Review

Catching Dust is a potent, uneasy thriller enhanced by an arresting Jai Courtney: Tribeca Film Festival Review

There’s a palpable sense of unrest that litters the core of Catching Dust, Stuart Gatt‘s feature debut that speaks to one woman’s sense of autonomy and choosing between the devil she knows and that she doesn’t. The woman in question is Geena (Erin Moriarty), whose isolated Texas desert locale is the result of her violent…

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Theatre Review: Driftwood the Musical presents a timeless story of love, courage and survival

It’s an exciting time for the Australian arts when we get to see an ambitious, personal, and original Australian musical take the stage. Driftwood the Musical presents a captivating tale of hope and perseverance which delves into poignant themes involving the Holocaust, inter-generational trauma, sacrifices in times of war, and the perseverance of art. Created,…

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The New Boy tackles religion and colonisation with an allegorical mentality: Sydney Film Festival Review

The themes tackled throughout Warwick Thornton‘s The New Boy are presented with symbolic, almost-magical and allegorical physicality.  And though its 1940’s Australian setting lends interesting conversation to its religious outlay and the clashing of beliefs at the time, the film itself doesn’t quite contain the spark needed to earn true impact; though it’s not for…

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Past Lives is an impeccable drama of human connection and quiet complexity: Sydney Film Festival Review

Despite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but.  Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…

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Our Son details the dissolution of a marriage with a sense of wit and wisdom: Tribeca Film Festival Review

Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer…

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I Like Movies celebrates the film bro, video store rentals and auteur filmmakers with a genuine gaze: Sydney Film Festival Review

In this era of streaming taking priority (unfortunately), there’s a whole generation of movie watchers – if they aren’t on their phone during said watch – who are unaware of just how special a time the video store truly was.  I Like Movies indulges in that time. Set amongst the backdrop of teen angst, Blockbuster…

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Sisu is visually exciting, shamelessly playful, and always, always unpredictable: Sydney Film Festival Review

There’s both a sense of adhering to the temperaments of action films gone by and embracing the current and future state of the genre present in Jalmari Helander‘s Sisu. Matching its dark sense of humour (and I mean dark) with a violently bloody mentality (and I mean bloody!), Sisu manages to present the simplest of…

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Asteroid City; Wes Anderson’s visually lush comedy is heavy on star wattage, but light on substance: Sydney Film Festival Review

Another Wes Anderson creation, where the sheer cast alone is unfathomable in their collective talent and the twee is as twee as can be, Asteroid City, with its distinct colour pallet and deadpan performances, won’t convert any viewers over to the Wes way of watching, but those that have stuck with the auteur through his…

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Game Review: Street Fighter 6 is a stellar return to form

I had spent the past couple of weeks wondering why it’s been a while since I had played a Street Fighter game. And then I remembered why. I loved Street Fighter 4 when it was released all those years ago. It was refined, fun and accessible. But Street Fighter 5 was a different story. Sure,…

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Scrapper is an impossibly charming dramedy made all the more so by its central performances: Sydney Film Festival Review

Whilst it’s easy to pick how Scrapper – Charlotte Regan‘s impossibly charming comedy/drama – will end when all is said and done, the central performances from newcomer Lola Campbell and Harris Dickinson as a feisty, self-reliant 12-year-old and her man-child father, respectively, are what keeps the quirky narrative continually engaging. It’s one of those “message”…

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Late Night With the Devil has occasionally nasty, always unbridled fun with the “found footage” horror genre: Sydney Film Festival Review

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

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Carmen is a haunting and isolated tale that will entrance with its unconventional tempo: Sydney Film Festival Review

Though the title of Benjamin Millepied‘s feature directorial debut Carmen – the dancer-turned filmmaker having cut his teeth on short films and music videos – suggests a connection to Georges Bizet‘s French opera of the same name, his script – co-written with Alexander Dinelaris Jr. and Loïc Barrere – only mildly references its narrative mentality and…

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Series Review: Based On A True Story is a darkly comic satire on society’s obsession with true crime podcasts

To say society has a fascination with true crime would be putting it mildly.  No longer just contained to a select audience who got their grisly fix on news-skewered programs, true crime – or, more specifically, murder – is now a multi-million dollar business in itself, cornering the market on books, podcasts, docuseries’ and the…

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Game Review: System Shock is a fantastic and faithful remake

The original System Shock was admittedly released the year I was born, but even though I’ve had plenty of time over the past 28 years, I had never gotten around to playing it until only a few years ago. I had understood its impact as a spiritual predecessor to one of my favourite games of…

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Film Review: The Flash conjures awe, emotion and humour as it speeds to the upper echelons of its genre

The wants and needs of comic book fans is something of a tall order when it comes to successfully executing a story that has a certain level of lore attached to it.  In terms of The Flash, there’s perhaps an even stronger necessity for the film to prove its worth off the back of certain…

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Tech Review: The Corsair Xeneon 27QHD240 OLED Monitor is gorgeous, but incredibly expensive

Look, I get it. You get what you pay for. Corsair’s Xeneon 27-inch, QHD, 240Hz OLED monitor is many things. It’s sleek, crisp, responsive and vibrant. As many would have come to expect in recent years, any OLED option is looking to take the crown when it comes to panel quality, proving some of the…

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Tech Review: The Asus ROG Harpe Ace Aim Lab Edition Gaming Mouse nails the essentials

