Film

Film Review: Ferrari needs a tune-up if it wants to be considered an enjoyable ride overall

Compared to the other “exceptional man” biopics of the last year (Oppenheimer, Maestro, Napoleon), Michael Mann‘s Ferrari is, sadly, the least interesting.  Whilst it doesn’t take an entirely traditional narrative – the film only shows us a certain chunk of the man’s life – and Adam Driver does his best with his showy role, to…

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Interview: Bryce McGuire on expanding his short film Night Swim into a feature for James Wan and Jason Blum

Based on his own acclaimed 2014 short film, Night Swim high dives into the deep end of horror as it takes the most banal pleasure of suburban life and transforms it into a wellspring of demonic evil in a movie that combines the style, impishness and wicked world-building that audiences have come to expect from …

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Interview: Producer Ryan Turek on Night Swim and why audiences like being scared; “It’s an escape and a catharsis for them.”

A backyard swimming pool. A symbol of youth, status and wish-fulfillment, quintessentially American yet universal in its shimmering appeal. A life-enhancing luxury to those who can afford the cost, an absolute necessity for those poor souls who live in the most hellishly hot of places. A heavenly playground for people of any age, a devilish…

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Film Review: Next Goal Wins; Inspiring underdog tale returns Taika Waititi to his humble roots as a filmmaker

If you browse long enough on Twitter, sorry, X, you’ll note that there’s still chatter and self-diagnosed “hot takes” regarding Taika Waititi‘s 2019 outing Jojo Rabbit.  The film already had its share of detractors in the immediate aftermath of its release, but an Oscar win for Best Screenplay and the general good word for its…

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Film Review: Aquaman and the Lost Kingdom brings the DCEU to an end with a droplet rather than a splash

And just like that, the DCEU comes to a close with a droplet rather than the splash we were expecting a decade ago. In 2013, when Man of Steel premiered, there was the promise of an exciting future of storytelling to be told for the variety of characters within the DC lore.  There was rousing,…

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Film Review: Wish doesn’t quite conjure the usual Disney magic

There’s been a lot of chatter around Wish and the fact that its release celebrates Disney’s centennial, where the major theme across a heft of the studio’s films – that of wishes being granted – would be tied together.  It’s a sweet notion, without question, but it would appear that the creatives behind the film…

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The AU Review’s Best Films of 2023

In a year that was ruled by Barbenheimer and mortally wounded the once-unstoppable superhero genre, 2023 definitely saw audiences shift their minds (and money) towards more original content.  Perhaps an indication as to where the industry should place its focus, The AU’s best of list similarly echoes the sentiment that bigger doesn’t always mean better,…

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Film Review: Poor Things is a twisted enormity of a movie with a deeply intimate core

Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the eccentric…

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Interview: Anyone But You‘s Joe Davidson on risky auditions, Aussie slang and THAT shower scene

Sydney Sweeney and Glen Powell may be generating plenty of heat throughout their new romantic comedy Anyone But You, but there’s some distinct Australian flavour ready to challenge the duo in the form of one Joe Davidson. The Queensland-born actor, who looks as if he’s a long-lost brother to the famed Hemsworth clan, has snared…

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Film Review: Anyone But You; Sydney Sweeney and Glen Powell generate heat and humour in sexy, throwback romcom

Even if Anyone But You isn’t the type of film that would ordinarily interest you, it’s difficult to not know about Will Gluck‘s frisky romcom due to the “Are they/aren’t they” chemistry of stars Sydney Sweeney and Glen Powell, two impossibly gorgeous actors who leaned into their own sex appeal during the filming in Sydney…

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Film Review: Migration is a lively animated comedy that should resonate with your family this holiday season

Given that Migration, the latest animated offering from the Illumination collective (the production company behind such successes as Despicable Me and the inexplicable Minions), is penned by White Lotus creator Mike White, it makes sense that the film manages to make us care about its characters, rather than just be mildly amused at their comedic…

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Film Review: Ruthless; Dermot Mulroney proves predictable revenge thriller’s sole saving grace

Whilst Dermot Mulroney won’t exactly see a career shift in the same manner as Liam Neeson did as an action-heavy persona in the wake of Taken, his rough and ready stature as a vigilante wrestling coach in Ruthless certainly works in his favour, and proves the film’s only true saving grace. Directed by Art Camacho…

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Interview: Elizabeth Banks and Kumail Nanjiani on identifying with their animated counterparts in Migration; “Cartoons are better than people.”

This holiday season, Illumination, creators of the blockbuster Minions, Despicable Me, Sing and The Secret Life of Pets comedies, invites you to take flight into the thrill of the unknown with a funny, feathered family vacation like no other in the action-packed new original comedy, Migration. The Mallard family is in a bit of rut….

