Review

Film Review: Birder is a grisly, queer chiller that offers refreshing conversation and genre thrills

“Live Free or Die” So says the state motto of New Hampshire, something that some people take a little too seriously, especially those within the realms of Nate Dushku‘s Birder, a grisly, queer thriller centred around an enigmatic serial killer and the nudist camp he preys upon. The “birder” of the title introduces himself as…

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Film Review: The Unexpecteds is a scrappy caper comedy that gets by on its plucky charm

Thanks to the rise of cryptocurrency – and the emphasis that anyone’s voice can now be heard through a variety of social media outlets – scammers have a platform and a mainstream presence.  They were never exactly a hidden, unknown collective, but there’s perhaps a prominence surrounding them now, and as the opening title card…

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Elden Ring: Shadow of the Erdtree DLC stands tall as an essential addition to an existing masterpiece

I took the liberty of reviewing Elden Ring back in 2022, and I stand by pretty much everything I said then. It’s one of the most refined, polished and fleshed-out games within its genre, and a shining example of how the genre itself can evolve and grow, without sacrificing its roots. The Shadow of the…

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Fire F*cking Fire looks at women vocalising their truth in relatable, humorous short-length feature: Tribeca Film Festival Review

When Ally (Rachel Paulson) excitedly calls her bestie, Jess (Capri Campeau), in the morning-after scenario of a pinch-me like hook-up, she can’t quite believe herself when she announces that in her bed is a bona fide rockstar.  Better than hooking up with the high-school teacher she was obsessed with, and “gayer than Rihanna”, Ally’s bed…

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Restless is an emotional and at-times torturous thriller: Tribeca Film Festival Review

The basic narrative at the core of Restless – asking how far one would go to maintain peace in your own home – is perhaps one of the most relatable, and it’s because of that potential familiarity that Jed Hart‘s dread-drenched thriller is all the more chilling. Whether it’s happened directly to us or we…

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Darkest Miriam is a captivating drama grounded by the hauntingly beautiful performance of Britt Lower: Tribeca Film Festival Review

There’s a subtlety and quietness to Darkest Miriam that continually laces this sad, yet captivating drama, with Britt Lower‘s haunting central performance adding a poetry to proceedings that beautifully captures those watching. In a Toronto neighbourhood, Miriam (Lower) lives a quiet life as a librarian, seemingly content with her daily routine of shuffling through the…

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Film Review: Cora Bora; Megan Stalter flexes her star presence in tragic, humorous vehicle

Whilst there’s no doubt that Megan Stalter is a talented comedienne (“Hi Gay!”, anyone?), the type of social-media-sketch-performer-turned-feature-actress trajectory isn’t always a guaranteed translation for both their respective humour and an audience’s positive reaction.  Thankfully, her starring role in Cora Bora is a more dramatic transition for the actress, displaying a vulnerable, shaded, even confidence-lacking…

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Bang Bang features a career-best turn from Tim Blake Nelson: Tribeca Film Festival Review

As much as Vincent Grashaw‘s Bang Bang revels in the alpha masculinity that oft dominates the boxing industry and the men it produces, this hard drama laces its narrative with a sadness and humanity that consistently brings the film above its gruff exterior. And much of that belongs to the impeccable Tim Blake Nelson, leading…

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The Outrun; Saoirse Ronan’s detailed performance as a recovering addict may be her finest yet: Sydney Film Festival Review

A character losing themself to nature in order to find solitude or correct the course of their life is not a road seldom travelled on screen.  And in the case of The Outrun, it’s the windswept Orkney Islands off the northeastern coast of Scotland that serve as a place of rejuvenation for Rona (Saoirse Ronan,…

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Daddio is a conversation-sparking drama anchored by the nuanced performances of Sean Penn and Dakota Johnson: Sydney Film Festival Review

The prospect of being stuck in a cab for 90 minutes with a driver that isn’t afraid to wax lyrical about the dynamics of men and women doesn’t exactly sound like the most pleasant experience.  And whilst that it is the entire premise of Christy Hall‘s conversation-provoking Daddio, audiences pre-empting their annoyance at such a…

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Film Review: The Exorcism compromises its dramatic intentions with shoehorned horror elements

Whilst it’s understandable that audiences may assume The Exorcism is somehow related to last year’s The Pope’s Exorcist – and given both their closeness in title and sharing of Russell Crowe, you can see why – but Joshua John Miller‘s genre entrant is more a dramatic character study, with many of the horrific elements feeling…

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A Different Man provokes thought but lacks the proper execution: Sydney Film Festival Review

The idea of wearing a mask – physical or metaphorical – can so often be used to uncover a psyche within the realms of dark storytelling, and for Aaron Schimberg‘s chaotic A Different Man a literal representation is at the core.  There’s an undeniably captivating and thought-provoking narrative at play, but the execution feels ultimately…

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My Old Ass is a supremely charming affair that values the importance of familial connection: Sydney Film Festival Review

Though there is a high-concept present in the narrative forming of My Old Ass – shroom induced time travel could be the easiest elevator pitch summary (so, a high-concept if ever there was one) – Megan Park‘s deliriously sweet, always charming, oft-hilarious venture is, at its core, an uncomplicated affair that simply wants to make…

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Problemista; Tilda Swinton’s erratic brilliance saves absurdist comedy: Sydney Film Festival Review

There’s a sense of too many eggs in one basket present in Problemista, a loaded-with-ideas, absurdist comedy from comedian Julio Torres who treats his first-time feature as if he may not get the chance to do a second. And there’s nothing inherently wrong with the ideas that Torres – a former Saturday Night Live scribe,…

