Trigger warning: this review contains discussions of sexual assault. Spoiler alert: this review also discusses how the play ends. Set in 1990s Boston, Spike Heels focuses on the intertwined lives of four individuals and one woman’s journey to self-actualisation. Written in 1992 by Theresa Rebeck and directed by Serhat Caradee, Spike Heels is based on…
An 80s-lover’s neon-filled fantasy, come to life! After selling out performances across Broadway and the UK, The Wedding Singer brings its neon lights, flashy perms and dazzling choreography to Melbourne – filling the Athenaeum Theatre with a sense of resounding joy and classic 80s nostalgia. Based on the beloved Adam Sandler/Drew Barrymore romantic comedy, The…
You could be forgiven for having never heard of a French sculptor named Camille Claudel. Like many talented and brilliant women history forgot, she existed in the shadow of a man and within the confines of a society that feared the ambitions of women. Growing up with a father who encouraged her and a mother…
Written by David Henry Hwang, Yellow Face at Kings Cross Theatre is a semi-autobiographical play that features the playwright himself as the protagonist. Set in America over the course of the 1990s, Yellow Face focuses particularly on the inception, creation, release and subsequent failure of Hwang’s 1993 play Face Value, and everything that follows. When…
Jackie French’s much loved children’s book, Pete The Sheep has been a staple of households since its first pressing in 2004, with the story of a loveable shearer and his ‘sheep sheep’ Pete teaching children about differing viewpoints and acceptance of change. Theatre company Monkey Baa have lovingly produced a stage musical based on the story,…
Staging an Australian production of a Tony Award-winning Broadway musical is always a daunting task, particularly when that show is one of the most acclaimed and successful musicals in Broadway history. The one benefit for local productions is knowing the audience likely have little first-hand experience with the version seen on The Great White Way….
Trigger warning: review contains references to mental illness and trauma. Sally Sara is a Walkley award-winning journalist, writer and author who has reported from more than 40 countries as a foreign correspondent with the ABC. Her debut play Stop Girl at Belvoir in Sydney is a powerful and compelling story of a woman’s struggle with…
Ever notice how families will remember events from their childhood differently? How a conversation, a situation or a person that seems so clear to you can be viewed from a completely different perspective by your sibling. This concept of selective memory is sometimes heightened after someone dies, our brains often choosing to focus on the…
The average Australian spends close to 40% of their waking hours on the internet. That’s over 6 hours a day scrolling, liking, searching and connecting to other people. But what happens when your screen time begins to take up all your time. What happens when the connections you make online become more real than the…
DIRT is the story of an Australian tourist, played by Will King, travelling in Moscow who hooks up with the local tour guide (Patrick Livesey). The romantic interplay between the two evolves over the course of the performance, but each has a hidden story that gradually unfolds. The play is set in contemporary Russia and…
Theatre was briefly back in Melbourne before another five day lockdown saw shows rescheduled. Before the enforced hiatus, I was fortunate enough to catch a performance of The Gang of Five at La Mama Mobile Theatre. The Gang of Five opened to a full house, based at Creative Spaces’ Studio 1. Repurposing a dance studio…
Being a teenage girl is rough. Expectations are high, bodies are changing, social media is all consuming and society deems your interests as silly. There have been countless attempts to represent teen girl culture both on stage and screen, yet most rarely seem to get it right. Originally premiering in 2019, Fangirls attracted a buzz…
It is with no small amount of amusement that I tell you, Magic Mike Live has been one of the most difficult reviews I’ve ever had to write. It would be easy for me to sit here and wax lyrical about how attractive the dancers were (because they were) or how much the crowd of…
Sybylla Melvyn announces (triumphantly and somewhat without apology) that this is a play all about herself. Stuck on her family property as the eldest of eight, her drunken father (Jason Chong) has squandered much of the family resources while her mother (Blazey Best), keen to marry her off, is worried she’s too plain. In strong…
Love it or loath it, you cannot deny Disney’s 2013 animated musical Frozen is one of the biggest pop culture phenomenons of our time. With box office figures, soundtrack sales, and merchandise revenue not seen since the Disney Renaissance of the early 1990s, Frozen was the cultural sensation the House of Mouse had been chasing…
