Film

Win a double in-season pass to Steven Spielberg’s Disclosure Day starring Emily Blunt

Thanks to Universal Pictures, we have 5 double digital in-season passes (Admit 2) to see Steven Spielberg‘s new original sci-fi event feature Disclosure Day, in Australian theatres from June 11th, starring Emily Blunt, Josh O’Connor, Colman Domingo, Colin Firth, and Eve Hewson. If you found out we weren’t alone, if someone showed you, proved it…

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Interview: Anthony Frith on his documentary Mockbuster and the reality of making a film for The Asylum

Most aspiring filmmakers spend years imagining the moment someone finally says “yes.” For Australian filmmaker Anthony Frith, that moment came courtesy of The Asylum, the notorious studio behind Sharknado and countless mockbusters. What followed was an offer to direct a dinosaur adventure in suburban Adelaide with just six days to shoot it. On paper, Mockbuster…

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Mockbuster reveals a filmmaking machine that is simultaneously absurd, exhausting, and strangely admirable: Sydney Film Festival Review

For decades, The Asylum has occupied a peculiar corner of the film industry. The studio responsible for titles like Sharknado, Transmorphers, and countless other opportunistic genre knockoffs has built an empire on speed, thrift, and a keen understanding of audience curiosity. Their films are rarely mistaken for prestige cinema, but they endure because they know…

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Film Review: Masters of the Universe; knowingly cartoonish fantasy adventure is powered by Nicholas Galitzine’s charm

Masters of the Universe has never been a franchise built on subtlety. It is swords, sorcery, muscles, monsters, skull-faced villains, cosmic castles, absurd character names and declarations of power shouted toward the heavens. The smartest thing Travis Knight’s live-action reboot does is understand that trying to sand down that ridiculousness would be a mistake. Instead,…

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Netflix launches “Watch Your Favourite Books” hub for avid readers and BookTok fans

If your ever-growing “to be read” pile is competing with your streaming watchlist, Netflix has a new feature designed to bridge the gap between the two. Launching globally on June 2, Watch Your Favourite Books is a dedicated destination within Netflix that curates the platform’s extensive collection of literary adaptations, helping viewers discover films and…

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Interview: Masters of the Universe director Travis Knight on the film’s “extreme sincerity”; “We take it sincerely – even when we’re doing something that is objectively silly.”

The toys that once fuelled Masters of the Universe director Travis Knight’s imagination as a child have now become the foundation for one of the year’s most ambitious fantasy spectacles. In Knight’s live-action reimagining, Prince Adam returns to Eternia after 15 years away to find his kingdom shattered under Skeletor’s rule, forcing him to embrace…

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Win a double in-season pass to the comedy that will cross every line – Scary Movie

Thanks to Paramount Pictures Australia, we have 5 double in-season passes (Admit 2) to see every line crossed in Scary Movie, in Australian cinemas June 4th, 2026, starring Marlon Wayans, Shawn Wayans, Anna Faris, Regina Hall, Damon Wayans Jr., Gregg Wayans, Kim Wayans, Benny Zielke, Cameron Scott Roberts, Cheri Oteri, Chris Elliott, Dave Sheridan, Heidi…

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Film Review: Power Ballad is warm, wistful, and powered by a genuinely terrific soundtrack

John Carney has spent much of his career proving that music in film works best when it feels lived-in rather than manufactured. From Once to Sing Street and Begin Again, his stories understand how songs can become emotional lifelines, time capsules, or the language people use when words fail them. With Power Ballad, Carney once…

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How movies brought me back to myself: A personal essay on how cinema saved my life

There’s a certain exhaustion that comes with modern film discourse. Open any social media app after a major release and you’ll inevitably see somebody proclaiming a film the “best movie ever made” or the “worst thing ever created” within approximately six minutes of leaving the cinema. Every reaction has become immediate hyperbole. Every opinion has…

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Film Review: Backrooms is genuinely unnerving, visually hypnotic, and far stranger than most studio horror ever dare to become

Kane Parsons’ Backrooms understands something many horror films about internet mythology completely miss: the fear was never just the monster. It was the feeling. The wrongness. The sense that you’ve stepped somewhere familiar that suddenly no longer obeys reality. Expanding a concept as abstract and collaborative as the Backrooms into a feature-length narrative was always…

