“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…
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There’s a moment in the first half of Luke Gilford‘s exquisite looking drama National Anthem where 21-year-old construction worker Dylan (Charlie Plummer) seems perplexed that an outside group of queer rodeo performers and ranchers would find him interesting; “You haven’t met your people yet”, is the open, telling response from the captivating Sky (Eve Lindley),…
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Only the Good Survive is the type of film that delights in the fact that it never follows the genre path you think it should. At one point the question is even asked if the story being relayed is “a horror or a comedy?”, and writer/director Dutch Southern, in the most nonsensical, unpredictable fashion, makes…
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Quickly earning the title of “new generation scream queen” is something that Brianne Tju seems to be wholeheartedly embracing, and her continued foray into the darker subsects of the genre are only further cementing her status. Having slashed and screamed her way through the streaming series’ of both Scream and I Know What You Did…
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SXSW have announced an annual Asia-Pacific installment, with Sydney set to host in October 2023. It’s the first time the iconic conference and festival of creativity has expanded beyond North America since its inception in 1987. A joint collaboration between the NSW Government, Destination NSW, TEG, and SXSW, SXSW Sydney will bring together the world’s…
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To call Homesick bizarre would be a colossal understatement. And that’s meant in the most complimentary of fashions. Born – and that’s quite the fitting term when the film’s narrative is uncovered – from director Will Seefried‘s fascination with society’s urgency in recreating their childhood, Homesick takes a unique look at how one could submit…
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Having premiered at SXSW to rave reviews (including our own here) the horror/adventure film Slash/Back has more than announced filmmaker Nyla Innuksuk as a talent to take note of. Talking with Peter Gray during her time at the festival, the two spoke about the origins of the film’s story, the importance of incorporating her indigenous…
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Weaving together both historical and current events, how those events pertain to the savagery of racism over the years, and the juxtaposition of his own calming musicality, Omoiyari: A Song Film by Kishi Bashi is a stunning documentary about Kishi Bashi‘s own personal journey in exploring his past as he looks for inspiration for his…
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After missing out on the SXSW screening experience in 2020 with her feature The Golden Arm, director Maureen Bharoocha is even more grateful to be screening her latest film, The Prank, in person this year. As the dark comedic thriller premiered (you can read our festival review here) our Peter Gray spoke to both Maureen…
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For such a scrappy little feature, Eli Horowitz‘s The Cow has some impressive calibre that will no doubt help earn it some extra eyes beyond the unique indie crowd this seems tailor made for. Headlined by Winona Ryder (always a treat to see taking charge these days) and a suitably disarming Dermot Mulroney, The Cow…
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A somewhat standard high-school comedy and a campy dark mystery are fused together in Maureen Bharoocha‘s ambitious offering The Prank. Whilst much of the film rides on the fact you have to root for unlikeable archetypes – either outcast students Ben (Connor Kalopsis) and his feisty bestie Tanner (Ramona Young) or their evil-incarnate teacher (a…
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A pandemic story without exclusively being as such, Everything Will Be Alright has an everyman-type quality to it in how it presents the dilemmas the Coronavirus inflicted upon the world. Director Farhard Pakdel fuses his narrative with a heightened sense of drama though, injecting a potentially triggering additive that further highlights how people’s realities were…
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When watching Kestrin Pantera‘s Pretty Problems, if such titles as This Is 40, Wanderlust, The Invitation, White Lotus, and/or Schitt’s Creek come to mind, you can sit comfortably knowing that was somewhat deliberate. Though there’s evident inspiration from such vast titles, Pretty Problems is still very much its own being; it just helps it has…
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Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media. In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…
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Unless you’re already an established name in the industry – and even then, to some degree, getting a film off the ground can have its challenges – the process of seeing a film through its production stages is never without its hurdles. So you can only imagine how it was for a first-time director like…
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Premiering at this year’s SXSW Film Festival, Radical Honesty is a new short feature from director/photographer Bianca Poletti. In the lead-up to the film’s premiere, our own Peter Gray spoke with her about the inspiration behind its unconventional take on relationships, her own personal attachment to the idea of non-monogamy, and which filmmakers she personally…
