Reviews

Chicago International Film Festival Review: Knives Out is a show-stopper

Oh to imagine how much fun this all-star cast must have had during the making of Knives Out, the off-the-wall whodunit homage from director Rian Johnson. Although its ultimate revelation isn’t quite as electrifying as watching the entire thing unfold, the snapping wit that drives this film is impossible to resist. And – surprise –…

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Film Review: Odessa (Russia, 2019) – Amazing cinema at the Russian Resurrection Film Festival Launch

The Russian Resurrection Film Festival is considered one of the largest and most well respected film festivals outside of Russia. Travelling to Melbourne, Sydney, Brisbane, Perth, Adelaide and Canberra, the festival offers an insight into Russian culture through some of the most imaginative and creative cinema you’ll see. After some welcome speeches, including the Russian…

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Supanova Adelaide 2019 Round Up: John Travolta, Deborah Ann Woll, Jason Isaacs and more brought the star power

Every year, in November, the Adelaide Showground springs to life with colourful characters when the Supanova Comic Con & Gaming Expo rolls in and offers a chance for Adelaide’s creative community to come together, show their art or cosplay and meet some of the biggest Film & TV stars out there. Sunday morning began with Julie Benz of Buffy the Vampire…

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Film Review: Last Christmas wears its tinsel-laced heart on its sleeve with an unashamed abandon

As much as Last Christmas is selling itself on the notion that it’s “inspired” by the musical catalogue of the late, great George Michael – or more specifically the Wham! festive classic that this film’s title has lifted as its own – it’s ultimately not as formidable as it wishes to be. That’s certainly not…

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Film Review: Follow a group of women determined to change the face of sailing, in outstanding doco Maiden

In the late 1980s, a young ship’s cook named Tracey Edwards had had enough. Sick of sailing’s impenetrable boys club, where women were barely tolerated on board – let alone in control on deck – she made an extraordinary decision. Edwards bought a boat, put together a team, and announced that she would be heading…

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Jewish International Film Festival Review: Marianne & Leonard: Words of Love is a flawed look at a bohemian love story

Marianne & Leonard: Words of Love is a documentary about music’s biggest bohemian and his muse. Poet and songwriter, Leonard Cohen and his lover, Marianne Ihlen had a rich and complex relationship, before they both passed away in 2016. This documentary is like a love letter to their passion; a flawed yet visceral look at…

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Film Review: Carl Laemmle is an insightful look at Universal Pictures’ founding father & visionary uncle

They called him “Uncle Carl”. For some of the employees at Universal Pictures that’s because he was their actual family member. But for many others, this diminutive entrepreneur was a well-respected man and a boss with a gigantic heart. This documentary is an illuminating guide to this gentle and helpful soul, and a testament to…

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Film Review: Arctic Justice is an adequate family movie with some take home messaging

It’s the wrong time of year for us to be having an animated kids movie set in the arctic coming to our screens. However there is slim pickings for families in the lead up to Christmas, so for those wanting to keep their little ones entertained comes Arctic Justice. The film has been marketed overseas…

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Film Review: Terminator: Dark Fate is enjoyable surface-level fodder that’s unable to bring anything new to the genre table

The release of Terminator 2: Judgement Day in 1991 was proof that the oft-expected “inferior sequel” is a projection able to be shattered. It surely helped that that film was helmed by the original director, James Cameron, and in bringing the visionary filmmaker back on board for this fifth sequel, there’s somewhat of an expectation…

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Film Review: After the Wedding promises a tomorrow that never actually comes

Neil Finn may have sung about seven worlds colliding, but in After the Wedding it’s really only about two. A pair of women – one obscenely rich and the other a selfless worker at an orphanage – come together for a chance meeting due to money. The result is an overlong affair that fails to…

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Film Review: Promised is an unpolished dramedy that’s all about love

Australian cinema has already seen Ali and Muriel getting married (to other people) but Promised takes a different approach. This dramedy, set in the 1970’s, is a look at an arranged marriage, starring a pair of Italo-Australians. The results are an imperfect story that brims with real heart. It’s obvious that this independent film was…

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Film Review: Ready or Not is gleefully sadistic fun, with a great performance from Samara Weaving

Horror comedies are a sub-genre that are hard to pull off successfully. One has to steer tonal shifts smoothly and juggle both laughs and scares with skill and balance; all whilst not overwhelming or underwhelming on either front. Successful horror comedies include Sam Raimi‘s horror entries — The Evil Dead Trilogy and Drag Me To…

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Film Review: How to be Mark Ronson introduces us to the man behind the music

“Uptown Funk”, “Shallow”, “Valerie”, “Joanne,” “Late Night Feelings,” and the list goes on. Producer, songwriter, musician and singer, Mark Ronson has contributed to some of the biggest songs and records of modern times. In How to be Mark Ronson, fans are given a taste of the man behind the music and learn that this subject…

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Film Review: Maleficent: Mistress of Evil is a messy darker watch that fails to live up to its potential

Back in 2014 Disney decided to release a movie about one of their most iconic villains. Maleficent, the evil fairy and protector of the Moors was a rather ambiguous character in the film adaptation. Toeing the line of an antihero, as she fought to protect her realm against the twisted King Stefan whilst also befriending…

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Film Review: Strange But True is an ambitious neo-noir thriller

