Reviews

Sydney Film Festival Review: A Dog Called Money sees the worlds of music and video collide

Inspiration can strike at any time. But if you’re an artist like PJ Harvey you may choose to go in search of this illusiveness. A Dog Called Money is a music documentary that depicts the process that spawned the album, The Hope 6 Demolition Project. The result is a beautifully-shot film that can be uneven…

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Film Review: Red Joan sadly fails to ignite its potential

For a movie based on a true story about an elderly British woman revealed to be a long-term spy for the Russians, one headlined by the ever-reliable Judi Dench, Red Joan sadly fails to ignite its potential. Based on a novel inspired by Melita Norwood (dubbed “The Granny Spy”), who was both a British civil…

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Film Review: X-Men: Dark Phoenix is mutant X-Crement

It has been almost two decades since the X-Men franchise started and now it has finally come to an end. Over the years, we have had a series of generally positive outcomes from this franchise — a list of mostly great films and a handful of very bad ones. For every film like X2: X-Men…

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Film Review: Godzilla: King of the Monsters pays loving tribute to its forebears, with monster battles and throwbacks galore

It’s finally here! The Godzilla franchise continues with Godzilla: King of the Monsters! Previous director Gareth Edwards has been replaced by Michael Dougherty, best known for his horror efforts like the Halloween anthology film Trick ‘R Treat and the Christmas movie Krampus. With an all-star cast of acclaimed thespians, rising talents and franchise returnees and free reign…

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Film Review: Triple Threat may not live up to its promise, but it is still an action-packed treat

If you were to see the cast of Triple Threat, which is jam-packed with talented martial artists/established action heroes, chances are that you would be overly excited. With this much talent in an action film, how can it possibly fail? We must consider the people behind the scenes. Triple Threat has director Jesse V. Johnson,…

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Film Review: Rocketman blasts the Elton John musical biopic into the stratosphere

Only several months after cinema screens were graced with Bohemian Rhapsody and part of the journey of Queen’s meteoric rise to fame. We now have Rocketman, which examines another flamboyant and influential musician, Elton John, and unlike the former, this film decidedly takes a bit more of a leap both stylistically and also narratively. Because…

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Film Review: Aladdin is tonally inconsistent but a fun remake of an OG classic

It’s easy to be cynical about the Disney juggernaut of rolling out live action remakes of their classic animated properties. We’ve already had Dumbo earlier this year which was watchable but felt like a little misstep by Tim Burton. Next comes Aladdin, which along with The Lion King releasing July 17 will be the 1-2…

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Film Review: Little Woods is a remarkably assured directorial debut from Nia DaCosta, with two great lead performances

When one brings up the word “survival” in cinematic terms, usually some would think adventure stories in foreign environments like tropical islands, forests or jungles. Others would think of contained thrillers, where stories would be set in one small setting like a hostage situation in a building ala Die Hard, Under Siege or Speed. But…

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Film Review: All is True (UK, 2018) is a quiet look at Shakespeare in retirement

It’s fair to say that most people know Shakespeare and his plays. But, very little is known about the old Bard himself. All Is True is a bio-pic about ye olde William i.e. the writer in his twilight years. The result is a story that relies on some speculation and doesn’t always live up to…

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Film Review: The Hustle (US, 2019) is a swindle with very little payoff

After several release date pushbacks and a title change (its working title was Nasty Women, a now outdated reference to one of Donald Trump’s many insults thrown at Hillary Clinton), The Hustle finally plods into cinemas this week. A female-centric remake of 1988’s Dirty Rotten Scoundrels (which was itself a remake of 1964’s Bedtime Story), the film attempts…

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Film Review: Pokémon Detective Pikachu (USA/Japan, 2019) is an excellent buddy comedy based off a quirky video game

Video games have generally had a fairly bad run when it comes to movie adaptations. Either they veer too far away from their source material and lose their gamer fans, or they lean too far into it and go over the heads of mainstream audiences. So when it was announced that they were making a…

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Film Review: Long Shot (US, 2019) could be the year’s biggest surprise package

All romantic comedies require some suspension of disbelief from an audience. These films often exist in a world of hyper-reality where two polar opposite characters somehow fall madly in love with each other. When a studio offers up something like Long Shot, a romantic comedy starring Charlize Theron and Seth Rogen, it’s hard not to raise…

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Film Review: Top End Wedding (Australia, 2019) is exactly what Australian cinema is aching for

It’s been twenty-five years since Australian cinema produced a top quality romantic comedy. Over two decades after Muriel’s Wedding, our local film industry has barely touched the genre, let alone delivered a film worthy of rivalling anything America or the UK can dish up. How wonderfully refreshing it is to see something like Top End Wedding…

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Film Review: Thunder Road (USA, 2019) is a genius arrival from a rogue independent filmmaker

Thunder Road opens with one of the more profound opening scenes in recent memory. Police officer Jim is giving a eulogy at his mother’s funeral somewhere in the American heartland. He’s completely unprepared and grief-stricken and – in one 12-minute shot – flips from humourous nostalgia to all out hysterics, finishing the awkward performance with…

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Film Review: Avengers: Endgame is the ultimate payoff for over a decade of films

It’s all been leading up to this, 11 years and more than 21 movies and it’s time for the Marvel Cinematic Universe to provide a conclusion to the Avengers saga and some of its Phase One heroes. The ones who ushered in a renaissance and resurgence of comic book superhero movies. Whodathunk that back in…

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Film Review: Little (US, 2019) is a big disappointment

Just one week after the superhero genre gave us a Big-style blockbuster with Shazam!, we’re being offered up a by-the-numbers reverse version. Taking inspiration from the Tom Hanks classic, Little flips the age transformation and genre of its protagonist, which, for better or worse, is mildly refreshing.  By all accounts, this was the brainchild of young…

