Gluttony

Adelaide Fringe review: Ten Thousand Hours proves that effort and perspiration have their rewards

Gravity and Other Myths is the company presenting the show Ten Thousand Hours. The title of the show pays respect to those performers who spend upwards of 10,000 hours honing their craft. It’s generally considered how much time is required to become competent at a craft. In a way there is a nod to both…

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Adelaide Fringe review: Prinnie Stevens is back with Lady Sings the Blues Vol 2

After the success of Lady Sings the Blues at the Adelaide Fringe in 2022, Prinnie Stevens is back this year with the second instalment of her show. With such an incredible array of blues artists that have shaped today’s musical world, it’s only fitting that the music deserves a second chance. This year the show…

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Adelaide Fringe Review: Michael Shafar is definitely well worth the chemo

Michael Shafar is a testicular cancer survivor, hence the chemo joke. It was what his oncologist told him after he had seen the show; “You were well worth the chemo, Michael.” Which is a pretty good recommendation. On a Tuesday night after a long weekend, the house is full. Even if the stage is an…

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Adelaide Fringe Review: Rouge goes Rogue is saucy fun and entertaining

The late night performance of Rouge is a little bit more saucy and raucous than the earlier evening shows, but with all the passion and fun that one expects. There’s a feeling of rawness and spontaneity that begins soon after the audience fills the Moa tent in Gluttony. In tight black pants, high heels and…

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Adelaide Fringe review: Daniel Muggleton is white and wrong (but mostly white)

Daniel Muggleton is an Australian stand-up comedian wearing a tracksuit. His trademark comedy is poking holes at bogans, racism, and almost anything else he can think of. He has a regular podcast and is a comedy club regular. On this chilly Tuesday night in the open-air Piglet Theatre at Gluttony, he wasn’t fazed by the…

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Adelaide Fringe Review: The Lady Sure Knows How to Sing the Blues

Sometimes, everything aligns to create that perfect moment. International Women’s Day marking the opening night of Lady Sings the Blues was one of those moments. As the full-house crowd filled the Melba Spiegeltent in Gluttony, it was clear that something special was about to happen. The feeling of the wooden floors, the mirrored walls, the…

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Adelaide Fringe Review: Arcadia takes us on an unknown journey

As the lights go down in the Octagon tent in Gluttony, three dancers emerge on stage in billowing sheets. It sets a sexy sultry mood. Arcadia is described as a “Journey to a desert utopia celebrating idealistic social values of the wild and free.” The mood suddenly changes as Stevie Wonder’s “Higher Ground” sounds out….

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Adelaide Fringe Review: Surviving Matt Hale’s Hypnotic Chaos

Matt Hale is a self-confessed comedy hypnotist, with self-help motivational and corporate entertainment packages a major part of his life. It makes sense then that a show called Absolute Chaos would be on the Fringe list. Hale’s introduction to the show is measured, thorough and complete. He explains the process and jokingly warns that even…

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Adelaide Fringe Review: Massaoke Oz brings late night party dance favourites back

The Massaoke Oz open air sing-along dance spectacular is back at Moa in Gluttony for more Fringe fun. The five-piece band decked out in glitter and glam certainly warmed up the crowd with all the party tune favorites from the 70s, 80s and 90s. A relaxation in COVID rules meant that you could dance, albeit…

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Adelaide Fringe Review: Daniel Muggleton is so much more than Mr White Guy

Daniel Muggleton leaps out onto the stage at Adelaide Fringe, both noticeable and memorable for his bright red tracksuit. A fine fashion choice? Probably not, but if you Google “tracksuit comedian”, he is on the top of the list. So, it’s perhaps a wise one. The venue (Gluttony‘s Piglet) is probably not the best available…

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Adelaide Fringe Review: Hugh Sheridan’s HUGHMAN hits the right notes

The open-air MOA mini stadium at the rear of Gluttony was literally packed to the rafters. A dedicated crowd of followers of Hugh Sheridan were there to watch him strut his stuff in HUGHMAN. Bursting onstage, Sheridan soon spotted a Crows-guernsey-wearing man and pulled him on stage. Surprise. He’s one of the plethora of dancers…

