Author: Peter Gray

Watching Scarygirl it becomes even more increasingly annoying that Australian cinema hasn’t embraced animation as thoroughly as we should.  Sure, we have the likes of Blinky Bill and Ferngully to claim as our own (and, yes, I’m aware of Happy Feet, but it feels like an entity separate from the more independently funded productions), but,…

Watching Dumb Money it’s not hard to be reminded of The Social Network.  Aside from the fact that Craig Gillespie‘s comedic drama is produced by The Winklevoss Twins – the brothers who had a major role in the creation of Facebook, at least according to them – Dumb Money is similarly recounting one of the…

As someone who hasn’t played the Five Nights at Freddy’s video game series and, by extension, has no idea of the attached lore, I can’t comment on how faithful Emma Tammi‘s supernatural horror(ish) film truly is.  I have to hope that the purists will enjoy themselves with what is put forward, but as a casual…

As we have been told across filmic media for years, “The truth is out there”, and referencing the tagline for The X-Files feels more than appropriate when discussing Matt Vesely‘s science-fiction leaning chiller Monolith, an intimate, isolated feature that flirts with the notion of an alien invasion without complete penetration. Such a tease. An incredibly…

It’s been a horrific year for Australian actress Lily Sullivan – and she wouldn’t want it any other way! After surviving the bloody carnage of Evil Dead Rise earlier in 2023, the Queensland-born starlet is capping off the year with another horror entrant, Monolith, but to say it’s far removed from the “groovy” gore of…

Can you survive five nights? The terrifying horror game phenomenon becomes a blood-chilling cinematic event, as Blumhouse, the producer of M3GAN, The Black Phone and The Invisible Man, brings Five Nights at Freddy’s to the big screen. The film follows a troubled security guard as he begins working at Freddy Fazbear’s Pizza. While spending his…

After announcing themselves as a queer filmmaking collective that weren’t afraid to take risks with both the horror genre they clearly adore and certain dynamics within their own community with their campy, giallo-inspired slasher Death Drop Gorgeous (now streaming on Shudder), Monster Makeup, LLC have more proven they aren’t a flash in the pan –…

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy…

From the humblest of beginnings, where Australia’s ABC network weren’t sure on investing in their talent, to multi-million selling music artists that sold out Madison Square Garden and can count the likes of Jerry Seinfeld, John Travolta, and Sarah Jessica Parker as fans, The Wiggles defied the expectations of many to form a global brand…

You have to take your hat off for director Tommy Stovall and writer John Spare for navigating Condition of Return in a manner that I don’t think even the savviest of viewers would predict.  As a whole it may not always adhere to a certain cohesion as it flits between a dramatic thriller detailing the…

Whilst it’s always best to go into films with zero expectations, plot synopses and narrative outlines at least provide an idea of what audiences can expect from a storytelling perspective – however loose the product itself wants to determine as such.  For New Strains, there was the idea of this being sold as a romantic…

The type of film surrounding a character we know we shouldn’t like, Jennifer Cram‘s Sick Girl manages to overcome its central figure’s questionable morals by never asking its audience to forgive her. The “sick girl” in question is Wren Pepper (Nina Dobrev, great), a slacker, party girl-type who’s never grown up in the same manner…

The act of (or is it the art of) lip-syncing is one that practically goes part and parcel within the realms of pop music.  Some artists do so because their studio vocals can’t possibly be emulated live.  Others rely on such due to demanding dance routines.  And then there are those that, well, can’t sing…

Hopefully a film that won’t just become infamous for its lack of being seen – after it previewed one single screening at last year’s Toronto International Film Festival it was withdrawn due to “rights issues” – The People’s Joker is a bold, bonkers debut feature from Vera Drew that reimagines the mythology of a slew…

Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…

Flitting between two separate timelines as it details a forbidden, youthful romance and the remnants of such a memory, Olivier Peyon‘s tender Lie With Me is a poignant journey, laced with beauty and unavoidable crispness despite its emotionally messy mentality. In the present day, Stéphane Belcourt (Guillaume de Tonquédec) is a famous author who has…

