The basic narrative at the core of Restless – asking how far one would go to maintain peace in your own home – is perhaps one of the most relatable, and it’s because of that potential familiarity that Jed Hart‘s dread-drenched thriller is all the more chilling. Whether it’s happened directly to us or we…
There’s a subtlety and quietness to Darkest Miriam that continually laces this sad, yet captivating drama, with Britt Lower‘s haunting central performance adding a poetry to proceedings that beautifully captures those watching. In a Toronto neighbourhood, Miriam (Lower) lives a quiet life as a librarian, seemingly content with her daily routine of shuffling through the…
Whilst there’s no doubt that Megan Stalter is a talented comedienne (“Hi Gay!”, anyone?), the type of social-media-sketch-performer-turned-feature-actress trajectory isn’t always a guaranteed translation for both their respective humour and an audience’s positive reaction. Thankfully, her starring role in Cora Bora is a more dramatic transition for the actress, displaying a vulnerable, shaded, even confidence-lacking…
As much as Vincent Grashaw‘s Bang Bang revels in the alpha masculinity that oft dominates the boxing industry and the men it produces, this hard drama laces its narrative with a sadness and humanity that consistently brings the film above its gruff exterior. And much of that belongs to the impeccable Tim Blake Nelson, leading…
A character losing themself to nature in order to find solitude or correct the course of their life is not a road seldom travelled on screen. And in the case of The Outrun, it’s the windswept Orkney Islands off the northeastern coast of Scotland that serve as a place of rejuvenation for Rona (Saoirse Ronan,…
The prospect of being stuck in a cab for 90 minutes with a driver that isn’t afraid to wax lyrical about the dynamics of men and women doesn’t exactly sound like the most pleasant experience. And whilst that it is the entire premise of Christy Hall‘s conversation-provoking Daddio, audiences pre-empting their annoyance at such a…
Whilst it’s understandable that audiences may assume The Exorcism is somehow related to last year’s The Pope’s Exorcist – and given both their closeness in title and sharing of Russell Crowe, you can see why – but Joshua John Miller‘s genre entrant is more a dramatic character study, with many of the horrific elements feeling…
The idea of wearing a mask – physical or metaphorical – can so often be used to uncover a psyche within the realms of dark storytelling, and for Aaron Schimberg‘s chaotic A Different Man a literal representation is at the core. There’s an undeniably captivating and thought-provoking narrative at play, but the execution feels ultimately…
Though there is a high-concept present in the narrative forming of My Old Ass – shroom induced time travel could be the easiest elevator pitch summary (so, a high-concept if ever there was one) – Megan Park‘s deliriously sweet, always charming, oft-hilarious venture is, at its core, an uncomplicated affair that simply wants to make…
There’s a sense of too many eggs in one basket present in Problemista, a loaded-with-ideas, absurdist comedy from comedian Julio Torres who treats his first-time feature as if he may not get the chance to do a second. And there’s nothing inherently wrong with the ideas that Torres – a former Saturday Night Live scribe,…
As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…
Men behaving badly is at the core of Annick Blanc‘s Hunting Daze, a surreal visualisation of toxic masculinity that refuses to ever pigeonhole itself into one category. It’s horrific without ever devoting itself entirely to that genre. It’s blackly funny, though never satirical. And it’s always engaging, even if the extreme manner in which Blanc…
Though it leans into the action/thriller genre with a supreme wink, Thelma, Josh Margolin‘s frequently hilarious, always poignant ode to his own grandmother (and, clearly, a love of the action genre), is never spoofing the films it so evidently is earning its laughs from; and it’s that sweetness and keen sense of reinvention that helps…
The controversial historical treatment of Australia’s native people by white settlers and the continuing generational trauma within the Indigenous communities weigh heavy on the narrative themes of Jon Bell‘s The Moogai. There’s a ripe premise to lean into horror genre sensibilities – “moogai” is the Bundjalung language for a malevolent child-stealing entity that is the…
The blending of genres isn’t as easy as Richard Linklater makes it look in the deliciously fun Hit Man, a-sexy-romantic-comedy-cum-philosophical-action-film that the School of Rock helmer and lead charmer Glen Powell have co-scribed together in a seamless fashion. Given that Linklater has so often deviated from the expectation put forward in some of his films…
There’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut. The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), returned to the festival as married women detailing their own journey of self-discovery and acceptance with a film…
Given M. Night Shyamalan‘s penchant for banking the majority of his theatrical narratives on “the twist ending”, it’s understandable to walk into his daughter’s feature directorial debut with the same type of expectation. Whilst I can’t personally speak to whether or not the A.M. Shine novel Ishana Night Shyamalan has adapted is faithfully recreated here…
After showcasing her stellar comedic delivery across 2022’s Bodies Bodies Bodies and last year’s Bottoms, Rachel Sennott continues her dominance as one of the industry’s most exciting talents with a more dramatic flex in Ally Pankiw‘s I Used To Be Funny, which offsets its lead’s comedic capabilities and humorously-adjacent title with a dark, heartbreaking temperament….
