Film

Film Review: The Devil Wears Prada 2; long awaited sequel proves not only worthy, but surprisingly vital

Two decades after The Devil Wears Prada first carved its place in pop culture, its sequel arrives with both the weight of expectation and the benefit of distance – and against the odds, The Devil Wears Prada 2 proves not only worthy, but surprisingly vital. What could have easily felt like a nostalgic cash-in instead…

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Interview: Callum Turner, Monica Barbaro and director Will Gluck on their high-concept rom-com One Night Only

High-concept romantic comedies often hinge on a single irresistible “what if,” but One Night Only takes that question and quietly builds an entire world around it. In New York City, where the film unfolds, intimacy is governed by an unusual rule: pre-marital sex is permitted just once a year. It’s a premise that could easily…

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Interview: Warwick Thornton and Deborah Mailman on exploring the possibility of healing in Wolfram

At the Queensland premiere of Wolfram during the Gold Coast Film Festival, the conversation around Warwick Thornton’s latest felt as expansive and layered as the film itself. Set against the colonial frontier of the 1930s, Wolfram follows a fragile outback community upended by the arrival of two violent outsiders, triggering a chain of events that…

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Film Review: Wolfram; a visually arresting addition to Warwick Thornton’s unique body of work

Few filmmakers working in Australia today understand the land the way Warwick Thornton does. With Wolfram, he once again turns the Central Australian desert into something more than a backdrop – it becomes a living, breathing force that shapes every character, every decision, and every moment of survival. Wolfram unfolds as a loose companion to…

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Dakota Johnson can’t get Anne Hathaway out of her head in first-look Verity trailer

Adapted from the best-selling novel by Colleen Hoover, Verity marks a sharp pivot from the author’s signature romance into darker, more psychologically charged territory. The first trailer leans into that shift, teasing a story where desire and danger are tightly intertwined. Academy Award winner Anne Hathaway stars as Verity Crawford, a celebrated author whose life…

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Interview: Cassidy Krygger and Matty Wilson on the inspiration behind proof-of-concept romance Love in the Moonlight, feature aspirations, and creative exposure

Love in the Moonlight is a romantic ghost story that drifts between modern-day Australia and the golden glow of 1950s Hollywood, drawing inspiration from classic cinema such as The Ghost and Mrs. Muir. In the newly released 3-minute proof-of-concept, the film introduces Samantha, a driven event manager who inherits a long-abandoned estate – only to…

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Interview: Seven Snipers director Sandra Sciberras on action precision and reshaping the film in real time

Pressure settles in early and never lets up. What begins as a quiet, isolated life on a remote Australian farm quickly tightens into something far more dangerous in the lean, nerve-wracking thriller Seven Snipers. At the centre is Kris “Voodoo Child” Hendricks (Radha Mitchell), a former elite sniper who has spent years trying to outrun…

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Film Review: Seven Snipers; B-grade actioner knows its target

There’s no point pretending Seven Snipers is aiming for prestige – it knows exactly what it is, and to its credit, it rarely misfires because of that. Director Sandra Sciberras leans into the film’s B-grade action-thriller DNA with confidence, delivering something tight, tense, and just self-aware enough to stay engaging without tipping into parody. The…

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Film Review: The Sheep Detectives; a charming, quietly profound whodunit

The Sheep Detectives is exactly that kind of oddball triumph of a film that feels like it shouldn’t work on paper – until it absolutely does: A murder mystery where the sleuths are a flock of sheep, the victim is their beloved shepherd, and the emotional through-line quietly sneaks up on you when you’re least…

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Interview: Cassandra Scerbo and Adrianne Palicki on releasing the emotion underneath the horror of The Wolf and the Lamb

Grief, faith, and folklore collide in The Wolf and the Lamb, a haunting hybrid of western grit and supernatural horror from director Michael Schilf. At its centre is Jo Beckett, a schoolteacher pushed to the brink when her son vanishes, sending her spiralling into a world where belief and paranoia blur. But beneath the film’s…