The world premiere of Baz Luhrmann’s Faraway Downs, an inspiring epic adventure and reimagined extended version of his 2008 film Australia, will be presented by the celebrated filmmaker in person, on closing night of the inaugural SXSW Sydney Screen Festival on October 21st, 2023. The film, told in six chapters, will premiere all at once…

  When the insertion of the number 4 in a film’s fourth outing as a substitute for the letter A is the smartest thing it’s able to execute, you know you aren’t in for the smoothest of operations. In a year where we’ve seen certain action sequels prove that there’s ample gas in the tank…

Announcing its House of Music Discovery at the inaugural this year’s event, SXSW Sydney invites locals and international guests to enter into a world of music rediscovery as TikTok Australia takes over the eccentric cultural hub, Pleasures Playhouse, on Wednesday, 18 October. TikTok’s House of Music Discovery will bring the magic of music exploration to life by transcending the digital realm…

After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the holiday. Picking off residents one by one, what begins as random revenge killings are soon revealed to be part of a larger, sinister holiday plan. Will the town uncover the killer and survive the holidays…or…

Given the big swings he took with his take on the Halloween series – the foul cries from fans were deafening at times – it stands to reason that writer/director David Gordon Green‘s tackling of such a classic genre piece as The Exorcist won’t be done by the books or to the liking of purists….

In 1970s Korea, when both art and dreams are censored, a film director dreams of a masterpiece. After delighting audiences at both this year’s Cannes Film Festival and Sydney Film Festival, Cobweb is spinning its way into Australian cinemas from October 5th (you can read our review here). To coincide with the release, Peter Gray…

50 years ago this December, the most terrifying horror film in history landed on screens, shocking audiences around the world. Now, a new chapter begins. From Blumhouse and director David Gordon Green, who shattered the status quo with their resurrection of the Halloween franchise, comes The Exorcist: Believer. Ahead of the film’s much discussed release…

Though it may be a little haphazardly put together, there’s still a heft of intrigue and amusing genre blending in Kim Jee-woon‘s Cobweb, a blurring of reality and fantasy that places the magic of celluloid at the centre. Set in the 1970s, the film builds itself around Kim (Song Kang-ho), a director who has failed…

Whilst it commits to the kill from an on-screen carnage perspective, Nahnatchka Kahn‘s Totally Killer has a bit more of a Disney Channel Original vibe going for it in terms of its heart and structure; and that’s in no way meant as a diss against what’s ultimately a very digestible, oft witty slasher. In 2023,…

The story of two generations of warring families in Sydney’s West, Suka is a violent love story…with a twist.  Brought together by fate, but pulled apart by family, this genre-bending romantic action film marks the feature debut of Australian filmmaker Heidi Lee Douglas. Ahead of the film’s release this week on DVD and Digital, Peter…

Between No Hard Feelings, Joy Ride, and Bottoms, female-fronted comedy has had an admirable run in 2023, managing to balance crude humour with a sense of earnestness.  The Re-Education of Molly Singer, sadly, doesn’t continue that trend. With a narrative hook that isn’t too displaced from the aforementioned No Hard Feelings, whilst also owing a…

The very idea of The Boys expanding their IP with a spin-off series is almost a move that puts the show at risk of leaning into the Marvel/DC desperation the Eric Kripke-developed program delighted in mocking.  Thankfully, Gen V is much smarter than that, honing a personality that has plenty to say on human nature,…

Despite the fact that 2010’s 7th Saw entry was subtitled The Final Chapter, the little horror series that could has continued to soldier on with an additional 3 sequels, proving that positive financial returns will always take priority over creativity. Now, that’s not to say that The Final Chapter itself wasn’t somewhat creative – its…

Unless you’re a Spielberg or a Cameron, it seems increasingly difficult to launch an original, high-concept, sizeably budgeted film with major studio backing.  So, in that regard hats must go off to director Gareth Edwards for getting The Creator off the ground and into multiplexes; extra points for doing so with a film centred on…