Whilst this is a franchise that has indulged in its fair share of overtly-violent set-pieces for close to three decades now, there’s something to be said for the fact that Bad Boys: Ride or Die – the fourth in this surprisingly resilient series – is determined to keep the action on hand ageing gracefully. Yes,…
Similar to the disdain many had when it was announced that Chris Pratt would be voicing Mario for last year’s The Super Mario Bros. Movie, the actor’s involvement as Garfield hasn’t assisted in warming him to the masses that have seriously turned on him in a manner many never saw coming after his winning work…
Perhaps because we’re simply used to his New Girl persona, or that even in the realms of a horror setting he’s playing with a little uncertain levity, Lamorne Morris‘ presence in the opening moments of Night Shift suggest that The China Brothers (filmmaking duo Benjamin and Paul China) may be preparing their audience for a more…
John Krasinski has primarily set himself up in the horror space across his directorial career. And though his latest could give way to genre tendencies – imaginary friends can indeed be a terrifying notion – he’s decidedly opted for a more wholesome, family-friendly mentality with the release of IF. IF (which stands for Imaginary Friend)…
Mad Max: Fury Road felt like a truly once-in-a-lifetime type event upon its release in 2015. It was continuing a series that had laid dormant for 30 years at that point and, despite still relative success both critically and commercially, the third film – 1985’s Beyond Thunderdome – was so often cited as the series’…
Although Kingdom of the Planet of the Apes is a continuation of the rebooted Planet of the Apes trilogy that Rupert Wyatt’s Rise of the Planet of the Apes kicked off in 2011, with Matt Reeves’ Dawn of the Planet of the Apes (2014) and War for the Planet of the Apes (2017) following through,…
If the premise of The Idea of You sounds like romanticised mentality of fanfiction – that being a romance centred around a 40-year-old single divorcee and the global boyband heartthrob who meet-cutes her and proceeds to pursue her to her bewilderment – it’s because it essentially is. Based on Robinne Lee‘s novel of the same…
The Road to Patagonia opens with Matty Hannon – the director, cinematographer, and centre-man – telling how he’s headed to the top of Alaska, which if you know your American geography, is distinctly away from Patagonia, which encompasses the southern end of South America. But worry not, the title is not a metaphor nor figurative. …
Childlike yet ultra violent, there’s a lot of style over substance when it comes to Mortiz Mohr‘s Boy Kills World, an exaggerated, audacious, attention-seeking actioner that doesn’t have much to say, but succeeds at being a delirious slice of escapism that deserves points for the fact that it’s a bonkers, live-action (R-rated) cartoon that speaks…
There’s a fascinating premise at its core and an impressive heft of body horror effects abounding throughout, but The Demon Disorder never quite conjures enough other-worldly strength to rise above its structural flaws. A tale of three brothers and the demonic trauma they share off the back of their father’s death – presumably the result…
To call Hanky Panky inexplicable at times would be an understatement. And in no way is that intended to be an overt criticism towards Nick Roth and Lindsay Haun‘s wild comedy-horror effort that delights in its science-fiction mentality whilst bathing itself in batshit insanity. It’s an acquired taste of a film, and it definitely benefits…
Not that we needed reminding, but Ryan Gosling‘s distinct energy – rightfully rebranded as “Kenergy” in the culture-shifting buzz surrounding last year’s Barbie – is entirely unmatched. We saw it earlier this year with his boisterous rendition of the Oscar-robbed “I’m Just Ken” at the Academy Awards where, without even taking off his sunglasses, he…