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Virgin Australia lands exciting new collaboration with Disney and Pixar’s Toy Story 5

Virgin Australia is bringing a little infinity – and beyond – to the skies. Ahead of the release of Disney and Pixar’s Toy Story 5 on June 18th, Virgin Australia has unveiled a brand-new themed Boeing 737-800 decked out with some of animation’s most beloved faces, including Woody, Jessie and Buzz Lightyear. It’s the airline’s…

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Interview: Kane Parsons on transforming the familiar into something deeply alien in Backrooms

A doorway appears in the basement of a furniture showroom, but what lies beyond it in Backrooms is far more unnerving than a simple descent into another space. Expanding on the internet-born phenomenon that has fascinated audiences for years, filmmaker Kane Parsons transforms familiar environments into something deeply alien – endless corridors of fluorescent-lit emptiness…

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Win a double in-season pass to see Paul Rudd and Nick Jonas in Power Ballad

Thanks to Madman Films, we have 10 double in-season passes (Admit 2) to see Paul Rudd and Nick Jonas in the feel-good story about music, self-respect, friendship, and the price of ambition, Power Ballad, in Australian cinemas from May 28th, 2026. When Rick (Paul Rudd), a past-his-prime wedding singer, meets fading boy-band star Danny (Nick Jonas)…

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Opinion: Why Jackass is secretly one of the queerest franchises ever made

For all the moral panic that surrounded Jackass in the early 2000s – the think pieces about stupidity, the copycat fears, the handwringing over masculinity run amok – the franchise has quietly aged into something far more fascinating than anyone could have predicted. Rewatch it now – which you may well do in the lead-up…

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Everything you can watch on Prime Video this June!

June on Prime Video arrives with a packed slate spanning live sport, romance, fantasy, horror and prestige drama. Leading the month is every match of the ICC Women’s T20 World Cup 2026 streaming live, exclusive and free for Australian audiences from June 13, while BookTok-fuelled romance adaptations Every Year After and Your Fault: London promise…

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The Spanish and Latin American Film Festival unveils full program for 2026

The 2026 HSBC Spanish & Latin American Film Festival is ready to sweep Australian audiences away on a vibrant cinematic journey this winter, returning with a line-up bursting with passion, rhythm, heartbreak, suspense and soul. Running across Palace Cinemas, Palace Nova and Luna Palace Cinemas from June to July, the festival’s 29th edition brings together…

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Film Review: Passenger is a road trip to nowhere

André Øvredal has proven himself capable of delivering horror with atmosphere and restraint. Whether it was the creeping dread of The Autopsy of Jane Doe, the gothic ambition of The Last Voyage of the Demeter, or the gateway scares of Scary Stories to Tell in the Dark, his work usually contains at least a few…

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Film Review: Star Wars: The Mandalorian and Grogu; fans-only adventure mistakes familiarity for momentum

For a franchise built on cinematic awe, Star Wars: The Mandalorian and Grogu arrives with surprisingly small ambitions. Expanded from the enormously successful Disney+ series The Mandalorian, the film technically delivers everything fans have come to expect: dusty space-western imagery, blaster-heavy action, adorable Grogu reaction shots, and endless lore connective tissue. What it struggles to…

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Film Review: Tom Clancy’s Jack Ryan: Ghost War; confident thriller works as both a continuation for fans of the series and a satisfying standalone for newcomers

There’s always a risk when a successful streaming series makes the leap to a feature film that it will feel like an extended episode rather than a cinematic evolution. Fortunately, Tom Clancy’s Jack Ryan: Ghost War threads that needle with confidence, delivering a slick, character-driven thriller that works both as a continuation for fans and…

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Film Review: Finding Emily; refreshingly sincere romantic comedy is a reminder of the joy of watching two people fall in love

Romantic comedies live and die by chemistry, sincerity and the audience’s willingness to believe two people are destined to collide at exactly the right moment. Finding Emily, the charming new feature from director Alicia MacDonald, understands that formula completely. Rather than trying to reinvent the genre, the film leans into what has always made these…

