Reviews

Film Review: Green Book (USA, 2018) is a film about racism told by white people, and it really shows

Do good intentions make a good film? That is the question that has popped up in my head through the many recent films over the past year. Whether the film is about the commentary on major issues like racism, sexism and discrimination, the film itself still has to be well-executed in all areas in order…

Read more

Film Review: Mary Queen of Scots (UK, 2018) is a revisionist feminist tale fraught with issues

In an awards season dominated by powerful female performances, the chance to see two fierce Queens go head-to-head sounds like a tantalising opportunity. In director Josie Rourke‘s debut film Mary Queen of Scots, the epic showdown promised within the film’s somewhat misleading advertising never quite materialises. In its place is a revisionist feminist tale fraught…

Read more

Film Review: The Mule (USA, 2018) is a middle-ground effort from Clint Eastwood

Given that this is Clint Eastwood‘s first starring role in six years (his last being 2012’s under-the-radar sports drama The Trouble With the Curve), one would be forgiven for expecting something far more grand and notable than what is ultimately on offer; its push into prime Oscar season releases not helping matters either. Whilst this…

Read more

Film Review: The Kid Who Would Be King (UK, 2019) is an incredibly fun take on the Arthurian legend for the whole family

It’s quite amazing to know that there are many films out there that have been inspired by the story of the Arthurian legend. On the top end of the scale, we have the Disney flick The Sword of the Stone, the John Boorman cult classic Excalibur and of course the comedic parody Monty Python and…

Read more

Film Review: Glass (USA, 2019) reflects M Night Shyamalan’s worst habits

Though he doesn’t always nail them, M Night Shyamalan deserves praise for the ending of Split: the highly successful 2016 thriller, revealed in the very final moment to be part of the same universe as 2000 alt-superhero film Unbreakable. Very few people, especially those that had no idea he was working on a sequel to…

Read more

Film Review: Storm Boy (Australia, 2019) is a rather dour and pointless experience

Australian cinema has somewhat of an obsession with crafting adorable animal characters audiences instantly fall in love with. From the gutsy little pig in Babe to the tough cattle dog in Red Dog to those toe-tapping penguins in Happy Feet, it’s a long-running subgenre we Aussies do particularly well. A pelican hardly seems the next likely evolutionary step…

Read more

Film Review: Free Solo (USA, 2018) an unflinching look at scaling a 3200 foot rock without a rope

Whether it be physical or academic it is without a doubt that greatness and feats of greatness require a certain level of determination, mental grit and skill that very few are willing to foster within themselves. Alex Honnold however meets those qualities in the unlikeliest of ways in documentary/semi biopic Free Solo, a story of…

Read more

Film Review: Eighth Grade (USA, 2018) is an empathetic, uncompromising & honest piece of work

Teenage films have been quite a huge staple for me in the past decade. Whether they would be quality films (like Heathers, Stand By Me), plain fun (Mean Girls, Easy A, Say Anything etc.) or just plain silliness (Porky’s, American Pie), this reviewer has always found some enjoyment for entertainment reasons as well as nostalgic…

Read more

Film Review: How To Train Your Dragon: The Hidden World (USA, 2019) is a fitting end to a coming of age saga

When Cressida Cowell’s book series How To Train Your Dragon was developed into a film, its success took the world by storm and spawned a number of television series, short films, video games and even live performance shows. Now the third, and final film installment has arrived with How To Train Your Dragon: The Hidden…

Read more

Blu-Ray Review: Sicario: Day of the Soldado (USA, 2018) succeeds as both a sequel and a stand-alone narrative

Denis Villeneuve shone a light on issues that now seem more rife than ever in 2015’s hard-hitter Sicario. For its follow-up, sub-headed Day of the Soldado, the concerns at hand are more unnerving than before, and whilst the argument of whether or not the original film needed a sequel is still a valid talking point,…

Read more

Film Review: Holmes and Watson (USA, 2018) is the surprise Anti-Trump film of the holiday season

When a film doesn’t have a media preview screening, you know the confidence from the studio in its quality must be low. Following that up with a dismal score on Rotten Tomatoes (currently 6%) only seems to reinforce their fears. This year’s mainstream US holiday comedy – which in past years has included surprise hits…

Read more

Film Review: The Favourite (UK, 2018) is a raucously glorious and wickedly delicious good time

Absurdist cinema is not for everyone. The directorial work of master of the bizarre Yorgos Lanthimos likely hasn’t sat well with most audiences. By the same token, period films aren’t exactly most people’s cup of tea either. When presented with an absurdist period piece directed by Lanthimos, one may have some trepidation. Leave your apprehension…

Read more

Film Review: Vice (USA, 2018) shines with its ensemble as McKay’s spiritual successor to The Big Short delivers

Already a critical darling and favourite of the award season, Adam McKay’s new film Vice tackles an unlikely subject, with perhaps an even more unlikely lead actor. In the film out Boxing Day, Christian Bale transforms himself into Former US Vice President Dick Cheney, as McKay – who also wrote and produced the film –…

Read more

Film Review: Cold War (Poland, 2018) is a dryly amusing, dramatically concise and romantically passionate epic

It seems that autobiographical stories that stem from the lives of film directors are in the spotlight in terms of critical acclaim lately. There are great films out there like the Spanish family drama by Carla Simon, Summer 1993; the relationship comedy-drama by Tamara Jenkins, Private Life; the semi-autobiographical rom-com by Eva Vives, All About…

Read more

Film Review: Mary Poppins Returns (USA, 2018) is a delightful return to the whimsy and magic of Disney musicals

Disney once again mines its own intellectual property for more family fun over the holiday season. Their recent trend of recreating their animated features into new “live action” films has been an ongoing and generally successful juggernaut. However with Mary Poppins Returns, they’ve opted for a new take on the Poppins tale.

