As easy as it is to call something like The Raid (released in some territories as The Raid: Redemption, this the result of certain legalities) a “thin” movie in terms of plot and character, Gareth Edwards ultimately thrives on such a simplistic nature, turning in a slaughterhouse of an action movie that rarely lets up…
Given the ambition he showed with his Mad Max-meets-Dawn of the Dead B-grade genre piece Wyrmwood (and its respective sequel), it makes sense that Australian director Kiah Roache-Turner would continue his genre mash-ups for his follow-up. What proves surprising, however, is that for Sting, an ode to the creature feature (and, fittingly, Australia’s fear of…
After the underperformance of both Dracula: The Last Voyage of the Demeter and Renfield last year, the vampire-centric subsect of storytelling – especially within the horror genre – seemed, quite fittingly, void of life with audiences. But seeing as how much new life they injected into the once-dormant Scream series with their one-two punch of…
Going into Challengers, I think it needs reiterating for unsuspecting audiences that, as much as this is being advertised as “a sexy tennis movie” (which it absolutely is), it’s a Luca Guadagnino feature. So don’t be at all surprised that the director of the lush and tragic Call Me By Your Name, the oft-unnerving Suspiria…
Comparisons to John Krasinki’s A Quiet Place will be inevitable when viewing Arcadian, but, despite the familiar ground covered across the family-versus-insurmountable-odds-in-a-dystopian-future narrative, director Benjamin Brewer (a predominant music video director who also served as the lead visual effects artist for Everything Everywhere All At Once) and screenwriter Michael Nilon (who’s produced a heft of…
Have you ever pondered what a robot would dream of? Well, in Pablo Berger‘s gorgeous, wordless animated tale they dream in surreality and colourful psychedelics. But in the case of Robot Dreams‘s protagonist, simply named Robot, he dreams of Dog, his owner and best friend, who he is cruelly separated from in a circumstantial situation…
In 2015, director Asif Kapadia let us in on the life and legacy of the genius, tragic existence that was Amy Winehouse with the documentary Amy. Using archival footage spanning 14 years and over 100 interviews with those that knew her best, it truly gave us an insight into the singers’ meteoric rise and brutal…
There’s an apoliticality that director Alex Garland adheres to within the framing of Civil War, a film that’s inherently political as it tackles the division of the United States. Here in a modern day USA where an alternate landscape is explored (although, chillingly, you could imagine such unrest escalating to the type of environment flexed…
“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…
Released only months after the George Floyd protests that swept the United States in 2020, and garnering further attention throughout that year’s Election, Isabel Wilkerson‘s “Caste: The Origins of Out Discontents” was an impactful success that spent over a year on The New York Times’ nonfiction best seller list. Successful as the book was, its…
For the majority of his career, Dev Patel has played – for lack of a better word – the “nice guy”. Or at least a variation of that archetype. In Monkey Man, the actor is gleefully – and, occasionally, gorily – taking no prisoners and reclaiming his image as an all-rounded creative, announcing himself as…
Though it’s less of a shock practice now, the idea of a classic literary figure that became a household name under the umbrella of Disney being transformed into something adult and horrific rightfully broke – and angered – the internet when it was announced that Winnie-the-Pooh: Blood and Honey would be made off the back…
A film like Godzilla X Kong: The New Empire is what one might call “critic proof”. I mean, it’s ultimately a near-2 hour over-indulged CGI fest based around two giant creatures and their evident animosity towards each other. But, rather ironically, these two titans are battling each other at the tail-end of a cinematic universe…
Director Matteo Garrone has often flirted between reality and fantasy when telling his stories on screen. His 2008 mafia drama Gomorrah and the crime-infused Dogman (2018) were steeped in a violent truth. His English-language fantasy Tales of Tales (2015) and a live-action adaptation of Pinocchio (2019) allowed him to delight in the whimsical. For Io…
Before the internet gave way to the keyboard warriors of the world, if there was a bystander of sorts that you wished to give a piece of your mind to (however warranted or not), one had to put pen to paper and post such. In the early 20th century these were the days of the…
