Reviews

Theatre Review: Blanc de Blanc Encore is Strut & Fret’s most immersive production yet

Production house Strut & Fret are now welcomed regulars around the Sydney Opera House, enjoying a strong reputation thanks to exciting past productions like Blanc de Blanc and Limbo Unhinged. It’s almost a given now that the masterminds behind these finessed circus cabaret shows will be back each year with another exhilarating project, and for…

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Theatre Review: Journey back down the rabbit hole with Alice in Wonderland (Athenaeum Theatre, Melbourne)

Alice in Wonderland is a timeless story explored through multiple media forms every year and in 2019 has been bought to the stage. The family story is one full of magic and wonder and never fails to attract an audience of fans and newcomers alike, which is what makes Lewis Carroll‘s story a classic. This…

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Theatre Review: Charlie & the Chocolate Factory (in Sydney until May 2019) was absolutely, positively scrumdiddlyumptious!

It didn’t matter if you were six, one hundred and six, or somewhere in between. Charlie & the Chocolate Factory made us all act like little kids in a candy shop. This was a joyous musical based on the beloved Roald Dahl book and one that successfully straddles the lines between lightness and darkness. It…

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Theatre Review: The hilarious Peter Pan Goes Wrong hits Melbourne in time for Christmas

With Christmas just around the corner, an evening at the theatre is one of those quintessential traditions that many people venture on in order to elevate their festive spirits. Arguably, one tale in particular that seems reminiscent of the Christmas period is that of Peter Pan. Set in hibernal London during the winter, with messages…

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Theatre Review: Evita – Arts Centre Melbourne (Performances to 23rd February)

The opening night of Evita was met with praise and applause as Tina Arena took to the stage in her starring role as Eva Perón. Adapting her wonderful pop vocals to such an iconic role would of been a challenge for the most seasoned performer, however Arena carried herself with poise and grace and pulled…

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Theatre Review: The Climbing Tree shows some teenagers grappling with growing pains as they traverse the great divide

When you’re a teenager you often feel like the world is against you. You’re too mature to be a child but not yet independent enough to be an adult. This is often a period associated with angst and growing pains. The Climbing Tree examines these existential problems while framing them around a nation’s past and…

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Theatre Review: Vena Cava’s Baal is ambitious student theatre at its strongest

It’s been a century since Bertolt Brecht first wrote Baal, but there remains an undeniable timeliness to this tale of artistry, alcohol, and just how much of each excuses the fact that you’re an outrageous asshole. As a character, Baal embodies the romantic, tortured artist, trying vainly to remain frustratingly aloof from the consequences of…

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Theatre Review: Madiba celebrates South Africa’s complicated history and a world beyond black and white

History is a complex beast and this is certainly apparent in Madiba. This musical weaves together the late Nelson Mandela’s story and the history of South Africa’s apartheid. The show is ambitious and tries to cover a lot in its two-hour runtime. This is a celebration of the long road to freedom for Mandela and…

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Theatre Review: In The Mood leaves you swinging & singing as you’re taken (a)back

In the Mood is a revue show celebrating the music, fashion and dance from the 1940s. Younger audiences may be unfamiliar with the big band tunes and jazz era songs. But for the older crowd, this music is a part of the fabric of their childhoods and the stuff their parents used to listen to….

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Melbourne International Arts Festival Review: Prize Fighter is a superb and emotional story that cannot be missed

There’s a boxing ring in the middle of the room, chairs set up like a stadium in the midst of Northcote Town Hall. As we find our seats, two people are throwing punches to the surprise of audience members, and others are working out, sweating throughout the performance space. For a moment I was deeply…

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Theatre Review: Margaret Fulton: Queen of the Dessert is a sweet & cheesy look at the cook’s many hats (Bondi Pavilion Theatre until 27th October)

