There’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut. The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), return to the festival as married women detailing their own journey of self-discovery and acceptance with a film…
A film that’s likely to resonate with, or at least feel more familiar to American audiences, The Eyes of Tammy Faye does its best to clue in local Australian viewers as to just who was the larger-than-life personality Tammy Faye Bakker Messner. An only-in-America type tale, Tammy Faye’s small-time Minnesota upbringing, where she “found Jesus”…
With its mix of deadpan satire and high concept sci-fi – comparisons to Yorgos Lanthimos’ 2015 dystopian black comedy The Lobster feel imminent – Dual may be an off-putting experiment to many who can’t readily accept Riley Stearns‘ mentality. It certainly helps that the film is headlined by the wonderful Karen Gillan though, delivering two…
Cha Cha Real Smooth tells the story of 22-year old Andrew (writer/director Cooper Raiff), a recent college graduate who is stuck in his own purgatory before adulthood. Stuck in a dead-end job selling fast food and back living with his family including his mother (Leslie Mann), his step-father (Brad Garrett) and his younger brother David…
Set-in present-day Hollywood Hills, Something in the Dirt tells the story of two neighbours Levi and John (Justin Benson and Aaron Moorhead), who both meet after Levi had recently moved into an apartment, following a large amount of predicaments. The two strike up a quick camaraderie as they exchange life stories, intimate secrets and their…
Alice tells the story of its titular character played by Keke Palmer, a slave who has spent her entire life enslaved in a rural Georgia plantation. Like many of her family members, she yearns for freedom. Her recently wedded husband Joseph (Gaius Charles) plots an escape for the entire plantation but the plan backfires due…
Set in 1950’s Britain, Living tells the story of Mr. Williams (Bill Nighy), a veteran civil servant who works every day in a meticulous and repetitive fashion in a government office while leading a group of colleagues to help him out. His work ethic and reputation are well known around the inner circle but the…
Comparisons to Rob Reiner’s 1986 coming-of-age drama Stand By Me will be inevitable when discussing James Ponsoldt‘s Summering; the Sundance fixture returning to the festival following his last effort, the critically mauled 2017 Tom Hanks vehicle The Circle, the first of his filmography to not screen at the festival. The dark elements, thematic inclinations, and…
Leonor Will Never Die tells the story of its titular character Leonor Reyes (Sheila Francisco), a once successful screenwriter in the Filipino film industry. Now, she is an aging mother who is struggling to keep her household in check. Desperately trying to recapture past glories as a path to escapism, she discovers a newspaper advertisement…
Speak No Evil tells the story of a Danish family who are having a vacation in Tuscany, Italy. They meet a friendly and jovial family who are from the Netherlands. They both share common interests, they both have children the same age but most importantly, it is the polite camaraderie that they share that makes…
Emergency tells the story of two best friends, the academic and accomplished Kunle (Donald Elise Watkins) and the jovial and casual Sean (RJ Cyler). After all the stresses of school, the two are determined to make school history by being the first Black students to complete the legendary frat party tour. With a laid-out plan,…
Whilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement. And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…
A thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in…
There are flashes of an interesting film present within Jesse Eisenberg‘s directorial debut When You Finish Saving the World, it’s just a shame that the satirical flourishes and occasional nuances teased throughout aren’t devoted enough to to be deemed an overall success. The film’s closing 20 minutes leans into the emotional gut-punch Eisenberg clearly hopes…
Off-putting it may be, there’s enough deliciousness throughout the wicked Fresh that your pallet is sure to be satisfied in spite of the cannibalistic practices laid forth. An initial romantic dramedy, director Mimi Cave sets up the dating scene with all the discouragement you’d expect, with Noa (Daisy Edgar-Jones) endlessly swiping through her Tinder-esque apps,…
Belle tells the story of Suzu, a jovial yet emotionally withdrawn high schooler who is distraught over the loss of her mother. She bears a seething hatred due to the lack of understanding as to why her mother performed such an act of self-sacrifice. Hating her position in her life, she retreats to a vast…
