Reviews

Film Review: Winnie-the-Pooh: Blood and Honey II surpasses its predecessor with a gory glee

Though it’s less of a shock practice now, the idea of a classic literary figure that became a household name under the umbrella of Disney being transformed into something adult and horrific rightfully broke – and angered – the internet when it was announced that Winnie-the-Pooh: Blood and Honey would be made off the back…

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Film Review: Godzilla X Kong: The New Empire; The titanic monsters of cinema flex their wild abandon in overtly big sequel

A film like Godzilla X Kong: The New Empire is what one might call “critic proof”.  I mean, it’s ultimately a near-2 hour over-indulged CGI fest based around two giant creatures and their evident animosity towards each other.  But, rather ironically, these two titans are battling each other at the tail-end of a cinematic universe…

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Film Review: Io Capitano finds the beauty in the brutal reality of a migrant’s journey towards freedom

Director Matteo Garrone has often flirted between reality and fantasy when telling his stories on screen.  His 2008 mafia drama Gomorrah and the crime-infused Dogman (2018) were steeped in a violent truth.  His English-language fantasy Tales of Tales (2015) and a live-action adaptation of Pinocchio (2019) allowed him to delight in the whimsical.  For Io…

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Film Review: Wicked Little Letters; Olivia Colman and Jessie Buckley flex their profane vocabulary in wicked little comedy

Before the internet gave way to the keyboard warriors of the world, if there was a bystander of sorts that you wished to give a piece of your mind to (however warranted or not), one had to put pen to paper and post such. In the early 20th century these were the days of the…

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Film Review: Ghostbusters: Frozen Empire needs to unthaw its grip on series nostalgia

Nostalgia undoubtedly has its place within the realms of IP revisitation, but there are certain ways to utilise such a notion without completely falling back on them.  2021’s Afterlife, the 3rd Ghostbusters , chronologically, following 1984’s debut and its 1989 sequel – or the 4th iteration if counting Paul Feig’s much maligned, but vastly underrated…

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Film Review: Immaculate; Sydney Sweeney commits to disturbing, potentially triggering, religious horror outing

Given Sydney Sweeney‘s dedication to Immaculate as a production, it makes sense that the actress gives her all across the 89 minutes of Michael Mohan‘s disturbing, occasionally blackly comic, religious horror film. A decade-or-so ago, Sweeney, who was still mainly working in C-grade film fare at the time, read the Andrew Lobel-penned script and knew…

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Film Review: Road House is trashy escapism that revels in its own dirty masculinity

Whilst some of the beats are the same between Doug Liman‘s surprising take on Rowdy Herrington’s resilient 1989 trashy actioner of the same name, Road House 2024 proves removed enough to justify its existence as a similarly-themed junky piece of escapism that revels in its own dirty masculinity. Jake Gyllenhaal shares the same name as…

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Film Review: Love Lies Bleeding is deliciously wild and audaciously brutal

If her prominent post-Twilight work hasn’t convinced you to join the Kristen Stewart appreciation club, then may I suggest signing up in the wake of Love Lies Bleeding, a deliciously wild, brutal noir crime comedy that gleefully breaks your jaw in the process. And there’s a reason I specified a breaking jaw in that analogy,…

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Film Review: The Nut Farm cracks charm out of its undecorated nature

Whilst The Nut Farm undeniably goes for simple, perhaps obvious humour over the course of its brisk 80-ish minutes, audiences looking for clean(ish) humour and a sense of family fun should have an easy time digesting Arj Barker‘s absurd, well-intentioned comedy. Barker, an American comedian whose very much made Australia his second home over the…

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Kryptic is a Lynchian-like thriller that indulges in its confusing, confronting narrative: SXSW Film & TV Festival Review

Towards the beginning of the creepy and ambiguous Kryptic, a tour guide overseeing the Cedar Springs Women’s Walking Club explains what cryptozoology is.  “It means the study of the hidden,” he states as he details Barb Valentine, a cryptozoologist who went missing in the very same British Columbia hinterland the group is currently hiking through….

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Hunting Daze is a surreal visualisation of toxic masculinity: SXSW Film & TV Festival Review

Men behaving badly is at the core of Annick Blanc‘s Hunting Daze, a surreal visualisation of toxic masculinity that refuses to ever pigeonhole itself into one category.  It’s horrific without ever devoting itself entirely to that genre.  It’s blackly funny, though never satirical.  And it’s always engaging, even if the extreme manner in which Blanc…

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Cold Wallet finds a taut balance between crypto commentary and gripping escapism: SXSW Film & TV Festival Review

Though there’s an enjoyable “Robin Hood”-like mentality to the narrative of Cutter Hodierne‘s always watchable thriller Cold Wallet, this cryptocurrency-heavy tale takes a less jovial approach to the world of tech talk and monetary scams than last year’s similarly themed Dumb Money.  But, despite opting for a more intense, oft-violent approach, the emerging filmmaker has…

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Film Review: Kung Fu Panda 4; Jack Black’s loveable Po proves a welcome return in amusing sequel

Though there was a certain sense of the story coming to a natural close in 2016’s Kung Fu Panda 3, the powers that be at DreamWorks deemed another go-around with the loveable Po (once again voiced with vigour by Jack Black) necessary, and so families are gifted with the effortless joy that is Kung Fu…

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Film Review: Ricky Stanicky; John Cena livens up an otherwise missed opportunity of a comedy

After finding Oscar glory as a solo filmmaker – with arguably one of the more controversial Best Picture wins in the Academy’s history (see Green Book) – there’s a nice sense of coming back home in the case of Peter Farrelly helming Ricky Stanicky. Now, it does pale in comparison to the comedy works he…

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Film Review: Imaginary is light on scares and, ironically, imagination