For some people food is fuel, and then there’s Margaret Fulton. This food icon has been teaching Australians how to cook for seven decades. She’s also the subject of the rollicking musical, Margaret Fulton: Queen of the Desserts. The show had its Sydney premiere this weekend and is every bit as tasty and kitsch as…

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Melbourne International Arts Festival Review: My Name is Jimi is keeping Wagadagam culture burning bright

“There is a Fire, a bright flame that was lit in the past, it is still burning but the woods are burning out. My job is to put new woods in to keep the Fire burning.” This is a quote created and practiced by Jimi Bani‘s late grandfather, Adhi Ephraim Bani Jr. The fire represents…

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Theatre Review: Powerful performances make YEN a genuinely moving experience (Kings Cross Theatre until 13th October)

Raw, real and deeply emotional, New Ghosts Theatre Company’s YEN gives us life as we’d rather not know it. Featuring some exceptionally talented new actors, who are expertly directed by Lucy Clements, this is heartfelt theatre at its most authentic. Fourteen year-old Bobby and his older brother Hench spend their days in their mother’s council…

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Melbourne Fringe Review: Bonnie Curtis’s GIRLS GIRLS GIRLS is confronting, imaginative and refreshingly honest

Being a woman in this modern age can suck. The expectation to keep that waist small, to get those likes on instagram and to have those Kylie Jenner-esque lips. The expectation to be more or less perfect. It’s unreasonable, isn’t it? Sometimes the way we move about in society and the pressures we put on…

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Melbourne Fringe Review: Funerals with Phoebe proved the perfect ending to an incredible festival

Delightful, different and refreshing, real life funeral singer Phoebe Deklerk‘s show Funerals with Phoebe proved to be the perfect ending to my amazing month of Melbourne Fringe Festival shows. Have you ever wondered what songs you’d like to have at your funeral? Or noticed just how similar wedding and funeral songs can actually be? Would you consider…

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Theatre Review: Funny Girl is a joyous romp through New York’s golden years (Paramatta’s Riverside Theatre to 6th October)

The film Funny Girl is celebrating its golden anniversary but this story feels so young and vital it could have been made yesterday. Theatre & Co. present their version of Funny Girl at Parramatta’s Riverside Theatre. It’s something often associated with Barbra Streisand because it once catapulted her to fame. These are some big shoes to…

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Theatre Review: Beauty & The Beast delivers some entertaining, family-friendly fun (Glen Street Theatre to 29th September)

It’s a tale that is – by its own admission – one that is as ‘Old as time’. The story of Beauty & the Beast has inspired two-hit Disney films and the stage production has played all over the world. Stage Artz reprise their production to deliver an entertaining and family-friendly charity event. Stage Artz…

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Melbourne Fringe Review: Consciously Kyah presents powerful creative collaboration Seeping

The first thing that hit me when I entered the dimly lit room in the midst of Sydney Road is the enveloping smell of incense. Basking in a red hued light, an array of flowers had been artfully placed around the area. The stage had been set and Consciously Kyah’s “Seeping” was about to begin….

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Theatre Review: Family-friendly Potted Potter is not quite potty enough (Seymour Centre until 23rd September)

First, there was the Complete Works of William Shakespeare – Abridged, and now we have Potted Potter – The Unauthorised Harry Experience – A Parody by Dan and Jeff (a title that, like the eponymous show, tries desperately to cram as much as possible into a very short space). Covering all seven Harry Potter books…

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Theatre Review: Tina Arena wows as Evita (at Sydney Opera House until 2nd November)

Take a much-loved child star known for her angelic voice, throw in some musical theatre heavy-weights and a modern opera/musical whose composer is celebrating a milestone year, and you have a revival that could very well be the hit of Opera Australia’s 2018 season. The 40th anniversary restaging of Tim Rice and Andrew Lloyd Webber’s Evita,…

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Theatre Review: The Wharf Revue’s Deja Revue celebrates politics repeating with some all-singing & all-dancing comic revelry

The Wharf Revue have been proudly entertaining audiences by skewering politicians since 2000. This year’s instalment was the troupe’s first without co-founder and musical director, Phil Scott, but the show remained strong and funny. The opening night at Parramatta’s Riverside Theatre was a rollicking one with a vaudeville feel that hit some really high notes….