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Kinds of Kindness is a blackly comic, absurdist, and boundary-pushing surrealist drama that will test audience limits: Sydney Film Festival Review

As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…

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Hunting Daze is blackly comic and consistently unnerving: Sydney Film Festival Review

Men behaving badly is at the core of Annick Blanc‘s Hunting Daze, a surreal visualisation of toxic masculinity that refuses to ever pigeonhole itself into one category.  It’s horrific without ever devoting itself entirely to that genre.  It’s blackly funny, though never satirical.  And it’s always engaging, even if the extreme manner in which Blanc…

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Thelma is a sweet, poignant affair that reinvents the action/comedy: Sydney Film Festival Review

Though it leans into the action/thriller genre with a supreme wink, Thelma, Josh Margolin‘s frequently hilarious, always poignant ode to his own grandmother (and, clearly, a love of the action genre), is never spoofing the films it so evidently is earning its laughs from; and it’s that sweetness and keen sense of reinvention that helps…

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The Moogai‘s emotional and psychological terror elements find unrest: Sydney Film Festival Review

The controversial historical treatment of Australia’s native people by white settlers and the continuing generational trauma within the Indigenous communities weigh heavy on the narrative themes of Jon Bell‘s The Moogai.  There’s a ripe premise to lean into horror genre sensibilities – “moogai” is the Bundjalung language for a malevolent child-stealing entity that is the…

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Film Review: Hit Man; Netflix’s sexy actioner is a much deeper, more philosophical outing than expected

The blending of genres isn’t as easy as Richard Linklater makes it look in the deliciously fun Hit Man, a-sexy-romantic-comedy-cum-philosophical-action-film that the School of Rock helmer and lead charmer Glen Powell have co-scribed together in a seamless fashion. Given that Linklater has so often deviated from the expectation put forward in some of his films…

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Film Review: Am I OK? is a delicate journey navigated through the grace that is Dakota Johnson

There’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut.  The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), returned to the festival as married women detailing their own journey of self-discovery and acceptance with a film…

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The Sonos Ace is an admirable first attempt at delivering some premium over-ear headphones

Sonos is well known for its high-quality audio and stylish designs across a variety of soundbars and wireless speakers. But for as good as they are, it seemed like there was a small gap in the market. Sony has done it with the WH-1000XM5. Bose has done it with the QuietComfort Ultra. Everyone’s either seen,…

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Film Review: The Watchers is a tense, though questionably executed chiller

Given M. Night Shyamalan‘s penchant for banking the majority of his theatrical narratives on “the twist ending”, it’s understandable to walk into his daughter’s feature directorial debut with the same type of expectation. Whilst I can’t personally speak to whether or not the A.M. Shine novel Ishana Night Shyamalan has adapted is faithfully recreated here…

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Film Review: I Used To Be Funny offsets its humorously-adjacent title with a dark, heartbreaking temperament.

After showcasing her stellar comedic delivery across 2022’s Bodies Bodies Bodies and last year’s Bottoms, Rachel Sennott continues her dominance as one of the industry’s most exciting talents with a more dramatic flex in Ally Pankiw‘s I Used To Be Funny, which offsets its lead’s comedic capabilities and humorously-adjacent title with a dark, heartbreaking temperament….

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Film Review: Bad Boys: Ride or Die honours series nostalgia as much as it creatively projects forward

Whilst this is a franchise that has indulged in its fair share of overtly-violent set-pieces for close to three decades now, there’s something to be said for the fact that Bad Boys: Ride or Die – the fourth in this surprisingly resilient series – is determined to keep the action on hand ageing gracefully. Yes,…

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F1 24 feels more like a solid evolution rather than a radical revolution

Over the years, developer Codemasters has done a fantastic job at creating numerous Formula 1 games that look gorgeous, are fun to play, and are meticulously crafted to include a number of customisation options for controller and simulation users alike. The F1 World mode has incorporated online and offline components in unique ways, while career…

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The Turtle Beach Stealth 500 wireless gaming headset makes for one of the best affordable options on the market

With such a wide range of gaming headsets available these days, each with its own unique features and fits, it can be hard to make the right choice. For those who wish to get the best bang for their buck, the choice becomes a little easier. The Turtle Beach Stealth 500 wireless gaming headset swoops…

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The SteelSeries Arctis Nova 5 Wireless headset serves up some solid value for money

SteelSeries has become quite revered for its newer Nova lineup of gaming headsets, with their top-tier Arctis Nova Pro Wireless option still sitting atop the gaming headset mountain. Even so, something like the Arctis Nova 1 headset is still one of the best entry-level headsets you can get, for its comfort and sound quality. The…

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Senua’s Saga: Hellblade 2 builds on its predecessor in almost every way

I really enjoyed Hellblade: Senua’s Sacrifice when it launched back in 2017, for its intriguing lore, emotional narrative and stellar sound design. That was really all I needed to want to return to this world in Senua’s Saga: Hellblade 2. While this sequel feels incredibly familiar in most departments, developer Ninja Theory has made every…

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Film Review: The Garfield Movie hates its audience as much as its lead feline hates Mondays

Similar to the disdain many had when it was announced that Chris Pratt would be voicing Mario for last year’s The Super Mario Bros. Movie, the actor’s involvement as Garfield hasn’t assisted in warming him to the masses that have seriously turned on him in a manner many never saw coming after his winning work…

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Film Review: Night Shift; Singular location chiller proves a serviceable genre entry

Perhaps because we’re simply used to his New Girl persona, or that even in the realms of a horror setting he’s playing with a little uncertain levity, Lamorne Morris‘ presence in the opening moments of Night Shift suggest that The China Brothers (filmmaking duo Benjamin and Paul China) may be preparing their audience for a more…

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