Wow, that title was a mouthful. But unlike the Asus ROG Harpe Ace Aim Lab Edition’s overly long name, there’s a much simpler, refined review to unpack. Firstly, this version of the mouse is inspired by Aim Lab, the very home of FPS aiming training, meaning it’s specifically made for those hardcore FPS fans. While…

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Film Review: The Roundup: No Way Out manoeuvres the beats of the action genre with a welcome unpredictability

Despite being the third film in the respective Crime City series – preceded by The Outlaws (2017) and The Roundup (2022) – The Roundup: No Way Out very much operates on its own.  Sure, it helps to have seen the other films, but Lee Sang-yong‘s enthusiastic actioner transmits a joy and an individuality that doesn’t…

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Film Review: Padre Pio; Shia LaBeouf’s committed performance can’t be faulted in uneven faith-driven drama

Whilst it’s fair to say that not every respective project of director Abel Ferrera and actor Shia LaBeouf is successful in their individual execution, you can’t deny the absolute dedication they both have regarding their craft.  Ferrara, whose varied career has seen him helm such divisive works as King of New York, Harvey Keitel’s lauded…

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Film Review: Spider-Man: Across the Spider-Verse is bombastically ambitious, beautifully imaginative and emotionally rich

Expanding everything that made 2018’s revolutionary Spider-Man: Into the Spider-Verse work so wonderfully, Spider-Man: Across the Spider-Verse is bombastically ambitious, beautifully imaginative and emotionally rich.  It’s also drastically complicated for anyone not (Spider)versed in the ways of its animated predecessor, so – like many comic book movies that are specifically intertwined with their own franchise…

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Film Review: The Machine; Bert Kreischer fans are likely to enthusiastically gel with exaggerated comedy actioner

Bert Kreischer is not a personality I’m familiar with.  And having no idea as to who he was in a professional capacity meant The Machine – a star vehicle centred around his most famous  stand-up story – was a film I entered with zero expectations. Perhaps that was what ultimately got me over the line…

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Film Review: Halle Bailey rules the uneven ocean of The Little Mermaid

Whilst, for the most part, there’s a certain unnecessary mentality that comes along with Disney and their incessant need to live-action-update their animated back catalogue, some of these efforts have given way to adaptations that are inherently interesting (Jon Favreau’s 2016 take on The Jungle Book), undeniably charming (Kenneth Branagh’s Cinderella from 2015) or have…

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Film Review: Maybe I Do is a little too safe for audiences to embrace its proposal

When you have a film led by such reliable talent as Richard Gere, Diane Keaton, Susan Sarandon and William H. Macy, it’s understandable to believe that the hands you’re in will guide you to a safe destination.  And perhaps that’s the problem.  Maybe I Do is entirely too safe to make any lasting impression beyond…

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Game Review: Advance Wars: 1+2 Re-Boot Camp is a fantastic remake for fans and newcomers alike

Advance Wars: 1+2 Re-Boot Camp is both a fantastic compilation and remake of the first two, fan favourite games in the Advance Wars series. Originally released on the Game Boy Advance in 2001 and 2003 respectively, these classics have been revisioned by developer Wayforward, known for their work on the Shantae series. The package includes…

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Film Review: Renfield; Nicolas Cage sinks his teeth into goofy, gory vampire flick

If ever there was a role Nicolas Cage was going to sink his teeth into, it’s that of Dracula.  And the eccentric character actor is undoubtedly Renfield‘s biggest asset, but, despite top billing, this isn’t the Count’s movie – though it’s not for a lack of trying. The titular Renfield is R.M. Renfield (the film’s…

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Game Review: Lego 2K Drive is both a fun and functional arcade racer

Lego 2K Drive came as a surprise to me when it was revealed. I had admittedly never expected Lego to pair up Forza Horizon’s arcade racing mechanics and vast open world with a wealth of customisation that only those little bricks can provide. But after a few hours with Lego 2K Drive, I was stunned…

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Film Review: John Farnham: Finding the Voice is a warm reminder of one of Australia’s leading talents

Given how attached John Farnham is to the song “You’re The Voice”, it’s hard to believe that it almost didn’t make the cut for his 1986 signature record, “Whispering Jack”.  His 12th album at the time, “Whispering Jack” reignited Farnham’s solo career, and off the back of the aforementioned single, it drove itself to 25…

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Film Review: Fast X; Forget family. Furious 10 is all about the flamboyant Jason Momoa

The Fast & Furious films live in the ridiculous – or, at least they have predominantly for the last decade or so – and, at this point, that’s practically a compliment to call so.  Whether you think they have evolved or devolved over time from their humble 2001 beginnings of car-jackings and street races is…

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Film Review: Marlowe; Liam Neeson’s detective feels tired in fizzling thriller

There’s a distinct lack of energy and unfortunate fizzle present throughout Neil Jordan‘s Marlowe.  It’s stylish, has an impeccable cast, and certainly isn’t lost on narrative potential, but the titular character as played by Liam Neeson – based off Raymond Chandler‘s famous detective – feels like they’d much rather be sipping a cuppa than solving…

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Film Review: Plane embraces genre simplicity and delivers on B-grade popcorn thrills

With Gerard Butler‘s name attached, and the most simplistic of titles on hand, you’d be right in thinking such a film as Plane is going to deliver on the bare minimum; It’ll be big, loud, non-sensical, heavy on testosterone and light on narrative. And whilst aspect of those expectations aren’t far off the mark, Jean-François…

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