Film & TV

Film Review: Happy Death Day 2U (USA, 2019) is just as much of a surprise as the delightfully twisted original

Just as much of a surprise as the delightfully twisted original – 2017’s Happy Death Day – Happy Death Day 2U is revelatory not because it improves on its predecessor’s horror temperament, but because it completely bypasses the slasher genre trope and cements itself firmly within the grounds of science-fiction. Given how much fun writer and director…

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First Impressions: STAN’s Miracle Workers is a weirdly relatable existential workplace comedy

What do you get when you take a reluctant easily distracted God, a bunch of overworked angels and a bet that has the continued existence of Earth on the line? The new 7 episode mini-series on STAN called Miracle Workers, based on the novel “What In God’s Name” by series creator Simon Rich gives us…

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Film Review: Capernaum (Lebanon, 2018) is a compelling, life-affirming journey; Zain Al Rafeea shines

Films that are for adults that revolve around children are becoming more uncommon these days. So much so that people have to differentiate films that are for children with films that are about children. Case in point, the 2004 fantasy drama Bridge to Terabithia. While the film does show a fantasy world and the story…

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Pet Sematary world premiere announced alongside a fresh lineup of Aussie talent added to SXSW Film Festival 2019

Every March, the SXSW Film Festival takes place in Austin, Texas – and it’s home to some of the biggest and most exciting world premieres alongside the freshest up-and-coming features and shirts. From March 8–17, the 2019 event will be celebrating a lineup of 131 Feature Films, 101 Short Films (including Music Videos), 5 Episodic…

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Tommy Wiseau’s monster film Big Shark gets an official trailer

Disaster artist Tommy Wiseau, best known as the accidental genius behind cult hit The Room, revealed earlier this year plans to direct and star in his own bona fied shark movie. As you can expect, nervous laughter and that “pfft” sound dude bros like making were the most common reactions to the surprising announcement, which…

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Tropfest 2019 Red Carpet Arrivals, Parramatta Park (09.02.19)

Tropfest Australia’s largest short film festival is back once again and the rain held off as the stars walked the black carpet before an amazing night of fun, film and food held in Parramatta Park.

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Blu-Ray Review: Bad Times at the El Royale (USA, 2018) is cinematic fun, with some beautiful set design

Bad Times at El Royale hit cinemas last year to mixed reviews, though I found it an engaging film, with a clever plot stemmed in the traditions of film noir and crime fiction. The set design was phenomenal and the characters were just the right amount of over-the-top to make them feel right at home…

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Film Review: Cold Pursuit (USA, 2019) is peak Neeson Season material

It’s hard to believe but at this present time, whenever you ask young people who Liam Neeson is, they often tend to quote his action films and then not know or forget about his critically acclaimed films like Schindler’s List, Michael Collins, Rob Roy and others. But ever since the 2008 action film Taken, Neeson…

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Interview: Cold Pursuit director Hans Petter Moland on working with Liam Neeson and adapting his own Norwegian film

Fans of the Taken series (or anything with the action genre badass Liam Neeson) will be excited to hear that a new action-packed thriller featuring the acclaimed Irish actor will be soon released in Australian cinemas. Cold Pursuit, a film based on 2014 Norwegian film In Order of Disappearance, follows Neeson’s character Nels Coxman, a snowplow driver whose son…

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Toy Story and Avengers sneak into the Superbowl: 8 new trailers you might have missed

Whelp, this year’s Super Bowl could have definitely turned out better. The game’s finishing score unfortunately became the lowest overall points scored in Super Bowl history (13-3) since 1948’s game between The Philadelphia Eagles and Chicago Cardinals (7-0), even surpassing that of Miami’s win over Washington (14-7) in 1973. At halftime, the New England Patriots were leading…

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Film Review: Maria by Callas (France, 2017) is a rich documentary that overstays its curtain call

Maria Callas is a legendary opera singer whose life often resembled a Greek tragedy. The documentary, Maria by Callas, captures some of this sadness and heartbreak in its two-hour runtime. This film is a complex and detailed one about an infamous prima donna that should appeal to opera aficionados. This documentary is directed by Tom…

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Film Review: On the Basis of Sex (USA, 2018) shows us how justice prevailed for the Notorious RBG

Ruth Bader Ginsburg is an American Supreme court justice who has been dubbed, “The Notorious RBG.” This woman in an incredible one so it should come as no surprise that in the past few years she has inspired not one, but two films. RBG was a comprehensive documentary about her life while the latest offering…

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Film Review: The Front Runner (US, 2018) is a bland and forgettable mess

Male politicians have been succumbing to their libidos for decades now, so the portrait of a political sex scandal is hardly groundbreaking fodder for a piece of cinema. But the intriguing story of 1988 U.S. presidential candidate Gary Hart and the affair that destroyed his campaign stands apart by way of being one of the…

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Film Review: Green Book (USA, 2018) is a film about racism told by white people, and it really shows

Do good intentions make a good film? That is the question that has popped up in my head through the many recent films over the past year. Whether the film is about the commentary on major issues like racism, sexism and discrimination, the film itself still has to be well-executed in all areas in order…

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Film Review: Mary Queen of Scots (UK, 2018) is a revisionist feminist tale fraught with issues

In an awards season dominated by powerful female performances, the chance to see two fierce Queens go head-to-head sounds like a tantalising opportunity. In director Josie Rourke‘s debut film Mary Queen of Scots, the epic showdown promised within the film’s somewhat misleading advertising never quite materialises. In its place is a revisionist feminist tale fraught…