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Film Review: The Aftermath (UK/USA/Germany, 2019) accepts its predictable nature and performs more than adequately

One only needs to look at the poster art for James Kent‘s postwar-set romance The Aftermath to gage the triangle of transgression that will unfold over the course of the film’s 108 minute running time.  In fact, the surface level of the Joe Shrapnel/Anna Waterhouse-penned script practically begs you to accept the predictable turn of events,…

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Film Review: Terry Gilliam’s passion project The Man Who Killed Don Quixote (UK/France/Spain, 2018) is surprisingly void of any heart

“And now…after 25 years in the making…and unmaking” So says the wry on-screen text preceding Terry Gilliam‘s The Man Who Killed Don Quixote, a near-three decade trek for the eccentric filmmaker whose hope of bringing his off-kilter adventure-comedy to fruition has languished in development hell since its beginnings in 1989. Once intended to be a…

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Film Review: Shazam! (US, 2019) is pure cinematic bliss from start to finish

It’s been a rocky road for the DC Extended Universe. From the dizzying delights of Wonder Woman to the hyper-colour mess of Suicide Squad. From the delicious ridiculousness of Aquaman to the dark and sloppy disaster of Batman v Superman: Dawn of Justice. And it’s hard to forget what should have been their crowning glory…

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Film Review: Amma Asante’s passion project Where Hands Touch (UK, 2018) falls frustratingly short

The year is 1944. Leyna (Amandla Stenberg), the teenage daughter of a white German factory worker (Abbie Cornish) and a black Senegalese soldier, is dubbed a “Rhineland bastard” and flees for Berlin, hoping to find anonymity and safety in the larger city. But, after she is kicked out of school and is forced to falsify…

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Film Review: Dumbo (USA, 2019) returns with slightly less flying fanfare

2019 is going to be a fairly big slate for the House of Mouse with not one but four “live action adaptations” of their intellectual property hitting cinema screens. The first one out of the gate is the film about a baby elephant with overly large ears who can fly. Originally Dumbo was based on…

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Film Review: Fighting With My Family (UK, 2019) is a satisfying crowd-pleaser that will wrestle your funnybone as well as your heart

Based on a true story (well-documented in the Channel 4 documentary The Wrestlers: Fighting with My Family), born into a tight-knit wrestling family, Paige (Florence Pugh) and her brother Zak (Jack Lowden) are ecstatic when they get the once-in-a-lifetime opportunity to try out for the WWE. But when only Paige earns a spot in the…

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Alliance Française French Film Festival Review: The Extraordinary Journey of the Fakir is indeed an extraordinary journey

If Love, Actually had a child with Around the World in Eighty Days, The Extraordinary Journey of the Fakir would be that child. It throws its trickster and street magician protagonist Aja (Dhanush) into a chain of unexpected adventures. He meets a diverse group of people from a celebrity to mobster-like big guys to a swindling cab…

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Film Review: Hotel Mumbai (Australia, 2019) is an intense but humane, white-knuckle thriller

Adapting tragic events of the world to the cinema screen can be a very risky proposition. There are many ways to get it wrong and very few ways to get it right. The wrong ways can lead the film to be considered exploitative, cheap, insulting, xenophobic and even laughable. It would also depend on the…

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SXSW Film Review: Netflix’s The Highwaymen is the companion to Bonnie & Clyde with the tone of True Detective

From the director of The Blind Side, John Lee Hancock, comes a new telling of the Bonnie and Clyde story; this time told from the perspective of the men who took the criminal pair down. Set for release in on Netflix later this month, the film stars Woody Harrelson, Kevin Costner and Kathy Bates – surely three…

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Alliance Française French Film Festival Review: Knife+Heart is an unashamedly queer slasher hybrid

What is it about slasher films that makes them stand out as one of the best horror sub-genres? It is just a person just killing people with a sharp object and that’s it, right? Yes, but, that’s also the very reason why it has succeeded so well. Unlike the other horror sub-genres that involve fantastical…

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Film Review: Nicole Kidman is unrecognisable as a broken cop in Destroyer (USA, 2018)

Cops are tops. But if you’re Erin Bell in Destroyer you’re less tops and more likely to be drinking hops. Nicole Kidman plays a bedraggled and unrecognisable detective in this noir. While there are some moments where it is thrilling, most of it is far too slow-burning and perfunctory to really cut through. This film…

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SXSW Film Festival Review: Show Me The Picture: The Story of Jim Marshall (USA, 2019) is a celebration of the infamous photographer’s rock & roll circus

Imagine the photo shoot for Bob Dylan’s Freewheelin’ or concerts like: Woodstock, Johnny Cash’s gigs at Folsom and San Quentin, and The Beatles’s last official show at Candlestick Park. Most of us would trade our left hands to have been there. But if you were Jim Marshall, you could boast that you went and shot…

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SXSW Film Festival Review: Raise Hell: The Life & Times of Molly Ivins (USA, 2019) examines the politics behind this unsinkable Molly

The Titanic had the Unsinkable Molly Brown. Texas meanwhile, had the unstoppable Molly Ivins. This tall, flame-haired woman was an outspoken, political commentator with a razor-sharp wit. Raise Hell is a documentary that covers every inch of this larger-than-life character. This film is the first documentary to be made about this formidable subject. It’s hard…

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SXSW Film Review: For Sama (Syria, 2019) is an emotionally gripping diary in film form

For Sama is an emotionally gripping diary filmed by journalist Waad al-Kateab and Edward Watts. Kateab recorded her life during the Battle of Aleppo (2012-16) in Syria. She had a mission: to bring light on the injustices on Syrians under President Assad’s regime and the fight for freedom. Not only did she cover what was…

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