A cautionary tale about the thrills and perils of recreational sex in the digital dating world, Sequin in a Blue Room is a risqué but nonetheless important teen-aimed drama that offers something of a safe space for queer or questioning audiences regarding the nature of their sexual selves. An erotic film without being overtly explicit […]
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“671 kilometers of jungles, rivers, ocean, and swamp. And it is…brutal” So says World’s Toughest Race host (and producer) Bear Grylls to an accumulative 66 teams as they gather patiently to learn just what they’re in for over the course of the next 11 days. And if there’s anyone who knows the extremities of the […]
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There are some films you just can’t quite pick. As much as Lawrence Michael Levine‘s Black Bear stays relatively true to its basic plot logline – “A filmmaker at a creative impasse seeks solace from her tumultuous past at a rural retreat, only to find that the woods summon her inner demons in intense and […]
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Quick bites. Big stories. Designed specifically to engage the masses in the smallest of time frames, Quibi produces fresh, original content in bite-sized portions so you’re entertained at any given second. After successfully launching across the US, where their short-form, mobile-specific content proved a viable alternative to the predominant lounge-room streaming of Netflix and Amazon Prime […]
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Briefly branding Alex Pettyfer “hot property” off the film’s expected anticipation, and somehow managing to ensemble a cast of such weight as Ewan McGregor, Alicia Silverstone, Bill Nighy and Mickey Rourke, the Alex Rider name was an intended film series that floundered on arrival with the release of Stormbreaker back in 2006. Underperforming in its […]
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Let the social distancing binge viewing continue! Winter may be over, but staying on the couch seems like the most reasonable seasonal activity as Amazon Prime Video promises to overload its devoted audience with one helluva line-up. Harley and Katniss and Neo, oh my! Kicking off the month with a bang is everyone’s favourite anti-heroine […]
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What a year 2020 has been – and we’re only 7 months down! With COVID-19 (still) wreaking havoc on an unsuspecting and, let’s face it, unprepared world, reportings of weekend movie grosses hardly feels necessary. And yet, as the entertainment industry remains one of COVID’s biggest casualties, it’s difficult not to find importance in the […]
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The teen sex comedy isn’t a rarity within the studio system, but they are often quite outlandish enough that they never entirely ring true regarding the situations they’d like teenagers to relate to. Weighing down the high concept mentality so often adopted by the genre, Yes, God, Yes is that rare beast that hopes to […]
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On the eve of Shannon Murphy‘s tragic dramedy Babyteeth releasing in Australian cinemas (you can read our interview with her here) we were fortunate enough to chat with the film’s male lead, British-born Australian talent Toby Wallace. As he stated that being able to talk about the film during COVID-19 is “a breath of fresh […]
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In a bid to maintain the state of cinema and reimagine the festival mind-frame, the Melbourne International Film Festival has launch MIFF 68½, an online curated program that’ll allow home-bound Melburnians the chance to experience the festival’s intended 2020 line-up. Running from the 6th-23rd August 2020, MIFF 68½ will showcase 113 films across its schedule – […]
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Whilst it’s easy to roll your eyes at the almost insultingly familiar narrative Babyteeth works with at its core – terminal ill teenager falls in love with the wrong guy – it somehow manages to avoid most of the genre cliches, thanks to a mindset that isn’t afraid to be messy, frustrating and, at times, […]
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So you should know going into The King of Staten Island that, yes, director Judd Apatow hasn’t changed his aesthetic in terms of narrative length or character ingredients. A too-long comedic drama (emphasis on the drama here) focusing on a typical man-child who’s failed to launch himself, Staten Island hopes to be more endearing than […]
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Despite this year’s Oscars honouring one of 2019’s more diverse offerings (Bong Joon-ho’s Korean black comedy/thriller Parasite), the whitewashing of the event was overwhelming. In a cinematic year where actors of colour delivered universally-praised performances (see Lupita Nyong’o in Us, Awkwafina in The Farewell, and Jennifer Lopez in Hustlers, for a start), it was disappointing that […]
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In case the filmic version of Fifty Shades of Grey was ultimately a little too safe in its actuality compared to the near-porn mentality of E.L. James’s novel, J-P Valkeapää‘s striking Dogs Don’t Wear Pants stands as something of a reparative. And as much as the bold, dark comedy intends to shock its audience, this remains […]
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Given the state of the world right now, a little comedy would be the perfect antidote to distract us. And, on paper, a satire-cum-love-letter surrounding the Eurovision Song Contest starring Will Ferrell and Rachel McAdams as a duo of Icelandic popstar-wannabes desperate to win said contest sounds like a potential winner. The reality, unfortunately, is […]