When Rowan Athale‘s ambitious neo-noir thriller Strange But True opens on the sight of a panicked Nick Robinson running from an unseen threat – with a broken leg, of all things – there’s an immediate sense of intrigue that settles in. Just what he is running from is gradually revealed when the film takes us…

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Film Review: The King is exhaustingly long but has moments of medieval greatness

There have been many adaptations of Shakespeare’s work to the big screen with varying results. Twice before Australians have tackled the Bard’s work with Baz Luhrman’s Romeo + Juliet and Justin Kurzel’s Macbeth both hitting the silver screen with positive critical response. Once again it seems the combination of Australian director David Michôd, with fellow…

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Film Review: Judy is as heartbreaking as it is joyous

There’s at least one Oscar-grab movie released every year designed with the intent on pushing its lead performer to the front of the nominee queue.  Judy appears to be that movie for 2019.  And that’s certainly not a criticism against the film as it’s a fine biopic in its own right, but Renee Zellweger‘s dedicated…

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Film Review: Hustlers serves up more than just a good time

On its surface, Hustlers appears like something more at home in a summer blockbuster run than amongst a litany of awards season hopefuls. With its ensemble female cast stacked with big names, of both the film and music world, and a narrative centred on the exploits of a group of strippers, you may be expecting…

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Film Review: National Theatre Live: Fleabag proves Phoebe Waller-Bridge in raw form is a force to be reckoned with

If you’ve been living under a rock you may have missed all the buzz about Fleabag. The British comedy-drama, written and created by Phoebe Waller-Bridge that follows a young woman known as “Fleabag” navigating life and love in London whilst trying to cope with tragedy. Waller-Bridge stars as the titular character who will often break…

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Monster Fest Review: In Search of Darkness gives horror fans what they want in spades

It may sound wrong to start off a review in the first person as well stating my personal bias, but I am planning to anyway because it would be unfair for the reader and myself due to certain restrictions in my writing. First off, I love horror films of the ’80s. I grew up watching…

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Film Review: Gemini Man looks pretty but lacks substance

For cinemagoers we’ve been inundated of late with films that are adaptations, remakes or film franchises. So it’s unusual for us to finally have one that’s an original concept, which inadvertently puts a lot of pressure on it to be worth the time and money to see. Gemini Man was originally conceived in 1997 and…

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Film Review: Joker is a thought provoking examination of the thin edge of the sanity wedge

A lot has been said leading up to the release of Joker, with some of the most common arguments surrounding whether the film was necessary and whether there would be fatigue around yet another portrayal of the Clown Prince. The trailer didn’t reveal much and left audiences a little perplexed. But after predominantly receiving positive…

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Film Review: The Dead Don’t Die is disappointingly void of humour and scares

Whilst I’m sure the plethora of talent on hand here had an absolute ball making The Dead Don’t Die, Jim Jarmusch‘s deadpan (emphasis on the dead) zombie comedy fails to translate that suggested fun to its audience. Set in the fictional mid-American town of Centreville – the epitome of smalltown USA where there isn’t much…

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Fantastic Fest Review: Koko-di Koko-da should satisfy enthusiasts of surreal horror films

What a strange little arthouse horror flick Koko-di Koko-da is.  What starts out as a relatively straight-forward tale of a once-happy family trying to maintain a sense of worth before breaking down entirely, quickly descends into an experiment of madness, one that is often repetitive and unlikeable but no less inherently fascinating. The aforementioned once-happy…

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Film Review: Ad Astra will prove to be one man’s wonder to another’s waste

The effects are seamless.  The acting is introspective.  The emotional undercurrent aims for supremacy. It’s an operatic space venture that defiantly refuses to adhere to cohesiveness on a narrative level.  And it’s because Ad Astra flirts with moments of greatness only to stubbornly stifle them that James Gray‘s ambitious drama will prove to be one…

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Film Review: Rambo: Last Blood is an unbalanced 80s drama-action film

Beginning in 1982 with First Blood, then 1985’s Rambo: First Blood Part II, 1988’s Rambo III, then 2008’s Rambo, 11 years later the Rambo saga is releasing a fifth and final film to close out the iconic action hero’s story. Originally adapted from John Morrell’s novel First Blood, it centres around the character of John…

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Film Review: Downton Abbey is a touch of class

Downton Abbey was a television show filled with glamour, wealth and manners. For six seasons, viewers were treated to a bird’s eye view of the community connected to that famous British estate. While the film adaptation could have become just an extended episode of the series, this film instead manages to hold its own as…

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Film Review: Tabernacle 101 is a frustrating experience that never feels remotely organic

Watching a film like Tabernacle 101 is a frustrating experience.  On the one hand, the Australian-made, low (and I mean low) budget sci-fi piece deserves some admiration for the mere fact that it has managed to snare itself a US theatrical release, however limited it may be (it played the first week in September in…

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It Chapter Two Review: Terrifying and touching – a masterful sequel

There is good reason Stephen King’s story of It has endured for decades. Amongst his best work, the famed horror author has always been strongest when he’s sketching elegant parallels between fight and flight. Sure, that’s been done to death in modern cinema, and the dynamic between the two states has been mined by horror…

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Film Review: The Nightingale is a gruesome, necessary piece of Australian cinema

With controversy preceding its release, The Nightingale has seen polarising responses from festival audiences, from walkouts to awards. The controversy stems from the film’s depiction of rape, with two gruesome examples early in the film. These however, provide the necessary bedrock for a deep look into our colonisation’s patriarchy, genocide and classism, with white (male)…

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