Yorgos Lanthimos

Film Review: Poor Things is a twisted enormity of a movie with a deeply intimate core

Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the eccentric…

Read More

Poor Things is a sexually liberated black comedy stirring with emotion and topical commentary: Brisbane International Film Festival Review

Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the…

Read More

Film Review: The Favourite (UK, 2018) is a raucously glorious and wickedly delicious good time

Absurdist cinema is not for everyone. The directorial work of master of the bizarre Yorgos Lanthimos likely hasn’t sat well with most audiences. By the same token, period films aren’t exactly most people’s cup of tea either. When presented with an absurdist period piece directed by Lanthimos, one may have some trepidation. Leave your apprehension…

Read More

Melbourne International Film Festival Review: The Killing of a Sacred Deer (USA/UK, 2017) is the product of skilful filmmaking

It’s not often that an art-house thriller comes together so perfectly to create an unsettling horror capable of antagonising your thoughts even after you’ve walked out the cinema doors. But that is exactly what The Killing of a Sacred Deer does, the fifth feature film of Greek auteur Yorgos Lanthimos. As a darkly comic rendition…

Read More

Film Review: The Lobster (UK, 2015)

Yorgos Lanthimos’ first English-language feature film is a brutal and confronting dark comedy with a touch of surrealism. In a community that is fixated on couples, a man called David (Colin Farrell) checks into a hotel where he must either find a suitable partner in 45 days, or be turned into an animal of his choice….

Read More