Interview: The Crow director Alex Proyas on navigating studio systems, AI use in films, and reflecting on I, Robot two decades on

Alex Proyas has long been one of Australia’s greatest directorial exports.  Biding his time between international and local fare – in the same sentence of his work you can mention 1994’s defining The Crow, the ambitious neo-noir sci-fi thriller Dark City, and the blockbuster Will Smith outing I, Robot – the filmmaker has made a…

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