Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]
Intentionally testing audience patience across its increasingly bizarre, tension-laced 100 minutes, Lorcan Finnegan‘s Australian thriller The Surfer is more about breaking points than Point Break as it mashes surfing culture localism and toxic masculinity. Thomas Martin‘s script doesn’t give specific names to the majority of its players, instead referring to the film’s protagonist as simply…
If hearing the title I Was Born This Way immediately brings to mind the Lady Gaga song “Born This Way”, the coincidence is intentional. Gaga, one of the few interviewees featured in Daniel Junge and Sam Pollard‘s beautiful, insightful documentary, talks about how Carl Bean‘s legacy influenced her songwriting, as he did for the likes…
The female matchmaker. The handsome singleton. And her familiar ex-boyfriend. The set-up feels ripe for the most standard of romantic comedy practices, and perhaps in the hands of a more traditionally-minded writer/director that’s what we would have received. But under Celine Song (Past Lives), Materialists defies genre expectation with a meditation on love and its…
Set in the heart of the San Gabriel Valley and based on a harrowing true story, Rosemead is a gripping, emotionally charged portrait of a mother’s love pushed to its limits. Lucy Liu delivers a transformative performance as a terminally ill Chinese immigrant who uncovers her teenage son’s disturbing fixation with mass shootings. As her health deteriorates, she takes…
A self-awareness regarding certain specifications in getting his film made along with a universality in conjunction with its narrative, writer/director Alireza Khatami goes beyond genre conventions with The Things You Kill, a twisted thriller that breaks apart what it is to transform. At one point in the film, the language professor at the centre of…
This interview contains SPOILERS. As a Brisbane boy in the early stages of his career, Liam Greinke is all too aware how lucky he is to be able to share the screen with Jai Courtney in the serial killer-cum-shark attack thriller Dangerous Animals – even if he doesn’t make it to the final frame! Talking…
It’s been a whole decade since Australian genre director Sean Byrne graced the screens with his unique brand of horror with The Devil’s Candy. But proving the wait has been worth it, he has unleashed a series of Dangerous Animals into theatres with his latest outing – a relentless, edge-of-your-seat survival horror starring Hassie Harrison,…
It feels inevitable that something like Together will earn comparisons to last year’s The Substance, purely off the fact that the horror it indulges in – that would be the body variety – escalates considerably leading into its wild climax. Sure, The Substance being a great example of body horror is all well and good,…
The feeling that your childhood ride-or-die will remain so is something that many of us – if not all – have experienced. But whether it’s through distance or altering priorities, it’s a common practice that adulthood (and everything that comes with growing up) can wedge itself between even the strongest of connections, and it’s that…
Whilst it’s predominantly the House of Mouse that have been transforming their animated back catalogue into live-action features that have all varied in their quality output, DreamWorks have entered the chat with one of their most ambitious updates in How to Train Your Dragon. Hoping they can avoid a lot of the soulless critiques that…
A film that embraces a more eclectic hobby over ridiculing its eccentricities, Horsegirls is a sweet natured drama that speaks to the importance of independence and inclusivity. Written and directed by Lauren Meyering, Horsegirls embraces the defiance of its lead character, Margarita (so beautifully embodied by Lillian Carrier), and how her perceived fragility gives way…
There’s a lived-in mentality to Poreless that is sure to resonate with certain audiences – it’s lead is a gay Muslim – but the comedic nature of its script, written by director Harris Doran and Fawzia Mirza, is particularly universal, looking at the vapid disconnection of the beauty world, the tightrope many walk when it…
A fabulous, queer Muslim beauty entrepreneur must figure out how to compete in a Shark Tank-like product pitch contest after suffering an untimely allergic reaction. Such is the logline for Poreless, a biting, commentative short currently screening at this year’s Tribeca Film Festival. Headlined and produced by Akbar Hamid, the performer is making a plenty…
What sets itself up as something of a meet-cute between two grieving men who form an unlikely friendship in the midst of their trauma, James Sweeney‘s Twinless ultimately reveals itself as something else – a particularly pitch-black dramedy that asks its audience to stay with its morally bankrupt lead as it shifts from an original…
Given how she made history as the first deaf person to win an Academy Award for acting, one might think the documentary Marlee Matlin: Not Alone Anymore would be something of a straightforward and celebratory profile on the actress. Shoshannah Stern – who, like her subject, is also a deaf actor and director – certainly…
Rita Walsh is an award-winning producer based in Los Angeles, but working between Australia and the USA, on a series of cross-fiction and non-fiction filmmaking projects embodying a strong directorial vision. Her most recent collaboration is with director Gabrielle Brady on the hybrid feature The Wolves Always Come at Night, which premiered in Platform Competition…
There’s an ineffable magic to seeing dragons come to life on the screen – a blend of myth and marvel that speaks to the child in all of us. Few stories have captured this magic as masterfully as DreamWorks Animation’s How to Train Your Dragon franchise, an adaptation of author Cressida Cowell’s best-selling book series….