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Interview: Alicia MacDonald on favouring romantic optimism in cynical times with her romantic comedy Finding Emily

There’s a moment early in Finding Emily where sensitive musician Owen locks eyes with a stranger across a crowded student union, and suddenly the world feels charged with possibility. It’s a feeling director Alicia MacDonald spends the entirety of her warm, witty and deeply heartfelt romantic comedy chasing – that intoxicating blur between adolescence and…

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Interview: Angourie Rice and Spike Fearn on building chemistry through their opposing acting processes for Finding Emily

Romantic comedies have always thrived on grand gestures, chance encounters and impossibly perfect timing, but Finding Emily is more interested in the messy uncertainty that exists between those moments. Produced by Working Title Films, the warm and disarmingly sincere new film follows sensitive musician Owen (Spike Fearn), whose attempt to reconnect with a girl he…

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Here’s how you can see exclusive cinematic footage of Tom Cruise’s new film Digger

Tom Cruise has spent more than four decades sprinting across movie screens, hanging off planes, scaling skyscrapers and redefining what audiences expect from a blockbuster star. Now, moviegoers are getting a glimpse at what may be one of the strangest and most transformative roles of his career – but only if they head to the…

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Film Review: Forge; less glossy crime thriller, more melancholy character study

Jing Ai Ng’s Forge slips into the art world through the side door. There are no velvet ropes, champagne-soaked auctions, or globe-trotting thieves in tuxedos here. Instead, the film plants itself in the sticky Miami heat, inside cramped motel rooms and a family-run dim sum restaurant where exhaustion hangs heavier than ambition. What emerges is…

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Film Review: In the Grey; charisma abounds in Guy Ritchie’s effortlessly cool caper

Guy Ritchie’s In the Grey feels like the filmmaker maintaining the exact groove he knows best – fast-talking criminals, swaggering operatives, tangled negotiations, and men who communicate affection through insults, loyalty, and violence. After several years spent bouncing between blockbuster experimentation and franchise filmmaking, Ritchie once again returns to the kind of slick, dialogue-driven crime…

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Interview: Jasmin Tarasin and Courtney Collins on Life Could Be A Dream, romantic myths, and invisible cages

There’s a haunting contradiction at the centre of Life Could Be A Dream. On the surface, Sarah has everything: beauty, privilege, a handsome husband, an elegant home, and the kind of curated life that resembles a glossy magazine spread. But beneath the designer clothes and glass walls sits something far more fragile – a woman…

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Interview: Zoe Pepper on how class obsession and generational entitlement shaped her black comedy Birthright

The housing crisis has become such a relentless part of modern conversation that it’s often reduced to statistics, market forecasts, and political finger-pointing. But in Birthright, writer-director Zoe Pepper turns that anxiety into something far messier, darker, and deeply human. The film follows Cory (Travis Jeffery) and his pregnant wife, Jasmine (Maria Angelico), after they’re…

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Film Review: Birthright is a sharp, uncomfortable black comedy about generational resentment

Birthright is the kind of film that feels painfully recognisable, even as it spirals into increasingly absurd and unsettling territory. Writer-director Zoe Pepper takes the all-too-relatable anxiety of moving back in with your parents as an adult and turns it into a viciously funny social satire about class, entitlement, and the widening emotional divide between…

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Film Review: Dirty Hands is a rough-edged, emotionally charged crime drama

There’s a grimy authenticity pulsing through Dirty Hands that elevates it beyond the standard one-night crime thriller. Written, directed by, and starring Kevin Interdonato, the film thrives not because of its escalating violence, but because of the emotional wreckage left in its wake. Beneath the bloodshed, bruises, and frantic survival instincts is a surprisingly affecting…

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Film Review: Mother Mary; Anne Hathaway commits wholly to gothic horror fever dream that’s as intoxicating as it is self-indulgent

David Lowery’s Mother Mary wants to be an exorcism of pop stardom. Sometimes it feels like a fever dream stitched together from celebrity mythology, couture spectacle, psychological collapse, and gothic horror imagery. Other times, it feels like a film so entranced by its own symbolism that it forgets to give its characters enough humanity to…

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