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Film Review: Apex; well-crafted Netflix thriller leans into performance, place, and momentum

Grief sits at the centre of Apex, but it’s not the kind that asks for quiet reflection. It’s restless, disorienting, and constantly pushing forward – much like the film itself. What begins as a solitary escape into the wilderness gradually tightens into something far more dangerous, until it snaps into a lean, nerve-rattling game of…

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Interview: Writer/director James Litchfield on the unhinged romance of Alphabet Lane

There’s a fine line between connection and performance – and Alphabet Lane walks it with a quietly unnerving confidence. What begins as a joke between two isolated lovers spirals into something far stranger, as invented friends start to feel more real than the relationship they were meant to save. Darkly funny, subtly unsettling, and unexpectedly…

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Film Review: Beast; Daniel MacPherson anchors effective MMA drama

Beast doesn’t pretend to break new ground. It moves along a well-worn path – fall from grace, one last shot, the hope of redemption – but what sets it apart is how seriously it treats that journey. Directed by Tyler Atkins, working off Russell Crowe and David Frigerio‘s script, the film is less interested in…

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Interview: Tyler Atkins on directing Beast, violence as communication, and creative transformations

Beast hits with more than just brute force. Beneath the bone-crunching action is a story about restraint, identity, and the internal battles that don’t end when the fight does. Academy Award winner Russell Crowe steps into the role of a seasoned trainer, guiding Daniel MacPherson’s Patton James – a fighter pulled back into a world…

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The HSBC German Film Festival announces full 2026 program

The 2026 HSBC German Film Festival arrives this May with a program that feels both expansive and sharply curated, bringing a wide spectrum of German-language cinema to screens across the country from 6th to the 27th May. From urgent contemporary dramas to offbeat comedies and family-friendly adventures, this year’s lineup strikes a confident balance between…

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Film Review: Michael; Jaafar Jackson shines in a story that plays it safe

In an era where musical biopics arrive with assembly-line regularity, it was only a matter of time before Michael Jackson – arguably the most mythologised pop figure of all – received the full prestige treatment. Backed by his estate and positioned as the definitive cinematic account, Michael has all the makings of something monumental. Instead,…

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Interview: Nicholas Ma on exploring the emotional language of plants in tender drama Mabel

In Mabel, filmmaker Nicholas Ma crafts a quietly disarming coming-of-age story that finds its emotional roots in an unexpected place: the bond between a fiercely self-possessed young girl and a plant. At its centre is Callie (Lexi Perkel), a prickly, sharp-witted outsider whose love of botany becomes both her shield and her language for navigating…

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Balls Up brings the mayhem: Inside the wild new Prime Video comedy

The red carpet for Peter Farrelly’s latest comedy was less a stroll and more a full-blown warm-up for the chaos to come – fitting for a film that proudly leans into its “balls-to-the-wall” sensibility while still promising a surprising amount of heart. Front and centre was Mark Wahlberg, who didn’t hesitate to set the tone,…

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Full-length Street Fighter trailer is a fighting good time!

The first full trailer for Street Fighter has arrived – and it’s not pulling any punches. Set against a neon-soaked, early ’90s backdrop, the footage leans hard into the franchise’s arcade roots, delivering a deliriously fun mix of high-impact action, heightened drama, and unapologetic camp. This isn’t a grounded reinvention – it’s a full-throttle embrace…

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Film Review: Lee Cronin’s The Mummy; investigative horror story is unnerving and psychologically potent

Lee Cronin’s The Mummy is not the film you might be expecting – and that’s precisely its strength. Rather than leaning into the sweeping, action-adventure bombast typically associated with the title, Lee Cronin pivots sharply into something far more intimate and unnerving: a slow-burn, investigative horror story rooted in grief, absence, and the uncanny terror…

