Motherhood might be the most fulfilling, yet thankless role to be taken on in life. And it’s the job of being a mother that Mary Bronstein uncomfortably showcases in If I Had Legs I’d Kick You, where Linda (Rose Byrne, who delivers a career best turn here) embodies how taxing – emotionally, physically, and mentally…
With his imposing size and gruff delivery, it makes sense that Alan Ritchson has become so synonymous with the character of Reacher. It’s also why it’s such an inherent joy to see him considerably let loose in Playdate, a simple action-comedy that reminds us that the actor is quite a gifted, goofy comedian. He’s the…
The Running Man is a film that feels as if it’s caught in the middle of two very distinct personalities. So much of the film’s DNA comes from its original source material, Stephen King‘s 1982 novel of the same name (written under the pseudonym Richard Bachman), a dystopian commentary piece set in a futuristic America,…
Though there feels like a certain familiarity within the genre beats Angela Gulner navigates with The Beldham, an allegorical horror film about postpartum and generational cycles, the more Gulner’s script reveals itself, the clearer it becomes that this is a far more personal, deep-rooted drama than it is any type of haunted house or villainous…
The Predator series has had a slew of existences since being introduced in the titular 1987 actioner, which, at the time, furthered Arnold Schwarzenegger’s stronghold as the genre go-to and served as something of a more popcorn alternative to the Alien franchise. The original film was a success of its time, and only grew in…
Serving as something of a spiritual sister to the 2000s cult classic Dude, Where’s My Car?, Ian Kimble‘s Dead Giveaway is a biting mystery of a comedy that continually elevates beyond its premise due to the winning dynamic of leads Ruby Modine (Happy Death Day) and Mikaela Hoover (Superman). Across a slick 88 minutes, in…
The “high school dramedy” is a tried and true genre that (arguably) everyone can relate to in some form or another. Teen angst and the tumultuousness of that life period before you are officially deemed an adult is a universal experience, and, for whatever reason, the 1980s are so often reserved to explore such. Whether…
Given how effortless a performer she is, it’s quite incredible that, prior to Kiss of the Spider Woman, Jennifer Lopez hadn’t appeared in a movie musical. Thankfully, Chicago scribe and helmer of such filmic musicals as Dreamgirls and the live-action Beauty and the Beast, Bill Condon, has corrected such a travesty with his vibrant, beautifully…
It speaks to just how truly bizarre Yorgos Lanthimos‘s filmography is if his latest, Bugonia – an English language remake of the 2003 South Korean black comedy sci-fi outing, Save the Green Planet! – is considered one of his most accessible. Yes, there’s a certain comedic universality to the film’s premise – that of a…
A rougher slog to get to his directorial “debut” as a feature filmmaker than he would have liked, Aziz Ansari – seven years after he was accused of sexual misconduct and three years after his planned first feature, Being Mortal, was shut down over the inappropriate behaviour of its lead actor, Bill Murray – finally…
In a time when conversion therapy is once again in discussion as to whether or not such a practice will be allowed to be constitutionalized once more, a film like Spencer King‘s The Wilderness feels even more topical. Whilst King’s film isn’t exactly detailing the same notion as conversion therapy, it’s still bringing awareness to…
Film critics making their own films can go a multitude of ways. Given the expected penchant for critiquing what they do – or don’t – expect out of a genre film, one could assume that their idea of a film would be, at the very least, acceptably serviceable. For Chris Stuckmann – a YouTube-based film…
Though it’s been a story told countless times before, you can’t help but still be monstrously excited at the prospect of Guillermo del Toro adapting Mary Shelley’s classic Frankenstein. His name above the title just feels correct, and not just because the director has been talking about helming his version of the story for close…
Given this day and age where (mostly) everyone is traced to a social media presence and it’s not as easy to get away with saying who you aren’t, the premise of the original 1992 domestic thriller The Hand That Rocks the Cradle, where a sweet-natured mother essentially hires a stranger off the street to watch…
With a title that can’t be misconstrued in all its obviousness, it makes sense as to why Held Hostage in My House adheres to a melodramatic, campy temperament. Despite the cheapness of proceedings, you have to hand it to writer/director Anna Elizabeth James (who seemingly has a penchant for blatantly titled thrillers, with Sinister Sorority…
