Reviews

Marlee Matlin: Not Alone Anymore is at once unapologetic and graceful in its looks at the life of its subject: Sydney Film Festival Review

Given how she made history as the first deaf person to win an Academy Award for acting, one might think the documentary Marlee Matlin: Not Alone Anymore would be something of a straightforward and celebratory profile on the actress.  Shoshannah Stern – who, like her subject, is also a deaf actor and director – certainly…

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Twiggy is a delightful romp celebrating the 60s modeling world & beyond: Sydney Film Festival Review

In the 1960s models went to deportment school and were all rather alike – read cookie cutter – in appearance. That was until Lesley Hornby a.k.a. Twiggy was discovered. Now known as Dame Lesley Lawson, she was told she was too short and too slim to be a model. Yet, as this eponymous documentary shows,…

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The Hicks Happy Hour is a short drama about the pressures of a public persona: Tribeca Film Festival Review

Highlighting the drama behind the for-the-camera-smiles of the 1970s variety show, Kate McCarthy‘s The Hicks Happy Hour is a moment-in-time short feature that escalates with a certain tension, before it ultimately pivots for a more cathartic climax that speaks to one woman’s eventual truth. “Stars stay smiling” is the Hicks family motto, something mother Jill…

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Lemonade Blessing transcends its coming-of-age teen comedy confines with a truthful layering: Tribeca Film Festival Review

Finding truth in the absurd and writing what you know are so often two rules that filmmakers adhere to, and both apply heartily for writer/director Chris Merola, who speaks his veracity in Lemonade Blessing, a coming-of-age dramedy centred around religion and how one responds to its pressures. Inspired by his own childhood growing up under…

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Racewalkers offers heart and humour in equal measure: Sydney Film Festival Review

As ridiculous a sport racewalking may seem – Aussies are sure to have images of Jane Turner and Glenn Robbins powerwalking with all their might come to mind – writing/directing duo Phil Moniz and Kevin Claydon lace such with a tenderness and respect that allows audiences to laugh with the sport’s quirk rather than at…

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Film Review: The Ritual; Al Pacino and Dan Stevens fail to save horror film from expected cliches

Playing with the beats you come to expect from such an exorcism feature, The Ritual sets itself up with two priests – the devotee and the doubter – who go head-to-head on hoping to save a poor soul who has been inhabited by a certain evil.  It’s a standard practice, and many films have made…

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Predators opens up a wealth of conversations around the world of online predator behaviour: Sydney Film Festival Review

There’s a certain frustration felt when watching Predators, a 96 minute documentary centering around the series To Catch a Predator, itself an offshoot from NBC’s Dateline.  In the early 2000s, the show lured audiences in as it highlighted online predatory behaviour – primarily older men meeting underage boys and girls for the intention of sexual…

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The Life of Chuck is a life affirming fable that proves powerful and emotionally resonate: Sydney Film Festival Review

Author Stephen King and filmmaker Mike Flanagan have made careers predominantly out of their affinity for horror.  With The Life of Chuck, they have decidedly pivoted and leaned into another of their shared strengths; broadcasting emotional stories.  The result, however schmaltzy it may threaten to be, is a beautiful, weird celebration of life and all…

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Film Review: From the World of John Wick: Ballerina; Ana de Armas dominates savage slice of action escapism

It’s been something of an arduous trek to the screen for one Ballerina – or, as it’s been marketed, From the World of John Wick: Ballerina – a serviceable action film that hopes to elevate its own being by attaching itself to a lucrative, acclaimed franchise, even though it originated as something else entirely. To…

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OBEX delights in its hallucinatory anxiety and surrealist mentality: Sydney Film Festival Review

There’s a certain bittersweetness in watching OBEX (the title specifically capitalised) following David Lynch’s sad passing, as Albert Birney‘s truly bizarre odyssey feels like a kindred spirit to Lynch’s Eraserhead, with the hallucinatory anxiety and surrealist mentality playing into a personality that is perversely into its own weirdness. Set in a pre-internet 1987, and expressed…