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We all scream for Eli Roth’s Ice Cream Man in chilling teaser trailer

Eli Roth returns to his trademark brand of splatter-soaked horror with the first teaser for Ice Cream Man, and if this early glimpse is anything to go by, summer is about to turn very, very sour. Set in an otherwise picturesque seasonal town where sun-drenched streets and nostalgic laughter mask something far more sinister, the…

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Film Review: Wasteman is a claustrophobic, unapologetically raw prison drama

There’s no easy way to watch Wasteman – and that’s exactly what makes it so compelling. From the moment it locks you inside its grey, suffocating world, director Cal McMau makes it clear this isn’t a prison drama interested in comfort, catharsis, or even conventional morality. Instead, it’s a clenched, nerve-fraying character study that trades…

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Opinion: The most underrated banger of the ’80s lives in Grease 2

There’s a certain kind of cultural blind spot that happens when something is packaged “wrong.” A film flops, critics shrug, and everything attached to it gets quietly filed away as disposable. That’s exactly what happened to Grease 2 – and, by extension, to “Cool Rider,” performed by Michelle Pfeiffer. But strip away the baggage of…

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BOGOSHORTS Returns: Festival and Film Market open for submissions

The BOGOSHORTS – Bogotá Short Film Festival continues to cement its status as one of the world’s leading short film showcases, drawing more than 46,000 attendees to nearly 300 activities and presenting over 430 films across 120 screenings in its previous edition. As an official qualifying event for the Academy Awards®, Spain’s Goya Awards, and…

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Interview: Director John Asher, and stars Emmanuelle Chriqui and Hayes MacArthur on their emotional collaboration A Love Like This

There’s something inherently voyeuristic about A Love Like This – a film that invites us to peer through the cracks of a relationship that perhaps isn’t meant to be seen. Set over one sun-drenched but emotionally volatile weekend in Malibu, the film follows Paul and Leah as they attempt to exist, however fleetingly, as a…

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Film Review: A Love Like This; a romance that understands love not as a solution, but as a complication

There’s a quiet confidence to A Love Like This that sneaks up on you. What begins as a sun-drenched romantic escape gradually reveals itself to be something far more introspective – an intimate, emotionally levelled portrait of two people trying to hold onto something that perhaps was never built to last. Directed by John Asher,…

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Film Review: You, Me & Tuscany; pleasant, polite, and entirely forgettable

There’s a very specific kind of cinematic daydream that films like Under the Tuscan Sun perfected – sun-drenched escapism where heartbreak is healed by good wine, better views, and the promise of reinvention. You, Me & Tuscany clearly wants to bottle that same vintage. The problem is, somewhere along the way, it forgets that charm…

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Interview: Lincoln Lewis on carving out a career as a chameleon on screen; “That idea of being present is something I’ve really leaned into.”

For more than a decade, Lincoln Lewis has been a familiar presence on Australian screens, but his journey from eager newcomer to seasoned performer has been anything but static. Starting out at just thirteen with early roles in The Sleepover Club, Mortified and H2O: Just Add Water, Lewis quickly built a foundation that would lead…

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The wrong place at the right time: The cast and creatives of You, Me & Tuscany breakdown their sweeping new romance

Sometimes the wrong place is exactly where you’re meant to be. That idea sits at the heart of You, Me & Tuscany, a sun-drenched romantic comedy that leans into chaos, coincidence, and the courage it takes to follow your instincts – even when they lead you somewhere wildly unexpected. Produced by hitmaker Will Packer, whose…

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Interview: Rebel Wilson on her directorial debut The Deb and the challenges of making a movie musical

There’s something deeply fitting about Rebel Wilson making her directorial debut with a musical. Joyous, scrappy, and unmistakably Australian, The Deb feels like a love letter to the kind of films that shaped her – the bold, eccentric classics like Muriel’s Wedding, Strictly Ballroom, and The Adventures of Priscilla, Queen of the Desert that didn’t…

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