers, a duo of frozen-hearted, screwed-over singletons who appear more than happy to break the heart of someone…

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