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With only just over a week away until SXSW 2022 (March 11th-20th), the festival has revealed Keynotes and Featured Speakers made up of prominent industry leaders and creative visionaries from the world’s of tech, film, music, and beyond. The Keynotes announced include three-time Grammy Award-winning artist Lizzo; 2022 Rock & Roll Hall of Fame nominee…
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The South By Southwest Festival has announced its 2022 Film Festival slate for its 29th edition, with this year’s acclaimed program being a largely in-person event, with select titles being offered online. Running from March 11th to the 20th, the 2022 program will include 99 features, including 76 World Premieres, 4 International Premieres, 4 North…
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Grief is often something that runs throughout the core of the horror narrative. And depending how it is structured, it can act in a nature that’s either cathartic or repressive. In Alex Noyer‘s Sound of Violence it’s a mixture of both psychological expressions, with the additive intricacy of music production – another key element to…
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German character actor Udo Kier is so synonymous with villainy that his role in Swan Song appears all the more revelatory. But given the actor’s own queer identification and penchant for theatrical performances, a character like his at the centre of Todd Stephens‘s gentle dramedy feels quite in tune with the actor’s aesthetic. Based on…
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Not unlike the professional front Katy Perry put forward in her Part of Me documentary, where she grinned and performed for a mass crowd only moments after being informed that her marriage (at the time) was over, Demi Lovato similarly bravely faces her adoring fans night after night in the early seconds of Dancing with…
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Written and directed by Sophie Mair and Dan Gitsham, The Thing That Ate The Birds is an atmospheric short that teases a darker universe we can only hope could be expanded on. Abel (Eoin Slattery) and Grace (Rebecca Palmer) are on the verge of separation, but the tragic circumstances surrounding their farmland have pushed their…
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One of those films that has a log line that feels all too familiar, Lee Haven Jones‘s The Feast presents itself as a supernaturally inclined horror film on the surface, only to gradually morph into an allegory of sorts that runs deeper than the film’s initial mentality would have you believe. Set in a secluded,…
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As displayed by her effortless wit and charm in the opening seconds of Introducing, Selma Blair, the actress’ own self-awareness has been one of her pillars of strength as she battles multiple sclerosis (MS). Always aware of her supporting actress stance in Hollywood – the star noting as such throughout – the Legally Blonde alum…
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A film that’s as uplifting and positive as it is dark and shockingly violent (at times), Paul Dood’s Deadly Lunch Break is a quintessentially British black comedy that roots for the underdog, even when he perhaps doesn’t deserve it. The titular Paul Dood (Tom Meeten) is a bit of a pathetic character, but one who’s…
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A devastatingly topical drama surrounding a school shooting and the emotional and psychological damage such a tragedy can cause for its survivors, The Fallout takes a quieter, more intimate look at the unseen faces – those that aren’t framed in the media as “a survivor”, merely fellow students who are unsure how to navigate their…
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There’s that old chestnut saying that truth is stranger than fiction, and it would appear that no one knows this more than writer/director Wes Hurley. An autobiographical tale of growing up queer in the USSR in the 1980’s, Potato Dreams of America is an often bizarre, occasionally sad, but completely unique feature that, however trite…
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Creepy children are always good fodder for horror-leaning films, and Here Before, whilst more psychological thriller than all-out horror, is no exception with writer/director Stacey Gregg utilising the premise and twisting it just so. Andrea Riseborough leads the charge as Laura in this small, gradual thriller that focuses on young Megan, a seemingly friendly school…
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A comedy both made during and about the pandemic that has forever altered the landscape of the world, Recovery adds as much levity as it can to the most devastating of situations. Written, directed and headlined by the relatable comedy duo of Mallory Everton and Whitney Call (Everton serving as director and co-writer, Call as…
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Literally adopting the phrase “Go back to where you came from” and structuring a thriller-leaning narrative around it, Lazaro Ramos‘s Executive Order is an often infuriating and incredibly timely film given the racial prejudice that has framed the last 12 months. Set in a near-dystopian future in Rio de Janeiro, the film starts on the…
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