vanessa kirby

Film Review: The Son fails to interrogate its worthy subject matter in an honest fashion

February 9, 2023

The claustrophobic and emotional resonance Florian Zeller created with 2020’s The Father is unfortunately nowhere to be found in The Son, a prequel of sorts based off another of Zeller’s stage plays. A chamber piece on the subject of dementia that rightfully won Anthony Hopkins his second Best Actor Academy Award, The Father expressed subtlety […]

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The Son is emotionally manipulative in its interrogation of teenage depression: TIFF 2022 Review

September 16, 2022

The claustrophobic and emotional resonance Florian Zeller created with 2020’s The Father is unfortunately nowhere to be found in The Son, a prequel of sorts based off another of Zeller’s stage plays. A chamber piece on the subject of dementia that rightfully won Anthony Hopkins his second Best Actor Academy Award, The Father expressed subtlety […]

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TIFF Review: Pieces of a Woman is a moving drama and stellar acting showcase for Vanessa Kirby and Ellen Burstyn

September 18, 2020

The filmography of playwright/director Kornel Mundruczo is quite interesting from a first glimpse. The standout feature is the fact that his works are usually political parables disguised as genre fare. His last two films White God and Jupiter’s Moon delved into the horror/sci-fi genre but were more about the examination of the inner workings of […]

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Film Review: Fast & Furious: Hobbs & Shaw crackles with energy

July 31, 2019

It’s hard to believe that a franchise that started out as little more than a soft remake of Point Break, pinning Vin Diesel and his disposable crew against low-rent law enforcement with the street racing scene as its background, has transformed itself into a billion dollar commodity where secret agents take on international terrorists.  And […]

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Film Review: Mission: Impossible – Fallout (USA, 2018) toys with the expected and presents itself as a fresh product

July 30, 2018

Up to this point each Mission: Impossible film has operated on their own mechanisms.  The 1996 Brian De Palma-directed original felt like an organic extension of the 1960’s television series it drew its inspiration from; the 2000-released sequel was an orgy of unsubtle combat buoyed by the favoured-slow motion of Hong Kong filmmaker Jon Woo; […]

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