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Film Review: Dangerous Animals is a pulpy thriller aware of its own madness

Given that it’s merging two proven cinematic killers – one serial, the other a shark – it makes sense that Sean Byrne‘s horror-adjacent thriller is suitably tense and highly aware of its own madness. No stranger to executing unbearable tension and providing an antagonist that we can’t help but be utterly absorbed by (see The…

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The Accountant 2 is coming to Prime Video

After a successful box office run, the Certified Fresh, SXSW Audience Award-winning film is coming to Prime Video! It’s been nearly 10 years since Ben Affleck debuted as Christian Wolff, aka The Accountant, in the same-name actioner that Gavin O’Connor pushed to a sizeable box office haul ($155m) despite tepid-ish reviews.  That being said, average reviews have never stopped a…

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Film Review: Karate Kid: Legends is a family friendly outing that should find appeal with long-standing fans and the new generation

Despite Karate Kid: Legends centering itself around a new character, Jonathan Entwistle‘s legacy sequel is like a greatest hits package, taking all the things that worked from previous Karate Kid offerings, removing the psychological fat that should be traumatizing its plethora of players, and wrapping it neatly in a family-friendly bow, presenting itself as a…

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Film Review: The Phoenician Scheme is a typically bizarre, nonsense-embracing comedy from the unique mind of Wes Anderson

With over a dozen films made across three decades, Wes Anderson has very much honed what it is to be considered an auteur; he’s possibly even bent the term to his own liking with his distinct style.  And it’s that particular style that is once again on display in The Phoenician Scheme, a bizarre, nonsense-embracing…

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Film Review: Bring Her Back; feel-bad movie of the year is a haunting, bleak tale of grief

Not that there was going to be any serious doubt about their ability to avoid a sophomore slump with their second go-around as filmmakers, but brothers Danny and Michael Philippou have easily cemented themselves as modern day horror auteurs with the highly disturbing Bring Her Back, a bleak, discomforting genre feature that makes their debut,…

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Film Review: Summer of 69 is a hilarious, heartfelt ode to 1980s sex comedies

Despite its raunchy, suggestive title – yeah, there’s a reason there’s no comma alluding to 69 being a year – Jillian Bell‘s directorial debut, Summer of 69, is actually a particularly sweet, coming-of-age comedy that injects more than enough heart into proceedings to offset its teen-sex-comedy mentality. Much like Superbad, Booksmart and Bottoms before it,…

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Film Review: Lilo & Stitch proves just how warm and refreshing some live-action updates can be

Whilst the poor reaction to Snow White has made Disney reevaluate their standing on live-action updates of their classic animated catalogue, Lilo & Stitch – obviously made before such a decision was made – arrives with an ironic freshness that proves just how warm and successful some reimaginings can be. By no means does this…

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Film Review: Mission: Impossible – The Final Reckoning is a heartfelt, overwhelming send-off for Cruise and co.

It’s time to say goodbye.  For now. Billed as the final entrant in the near-three-decade long Mission: Impossible series (which would ironically indicate these missions are, in fact, possible), Mission: Impossible – The Final Reckoning goes out with the expected balance of spectacle and emotion that the majority of these films have adhered to –…

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Film Review: Hurry Up Tomorrow; The Weeknd self-celebrates himself in wholly misguided vanity project

Whilst I had heard all the discourse around his performance (among other things) in the much maligned HBO drama series The Idol, it was not a show I particularly wanted to seek out – even out of curiosity.  So, with that, I came into Hurry Up Tomorrow free from any of that baggage, here merely…

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Film Review: Sharp Corner; tense, metaphorical thriller deconstructs masculinity and mislaid heroism

Operating as a double entendre for both the literal titular roadside placement and the relationships within Jason Buxton‘s tense drama, Sharp Corner lays focus on the vehicular and emotional torture put forth by a series of fatal crashes that take place on a suburban front lawn that kisses the edge of a tight curvature on…

