Author: Naomi Gall

Theatre Review: Mercutio and The Prince of Cats both entertains and confuses its audience at Sydney’s Old 505

Shakespeare’s Romeo and Juliet is one of the most iconic tragedies of all time. If you’re unfamiliar with this tale of woe – plot spoiler – they die in the end. But Giles Gartrell-Mills, the writer behind Mercutio and The Prince of Cats, isn’t interested in the star-crossed lover’s plight. Instead the play focuses on…

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Film Review: Odessa (Russia, 2019) – Amazing cinema at the Russian Resurrection Film Festival Launch

The Russian Resurrection Film Festival is considered one of the largest and most well respected film festivals outside of Russia. Travelling to Melbourne, Sydney, Brisbane, Perth, Adelaide and Canberra, the festival offers an insight into Russian culture through some of the most imaginative and creative cinema you’ll see. After some welcome speeches, including the Russian…

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Theatre Review: Things I Know to be True will leave you shaken and amazed

A word of advice about Things I Know to be True – do not read any reviews about this play. Just see it. Immediately, if not sooner. Do not risk any twist, turn or roundabout being ruined for you. Having said that, here’s my thoughts. I went into this play with no expectations, having heard…

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Live Review: So Pop sees Aqua headline a nineties revival with all your favourites

The line – up for So Pop read like the best of the Nineties – Lou Bega, Eiffel 65, Blue, Vengaboys, Aqua – it was the soundtrack of my High School years. Nostalgia hung heavy in the air as the first act of the night, Mr President, took to the stage. By the time B*WITCHED captivated…

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Opera Review: La Bohéme is all at once decadent and tragic at the Sydney Opera House

A world of starving artists, love at first sight, decadence and jealousy – so sets the scene for Puccini’s formidable La Bohéme. The performance begins with four friends, each a poor artist, struggling to survive another winter. By the end of the first act Rodolfo, a poet, has fallen in love with Mimí, a seamstress,…

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Review: Personal narratives take centre stage at the Feminist Writer’s Festival in Sydney

Established in 2016, the Feminist Writer’s Festival aims to support and promote feminist writers in Australia. For the first time this biennial festival came to Sydney, and over the course of two and a half days this writer attended a total of ten talks. Topics of the talks ranged from Writing and Speaking Indigenous Lives…

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Film Review: Lady Gaga shines as A Star is Born (USA, 2018) proves perfection on screen

Lady Gaga is not the first singer to embark on the transition from music to film (J. Lo, I’m looking at you), and I doubt she will be the last. However, never before have I seen a musician take this leap with such skill, such talent and such raw emotion reminiscent of a seasoned actor….

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Interview: Festival Director Nikki Anderson talks ahead of the Feminist Writers Festival in Sydney

Next month, some of Australia’s leading feminist writers and thinkers will be heading to Sydney for the Feminist Writers Festival. Held in conjunction with the UTS Centre for Social Justice and Incusion, it will be the first time the festival has been held in Sydney. Over three days, thirteen sessions, and featuring over forty speakers,…

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Review: You will never look at your kitchen sink in the same way again after STOMP at Sydney’s Capitol Theatre

Using everyday items such as brooms and buckets, the eight performers who make up STOMP create their own soundtrack, a hybrid of noise that form a melody which will see you tapping your feet in no time. Incredibly theatrical, no words are spoken for the duration of the performance yet the cast are able to…

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Review: The skaters may have flown at Swan Lake on Ice, but the re-vamped ending did not (Sydney’s Capitol Theatre to 29th July)

NB: Spoilers ahead. You’ve been warned. Most people are familiar with the story of Tchaikovsky’s Swan Lake. Even if they haven’t seen the ballet, they will know some of the iconic music, in particular the dance of the cygnets. Personally – I love Swan Lake – so when an opportunity to see it performed on…

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Review: Jurassic Lounge 2099 is a guilty pleasure – without the guilt at the Australian Museum

You’re walking around a museum after dark, encountering all kinds of weird and wonderful animals, suddenly you swear the Brachiosaurus just winked at you – is your mind playing tricks on you? Or is it the four cocktails you’ve just polished off taking effect? Either way, this is Jurassic Lounge and in here, anything is…

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Theatre Review: Gypsy is a slow burn that just misses the mark (Sydney’s Hayes Theatre Co to 30 June)

I’m not entirely sure what I was expecting walking into Hayes Theatre to see Gypsy, a musical based on the memoirs of famous burlesque star Gypsy Rose Lee. All I know is this wasn’t it. The performance focuses heavily on the early life of Gypsy Rose Lee, growing up in the shadow of her sister…

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Review: Alison’s House is as relevant today as when it was written – perhaps more so (Sydney’s Depot Theatre to 21 April)

In a society where the literary works of men are frequently performed on the Sydney stage, it was refreshing to see a play by an esteemed female writer grace The Depot Theatre. Inspired by the life and work of American poet Emily Dickinson, Susan Glaspell wrote Alison’s House in the 1930s, creating a world full…

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Review: Want to laugh so hard wine comes out your nose? The Miss Behave Gameshow is for you (Sydney Opera House)

Flying candy, endorsement of cheating and a few life lessons – and that’s just in the first 10 minutes – The Miss Behave Gameshow is hands down the most entertaining night out I’ve had in a long time. In fact, stop reading, jump over to the Sydney Opera House website and grab yourself some tickets…

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Review: “We want equality, and orgasms” (Anne Summers) All About Women at the Sydney Opera House

In its sixth year, All About Women celebrates International Women’s Day (March 8) with a line-up of inspiring and empowering discussions around the universal struggle for equality in a world still dominated by the white, privileged patriarchy. While I could have easily gone to every talk on offer, it wold have been physically impossible given…