A loud ticking clock accompanies the opening minutes of After the Hunt, Luca Guadagnino‘s topical #MeToo drama that presents the mundane actions of its central focus, Professor Alma Imhoff (Julia Roberts), as she goes about her day at Yale. It feels as if perhaps the ticking is leading to something substantial – a revelation –…
It’s not too far into the 95 minutes of David Moreau‘s Other that it becomes eerily evident that everyone aside from lead Olga Kurylenko has their appearance intentionally hidden or distorted from view. Moreau himself stated that it was a visual additive that played into the loneliness and confinement of Kurylenko’s Alice, who spends the…
Nostalgia has proven a strong enough tool within the horror genre to revisit seemingly dormant franchises over the last few years (Halloween, Scream, I Know What You Did Last Summer, to name a few), but what about a particular subsect itself? For those craving the wince-inducing torture porn wave that swept the 2000s (thanks predominantly…
The Black Phone, released to theatres in 2022, was not the type of film that needed a sequel in any form. It was a perfectly contained, suitably unnerving horror effort that made the most of its short story origins (Joe Hill wrote the original prose in 2004). As we all know in the business of…
A classic case of truth being stranger than fiction, Roofman is the wild, almost unbelievable true story of Jeffrey Manchester, who earned himself the titular moniker due to the fact that he robbed a series of McDonald’s in the late 90s-early 2000s (45 locations, to be exact), entering the premises through their roofs. Despite his…
\ Tied to a tree with no recollection of how he got there – or why – when Bark opens with its interesting set-up of seeming Average Joe, Nolan Bentley (Michael Weston), in this predicament, Marc Schölermann‘s horror effort wants us to question if he’s a victim or a perpetrator. Over the course of its…
Whilst there is a certain initial familiarity in Jessica Rothe portraying someone who’s in something of a cyclical environment in her latest horror effort, Affection, it becomes all too evident in the early minutes of BT Meza‘s genre outing that this is no retread of the more humorously minded Happy Death Day – the film…
The Tron series has always existed in an interesting space within cinematic history. The 1982 original (Tron) and its 2010 sequel (Tron: Legacy) were more a cult phenomenon than box office successes, with the first film something of a visual revolution as it introduced audiences to the notion of entering a digital world, before Joseph…
An uncomfortable drama inspired by true events, Sovereign is a quiet, muscular outing from first-time feature filmmaker Christian Swegal, featuring a terrifying, layered turn from Nick Offerman at its core that speaks to the actor’s undeniable presence. Jerry and Joseph Kane were a father-son duo of anti-government extremists; Jerry was a self-proclaimed “sovereign citizen” who…
A sound reflection of the tranquil art of fishing, Looking Through Water is a calm, simple drama about the complicated relationships between fathers, sons and brothers. Now even more notable for being Michael Douglas‘s final screen role – the actor announcing his retirement earlier this year – Looking Through Water adopts a Princess Bride-like narrative…
Arriving not long after The Substance doesn’t bode well for something like Shell, Max Minghella‘s campy, body horror ode to trashy escapist 90s cinema that similarly explores the world of ageing in Hollywood and how far someone will go to maintain perfection. With both films screening within a week of each other at last year’s…
Whether we’ve taken notice or not, but, much like your James Bonds, Jack Ryans and Jack Reachers, the character at the centre of Shane Black‘s Play Dirty – Parker – is a cinematic mainstay who has appeared in films dating back to the 1960s, portrayed either directly or taken inspiration from by a multitude of…
There’s an odd satisfaction that comes from watching genre films that use the narrative of stolen children. It’s a horrific, harsh reality, but Hollywood knows how to take the weighted drama of such and merge it with a revenge-cum-saviour mentality, creating the type of story where justice prevails in a way to make the escapism…
Much has been said about Jordan Peele‘s attachment to Him. Though, like Peele’s own directorial efforts (the thematically complex Get Out, Us, and Nope), Justin Tipping‘s film bathes in its horror elements and topical commentary, it’s more in tune with other producorial efforts (Nia DaCosta’s Candyman and Dev Patel’s Monkey Man), proving a feature that…
Despite his absolute monstrous size at the time of his career and just how brutal he proved in the ring of mixed martial arts, Mark Kerr was – and still is – a figure that defied the expectations many would presumably put upon him from a personal standpoint. Softly spoken, with an emotional sense that…