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Film Review: Shadow Force; Kerry Washington and Omar Sy charm their way through enjoyable, if predictable, actioner

Having helmed such actioners as Smokin’ Aces, The A-Team, The Grey, and Boss Level, as well as writing credits on the Death Wish remake and Bad Boys For Life, director Joe Carnahan is no stranger to the genre and the excessive cheese it can give way to.  For his latest effort, Shadow Force, he’s working…

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Film Review: The Wedding Banquet is a tender, emotional reimagining of Ang Lee’s rebellious original

Directed by a then-rising Ang Lee, 1993’s The Wedding Banquet‘s tackling of themes around queerness, immigration and cultural identity marked something of a silent rebellion in cinema.  It was a film that paved the way for furthered LGBTQIA+ stories to be told, and in Andrew Ahn‘s reimagining, Lee’s original story is expanded upon, allowing a…

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Film Review: Clown in a Cornfield subverts slasher genre tropes as much as it embraces them

Having already dipped his toe in the comedy/horror field with both Little Evil and Tucker & Dale vs. Evil, writer/director Eli Craig dives confidently headfirst into the cornfield for a meta slasher of sorts that subverts expectation as much as it plays into tropes of the genre.  With a title like Clown in a Cornfield,…

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Film Review: Another Simple Favour is a twisted, delicious black comedy that savours its melodramatic flair

Whilst it shouldn’t have taken as long as 7 years for us to be gifted a sequel to 2018’s comedic thriller A Simple Favour – a quirky piece that played out like Gone Girl rinsed through the cycle of a soap opera – director Paul Feig (Bridesmaids, Spy) and writers Jessica Sharzer (who also penned…

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Film Review: Thunderbolts*; Have these anti-heroes finally saved the MCU?

Not unlike its DC counterpart the Suicide Squad, Marvel have assembled an anti-hero-minded crew of degenerates to lead the charge for the greater good in Thunderbolts*, one of the MCU’s strongest efforts in a recent phase of mostly underwhelming, middle-ground entries that have all largely failed to live up to the expectations of a post-Endgame…

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Film Review: Murder Ballads: How to Make It in Rock ‘n’ Roll is a wild mockumentary that revels in its divisive nature of madness

Unhinged was the first word that came to mind when viewing Murder Ballads: How to Make It in Rock ‘n’ Roll, a British rock mockumentary (rockumentary?) that very much submits to a level of madness that is likely to prove incredibly divisive. Writer/director Mitchell Tolliday and co-writer Neil Rickatson adopt a more-is-more type mentality across…

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Film Review: Neighbourhood Watch is a low-key thriller that works best when it lets Jeffrey Dean Morgan and Jack Quaid’s chemistry loose

Basic, comedy-inclined title aside, Neighbourhood Watch proves to be more than just a mismatched buddy effort thanks, in large part, to the winning chemistry between Jeffrey Dean Morgan and Jack Quaid, who, against their characters’ best efforts, find a sense of kinship in their respective societal outcasts. There’s a bit of clumsiness to their exposure…

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Escape from the 21st Century is a surreal time travel film that challenges the ideologies of adulthood: Fantastic Film Festival Australia Review

There is no shortage of coming of age films that dive into the deep existential dread that most people experience at the mere thought of growing up; Lady Bird, Eighth Grade, Boyhood, Booksmart…the list goes on. Escape from the 21st Century is another good example of a film that falls into this category, but sets…

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Film Review : Tinā is a soulful celebration of collective voice

Tinā is the feature debut from writer/director Miki Magasiva.  The film might appear on the surface a classic underdog tale, but it quickly proves itself to be something richer and more resonant; coming off earlier contributions to Teine Sā and We Are Still Here, Magasiva brings a fresh, heartfelt perspective to this deeply communal story….

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