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Film Review: The Mule (USA, 2018) is a middle-ground effort from Clint Eastwood

Given that this is Clint Eastwood‘s first starring role in six years (his last being 2012’s under-the-radar sports drama The Trouble With the Curve), one would be forgiven for expecting something far more grand and notable than what is ultimately on offer; its push into prime Oscar season releases not helping matters either. Whilst this…

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Film Review: The Kid Who Would Be King (UK, 2019) is an incredibly fun take on the Arthurian legend for the whole family

It’s quite amazing to know that there are many films out there that have been inspired by the story of the Arthurian legend. On the top end of the scale, we have the Disney flick The Sword of the Stone, the John Boorman cult classic Excalibur and of course the comedic parody Monty Python and…

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Film Review: Glass (USA, 2019) reflects M Night Shyamalan’s worst habits

Though he doesn’t always nail them, M Night Shyamalan deserves praise for the ending of Split: the highly successful 2016 thriller, revealed in the very final moment to be part of the same universe as 2000 alt-superhero film Unbreakable. Very few people, especially those that had no idea he was working on a sequel to…

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Film Review: Storm Boy (Australia, 2019) is a rather dour and pointless experience

Australian cinema has somewhat of an obsession with crafting adorable animal characters audiences instantly fall in love with. From the gutsy little pig in Babe to the tough cattle dog in Red Dog to those toe-tapping penguins in Happy Feet, it’s a long-running subgenre we Aussies do particularly well. A pelican hardly seems the next likely evolutionary step…

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Film Review: Free Solo (USA, 2018) an unflinching look at scaling a 3200 foot rock without a rope

Whether it be physical or academic it is without a doubt that greatness and feats of greatness require a certain level of determination, mental grit and skill that very few are willing to foster within themselves. Alex Honnold however meets those qualities in the unlikeliest of ways in documentary/semi biopic Free Solo, a story of…

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Film Review: Eighth Grade (USA, 2018) is an empathetic, uncompromising & honest piece of work

Teenage films have been quite a huge staple for me in the past decade. Whether they would be quality films (like Heathers, Stand By Me), plain fun (Mean Girls, Easy A, Say Anything etc.) or just plain silliness (Porky’s, American Pie), this reviewer has always found some enjoyment for entertainment reasons as well as nostalgic…

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Film Review: How To Train Your Dragon: The Hidden World (USA, 2019) is a fitting end to a coming of age saga

When Cressida Cowell’s book series How To Train Your Dragon was developed into a film, its success took the world by storm and spawned a number of television series, short films, video games and even live performance shows. Now the third, and final film installment has arrived with How To Train Your Dragon: The Hidden…

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Our five favourite moments from Foxtel Arts series- The Day The Rock Star Died

The Day the Rock Star Died returns to our screens soon. The show is a series of half-hour programs and handy little primers to some beloved musicians who are no longer with us. Their story is told through the use of some archive material and interviews with esteemed authors, producers and broadcasters. The AU Review…

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Blu-Ray Review: Sicario: Day of the Soldado (USA, 2018) succeeds as both a sequel and a stand-alone narrative

Denis Villeneuve shone a light on issues that now seem more rife than ever in 2015’s hard-hitter Sicario. For its follow-up, sub-headed Day of the Soldado, the concerns at hand are more unnerving than before, and whilst the argument of whether or not the original film needed a sequel is still a valid talking point,…

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Film Review: Holmes and Watson (USA, 2018) is the surprise Anti-Trump film of the holiday season

When a film doesn’t have a media preview screening, you know the confidence from the studio in its quality must be low. Following that up with a dismal score on Rotten Tomatoes (currently 6%) only seems to reinforce their fears. This year’s mainstream US holiday comedy – which in past years has included surprise hits…

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Film Review: The Favourite (UK, 2018) is a raucously glorious and wickedly delicious good time

Absurdist cinema is not for everyone. The directorial work of master of the bizarre Yorgos Lanthimos likely hasn’t sat well with most audiences. By the same token, period films aren’t exactly most people’s cup of tea either. When presented with an absurdist period piece directed by Lanthimos, one may have some trepidation. Leave your apprehension…

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Interview: Jason Momoa on the 5 year journey to Aquaman and loving his own movie

As Aquaman swims his way into cinemas today (read our review here), the King of Atlantis himself, Jason Momoa, has been travelling across the globe in the film’s lead-up to promote the latest offering from the DC roster. Returning to Queensland’s sunny Gold Coast, where the film was mostly shot, Momoa chatted with The AU…

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Film Review: Vice (USA, 2018) shines with its ensemble as McKay’s spiritual successor to The Big Short delivers

Already a critical darling and favourite of the award season, Adam McKay’s new film Vice tackles an unlikely subject, with perhaps an even more unlikely lead actor. In the film out Boxing Day, Christian Bale transforms himself into Former US Vice President Dick Cheney, as McKay – who also wrote and produced the film –…

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Film Review: Cold War (Poland, 2018) is a dryly amusing, dramatically concise and romantically passionate epic

It seems that autobiographical stories that stem from the lives of film directors are in the spotlight in terms of critical acclaim lately. There are great films out there like the Spanish family drama by Carla Simon, Summer 1993; the relationship comedy-drama by Tamara Jenkins, Private Life; the semi-autobiographical rom-com by Eva Vives, All About…

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