action

Interview: Ruby Rose and Tom Hopper for SAS: Red Notice, the comforts of the action genre and their character’s morality

Arriving March 16th in the US on demand and digital, SAS: Red Notice (read our review here) is a slick actioner led by Australian actress Ruby Rose.  In the lead-up to the film’s debut, Peter Gray chatted with Rose and her co-star, Black Sails actor Tom Hopper, about the comforts of the action genre and…

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Film Review: SAS: Red Notice is a disposable but supremely entertaining actioner

Perhaps something of an unofficial audition for the next post on the 007 roster – or maybe that’s second audition, given he was a name suggested around the same time as Daniel Craig secured the role – Sam Heughan does his best secret agent impression in SAS: Red Notice, a disposable but supremely entertaining actioner…

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Film Review: Greenland is a surprisingly emotional and human tale for a disaster themed action film

When it was known that Gerard Butler would be reuniting with his Angel Has Fallen director Ric Roman Waugh for a disaster movie, I think we all had an idea of what type of movie it could be.  Guaranteed, Greenland would not have been the outcome in anyone’s frontal cortex.  Shifting focus away from the…

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Film Review: Brothers By Blood is an all-too ordinary mob story that seems unfortunately content with coaxing by on familiarity

Despite a talented cast that consists of such reliable names as Matthias Schoenaerts, Joel Kinnaman, Ryan Phillippe, and Maika Monroe, Brothers By Blood (originally known as The Sounds of Philadelphia) is an all-too ordinary mob story that seems unfortunately content with coaxing by on familiarity. Masculinity, faith, loyalty, redemption, brotherhood, a criminal underworld…it’s stock standard…

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Film Review: Honest Thief fails to make even the most generic genre tropes engaging

Given how many lightweight actioners Liam Neeson has aligned himself with in the last decade or so, you’d be forgiven for not being able to differentiate them from one another given how they have all basically bled into each other.  There’s nothing inherently wrong with this late-in-the-game career change for the gruff Irish actor –…

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Film Review: Terminator: Dark Fate is enjoyable surface-level fodder that’s unable to bring anything new to the genre table

The release of Terminator 2: Judgement Day in 1991 was proof that the oft-expected “inferior sequel” is a projection able to be shattered. It surely helped that that film was helmed by the original director, James Cameron, and in bringing the visionary filmmaker back on board for this fifth sequel, there’s somewhat of an expectation…

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Film Review: Tabernacle 101 is a frustrating experience that never feels remotely organic

Watching a film like Tabernacle 101 is a frustrating experience.  On the one hand, the Australian-made, low (and I mean low) budget sci-fi piece deserves some admiration for the mere fact that it has managed to snare itself a US theatrical release, however limited it may be (it played the first week in September in…

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Film Review: Fast & Furious: Hobbs & Shaw crackles with energy

It’s hard to believe that a franchise that started out as little more than a soft remake of Point Break, pinning Vin Diesel and his disposable crew against low-rent law enforcement with the street racing scene as its background, has transformed itself into a billion dollar commodity where secret agents take on international terrorists.  And…

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Blu-Ray Review: Sicario: Day of the Soldado (USA, 2018) succeeds as both a sequel and a stand-alone narrative

Denis Villeneuve shone a light on issues that now seem more rife than ever in 2015’s hard-hitter Sicario. For its follow-up, sub-headed Day of the Soldado, the concerns at hand are more unnerving than before, and whilst the argument of whether or not the original film needed a sequel is still a valid talking point,…

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Film Review: The Spy Who Dumped Me (USA, 2018) is wholly committed to not taking itself too seriously

Whilst no one is going to go out of their way to suggest The Spy Who Dumped Me is here to reinvent the wheel in its chosen hybrid genres, Susanna Fogel’s kinetic spy caper does a bloody good job at delivering on its advertised packaging.  An action-comedy that proves both consistently amusing and alarmingly crazed…

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Film Review: Mission: Impossible – Fallout (USA, 2018) toys with the expected and presents itself as a fresh product

Up to this point each Mission: Impossible film has operated on their own mechanisms.  The 1996 Brian De Palma-directed original felt like an organic extension of the 1960’s television series it drew its inspiration from; the 2000-released sequel was an orgy of unsubtle combat buoyed by the favoured-slow motion of Hong Kong filmmaker Jon Woo;…

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Film Review: Skyscraper (USA, 2018) delivers lunacy and ridiculous physic-defying stunts in spades

Is there anything Dwayne Johnson can’t overcome? Earthquakes, tsunamis, oversized gorillas, Vin Diesel’s ego…the hulking man mountain has tackled them all and emerged victorious.  For his latest spat with big screen-worthy roadblocks, the man no longer credited with his “Rock” moniker faces his biggest challenge yet – a skyscraper some three-times taller than the Statue…

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Film Review: Atomic Blonde (USA, 2017) collates enough action, sensuality, and humour to deem it worthy

Proving that the no-hold barred mentality he so masterfully captured as co-director of the original John Wick was no flash in the pan, director David Leitch ventures as a soloist for the excessive Atomic Blonde and manages to collate enough action, sensuality, and humour to deem it a project worthy of one’s attention. It doesn’t…

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Video Games Review: NieR: Automata (PS4, 2017) is a violent, gorgeous cut above the rest

NieR: Automata is immediately recognisable as a special game, which thrives on its world, characters, mechanics and ultimately the questions it raises and how they are posed to the player. While remaining engaging and thought provoking, platinum games brings back the combat mechanics seen in their previous titles such as Bayonetta and Metal Gear Rising…

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Film Review: XXX: The Return of Xander Cage (USA, 2017) comes up short in nearly every aspect

“Kick some ass, get the girl, and try to look dope while doing it” That inane piece of dialogue is essentially what xXx: The Return of Xander Cage bases its existence on. Never a film that was going to be considered good, but at the very least could have been fun, this useless threequel comes…

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