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After an enormously successful launch in the United States and Canada, Acorn TV has arrived in Australia and New Zealand. A predominantly British-centric service that showcases the best drama the UK has to offer, one of the instantly accessible series on the “Netflix for Anglophiles” is Dead Still. Set in 1880’s Ireland, the comedically macabre […]
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At just over 80 minutes, Darkness Falls (which is also known as Anderson Falls in other regions) understands the importance of not overstaying its welcome. It’s a lean, tight running time for a serial killer thriller, one that opens with a particularly harsh sequence where the predators murder their prey by forcing them to digest […]
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In a climate where addressing one’s own identity has never felt more important, independent Australian rapper and producer Dos Dos has released his first major single of 2020, “No Time”. An unfettered reflection of an artist’s struggle with identity and depression, “No Time” – over a subtle base and hip-hop-inclined beat – comments on the […]
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And so my dear Bébés, it’s time to say goodbye. After 6 seasons, 80 episodes, countless nonsensical European-inflected ramblings, and, surprisingly, only two “Ew, David”‘s, Schitts’s Creek has come to and end. In the series’ swan song, the Roses (co-creators Eugene Levy and Dan Levy, Catherine O’Hara, and Annie Murphy) are achieving success in their careers and […]
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End of Sentence treads a familiar path. And, initially, Elfar Adalstein‘s father-son-centric drama is a particularly downtrodden affair that audiences may not believe they’ll warm to. The film’s lead characters don’t come off as the most inviting either – Logan Lerman‘s fresh-out-of-prison Sean and his doormat dad, Frank, played by John Hawkes – and their […]
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Not unlike fellow Netflix offering Murder Mystery, The Lovebirds adopts the tried and true premise of regular-folk-get-mixed-up-in-a-major-crime and hopes it has enough of a strong centre to overcome any unoriginality. And whilst the screenplay from Aaron Abrams (a sometimes-actor whose credits include Resident Evil: Apocalypse and The Open House) and Brendan Gall (TV’s Blindspot) doesn’t […]
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Perhaps as it should, Little Fires Everywhere does indeed start with a fire. “There are little fires everywhere”, a fire marshal relays to a distraught Reese Witherspoon and a concerned Joshua Jackson, as they stare at their sprawling suburban home engulfed in flames. The marshal’s statement indicates this was intentionally lit, setting up an immediate […]
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The latest film from acclaimed Australian director Gregor Jordan (Two Hands, Ned Kelly), Dirt Music is a gritty, sexy drama with a haunting love story at its heart set against the powerful backdrop of Western Australia’s evocative landscape. Based on the novel by Tim Winton, the cinematic adaptation will be coming to Australian cinemas […]
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Though disgraced movie producer Harvey Weinstein does not physically appear in The Assistant, nor does his likeness or even his name, this quietly disturbing drama from Australian filmmaker Kitty Green very much has him in mind. There’s a humiliation and systemic mentality that rings true throughout the film’s brisk 85 minute running time as it […]
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In the face of the global disruption to the entertainment market, the film industry is finding new and innovative ways to keep cinema enthusiasts connected, and today the Melbourne International Film Festival (MIFF) announced MIFF 68½ – a reimagined celebration of film online. Following the festival’s cancellation, MIFF Artistic Director Al Cossar and his team […]
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*This review will contain spoilers pertaining to Dead To Me’s first season* It goes without saying that if you haven’t finished season one of Netflix’s deliciously comedic Dead To Me (or watched it all, shame on you if so), this second season is not for you to play catch up. And after the unexpected note […]
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Given the fact that Hostage has something of a reputation for being one of Australia’s biggest Ozploitation films, you’d be forgiven for assuming it would live up to its supposed status. And whilst the opening credits suggest the film to come will be one heavy on uncomfortable violence – there are sudden, furious flashes of […]
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As easy as it is to compare Upload to a program such as The Good Place – given that both series’ deal with the afterlife – Greg Daniels‘ romantic-comedy-cum-mystery is more a commentary on capitalism, a topic it tackles as successfully as it does ineffectually. Set in the not-too distant future (2033, to be exact), […]
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The opening scrawl of The Flood states that at least 18,000 people who have been displaced by persecution, conflict and violence in their own habitats around the world have died in the last 5 years alone in their bid to reach Europe. It’s a shocking statistic regarding those trying to enter another country, but in […]
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Given 1917‘s rather simplistic plot – a pair of infantrymen having to cross the treacherous No Man’s Land in order to prevent a doomed attack during the height of World War 1 – it makes sense that director Sam Mendes (Skyfall) would opt for a more complex manner to detail the story. Single camera shots […]
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