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Interview: Kung Fu Panda 4 director Mike Mitchell and producer Rebecca Huntley on what we can expect in this brand new adventure

This autumn, for the first time in almost a decade, comedy icon Jack Black returns to his role as Po, the world’s most unlikely kung fu master, with a hilarious, butt-kicking new chapter in DreamWorks Animation’s beloved action-comedy franchise: Kung Fu Panda 4. After three death-defying adventures defeating world-class villains with his unmatched courage and…

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Film Review: Under the Influencer is an earnest effort that speaks to the value of staying honest in the world of social media

Given how important a person’s online presence (or persona, even) is in this age of social media, and that “influencer” is now apparently so prime that it can be considered a career, it’s not surprising that such a topic is readily explored in other forms of media.  In the case of Alex Haughey‘s Under the…

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Aquaman and the Lost Kingdom will break Australian ground with gold trident and water-projected footage presentation

From Atlantis to Waterman’s Cove, Warner Bros. Pictures’ Aquaman and the Lost Kingdom will preview footage from the film on 9m high wall of water, as the character’s own 7m gold trident sets for display in Sydney’s Barangaroo from the 14th to 17th of December, 2023, ahead of the film’s release on Boxing Day. The…

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Win a double in-season pass to the sexy new romantic comedy Anyone But You

Hot? Yes. Bothered? Also yes. Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to see the sexy new romantic comedy Anyone But You, starring Sydney Sweeney and Glen Powell, set to steam up cinemas exclusively from Boxing Day, December 26th, 2023. Bea (Sydney Sweeney) and Ben (Glen Powell) look like…

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Film Review: Wonka, like his chocolate, is a sweet, delicious treat

There’s something rather ironic in Paul King‘s Wonka being deliciously, inoffensively sweet, given that the character at its core has done plenty to unnerve (however slightly) young audiences across the near six decades of his existence. As written by Roald Dahl in 1964’s “Charlie and the Chocolate Factory” and then brought to life by the…

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Interview: Natalia Córdova-Buckley and Ryan Kwanten on exploring grief in their horror film The Portrait

In the wake of her husband’s devastating accident, a devoted wife becomes consumed by a mysterious portrait that resembles him in his happier days. However, as her obsession intensifies, the painting starts to unleash terror upon her life, leading her to question whether it is possessed by a malevolent force or if she is losing…

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Film Review: The Portrait appears as a fresh piece of horror art thanks to the sum of all its creators within.

Making his feature-length debut, director Simon Ross proves a capable genre helmer with The Portrait, which, initially, expresses its terror through the artwork that sits in the attic (where else?) of the expansive mansion that serves as the film’s lead location. Why it proves unsettling to the film’s tortured heroine, Sofia (Natalia Córdova-Buckley, committed to…

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Film Review: Our Son is a universally emotional and deeply personal drama

Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer cinema has taken a…

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2024 Sundance Film Festival announces 91 projects for its 40th edition

Today the non-profit Sundance Institute announced the 82 films, eight episodic titles, and a New Frontier interactive experience selected for the 2024 Sundance Film Festival. The Festival will take place January 18–28, 2024, in person in Park City and Salt Lake City, with a selection of titles available online nationwide from January 25–28, 2024. This…

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The Australian Academy of Cinema and Television Arts announces the debut of the AACTA Festival

The Australian Academy of Cinema and Television Arts (AACTA) proudly announces the debut of the AACTA Festival, a four-day celebration of Australia’s vibrant screen industry that promises an immersive experience for all, from industry professionals to film enthusiasts, school-leavers, families, and aspiring creatives.  The festival, including the AACTA Awards presented by Foxtel Group, will be hosted at the Home of…

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Film Review: Silent Night; John Woo’s dialogue-free actioner is brutally unique

Though prolific action director John Woo has maintained a steady hand behind the camera for decades now, it’s been 20 years since he helmed an American production; the last standing as the largely-forgotten Ben Affleck sci-fi leaning Paycheck. Returning stateside with a mentality that feels far removed from the oft-outlandish, budget-aplenty genre films he was…

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Interview: Joel Kinnaman on taking a risk in John Woo’s dialogue-free actioner Silent Night; “I realised it was a lot more demanding for me.”

From acclaimed Hong Kong-based action director, John Woo (Face/Off, Broken Arrow, Mission: Impossible II) comes Silent Night – his first American film in 20 years. Starring Joel Kinnaman (The Suicide Squad, Robocop, Hanna), Silent Night tells the story of a man who witnesses the death of his young son on Christmas Eve, when the boy gets caught in…

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Interview: Catalina Sandino Moreno on the freedom of working without dialogue for John Woo’s Silent Night

Returning to the American filmic scene for the first time in 20 years, John Woo’s Silent Night is a bold, visceral tale of revenge told in the most unique of ways. Foregoing traditional dialogue, Woo’s violent, emotional action film emphasises the beating heart and the bloody pulp behind the slick choreography, with Joel Kinnaman leading…

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Film Review: Christmess, for better or worse, won’t be your festive “feel good” flick this year

Whilst films set around Christmas more often than not romanticise the holiday, there are still the occasional offerings that bathe in a downtrodden light that, for many, hits a far more realistic note.  In the case of Christmess, writer/director Heath Davis perhaps leans a little too heavily into the downward spiral of his main character,…

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Film Review: Bottoms is an unruly comedy that benefits from its wicked internal spark

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy that honours John Hughes as much…

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Hear it. See it. Live it. Jennifer Lopez announces new musical experience This Is Me…Now

Jennifer Lopez’s long awaited musical experience THIS IS ME…NOW begins with the release of a new full length album and film inspired by the music, set for release on February 16th, 2024. The release of “This Is Me…Now”, Lopez’s first studio album in nearly a decade, celebrates the anniversary of its sister album, “This is Me…Then”,…

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Interview: Julian Dennison on connecting to his culture in Uproar, working with his family and the difficulty of executing comedy

After breaking out as a talent to watch from his performance in Taika Waititi’s acclaimed comedy Hunt for the Wilderpeople, New Zealand-born actor Julian Dennison quickly took the international film scene by storm with roles in such hits as Deadpool 2, The Christmas Chronicles 2 and Godzilla vs. Kong. Returning to his homeland, Dennison’s latest…

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