Nostalgia undoubtedly has its place within the realms of IP revisitation, but there are certain ways to utilise such a notion without completely falling back on them. 2021’s Afterlife, the 3rd Ghostbusters , chronologically, following 1984’s debut and its 1989 sequel – or the 4th iteration if counting Paul Feig’s much maligned, but vastly underrated…
Given Sydney Sweeney‘s dedication to Immaculate as a production, it makes sense that the actress gives her all across the 89 minutes of Michael Mohan‘s disturbing, occasionally blackly comic, religious horror film. A decade-or-so ago, Sweeney, who was still mainly working in C-grade film fare at the time, read the Andrew Lobel-penned script and knew…
Whilst some of the beats are the same between Doug Liman‘s surprising take on Rowdy Herrington’s resilient 1989 trashy actioner of the same name, Road House 2024 proves removed enough to justify its existence as a similarly-themed junky piece of escapism that revels in its own dirty masculinity. Jake Gyllenhaal shares the same name as…
If her prominent post-Twilight work hasn’t convinced you to join the Kristen Stewart appreciation club, then may I suggest signing up in the wake of Love Lies Bleeding, a deliciously wild, brutal noir crime comedy that gleefully breaks your jaw in the process. And there’s a reason I specified a breaking jaw in that analogy,…
Whilst The Nut Farm undeniably goes for simple, perhaps obvious humour over the course of its brisk 80-ish minutes, audiences looking for clean(ish) humour and a sense of family fun should have an easy time digesting Arj Barker‘s absurd, well-intentioned comedy. Barker, an American comedian whose very much made Australia his second home over the…
Towards the beginning of the creepy and ambiguous Kryptic, a tour guide overseeing the Cedar Springs Women’s Walking Club explains what cryptozoology is. “It means the study of the hidden,” he states as he details Barb Valentine, a cryptozoologist who went missing in the very same British Columbia hinterland the group is currently hiking through….
Men behaving badly is at the core of Annick Blanc‘s Hunting Daze, a surreal visualisation of toxic masculinity that refuses to ever pigeonhole itself into one category. It’s horrific without ever devoting itself entirely to that genre. It’s blackly funny, though never satirical. And it’s always engaging, even if the extreme manner in which Blanc…
Though there’s an enjoyable “Robin Hood”-like mentality to the narrative of Cutter Hodierne‘s always watchable thriller Cold Wallet, this cryptocurrency-heavy tale takes a less jovial approach to the world of tech talk and monetary scams than last year’s similarly themed Dumb Money. But, despite opting for a more intense, oft-violent approach, the emerging filmmaker has…
Though there was a certain sense of the story coming to a natural close in 2016’s Kung Fu Panda 3, the powers that be at DreamWorks deemed another go-around with the loveable Po (once again voiced with vigour by Jack Black) necessary, and so families are gifted with the effortless joy that is Kung Fu…
After finding Oscar glory as a solo filmmaker – with arguably one of the more controversial Best Picture wins in the Academy’s history (see Green Book) – there’s a nice sense of coming back home in the case of Peter Farrelly helming Ricky Stanicky. Now, it does pale in comparison to the comedy works he…
Given that the promotional material for Imaginary has highlighted a certain stuffed teddy bear, one would be right in assuming that the film – boasting its from the studio that brought us Five Nights at Freddy’s and M3GAN – would be taking inspiration from those two successful properties. Unfortunately, despite such promise, a committed turn…
There very easily could’ve been an air of farce and faux suspense about The Great Escaper. A true story centring on Bernard Jordan (Michael Caine) – a near-90-year-old who staged a “great escape” from his retirement home in 2014 in order to join his fellow war veterans on a beach in Normandy to commemorate their…
Given the absolute majestic, expansive nature of Frank Herbert‘s 1965 novel, it makes sense as to why director Denis Villeneuve insisted that his story be told across a necessary 5 hour split. No doubt using David Lynch’s ambitious failure as something of a cautionary tale – the auteur continually rejecting his association with his own…
After five years of hype and construction, no less than 54,000 m2 of LED on its exterior, and space for some 20,000 punters, the ambitious venue known simply as Sphere opened in Las Vegas last September, immediately becoming one of the world’s most recognisable structures. As the largest spherical building in the world, enjoying an…
“What is this fucking girl’s problem?” As Jennifer Lopez states in the opening moments of The Greatest Love Story Never Told, she’s highly aware of what the media has pondered about the multitude of marriages (4, to be precise) she’s partaken in over the course of her resilient career. And it’s that self-awareness and hopeful…
