Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Interview: Cobweb director Kim Jee-woon and star Song Kang-ho on exploring their love of cinema through their film

In 1970s Korea, when both art and dreams are censored, a film director dreams of a masterpiece. After delighting audiences at both this year’s Cannes Film Festival and Sydney Film Festival, Cobweb is spinning its way into Australian cinemas from October 5th (you can read our review here). To coincide with the release, Peter Gray…

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Interview: The Exorcist: Believer director David Gordon Green; “I’m always going to be there to push buttons and challenge an audience.”

50 years ago this December, the most terrifying horror film in history landed on screens, shocking audiences around the world. Now, a new chapter begins. From Blumhouse and director David Gordon Green, who shattered the status quo with their resurrection of the Halloween franchise, comes The Exorcist: Believer. Ahead of the film’s much discussed release…

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Film Review: Cobweb blurs the lines between reality and fantasy as it celebrates the chaotic nature of filmmaking

Though it may be a little haphazardly put together, there’s still a heft of intrigue and amusing genre blending in Kim Jee-woon‘s Cobweb, a blurring of reality and fantasy that places the magic of celluloid at the centre. Set in the 1970s, the film builds itself around Kim (Song Kang-ho), a director who has failed…

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Film Review: Totally Killer; Time travel slasher puts some heart into its horror

Whilst it commits to the kill from an on-screen carnage perspective, Nahnatchka Kahn‘s Totally Killer has a bit more of a Disney Channel Original vibe going for it in terms of its heart and structure; and that’s in no way meant as a diss against what’s ultimately a very digestible, oft witty slasher. In 2023,…

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Interview: Suka director Heidi Lee Douglas on what inspired her action-romance hybrid debut feature

The story of two generations of warring families in Sydney’s West, Suka is a violent love story…with a twist.  Brought together by fate, but pulled apart by family, this genre-bending romantic action film marks the feature debut of Australian filmmaker Heidi Lee Douglas. Ahead of the film’s release this week on DVD and Digital, Peter…

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Film Review: The Re-Education of Molly Singer fails to pass the comedy genre test basics

Between No Hard Feelings, Joy Ride, and Bottoms, female-fronted comedy has had an admirable run in 2023, managing to balance crude humour with a sense of earnestness.  The Re-Education of Molly Singer, sadly, doesn’t continue that trend. With a narrative hook that isn’t too displaced from the aforementioned No Hard Feelings, whilst also owing a…

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Series Review: Gen V evokes the unashamed spirit of The Boys whilst forging its own naughty personality

The very idea of The Boys expanding their IP with a spin-off series is almost a move that puts the show at risk of leaning into the Marvel/DC desperation the Eric Kripke-developed program delighted in mocking.  Thankfully, Gen V is much smarter than that, honing a personality that has plenty to say on human nature,…

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Film Review: Saw X is a gory reminder of what this sick series is capable of

Despite the fact that 2010’s 7th Saw entry was subtitled The Final Chapter, the little horror series that could has continued to soldier on with an additional 3 sequels, proving that positive financial returns will always take priority over creativity. Now, that’s not to say that The Final Chapter itself wasn’t somewhat creative – its…

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Film Review: The Creator is equally brilliant as it is flawed

Unless you’re a Spielberg or a Cameron, it seems increasingly difficult to launch an original, high-concept, sizeably budgeted film with major studio backing.  So, in that regard hats must go off to director Gareth Edwards for getting The Creator off the ground and into multiplexes; extra points for doing so with a film centred on…

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Interview: Saw X director Kevin Greutert and production designer Anthony Stabley; “We know we need to outdo the previous films”

You just can’t keep a good serial killer down, can you?!? The puppet master better known as Jigsaw has terrorised audiences – and on-screen body parts – for almost two decades now as part of the lucrative Saw film series, the little Aussie horror movie that could that birthed a billion dollar franchise. Despite the…

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Film Review: Bottoms is a wild, oft-violent, sexually liberated high-school comedy

