Reviews

Booze & The Bard

Theatre Review: Fringe World’s Booze & the Bard delivers a hilarious and suitably whisky-soaked retelling of Macbeth

For Perth’s annual Fringe World festival, the delightfully ridiculous Shakespearean drinking game Booze & the Bard has returned for 2022 with two shows: their tried and true Macbeth, the Scotch Play and the brand new Twelfth Pint (or What You Spill). We caught the Saturday night showing of Macbeth on the 15th of January and happily…

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Seventeen dancers assmeble on stage to learn a routine.

Theatre Review: A Chorus Line is a glimpse into the world of dance like you’ve never seen

Forming part of the 2022 Sydney Festival, A Chorus Line at Riverside Theatres in Parramatta delivers a behind-the-scenes look at the life of a dancer trying to forge a career on Broadway. Set on the stage of a theatre during auditions for a chorus line, the musical centres on the lives of seventeen hopefuls and…

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Theatre Review: Jagged Little Pill is a strange nostalgia trip through our times

Released in 1995, Jagged Little Pill was a cultural moment, packaging themes of angst, sexism, loneliness and self-discovery from the perspective of a young woman to over 30 million albums sold. 25 years later, the Broadway production takes us back to the anguish of the original text, albeit with an updated rap sheet. Designed as…

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Theatre Review: Moulin Rouge! is a wonderfully lavish musical experience like no other

Put on your finest dress, button up your best tux and step into an extravagant world of glitz, glamour and romance at the Moulin Rouge! Based on Baz Luhrmann’s iconic 2001 film, it tells the story of an aspiring composer, Christian (Des Flanagan), who falls in love with Satine (Alinta Chidzey), a prominent cabaret actress and…

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Theatre Review: Come From Away is a heart-warming run through humanity in crisis

A musical about 9/11 might feel a bit risky, so it’s fortunate that Come From Away has a particularly refreshing angle on the subject. With airspaces locked immediately after the tragedy, 38 planes were forced to land on the island of Newfoundland, Canada. Over 7,000 stranded passengers were sent to nearby towns including Gander, where…

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Fringe HQ Newtown’s Spike Heels is about male entitlement, not female empowerment

Trigger warning: this review contains discussions of sexual assault. Spoiler alert: this review also discusses how the play ends. Set in 1990s Boston, Spike Heels focuses on the intertwined lives of four individuals and one woman’s journey to self-actualisation. Written in 1992 by Theresa Rebeck and directed by Serhat Caradee, Spike Heels is based on…

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The Wedding Singer

Theatre Review: The Wedding Singer lights up Melbourne with a burst of energetic 80s nostalgia

An 80s-lover’s neon-filled fantasy, come to life! After selling out performances across Broadway and the UK, The Wedding Singer brings its neon lights, flashy perms and dazzling choreography to Melbourne – filling the Athenaeum Theatre with a sense of resounding joy and classic 80s nostalgia. Based on the beloved Adam Sandler/Drew Barrymore romantic comedy, The…

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Theatre Review: Sydney Opera House’s Claudel shines a light on a forgotten genius

You could be forgiven for having never heard of a French sculptor named Camille Claudel. Like many talented and brilliant women history forgot, she existed in the shadow of a man and within the confines of a society that feared the ambitions of women. Growing up with a father who encouraged her and a mother…

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Yellow Face

Theatre Review: Kings Cross Theatre’s Yellow Face will make you laugh, then break your heart

Written by David Henry Hwang, Yellow Face at Kings Cross Theatre is a semi-autobiographical play that features the playwright himself as the protagonist. Set in America over the course of the 1990s, Yellow Face focuses particularly on the inception, creation, release and subsequent failure of Hwang’s 1993 play Face Value, and everything that follows. When…

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Pete The Sheep

Theatre Review: Monkey Baa’s Pete the Sheep is a snappy adaptation of a children’s classic

Jackie French’s much loved children’s book, Pete The Sheep has been a staple of households since its first pressing in 2004, with the story of a loveable shearer and his ‘sheep sheep’ Pete teaching children about differing viewpoints and acceptance of change. Theatre company Monkey Baa have lovingly produced a stage musical based on the story,…

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Hamilton Review: Why you’ve got to be in the room where it happens (Sydney’s Lyric Theatre)

Staging an Australian production of a Tony Award-winning Broadway musical is always a daunting task, particularly when that show is one of the most acclaimed and successful musicals in Broadway history. The one benefit for local productions is knowing the audience likely have little first-hand experience with the version seen on The Great White Way….

