Reviews

Film Review: Sorry To Bother You (USA, 2018) proves a wildly original satirical comedy

Boots Riley has over two decades of powerful, biting and important work behind him as emcee of The Coup, so Sorry for Bothering You, his directorial debut, isn’t as big of a leap as it appears to be for the artist. Well, it’s not big in the sense that smart political satire is anything new…

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Film Review: Anna and the Apocalypse (UK, 2017) is funny, romantic, appropriately gory and deliriously catchy

When you think of zombie comedies, it’s difficult to look beyond the witty brilliance that is Edgar Wright’s Shaun of the Dead (2004).  Whilst we’ve had our share of interesting takes on the walking dead in the years since, the arrival of Anna and the Apocalypse stands as the choreographed high-kick the genre needed.  Not…

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Film Review: I Used To Be Normal: A Boyband Fangirl Story (Australia, 2018) is a wonderfully funny and joyous documentary about the positive reinforcement of fandom

According to Webster’s Dictionary, the term fangirling is defined as a female fan behaving and obsessing in an overexcited fashion. You may or may not forgive me for finding this definition quite amusing, but it sums up my expectations of director Jessica Leski‘s I Used To Be Normal: A Boyband Fangirl Story perfectly. A film…

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Film Review: Lean on Pete (UK, 2018) sees a troubled teen fall off his horse & get back up again

Lean on Pete is about a poor boy in more ways than one. This troubled teen was abandoned by his Mum and lives with his selfish father in poverty. His saving grace comes in the shape of an aging racehorse named Lean on Pete. This slow-burning drama sees this teen fall off his horse, only…

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Film Review: The Children Act (UK, 2017) is a middling drama enlivened by a powerhouse performance from Emma Thompson

This may be a bold statement to make but it must be said: every film out there would kill to have the presence of Emma Thompson. Whether it is for her acting capabilities like she can elevate even the most fluffiest of films like the rom-com Love Actually with her fantastic acting chops; or it…

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Japanese Film Festival Review: One Cut of the Dead (Japan, 2017) is a genius take on the Zombie comedy genre

One Cut of the Dead is not your run of the mill Zombie film, nor should any moviegoer make the same mistake as this reviewer and assume they’re going to go watch a Japanese version of Shaun of the Dead as they’ll find themselves completely flabbergasted by what’s put in front of them. In a…

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Film Review: Robin Hood (USA, 2018) brings an abundance of action but nothing new to tell

We’ve all heard the tale of Robin Hood, the nobleman who robbed from the rich to give to the poor. Who becomes a revolutionary figure that leads to an uprising. A symbol of hope in a time of poverty and struggle. Well there’s a new Robin Hood movie out that brings all of that to…

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Film Review: The Nutcracker And The Four Realms (USA, 2018) is visual eye candy but needs a bit more filling

Disney once again brings a visually sumptuous live action adaptation to the big screen in the the lead up to the festive season. This time loosely taking E.T.A Hoffman’s original ‘The Nutcracker And The Mouse King’ story, and also a ballet by Tchaikovsky, and a novel by Dumas, and putting their own spin on it….

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Film Review: Widows (USA, 2018) is a breathtaking thrill ride that consistently keeps you guessing

The year in cinema has already yielded one female-led heist film. However, the stylish ladies of Ocean’s 8 are about to be blown out of the water by the sensational ensemble cast (headed by three terrific actresses) of Widows. The latest film from Steve McQueen, slyly presents itself as your everyday popcorn thriller, but ultimately flips the…

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Film Review: Shoplifters (Japan, 2018) is a masterful and emotionally stirring look into an unconventional working-class family

It is incredibly hard to believe that we have a new Hirokazu Koreeda film coming out so soon after his last one, the 2017 courtroom drama The Third Murder, and yet we have one in 2018 called Shoplifters! Heralded as a film that goes back to socially relevant roots, similar to the 2004 heartwrenching drama…

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Film Review: Fantastic Beasts: The Crimes Of Grindelwald (UK/USA, 2018) is a dark and shambolic affair

2016’s Fantastic Beasts And Where To Find Them was the beginning of the expansion of the Harry Potter universe and an opportunity for fans to return to the wizarding world. It’s reception although somewhat mixed, was generally positive Fantastic Beasts: The Crimes Of Grindelwald is a jaunt back into the magical realm and where the first in…

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Cine Latino Film Festival Review: Alfonso Cuaron’s Roma (Mexico, 2018) is an utter masterpiece

If there’s one film in 2018 that is guaranteed to garner Oscar buzz due to director recognition alone, it’s Mexican director Alfonso Cuaron‘s Roma. Ever since making his mark with his critically acclaimed drama Y Tu Mama Tambien, Cuaron has gone on to making fantastic films that are commercially viable as well as technically proficient;…

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Film Review: The Girl in the Spider’s Web (USA, 2018) lacks adherence but compensates with thrills, fun and a great performance by Claire Foy

Lisbeth Salander is back! In another reiteration! Over the years, we have had four films revolving around the characters created by acclaimed Swedish author Stieg Larsson, and each have been hits in their home territory, as well as receiving rave reviews from many critics. Many people have complimented the Scandinavian cinematic thriller tropes (i.e. winter settings,…

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AMW Film Festival Review: Now Sound: Melbourne’s Listening celebrates the city’s vibrant independent music scene

London’s calling, California’s dreaming, so Melbourne must be dancing if Now Sound: Melbourne’s Listening is true. The documentary is a celebration of the independent music scene in our very own, world-renowned, live music capital. This film is a passionate little time capsule joined at the hip to a very special time and place. Tobias Willis…

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Film Review: Fahrenheit 11/9 (USA, 2018) is a rousing call to action to take the world back from the dark side