Highlighting the drama behind the for-the-camera-smiles of the 1970s variety show, Kate McCarthy‘s The Hicks Happy Hour is a moment-in-time short feature that escalates with a certain tension, before it ultimately pivots for a more cathartic climax that speaks to one woman’s eventual truth. “Stars stay smiling” is the Hicks family motto, something mother Jill…
Premiering at this year’s Tribeca Film Festival, Lemonade Blessing is a biting coming-of-age comedy about John (Jake Ryan), freshly tossed into a private Catholic high school by his devout mother, who falls head over heels for a devious classmate ready to push his faith (and morals) to the brink with a series of increasingly uncomfortable…
Finding truth in the absurd and writing what you know are so often two rules that filmmakers adhere to, and both apply heartily for writer/director Chris Merola, who speaks his veracity in Lemonade Blessing, a coming-of-age dramedy centred around religion and how one responds to its pressures. Inspired by his own childhood growing up under…
Will Jennifer Lopez finally secure herself an Oscar nomination? After the Hustlers snub that still hits hard these years later, the multi-hyphenate performer is in full movie musical mode in Kiss of the Spider Woman, an adaption of the 1992 musical based on the 1976 novel of the same name by Manuel Puig. The movie,…
From 7–24 August, Melbourne International Film Festival (MIFF) proudly returns to Naarm and surrounds with some of the most talked about films arriving hot from Cannes, Berlin, Sundance and across the globe. Across 18 days of bold programming, this year’s festival slate is brimming with original storytelling that will ask audiences to Look Closer as…
As ridiculous a sport racewalking may seem – Aussies are sure to have images of Jane Turner and Glenn Robbins powerwalking with all their might come to mind – writing/directing duo Phil Moniz and Kevin Claydon lace such with a tenderness and respect that allows audiences to laugh with the sport’s quirk rather than at…
Playing with the beats you come to expect from such an exorcism feature, The Ritual sets itself up with two priests – the devotee and the doubter – who go head-to-head on hoping to save a poor soul who has been inhabited by a certain evil. It’s a standard practice, and many films have made…
There’s a certain frustration felt when watching Predators, a 96 minute documentary centering around the series To Catch a Predator, itself an offshoot from NBC’s Dateline. In the early 2000s, the show lured audiences in as it highlighted online predatory behaviour – primarily older men meeting underage boys and girls for the intention of sexual…
Author Stephen King and filmmaker Mike Flanagan have made careers predominantly out of their affinity for horror. With The Life of Chuck, they have decidedly pivoted and leaned into another of their shared strengths; broadcasting emotional stories. The result, however schmaltzy it may threaten to be, is a beautiful, weird celebration of life and all…
It’s been something of an arduous trek to the screen for one Ballerina – or, as it’s been marketed, From the World of John Wick: Ballerina – a serviceable action film that hopes to elevate its own being by attaching itself to a lucrative, acclaimed franchise, even though it originated as something else entirely. To…
There’s a certain bittersweetness in watching OBEX (the title specifically capitalised) following David Lynch’s sad passing, as Albert Birney‘s truly bizarre odyssey feels like a kindred spirit to Lynch’s Eraserhead, with the hallucinatory anxiety and surrealist mentality playing into a personality that is perversely into its own weirdness. Set in a pre-internet 1987, and expressed…
TIFF is thrilled to announce the World Premiere of John Candy: I Like Me as the Opening Night Gala taking place on Thursday, September 4, at Roy Thomson Hall. Directed by Colin Hanks and produced by Ryan Reynolds, this documentary is a heartfelt tribute to the legendary Canadian icon, with stories and memories from Candy’s…
Given that it’s merging two proven cinematic killers – one serial, the other a shark – it makes sense that Sean Byrne‘s horror-adjacent thriller is suitably tense and highly aware of its own madness. No stranger to executing unbearable tension and providing an antagonist that we can’t help but be utterly absorbed by (see The…