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Melbourne Fringe Review: Darwent & Gray’s The Rest is Drag is a divine, feel good production to make you think

I called my boyfriend just after four o’clock. He was leaving his boring office to get on the boring train with the potential of taking a squiz at the boring financial review before eating a boring dinner and you get the gist. His flamboyancy was lacking, but lets not tell him that just yet. “How…

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Theatre Review: Curious Incident of the Dog in the Night-Time is a technical marvel buoyed by an inspired script and powerful lead performance (Adelaide & Perth Tour Dates Remain)

The acclaimed touring West End production of Curious Incident of the Dog in the Night-Time wrapped up its Sydney last night, before it heads off to Adelaide and Perth. Based on the celebrated book of the same name by Mark Haddon, the play tells the story of Christopher Boone (Joshua Jenkins in a masterful performance),…

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Theatre Review: Curious Incident of the Dog in the Night-Time is a technical marvel (Adelaide & Perth Performances Remain)

The acclaimed touring West End production of Curious Incident of the Dog in the Night-Time wrapped up its Sydney last night, before it heads off to Adelaide and Perth. Based on the celebrated book of the same name by Mark Haddon, the play tells the story of Christopher Boone (Joshua Jenkins in a masterful performance),…

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Theatre Review: Assassins claims a victim (and wins hearts) on opening night (Sydney Opera House to 1st July)

It takes extraordinary strength of character (both in personality and portrayal) to deliver a flawless performance while one of your leads is being rushed to hospital with a serious injury, but that is what the cast of Assassins did on opening night at the Sydney Opera House this week. A sharply designed, brilliantly performed production,…

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Theatre Review: Wheel of Fortune spins a tantalising if not inconsistent tale (Metro Arts Theatre til 9th June)

Round and round the Brisbane Ferris Wheel goes, why tourists pay $30 to ride it nobody knows. At least, that’s what occurred to me while watching the visual piece in the background set the backdrop for TAM and Metro Arts latest production – Wheel of Fortune. Loosely based on the Austrian play La Ronde, which…

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Theatre Review: Gypsy is a slow burn that just misses the mark (Sydney’s Hayes Theatre Co to 30 June)

I’m not entirely sure what I was expecting walking into Hayes Theatre to see Gypsy, a musical based on the memoirs of famous burlesque star Gypsy Rose Lee. All I know is this wasn’t it. The performance focuses heavily on the early life of Gypsy Rose Lee, growing up in the shadow of her sister…

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Theatre Review: Troilus & Cressida lacking a spark (at the Depot Theatre until 19th May)

Despite being penned by arguably the world’s greatest playwright, the convoluted storyline of Troilus & Cressida can prove a significant challenge for even the best theatre practitioners. Secret House have tackled this problem play with their usual gusto, gaining many ticks from this reviewer, but unfortunately the source material proves a difficult sell and, as…

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Theatre Review: The Sugar House is the missing soul of Sydney (at Belvoir until 3rd June)

Narelle (Sheridan Harbridge) skirts across a converted factory floor, all brushed concrete and industrial chic, flanked by an eager estate agent (Nikki Shiels). It’s an all too common scene as Sydney’s working class havens make way for heritage apartment conversions, hip cafes and pet-owning professionals. Narelle however stalks the space with a touch of melancholy,…

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Theatre Review: Priscilla, Queen Of The Desert is still frocking fabulous (at Sydney’s Capitol Theatre)

It’s been over a decade since Priscilla, Queen Of The Desert made its theatrical debut. And the film itself doesn’t look a day over 24. This feel-good story about three drag queens leaving Sydney’s big smoke to go west to Alice Springs is still one fun, glittery and rollicking bus ride. The latest production brings…

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