A pandemic story without exclusively being as such, Everything Will Be Alright has an everyman-type quality to it in how it presents the dilemmas the Coronavirus inflicted upon the world. Director Farhard Pakdel fuses his narrative with a heightened sense of drama though, injecting a potentially triggering additive that further highlights how people’s realities were…
When watching Kestrin Pantera‘s Pretty Problems, if such titles as This Is 40, Wanderlust, The Invitation, White Lotus, and/or Schitt’s Creek come to mind, you can sit comfortably knowing that was somewhat deliberate. Though there’s evident inspiration from such vast titles, Pretty Problems is still very much its own being; it just helps it has…
Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media. In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…
Unless you’re already an established name in the industry – and even then, to some degree, getting a film off the ground can have its challenges – the process of seeing a film through its production stages is never without its hurdles. So you can only imagine how it was for a first-time director like…
Premiering at this year’s SXSW Film Festival, Radical Honesty is a new short feature from director/photographer Bianca Poletti. In the lead-up to the film’s premiere, our own Peter Gray spoke with her about the inspiration behind its unconventional take on relationships, her own personal attachment to the idea of non-monogamy, and which filmmakers she personally…
With only just over a week away until SXSW 2022 (March 11th-20th), the festival has revealed Keynotes and Featured Speakers made up of prominent industry leaders and creative visionaries from the world’s of tech, film, music, and beyond. The Keynotes announced include three-time Grammy Award-winning artist Lizzo; 2022 Rock & Roll Hall of Fame nominee…
The South By Southwest Festival has announced its 2022 Film Festival slate for its 29th edition, with this year’s acclaimed program being a largely in-person event, with select titles being offered online. Running from March 11th to the 20th, the 2022 program will include 99 features, including 76 World Premieres, 4 International Premieres, 4 North…
Grief is often something that runs throughout the core of the horror narrative. And depending how it is structured, it can act in a nature that’s either cathartic or repressive. In Alex Noyer‘s Sound of Violence it’s a mixture of both psychological expressions, with the additive intricacy of music production – another key element to…
German character actor Udo Kier is so synonymous with villainy that his role in Swan Song appears all the more revelatory. But given the actor’s own queer identification and penchant for theatrical performances, a character like his at the centre of Todd Stephens‘s gentle dramedy feels quite in tune with the actor’s aesthetic. Based on…
Not unlike the professional front Katy Perry put forward in her Part of Me documentary, where she grinned and performed for a mass crowd only moments after being informed that her marriage (at the time) was over, Demi Lovato similarly bravely faces her adoring fans night after night in the early seconds of Dancing with…
Written and directed by Sophie Mair and Dan Gitsham, The Thing That Ate The Birds is an atmospheric short that teases a darker universe we can only hope could be expanded on. Abel (Eoin Slattery) and Grace (Rebecca Palmer) are on the verge of separation, but the tragic circumstances surrounding their farmland have pushed their…
One of those films that has a log line that feels all too familiar, Lee Haven Jones‘s The Feast presents itself as a supernaturally inclined horror film on the surface, only to gradually morph into an allegory of sorts that runs deeper than the film’s initial mentality would have you believe. Set in a secluded,…
As displayed by her effortless wit and charm in the opening seconds of Introducing, Selma Blair, the actress’ own self-awareness has been one of her pillars of strength as she battles multiple sclerosis (MS). Always aware of her supporting actress stance in Hollywood – the star noting as such throughout – the Legally Blonde alum…
A film that’s as uplifting and positive as it is dark and shockingly violent (at times), Paul Dood’s Deadly Lunch Break is a quintessentially British black comedy that roots for the underdog, even when he perhaps doesn’t deserve it. The titular Paul Dood (Tom Meeten) is a bit of a pathetic character, but one who’s…
A devastatingly topical drama surrounding a school shooting and the emotional and psychological damage such a tragedy can cause for its survivors, The Fallout takes a quieter, more intimate look at the unseen faces – those that aren’t framed in the media as “a survivor”, merely fellow students who are unsure how to navigate their…
There’s that old chestnut saying that truth is stranger than fiction, and it would appear that no one knows this more than writer/director Wes Hurley. An autobiographical tale of growing up queer in the USSR in the 1980’s, Potato Dreams of America is an often bizarre, occasionally sad, but completely unique feature that, however trite…
Creepy children are always good fodder for horror-leaning films, and Here Before, whilst more psychological thriller than all-out horror, is no exception with writer/director Stacey Gregg utilising the premise and twisting it just so. Andrea Riseborough leads the charge as Laura in this small, gradual thriller that focuses on young Megan, a seemingly friendly school…
A comedy both made during and about the pandemic that has forever altered the landscape of the world, Recovery adds as much levity as it can to the most devastating of situations. Written, directed and headlined by the relatable comedy duo of Mallory Everton and Whitney Call (Everton serving as director and co-writer, Call as…
Literally adopting the phrase “Go back to where you came from” and structuring a thriller-leaning narrative around it, Lazaro Ramos‘s Executive Order is an often infuriating and incredibly timely film given the racial prejudice that has framed the last 12 months. Set in a near-dystopian future in Rio de Janeiro, the film starts on the…
Immediately telling from its title, Jan Van Dyck’s The Nipple Whisperer is a bizarre offering, but it’s one that maintains a genuine sense of heart amongst its odd temperament. If you weren’t already privy to the title you’d think Van Dyck’s film was taking on a much more serious subject, with the film’s titular character…
The 2021 SXSW Film Festival has revealed its full line up for its 28th edition for SXSW Online, running March 16th-20th, 2021. The previously announced Demi Lovato: Dancing with the Devil, a hard-hitting documentary covering the personal and professional life of the pop star, including her fatal near-overdose, will serve as the festival’s opener, whilst…
If 2020 was the year that conference festivals were dealt the unexpected and either had to cancel or quickly adapt, 2021 is the year they have to settle into a new normal. For now, this means events that are entirely run online- and hopefully, as the year progresses, hybrid events that will see us start…
The SXSW Film Festival has announced its opening night headliner as the 28th annual event prepares to announce its complete film lineup on February 10th, 2021. Serving as the opening night headliner will be Michael D. Ratner‘s Demi Lovato: Dancing with the Devil, a powerful YouTube Originals documentary event that explores the aspects that led…
Every year in March, myself and a close band of music colleagues and friends from all over the world make a pilgrimage to the iconic new music and discovery festival South By Southwest (SXSW) in Austin, Texas. This year was set to be no different, and I was buzzing and more prepared than ever, having…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Perhaps diving a little too heavily into the metaphorical stance on storytelling, Claire Oakley‘s Make Up is a self-discovery tale dressed up like…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. The Midnight Shorts Competition has long been an audience favourite at SXSW. A bite-sized marathon of twisted ideas that usually fuses gore, overt…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Detailing a tragic situation with a sobering, uncomfortable realism that has the potential to test even the most patient of viewers, The Surrogate…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Proof that more than enough can be conveyed in a fraction of the time of a standard feature, Ashley Eakins‘ short-feature Single is…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. The description outlined for the comedy series Everyone Together sounds rather typical. Dysfunctional families from two very different cultural backgrounds subsequently bond and…
*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. A noble idea marred by melodramatics that often take away the importance of the film’s message, Shooting Heroin can’t help but feel like…