Given that the promotional material for Imaginary has highlighted a certain stuffed teddy bear, one would be right in assuming that the film – boasting its from the studio that brought us Five Nights at Freddy’s and M3GAN – would be taking inspiration from those two successful properties.  Unfortunately, despite such promise, a committed turn…

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Film Review: The Great Escaper is an engaging, likeable true story that celebrates love and determination

There very easily could’ve been an air of farce and faux suspense about The Great Escaper.  A true story centring on Bernard Jordan (Michael Caine) – a near-90-year-old who staged a “great escape” from his retirement home in 2014 in order to join his fellow war veterans on a beach in Normandy to commemorate their…

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Film Review: Dune: Part Two inimitably balances its blockbuster psyche with an uncomfortable morality

Given the absolute majestic, expansive nature of Frank Herbert‘s 1965 novel, it makes sense as to why director Denis Villeneuve insisted that his story be told across a necessary 5 hour split.  No doubt using David Lynch’s ambitious failure as something of a cautionary tale – the auteur continually rejecting his association with his own…

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Sphere Las Vegas Review: Postcard from Earth will take your breath away

After five years of hype and construction, no less than 54,000 m2 of LED on its exterior, and space for some 20,000 punters, the ambitious venue known simply as Sphere opened in Las Vegas last September, immediately becoming one of the world’s most recognisable structures. As the largest spherical building in the world, enjoying an…

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Film Review: The Greatest Love Story Never Told is the most open and vulnerable aspect of Jennifer Lopez’s This Is Me…Now experience

“What is this fucking girl’s problem?” As Jennifer Lopez states in the opening moments of The Greatest Love Story Never Told, she’s highly aware of what the media has pondered about the multitude of marriages (4, to be precise) she’s partaken in over the course of her resilient career. And it’s that self-awareness and hopeful…

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Film Review: The Rooster navigates its meditation on masculinity with dark humour and uncomfortable fragility

The opening imagery of Mark Leonard Winter‘s The Rooster is a nightmarish depiction of a body swinging in the wind.  It suggests a darker film than what transpires over the following 101 minutes, even though Winter’s script does indeed indulge in devastating themes. At the centre of The Rooster is Dan (Phoenix Raei, leaving no…

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Film Review: The Zone of Interest makes for a cruel and profound questioning of humanity’s dark underbelly

An idyllic family life juxtaposed with the genocidal holocaust horrors next door has made for one of the most gripping and intellectual cinematic gems in years.  The Zone of Interest is by far the most haunting and arresting depiction of Nazi family life and Holocaust bureaucracy you’ll get all year.  Directed by Jonathan Glazer, his…

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Film Review: Drive-Away Dolls is an unapologetic queer road movie that takes no prisoners on its journey

If there was ever an indication as to how separately the Coen Brothers think when they’re left to their own devices, one only needs to look at what Ethan Coen has concocted with Drive-Away Dolls.  Miles apart from Joel Coen’s ahistorical thriller The Tragedy of Macbeth, Drive-Away Dolls, a collaboration with Ethan’s wife, Tricia Cooke,…

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Film Review: Baghead offsets its demonic horror with a strong female voice

Baghead – and for those deep-cut aficionados, this isn’t connected to the 2008 indie horror flick of the same name that starred Greta Gerwig and was directed by the Duplass brothers – leans into the trusted genre narrative of the boundaries between life and death being somewhat fluid.  Arriving several months after the similarly-themed Talk…

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Film Review: Land of Bad is a nail-biting slice of military flourished escapism

A brutal war film that opts to forego any “true story” inspiration and commit wholly to undistinguishable-terrorists-are-picked-off-by-fictional-soldiers-with-crowd-rousingly-violent-results, Land of Bad transcends its Queensland-filmed locations and predominant Australian cast to deliver on shockingly tense and neatly executed thrills. Largely an action vehicle for Liam Hemsworth, the sweet-faced, imposingly-figured star leads the charge as Kinney, quickly dubbed…

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Film Review: Bob Marley: One Love cautiously celebrates the legendary performer

With all that Bob Marley achieved before his passing at only the age of 36, it makes sense that his life be served the biopic treatment, and with King Richard helmer Reinaldo Marcus Green as a director, there’s perhaps even more of a sense of how emotionally impactful such a tale could be.  But seemingly…

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Film Review: Madame Web; Well…it’s better than Morbius

Leading up to the release of Madame Web it’s safe to say that the word hasn’t exactly been overtly positive.  The usage of a certain line of dialogue regarding Dakota Johnson‘s character’s mother’s profession of working with spiders in the Amazon cemented the film’s meme status from the get-go – for the record, the line…

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Film Review: Marmalade is a twist-heavy, enthusiastic caper

There’s a lot of blunt symbolism and are-they-too-clever-for-their-own-good?-plot twists abound in Marmalade, the feature debut from actor-turned-writer/director Keir O’Donnell (the Australian-American talent known for his roles in Wedding Crashers, American Sniper, and The Dry).  It’s an ultimately zippy, enthusiastic caper that probably puts a few too many of its eggs in its culminating basket, but…

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Film Review: Force of Nature: The Dry 2; “Whodunnit” sequel is a dark, menacing trek

Whilst much can be said about how so much of The Dry‘s success was in large part to it opening at a time when cinemas were still battling the pandemic-stricken productions that were halted, it can’t be denied that Robert Connolly‘s tight thriller was a fine genre film in its own right.  The fact that…

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Film Review: Does the elaborate spy action of Argylle live up to its marketed hype?

The promise of a trilogy based off a series of books that have yet to be released.  A planned spy-centred universe of films that is set to crossover with the similarly themed Kingsman and a yet-to-be-named franchise.  Taylor Swift theorists believing she’s the real mastermind behind it all.  And don’t forget the heavily marketed feline…

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