Based on your personal feelings towards Donald Trump and the Republican Party, your reaction to (and presumably interest in) Fahrenheit 11/9, Michael Moore‘s latest bombastic documentary, is likely already predetermined. If you consider Trump to be a crusading saviour of the people and his presidency really is making America great again, maybe sit this one…

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Film Review: Bohemian Rhapsody (USA, 2018) is as spirited as it is sterilized

Biopics are a dime-a-dozen these days. And when one considers the marketable possibilities about them, it’s not hard to see why there are so many of them. Particularly when the subject of the biopic revolves around the entertainment industry. In the case of the music industry, we have had so many biopics revolving around that…

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AMW Film Festival Review: Lost in France (UK, 2018) is a love letter to Scottish musicians Mogwai, Franz Ferdinand and more

What goes on tour stays on tour. Except if you’re the Scottish artists who feature in Lost in France. This music documentary is a boozy and breezy look back at a once-forgotten, 1997 Brittany tour. The artists reunite again in 2015 and in doing so, prove that some things – like friendship – never change….

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Jewish International Film Festival Review: Studio 54: The Documentary (USA, 2018) is a fabulous party about the infamous New York nightclub

Groucho Marx once said he wouldn’t want to belong to a club that would have him as a member. For us mere mortals, the world’s most famous nightclub remains elusive territory. It only existed for 33 months and if you were lucky enough to be there, chances are the velvet rope held you back. Studio…

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Jewish International Film Festival Review: The Twinning Reaction (USA, 2017) will leave you seeing red once you’ve seen double

Try to imagine something that could be your biggest joy and greatest nightmare. It’s not easy. But finding out you have an identical twin sibling has got to be up there. The Twinning Reaction is a documentary that covers a bizarre and bittersweet example of this with brutal honesty. The results are not what you’d…

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Film Review: Goosebumps 2: Haunted Halloween (USA, 2018) provides some PG scares over familiar ground

Acting as a nice alternative to the brutality of Halloween, Goosebumps 2: Haunted Halloween, whilst not overly clever or necessary viewing by any means, provides enough chaotic entertainment for the younger crowd (or those young at heart) to earn their own respective scares for the spooky season. Even though its title suggests its a sequel…

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Film Review: Halloween (USA, 2018) truly captures the atmosphere of John Carpenter’s seminal classic

Trick: The 2018 incarnation of Halloween acts as a direct continuation of the 1978 original, essentially wiping out all seven sequels (and the two Rob Zombie-helmed revisions) that succeeded in the years since. Treat: It’s good.  Like really f***ing good! After surviving the maniacal clutches of psychotic killer Michael Myers forty years prior, Laurie Strode…

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Film Review: Beautiful Boy (USA, 2018) is a powerful meditation on drug addiction, told by a user’s helpless father

We always hurt the ones we love the most. This is certainly the case with Beautiful Boy. The film is an emotional drama about a father who is grappling with his son’s drug addiction. It’s a very human and poignant story. This film is the English language debut for director, Felix Van Groeningen. The plot…

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Film Review: Lady Gaga shines as A Star is Born (USA, 2018) proves perfection on screen

Lady Gaga is not the first singer to embark on the transition from music to film (J. Lo, I’m looking at you), and I doubt she will be the last. However, never before have I seen a musician take this leap with such skill, such talent and such raw emotion reminiscent of a seasoned actor….

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Film Review: In Like Flynn (Australia, 2018) is predominantly fizzy and shamelessly cheesy

Director Russell Mulcahy, the Melbourne filmmaker whose career has seen him graduate from Elton John music videos to varied levels of cinematic quality (the 1984 wild boar in the outback horror flick Razorback, the ill-advised Kim Basinger vehicle The Real McCoy, and the Geoffrey Rush drama Swimming Upstream just a few of his efforts) is…

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OzAsia Festival Review: Of Fathers & Sons (Syria, 2017) lifts the veil on religious extremists

Of Fathers & Sons should come with a warning. This is likely to induce nightmares even though it’s not strictly a horror film. It is however, a horrifying documentary that chronicles a religious zealot and his young, jihadist-in-the-making sons. The result is a visceral and eye-opening look at this largely-unknown world. Filmmaker, Talal Derki is…

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Film Review: Damien Chazelle has crafted something truly impeccable with First Man (USA, 2018)

It seems almost baffling that Neil Armstrong’s account of being the first man on the moon hasn’t been told prior to Damien Chazelle‘s First Man.  Clearly an intimidating figure but still reserved, sensitive and aloof enough to not be placed upon a pedestal as some flawless being, Chazelle’s film seeks to uncover the more human…

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Film Review: Alpha (USA, 2018) is an ancient story of Man’s best friend

Set in Europe “20,000 years ago”, a tribe of hunter-gatherers is preparing to hunt before winter. Keda (Kodi Smit-McPhee), is learning the ropes from his father, the tribe’s chief Tau (Johannes Haukur Johannesson). Quiet and sensitive, the young Keda is having issues in coming to terms with killing animals, with father gently guiding him unto…

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Film Review: American Animals (USA, 2018) is a masterful, original take on the heist & true crime genres

American Animals is the scripted film debut from writer/director Bart Layton, who walked away with a BAFTA for his debut effort, the documentary The Imposter. Knowing he comes from a documentary background is unsurprising when you see this film, which screened at Sundance earlier this year to a good deal of critical acclaim, and continued…

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Film Review: Venom (USA, 2018) is a wasted opportunity at a more irreverent antihero

I’m going to preface this review by saying, I’m not a comics person, I just enjoy comic-adaptation movies. So my reviews tend to have this film-centric lens rather than delving into how aspects of specific comic editions or stories can be seen threaded through the movie. So now that I’ve gotten that out of the…

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