Pippin is the first major musical to return to Sydney theatres, with distancing restrictions easing just before the show’s opening. The show’s offering of colour and magic are perfect medicine for our current climate. But, on another hand, its somewhat confusing premise and over-reliance on smoke and mirrors are yet another symptom of them. This…
From the moment he swaggers into the room, you can tell Tyler Everett (played by Tom Crotty) is going to own the audience. Making eye contact, he begins his story of sex, violence and city living. Dressed in a black leather jacket, white t-shirt and designer stubble, with a backpack slung over his shoulder he…
February 2020 marks the one year anniversary of Harry Potter and the Cursed Child reaching Melbourne. With over 325,000 attendees surging into the Princess Theatre to watch the tale unfold across the last twelve months, the show has been a record-breaking success. Although it has been on stage since its London premiere for almost four years,…
Rip, Drag and Ruminate is a collection of short works from the Adelaide College of the Arts 3rd Year Dancers. Six pieces were presented. The opening sequence by Isobel Stolinski, “To Whom it May Concern”, dealt with art censorship and scrutiny. The Acid Arab soundtrack helped to create an uplifting message which contrasted with the…
Billy Elliot was a hard-hitting film that intertwined the beauty of dance with sentiments of toxic masculinity, as well as giving us an intense glimpse into the class struggles working-class England faced in the early 1980s. Not your obvious choice of musical magic; however, Elton John was so moved after seeing the film at Cannes…
Grace O’Malley (Gráinne Mhaol), was a powerful seafaring chieftain in 16th-century Ireland who commanded 200 men at sea, and met with Queen Elizabeth I. Curiously, she is not readily found in history books, so Jennifer Liston has bought her story to life, using original poems, songs and music. The upstairs room in the Gilbert…
Calling all magical fairytale creatures, pack your bags, vacate the swamp, and fly on down to Her Majesty’s Theatre to see everyone’s favourite green ogre belting out a tune in Shrek The Musical! When I first heard that they were turning Shrek, arguably one of the greatest animated cartoon’s of all time into a musical,…
Amanda Palmer has created a deeply personal, autobiographical performance piece that resonates with passion and dignity. As the lead singer of the Dresden Dolls, Palmer is no stranger to controversy and never shies away from the difficult conversation. “Cornflake Girl” by Tori Amos fills Bonython Hall, signally the arrival of Amanda Palmer. Dressed in a…
Before Moulin Rouge! premiered at New York’s Al Hirshfeld Theatre on July 25th, 2019, a theatre where Kinky Boots had called a home for the 6 years prior, the producers did something quite surprising: so sure they were of its popularity, they announced it would tour out of New York – including a 2021 run…
The Midsummer Carnival is in town, and the big top has set up shop at Brisbane Powerhouse. A troupe of pixies and players invite audiences to wander through their carnival, filled with sideshow games, fortune tellers, and death defying stunts. But hidden amongst the crowd are four young lovers, and as the mischievous Puck sets…
Magic is so often about secrets, smoke and mirrors, but James Galea also adds a dash of silliness to the mix. The hip youngster projects a cool and calm exterior that is so charming. He also has an irreverent sense of humour; his tongue is placed firmly in cheek. In Poof! Secrets of a Magician…
An all-star collaboration of sorts, Anthem sees acclaimed writers Christos Tsolkas, Patricia Corneleus, Andrew Bovell and Melissa Reeves reunite with composer Irene Vela following their 90s-era play Who’s Afraid of the Working Class? A series of stories interweave through the backdrop of Melbourne’s train network, with a range of characters thrust together on public transport…
Performance artist Bryony Kimmings is known for work centering on the personal, with prior shows exploring her partner’s depression, a show devised with her tween-aged niece and another sleuthing the source of an STD. In I’m a Phoenix, Bitch, however, things get far more raw. If one uses life experience as a platform for their…
Based on the 1982 novel of the same name by Michael Morpurgo, War Horse returns to Melbourne to dazzle audiences at the newly refurbished Regent Theatre. The play exhibits a deeply moving and emotional story about the bond between a boy and his horse during the outbreak of WWI accompanied by stellar puppetry, captivating lighting…
The wedding comedy is common shorthand through which to explore culture. Those from different traditions are forced to navigate a new frontier, negotiate new sets of terms and decide what parts are most important. Black Ties sees this culture clash cleverly told between an Indigenous and Maori family, highlighting both the similarities and stark differences…