Read more

Film Review: Bumblebee (USA, 2018) is a joyous and heartfelt sci-fi wonder that succeeds on its own bee’s knees

The Transformers film franchise has been in devastating lows these past years. Although one can expect that from a franchise that is based on a line of toys, any film based on a toy can be a good film like the LEGO films. Aside from the 1986 cult-classic animated film (which featured Orson Welles as…

Read more

Film Review: Ralph Breaks The Internet (USA, 2018) is more than just memes and viral videos

When 2012’s Wreck-It Ralph was released it conceptually took video game nostalgia and the joy of arcade games and brought that idea to life. This time in Ralph Breaks The Internet (aka Wreck-It Ralph 2) the sequel ups the ante by taking our two main characters from their comfortable video game realm into the much…

Read more

Film Review: Aquaman (USA, 2018) proves utterly unapologetic in its decision to play everything as riotous

After what has felt to be an endless journey for Jason Momoa‘s portrayal of the King of Atlantis to grace the screens, Aquaman finally arrives in the hopes of both serving the character justice and steering the DC ship back on course after the underwhelming Justice League. Traditionally a blonde-haired/blue-eyed creation that was often the…

Read more

Film Review: Dumplin’ (USA, 2018) is revolutionising the meaning of beauty

Standing up against the status quo has been a beloved, exciting trope, and in the new Netflix Original Dumplin’, it’s delightful and empowering. It’s a film that Insatiable and Sierra Burgess is a Big Loser wish they could be. The movie centres on Willowdean Dickson (Australia’s Danielle Macdonald), an overweight teen who loves Dolly Parton and…

Read more

Film Review: Once Upon a Deadpool (USA, 2018) proves to be a rather bizarre and unnecessary re-release

There are times when a film critic is asked to review some strange pieces of cinema, but none are perhaps stranger this year than Once Upon a Deadpool, a rather bizarre holiday re-release of Deadpool 2 bereft of the swearing, sexual content, blood, and gore that’s become this anti-Marvel franchise’s calling card. “Why?” you may…

Read more

Film Review: Second Act (USA, 2018) is a likable piece of rom-com fluff, with an engaging Jennifer Lopez

Jennifer Lopez has a pretty spotty track record when it comes to her acting career. The last great film in the past 20 years is still Steven Soderbergh‘s crime flick Out of Sight. While she still has her charismatic and likable presence on-screen, unfortunately her choices of scripts have been quite sub-par. Apart from some…

Read more

Film Review: The Madness of King George III proves that a mad world can be fit for a king

The Brian Jonestown Massacre once said, ‘Thank God for mental illness.’ English playwright, Alan Bennett shares this sentiment. His dark comedy, The Madness of King George III has been revived at Nottingham Playhouse and will be broadcast around the world for NT Live. In short, it offers an enjoyable history lesson and proves that no…

Read more

Film Review: Spiderman: Into The Spiderverse (USA, 2018) is a dazzling near perfect comic book movie

Of late comics fans have been spoilt for choice when it comes to seeing their favourite superhero being depicted on the big screen. The Marvel Cinematic Universe and DC Extended Universe have been battling it out for the eyes and dollars of fans. So when word spread that another Spiderman movie would be on its…

Read more

Film Review: The School (Australia, 2018) goes for broke in its bid to provide escapism within the Australian horror landscape

It’s rather unfortunate that Australian cinema really doesn’t have the greatest reputation. It’s not that we aren’t capable of delivering quality homegrown productions, it’s just that we so seldom do, so when something like The School comes along, you can’t help but feel both a sense of disappointment and expectation. To be fair to writer/director…

Read more

Film Review: Mortal Engines (NZ/USA, 2018) suffers from an ensemble cast who fail to elevate the stereotypical material above expectation

As much as Peter Jackson‘s name is plastered all over this, Mortal Engines is in fact NOT a Jackson joint. Yes, the Lord of the Rings helmer is the most likely reason this film was greenlit (he serves as both co-producer and co-writer) but long-time Jackson collaborator Christian Rivers, who served predominantly as a visual…

Read more

Film Review: Can You Ever Forgive Me? (USA, 2018) is one of the year’s biggest surprise packages

They say truth is stranger than fiction, and that’s especially evident in Can You Ever Forgive Me?, the delightfully absurd and deliciously bizarre true story of a washed-up writer who discovers a knack for forgery and a strangely fulfilling career change she never saw coming. Mining the as-yet untapped but mightily impressive dramatic talents of comedic…

Read more

Film Review: Overlord (R18+, USA) is a thrilling WWII action horror mashup

What do you get when you take a World War II action movie and smash it together with some monster horror Nazi-sploitation? You get the wild, bloody, gory ride that is Overlord. A film that has clearly defined good guys, bad guys, a hefty dose of patriotism and some reanimated super powered super soldiers to…

Read more

Film Review: Creed II (USA, 2018) may not touch gloves with its predecessor, but it still packs a mighty punch

If there’s one franchise that I am utterly surprised that it is still ongoing at this point, it is the franchise of Rocky Balboa by Sylvester Stallone. Proving you can’t keep a fighter down (or you can’t stop beating a dead horse), writer/director Ryan Coogler came up with the idea to reinvigorate the franchise without…

Read more