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Theatre Review: Belvoir’s Stop Girl is a powerful and compelling story

Trigger warning: review contains references to mental illness and trauma. Sally Sara is a Walkley award-winning journalist, writer and author who has reported from more than 40 countries as a foreign correspondent with the ABC. Her debut play Stop Girl at Belvoir in Sydney is a powerful and compelling story of a woman’s struggle with…

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Appropriate

Review: Sydney Theatre Company’s Appropriate is a remarkable and intensely significant production

Ever notice how families will remember events from their childhood differently? How a conversation, a situation or a person that seems so clear to you can be viewed from a completely different perspective by your sibling. This concept of selective memory is sometimes heightened after someone dies, our brains often choosing to focus on the…

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Review: You’re Not Special at Kings Cross Theatre is insightful and thought provoking

The average Australian spends close to 40% of their waking hours on the internet. That’s over 6 hours a day scrolling, liking, searching and connecting to other people. But what happens when your screen time begins to take up all your time. What happens when the connections you make online become more real than the…

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Adelaide Fringe Review: DIRT exposes the dark side of Russia’s gay rights

DIRT is the story of an Australian tourist, played by Will King, travelling in Moscow who hooks up with the local tour guide (Patrick Livesey). The romantic interplay between the two evolves over the course of the performance, but each has a hidden story that gradually unfolds. The play is set in contemporary Russia and…

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Theatre Review: Filled with chamber music, The Gang of Five is a bittersweet comedy for theatre lovers at La Mama Mobile

Theatre was briefly back in Melbourne before another five day lockdown saw shows rescheduled. Before the enforced hiatus, I was fortunate enough to catch a performance of The Gang of Five at La Mama Mobile Theatre. The Gang of Five opened to a full house, based at Creative Spaces’ Studio 1. Repurposing a dance studio…

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Theatre Review: Belvoir’s Fangirls is a teen dream hypercolour pop party

Being a teenage girl is rough. Expectations are high, bodies are changing, social media is all consuming and society deems your interests as silly. There have been countless attempts to represent teen girl culture both on stage and screen, yet most rarely seem to get it right. Originally premiering in 2019, Fangirls attracted a buzz…

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Magic Mike Live

Review: Is it hot in here? Magic Mike Live comes to Sydney

It is with no small amount of amusement that I tell you, Magic Mike Live has been one of the most difficult reviews I’ve ever had to write. It would be easy for me to sit here and wax lyrical about how attractive the dancers were (because they were) or how much the crowd of…

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My Brilliant Career

Theatre Review: My Brilliant Career is an anti love story you can’t help but fall in love with at Belvoir

Sybylla Melvyn announces (triumphantly and somewhat without apology) that this is a play all about herself. Stuck on her family property as the eldest of eight, her drunken father (Jason Chong) has squandered much of the family resources while her mother (Blazey Best), keen to marry her off, is worried she’s too plain. In strong…

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Theatre Review: Frozen – The Musical is worth melting for at Sydney’s Capitol Theatre

Love it or loath it, you cannot deny Disney’s 2013 animated musical Frozen is one of the biggest pop culture phenomenons of our time. With box office figures, soundtrack sales, and merchandise revenue not seen since the Disney Renaissance of the early 1990s, Frozen was the cultural sensation the House of Mouse had been chasing…

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Pippin

Theatre Review: Pippin is the weird and wonderful musical for our times at Sydney’s Lyric Theatre