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Yas Queen

Adelaide Fringe Review: Yas Queen belts out the show tunes in Leather Lungs

My closing memory of Yas Queen is a rousing rendition of Queen’s “Somebody to Love” with the audience standing and cheering a stunning performance. The journey along the way was a roller coaster ride of emotion. The opening number was also strong, but a number of factors threatened to derail the show. There was the…

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Adelaide Fringe Review: Reuben Kaye leads us down his Kaye Hole

Reuben Kaye is no stranger to Adelaide audiences. He is entertained and delighted us over several festivals and fringes. As emcee tonight, Kaye invites us down his late-night Kaye Hole with a group of fellow performers. The Kaye Hole is a safe place, except if you’re a straight heterosexual man who, for once, find themselves…

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Adults Only Magic Show

Adelaide Fringe Review: The Showmen’s Adults Only Magic Show entertains and delights

Magic duo Sam & Justin (known as The Showmen) present the Adult Only Magic Show at Gluttony. The show is marketed as an incredible array of hilariously raucous comedy, mind-bending illusions and stunningly dangerous stunts. The fast-paced show has plenty of audience participation with free drink cards for those helping on stage. Not that many…

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Rouge

Adelaide Fringe Review: Rouge is a fun and sexy celebration

There was a good crowd in the Magic Mirror Spiegeltent for the final weekend performance of Rouge. Despite the increasing talk of COVID-19 in the press, audiences remained undaunted and expectant. The tent has a circular stage in the centre, with good views all round. The high fabric and glass covered walls gave the space…

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Adelaide Fringe Review: Barbaroi is fast paced energetic physical circus – Gluttony (16.02.20)

Walking into Barbaroi is like walking into a familiar street scene from an early 80s movie. The Ukiyo circus tent is set up in an industrial way, with lighting that makes it feel dark and mysterious. There are six characters in this show who are introduced video game style: a bearded juggler, a bare-chested circus…

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Photo Gallery: 360 Allstars shine at the Adelaide Fringe

There are 360 degrees in a circle and this performance is full of “all-round” “Allstars” (get it?). This show is fast paced and an enjoyable demonstration of bike riding, freestyle rapping, drumming, basketball tricks, cyr wheel and more. The music and lighting give extra energy to an already energised group of performers. The added bonus…

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Adelaide Fringe Review: Redhead Cabaret: Carrot Tops (+ bottoms) – Gluttony

The Redhead Cabaret is a company of red-haired performers with a mission to share all the energy and pizzaz that this genetic disposition boasts. So reads the manifesto to this late night cabaret. As the sold out crowd fills the tent, a schoolteacher with a whip and a boy in a g-string stand on stage…

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Adelaide Fringe Review: Matt Tarrant presents More Unsolved – Gluttony (until 10th March)

Adelaide born Matt Tarrant has made magic his career and it has served him well as the highest selling solo act of the 2018 Adelaide Fringe after many years of awards and a 2017 stint on Australian Survivor. This year Matt returns to the Fringe with a show called More Unsolved. The show opens with…

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Adelaide Fringe Review: The Naked Magicians expertly deliver exactly as advertised

The Naked Magicians are just exactly as you would expect – two guys who strip down and perform magic tricks to a mostly female audience. This is no place for a guy’s night out, but there are probably plenty of “girl’s nights” in the audience. Endlessly touring Australia, the pair just wrapped up a run…

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Adelaide Fringe Festival Review: Matt Tarrant Honestly Dishonest – The Octagon, Gluttony (28.02.16)

Matt Tarrant is straight up with the crowd gathered in The Octagon tent on a warm Sunday evening; he’s loved magic ever since he was a kid wanting to be pulled up on stage by the first magician he’d ever seen perform. His Adelaide Fringe Festival show Honestly Dishonest is about perhaps giving that feeling to any…

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