In the opening moments of Pablo Larraín‘s Spencer, his subject – Princess Diana (Kristen Stewart, beyond impressive) – hopes to maintain any shred of autonomy she can through a lifestyle she knows has wildly altered her reality. Late to a family Christmas celebratory weekend – the film focuses on December 24th-26th in the early 1990’s,…
So intoxicatingly beautiful is Guillermo del Toro‘s haunting Nightmare Alley that its sheer aesthetic pleasures alone are enough to forgive the narrative sins it commits along the way. Far from the unnerving horror film the trailers would have you believe, del Toro’s adaptation of William Lindsay Greshem‘s 1946 novel – first made into a feature…
Religious principles and the notion of intolerance run thematically rampant in The Last Thing Mary Saw, a horror-leaning drama film that announces first time filmmaker Edoardo Vitaletti as an intriguing mind to keep our radar on. Opting for tension and unease rather than overt gore, Mary… is an 1843 set period chiller that opens on…
Whilst there’s nothing remotely original about The 355, that certainly doesn’t mean there isn’t plenty of fun to be had with this slice of pure escapism fluff that manages to mask its simplicities with a willing cast and a scrappy, can-do attitude. Outside of directing, Simon Kinberg has a rather enviable resume. He served as…
In 1996, when horror was a bad word and the slasher subsect had been relegated to bargain bins and a straight-to-VHS lifespan, genre maestro Wes Craven (A Nightmare on Elm Street, The Hills Have Eyes) and a (then) relatively unknown Kevin Williamson dared to defy the conventions by creating a film that played into the…
As much as King Richard has all the trappings of a biopic – and a sports drama, for that matter – it’s a testament to everyone involved that it manages to entirely transcend expectation and feel like something that’s so much more. It’s easy to wax lyrical about the fact that we’re getting a film…
The Tender Bar is very much the type of film we’ve seen before, and, unfortunately for George Clooney‘s well-meaning dramedy, it’s been done better than what this narrative ultimately presents. A coming-of-age story where the protagonist overcomes his or her personal and professional struggles to achieve ultimate success, all the while guided by a wise…
At a time when sequels are delighting in a certain sense of nostalgia – looking no further than the latest iterations of Spider-Man, The Matrix, Ghostbusters, and the forthcoming Scream as immediate examples – you have to at least hand it to director Matthew Vaughn for opting out of such a proven trend for The…
Whatever creepiness, kookiness and all together ookiness that has been evoked by previous incarnations of The Addams Family is sadly nowhere to be seen in this safe-playing sequel, one that manages to bury any of the morbid humour and likeability we’d expect from the usually reliable pens of Dan Hernandez (Pokemon: Detective Pikachu), Benji Samit…
House of Gucci is the second 2021 film from acclaimed filmmaker Ridley Scott. The first was the medieval drama The Last Duel, which was about a true story involving a woman who was fighting for her voice to be heard after being sexually abused in a tyrannically and patriarchal society. The second is about a…
When we are first introduced to Red Rocket‘s lead subject – washed-up porn star Mikey (Simon Rex) – writer/director Sean Baker frames him in such a manner that alludes to him being one of those scrappy anti-heroes whose undeniable charm is enough for us to forgive his indiscretions. And indeed, Mikey is that (in a…
Despite his prolific status within comedy, chances are you’re likely to recognise Nick Kroll‘s voice before seeing him in person. Biding his time between family fare – just this last month he was heard as Gunter in the animated Sing 2 – and more adult aimed comedy – if you’ve laughed at either Coach Steve,…
The Tragedy of Macbeth is the latest film from Joel Coen of the Coen Brothers; best known for their works that are singular in vision, unique in meshing genres and humorous in their own idiosyncrasies. For his latest film, he is working solo for what is the umpteenth adaptation of the titular Shakespearean play. Many…
There’s a lot of DNA shared between Jason Reitman‘s Ghostbusters: Afterlife and the 1984 original that his father, Ivan Reitman, helmed to fruition. But it’s not just a familial bond that links the respective films, with several portions of the film’s plot and its character line-up clearly based off what came those near-four decades prior. …