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Review: Where’s the love? Cupid’s arrow just misses the mark at the Australian Museum

When I heard that the Australian Museum was hosting a special anti-Valentine’s Day event as part of their Culture Up Late series, I was more than just intrigued – I was excited. I’ve never been someone who buys into the whole commercialisation of Valentine’s Day, having always felt it was an expensive, over the top…

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Apparently you can turn back time: Experiencing Cher in Las Vegas

I travelled to Las Vegas to see Cher. You heard me. Cher. I was first introduced to her music as a child in the 1980s and have always wanted to see her perform. Realising the chances of her coming to Australia were slim, when I discovered she was performing in Las Vegas I felt a…

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Review: Grace Under Pressure highlights the need for change in the medical industry

Grace Under Pressure examines workplace and training within the health industry and presents a verbatim theatre project in which four performers recite transcripts from real interviews with healthcare professionals at varying stages of their careers. Created by David Williams and Paul Dwyer, in collaboration with the Sydney Arts and Health Collective, Grace Under Pressure presents…

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Review: Tammy & Kite beautifully articulates the resilience of childhood and the enduring power of friendship

How much do children perceive of the world around them? How do children cope with sadness? Hannah Cox and Caitlin West tackle these tricky questions in Tammy & Kite, a play about two sisters whose love for each other appears to be stronger than anything the world can throw at them. The performance opens with…

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Make Nice: when creative women join forces there isn’t much they can’t accomplish (and other key lessons)

Make Nice launched in 2016 and was born from the desire to push back against the “boys club” which exists within creative industries (most industries, let’s be honest) and show creative women they don’t have to be competitive to get ahead. Women can “make nice” and still be successful. In fact, when creative women join…

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Interview: Keynote speaker Ann Friedman chats ahead of Make Nice: Un-conference for Creative Women

Ahead of Make Nice: Un-conference for Creative Women, which kicks off tomorrow in Sydney, we caught up with the event’s Keynote speaker Ann Friedman, an acclaimed freelance journalist who writes about (among other things) gender, media, technology, and culture. How did you start out as a writer? What were some of your first jobs? I am one…

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Theatre Review: KHON: Exquisite Masked Dance Drama of Thailand is artwork come to life

Khon is a genre of dance drama from Thailand that combines several forms – dance, music, painting and crafts. Traditionally performed exclusively at the court and for royal functions, the masked dance is created for the Devine King with scenes from the Ramakien. On this night at the Sydney Opera House, KHON: Exquisite Masked Dance…

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Theatre Review: Kindertransport moves its audience with honest and frank stories (Darlinghurst Theatre Company until 20th August)

Prior to the commencement of the Second World War, Britain took in over 10,000 Jewish refugee children from Europe. This was known as Kindertransport, with the majority of the children never seeing their families again. Diane Samuels play, Kindertransport, follows the story of Eva who is sent from Hamburg to England in 1938 when she…

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Theatre Review: Hello, Goodbye & Happy Birthday is beautifully honest and an absolute delight to watch

Hello, Goodbye & Happy Birthday explores the fears and hopes of those looking for direction at the start of their lives and those searching for peace at the end. The cast is made up of three young performers (Aileen Huynh, Izabella Yena and Matthew Connell) and three older performers (Jim Daly, Roger Oakley and Evelyn…

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Theatre Review: Mauritius is hilarious, heartbreaking and thoroughly engaging (Sydney’s New Theatre until 29th July)

After the death of their Mother, two estranged half-sisters enter into a heated debate over which one of them owns a coveted stamp collection. Jackie (Kitty Hopwood) is the younger of the two and she sees the sale of the stamp collection as her ticket to a better life. Standing in her way is Mary…

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Interview: The Incredible Here and Now co-director Jeneffa Soldatic talks about the anticipated coming-of-age adaptation

Commissioned from local Parramatta author Felicity Castagna based on her multi award winning novel and performed by Australia’s newest theatre company, National Theatre of Parramatta, the coming-of-age drama The Incredible Here and Now looks set to be one of the most talked about shows on the season. In the leadup to the opening of the production…

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Review: Bangarra Dance Theatre Company’s Bennelong is emotional, heartbreaking and utterly significant (Sydney Opera House until 29 July 2017)

Choreographed by Stephen Page, Bennelong by the Bangarra Dance Theatre Company, articulates the story of Wollarawarre Bennelong, an Eora man who was kidnaped by Governor Phillip in 1789 and forced to live in the colonies. Taken back to England, Bennelong learnt to speak English and was held up as an example of the relationship between…

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Theatre Review: Sport for Jove’s Cyrano De Bergerac is nothing short of brilliant (Performances at Sydney’s Seymour Centre until June 24th)

Most people would be familiar with the story of Cyrano De Bergerac – doesn’t ring a bell? – perhaps you’re more familiar with the 1987 film adaptation Roxanne, with Steve Martin as the plays protagonist Cyrano. Written in 1897, the themes of Edmond Rostand’s play are as relevant today as when he wrote it. Questions…

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Theatre Review: The 7 Stages of Grieving at Parramatta’s Riverside Theatre is a play every Australian needs to see

The first thing that surprised me about The 7 Stages of Grieving was that I laughed. A lot. With a title such as The 7 Stages of Grieving, laughter was not something I was expecting, but such is the extraordinary talent of writers Wesley Enoch and Deborah Mailman and the exceptional skill of performer Chenoa…

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ASOS Supports Talent present four new contemporary dance films directed by Amrita Hepi

ASOS Supports Talent is a global initiative which helps young creatives turn their ambitions into real-life projects. One of the talent selected for 2017 is dance activist and choreographer, Amrita Hepi. With a practice that focuses on intersectionality, Hepi choreographed four routines with four dancers who she considers to embody incredibly political practices. The separate pieces…

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