Pippin is the first major musical to return to Sydney theatres, with distancing restrictions easing just before the show’s opening. The show’s offering of colour and magic are perfect medicine for our current climate. But, on another hand, its somewhat confusing premise and over-reliance on smoke and mirrors are yet another symptom of them. This…

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Adelaide Fringe Review: Bleach is a darkly humorous one man play – Mercure Grosvenor Hotel (05.03.20)

From the moment he swaggers into the room, you can tell Tyler Everett (played by Tom Crotty) is going to own the audience. Making eye contact, he begins his story of sex, violence and city living. Dressed in a black leather jacket, white t-shirt and designer stubble, with a backpack slung over his shoulder he…

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Harry Potter Cursed Child

Why Harry Potter & The Cursed Child is better the second time

February 2020 marks the one year anniversary of Harry Potter and the Cursed Child reaching Melbourne. With over 325,000 attendees surging into the Princess Theatre to watch the tale unfold across the last twelve months, the show has been a record-breaking success. Although it has been on stage since its London premiere for almost four years,…

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Adelaide Fringe Review: Rip, Drag and Ruminate showcases final year dancers – Adelaide College of the Arts (28.02.20)

Rip, Drag and Ruminate is a collection of short works from the Adelaide College of the Arts 3rd Year Dancers. Six pieces were presented. The opening sequence by Isobel Stolinski, “To Whom it May Concern”, dealt with art censorship and scrutiny. The Acid Arab soundtrack helped to create an uplifting message which contrasted with the…

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Theatre Review: Billy Elliot The Musical taps its way into Melbourne

Billy Elliot was a hard-hitting film that intertwined the beauty of dance with sentiments of toxic masculinity, as well as giving us an intense glimpse into the class struggles working-class England faced in the early 1980s. Not your obvious choice of musical magic; however, Elton John was so moved after seeing the film at Cannes…

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Adelaide Fringe Review: Jennifer Liston tells a fascinating story of Grace O’Malley, Pirate Queen – The Gilbert Street Hotel

  Grace O’Malley (Gráinne Mhaol), was a powerful seafaring chieftain in 16th-century Ireland who commanded 200 men at sea, and met with Queen Elizabeth I. Curiously, she is not readily found in history books, so Jennifer Liston has bought her story to life, using original poems, songs and music. The upstairs room in the Gilbert…

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Theatre Review: Your favourite big green ogre takes to the stage in Shrek The Musical (Melbourne)

Calling all magical fairytale creatures, pack your bags, vacate the swamp, and fly on down to Her Majesty’s Theatre to see everyone’s favourite green ogre belting out a tune in Shrek The Musical! When I first heard that they were turning Shrek, arguably one of the greatest animated cartoon’s of all time into a musical,…

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Adelaide Fringe Festival Review: Amanda Palmer tells all in her one woman show “There Will Be No Intermission” – Bonython Hall, Adelaide (14.02.20)

Amanda Palmer has created a deeply personal, autobiographical performance piece that resonates with passion and dignity. As the lead singer of the Dresden Dolls, Palmer is no stranger to controversy and never shies away from the difficult conversation. “Cornflake Girl” by Tori Amos fills Bonython Hall, signally the arrival of Amanda Palmer. Dressed in a…

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Theatre Review: Moulin Rouge! The Musical dazzles audiences in New York City

Before Moulin Rouge! premiered at New York’s Al Hirshfeld Theatre on July 25th, 2019, a theatre where Kinky Boots had called a home for the 6 years prior, the producers did something quite surprising: so sure they were of its popularity, they announced it would tour out of New York – including a 2021 run…

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Theatre Review: The Shakespearean circus is in town, with Brisbane Immersive’s Midsummer Carnival

The Midsummer Carnival is in town, and the big top has set up shop at Brisbane Powerhouse. A troupe of pixies and players invite audiences to wander through their carnival, filled with sideshow games, fortune tellers, and death defying stunts. But hidden amongst the crowd are four young lovers, and as the mischievous Puck sets…

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