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy…

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Film Review: Slotherhouse; Curiously titled “slasher” flick fails to execute its farcical potential

With its ludicrous potential built right into its title, Slotherhouse nabs your attention immediately with its narrative hook.  A mammal as notoriously slow as a sloth surely can’t be fast enough to kill predatorial animals, let alone a house full of sorority girls, right?  It’s just so bombastically ridiculous that it could absolutely work as…

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Dawn French announces long awaited return to Australia with new show “Dawn French is a Huge Tw*t”

The Queen of British comedy, Dawn French, has announced her return to the Australian stage with her one-woman stand-up show, “Dawn French is a Huge Twat”, playing across the country in April and May of 2024. Few people are as firmly ensconced in the British comedy firmament as Dawn French. As one half of the…

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Series Review: The Continental: From the World of John Wick relates to the acclaimed action films only by name and not nature

After 4 films that amassed acclaim, both critically and commercially, it only makes sense that the world created within the John Wick films be continued in some form separate from the series itself; even though many are hoping the titular character’s rather definitive send-off in Chapter 4 is somehow retconned. Next year will see the…

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Film Review: Retribution; Disbelief suspension abounds in (another) Liam Neeson action outing

There’s something rather amusing about the fact that even though Liam Neeson has a vast career of playing everything from a Jedi master to historical figures, it’s the not-always-an-average-man-with-a-certain-set-of-skills archetype that he’s become synonymous with.  Ever since Taken proved that the then-56-year-old was a force to be reckoned with, the now 71-year-old has settled into…

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Brisbane International Film Festival unveils full program, including the Australian premiere of Next Goal Wins

The Brisbane International Film Festival (BIFF), presented by MINI, has announced its 2023 program with an incredible line-up of Queensland and Australian premiere features, with Taika Waititi’s Next Goal Wins, starring Michael Fassbender, serving as the Australian premiere and Closing Night event. BIFF’s program is further brimming with Queensland premieres from highly acclaimed and visionary…

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Win a double in-season pass to witness the eye-popping return of Jigsaw in Saw X

Thanks to StudioCanal we have 5 double in-season passes (Admit 2) to see Saw X, the eye-popping new entry in the hit Saw franchise. John Kramer (Tobin Bell) is back. The most chilling instalment of the SAW franchise yet explores the untold chapter of Jigsaw’s most personal game. Set between the events of SAW I and II, a sick…

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Film Review: In spite of Hilary Swank’s committed performance, The Good Mother can’t maintain its narrative grit

Though it isn’t based on a true story, Miles Joris-Peyrafitte‘s drama The Good Mother has an air of “real world” grit to it.  Of course, once the film commits to a certain narrative twist around the 1-hour mark it feels less organic, but its down-trodden location of Albany, New York, and the fact that its…

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Interview: Retribution director Nimród Antal on contained action, working with Liam Neeson, and the films that inspired him

As a filmmaker Nimród Antal has effortlessly aligned himself within the action-thriller genre space.  Whether he’s terrorising Luke Wilson and Kate Beckinsale in the snuff-film horror Vacancy, or  exercising the limits of predator and prey in the science-fiction sequel Predators, the Hungarian director knows his way around a thrilling set-piece; something that came in handy…

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Widow Clicquot is a tastefully made drama enhanced by the intoxicating presence of Haley Bennett: TIFF 2023 Review

There’s a certain period-piece sexuality billowing through Widow Clicquot that brings to mind other such similarly-set efforts as Atonement and Pride & Prejudice.  And given that those films’ second-unit director, Thomas Napper, is at the helm here, it makes perfect sense that such detail and intimacy is adhered to; fittingly, Joe Wright, director of the…

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Fitting In explores gender, identity, and how medicine can play such an affecting role in both facets: TIFF 2023 Review

Described as a “traumedy” and navigating a narrative I have no personal connection to – or even a right to comment on in all honesty – Molly McGlynn‘s Fitting In has the same footprints as a coming-of-age comedy, but laces such with a queer mentality and the potential dehumanising reality of when your body “rejects”…

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The interesting concept behind Tautuktavuk (What We See) isn’t quite realised through muddled execution: TIFF 2023 Review

Whilst the mass hysteria and government control surrounding COVID-19 has subsided, the trauma of the pandemic itself is still something that lingers for many.  Tautuktavuk (What We See) is a semi-autobiographical drama that looks at such an effect, furthered by the already isolated reality of the Inuit culture, co-directed by Lucy Tulugarjuk and Carol Kunnuk….

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The king of Atlantis returns in first Aquaman and the Lost Kingdom trailer

Director James Wan and Aquaman himself, Jason Momoa, alongside Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II and Nicole Kidman, return in the sequel to the highest-grossing DC film of all time: Aquaman and the Lost Kingdom. Having failed to defeat Aquaman the first time, Black Manta, still driven by the need to avenge his father’s…

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Mental health and suicide awareness takes centre stage for national Q&A tour for The Promise

Led by former ABC Sports broadcaster and bestselling author Craig Hamilton, The Promise, from filmmaker Jye Currie, delves into the challenges surrounding mental health and suicide awareness.  The film, the first suicide prevention documentary of its kind, breaks new ground by weaving personal narratives from Hamilton, suicide survivors, individuals who have lost loved ones, and…

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Win a double in-season pass to Retribution starring Liam Neeson

Thanks to StudioCanal we have 5 double in-season passes (Admit 2) to see Retribution, the immersive, ticking clock thriller from the producers of Non-Stop and The Commuter, starring Liam Neeson, in Australian theatres from September 21st, 2023. Matt Turner (Liam Neeson) is a successful Berlin based American businessman juggling a booming financial career with family…

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Film Review: Ruby Gillman, Teenage Kraken is a genuinely sweet and harmless outing fit for the whole family

Even though Ruby Gillman, Teenage Kraken‘s script is co-penned by Pam Brady, a scribe with South Park: Bigger, Longer & Uncut and Team America: World Police to her name, family audiences needn’t worry that her evident penchant for blue humour will seep through.  No, alongside Brian C. Brown and Elliott DiGuiseppi (the duo having collaborated…

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After the Fire is an infuriating, though necessary piece of cinematic storytelling: TIFF 2023 Review

A parallel between the systematic racism towards the Arab community in Europe and the fatalities experienced across the United States during the Black Lives Matter movement, Mehdii Fikri‘s After the Fire is an affective drama that commands conversation. Though a fictional story, the film’s credits take note that this is “based on the real struggle…

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Interview: Annie Murphy on her villainous voice role in Ruby Gillman, Teenage Kraken; “I now have a thirst for evil.”

*This interview took place prior to the current SAG-AFTRA strike* Every hero needs a villain.  And when you’re Ruby Gillman, a sweet, awkward 16-year-old whose just found out she’s a direct descendant of the warrior Kraken queen of the seas, there’s nothing scarier than Chelsea: Beautiful. Popular. Mermaid! From DreamWorks Animation, Ruby Gillman, Teenage Kraken…

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Interview: Lana Condor on being the first female title character in DreamWorks’ Ruby Gillman, Teenage Kraken

*This interview took place prior to the current SAG-AFTRA strike* She may have loved all the boys with her hit Netflix trilogy of films, but the only thing we love right now is Lana Condor. Making history as the first female title character in a DreamWorks Animation film, Condor is breaking ground as Ruby Gillman,…

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Brisbane International Film Festival announces first wave of Queensland premiere titles

The Brisbane International Film Festival (BIFF), presented by MINI, has announced its first wave of preview titles ahead of its program launch, including its Opening Night Gala event premiere. Set to take place from October 26 to November 5 at selected Dendy, Reading and Five Star cinema locations across Brisbane, the full program will be…

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