Reviews

Film Review: Logan (USA, 2017) will be heralded as one of Hugh Jackman’s finest performances

“…There’s no living with a killing. There’s no going back from one. Right or wrong. It’s a brand. A brand sticks” 17 years ago, the world was introduced to Bryan Singer’s X-Men Universe and with it came the arrival of Wolverine portrayed by Australia’s own Hugh Jackman. It was his breakout Hollywood role and his…

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Film Review: Alone in Berlin (Germany/France/UK, 2016) celebrates silent protest in Nazi Germany

Obedience and groupthink were cogs of a never-ending machine which kept Nazism running in the sinister era of Hitler. Husbands would churn trough factory work in the name of their Fuhrer, housewives would do all they were allowed to in order to support the regime, and their sons would fight and coldly die, scared and…

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Film Review: Rachel Perkins’ adaptation of Jasper Jones (Australia, 2017) finds strength in its cast

We don’t get many films set in small Australian towns in the mid-60s, and though this is the era applied to the story of Jasper Jones, what unfolds is far from exclusive to any one period. Through a cleverly winding and well-paced tale, adapted by director Rachel Perkins from Craig Silvey’s best-selling novel, Jasper Jones…

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Film Review: Fist Fight (USA, 2017) has solid storytelling, but otherwise falters

If there’s one thing everybody can say about this film, it is that the film is punchy. Studio comedies have been very underwhelming the past few years, especially from studios like Warner Brothers (the less said about Hot Pursuit, the better), regardless of the comedic talent involved. So when I heard about this film that…

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Film Review: Cameraperson (USA, 2016) is an artistic look at the world of documentary filmmaking & cinematography

Cameraperson shines a light on the individual behind the camera. In this case it is cinematographer, Kirsten Johnson, a woman with some 25 years’ experience in the movie-making business. She’s also known for having worked on films like Fahrenheit 9/11 and Citizenfour, among others. Cameraperson is a documentary that lets the footage speak for itself…

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Film Review: T2 Trainspotting (UK, 2017) sees Danny Boyle uses nostalgia to great effect

How T2 Trainspotting juggles change and continuity is quite extraordinary. In a world of disappointing reboots and sequels that don’t quite justify their existence, Danny Boyle’s follow-up to his drug-addled 1996 icon is not only good, it’s damn near perfect, complementing the first without repeating it as we catch up with Renton (Ewan McGregor), Sick…

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Film Review: Silence (MA15+) (USA/JAP/TWN, 2016) not one of Scorsese’s best, but an illuminating experience

If there’s one filmmaker who, in my opinion, hasn’t made a bad film, that filmmaker would be Martin Scorsese. Venturing from genre to genre with ease (who else can go from the family fantasy Hugo to the dark comedy The Wolf of Wall Street just like that?) and always applying professional care and passion within…

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Film Review: Hidden Figures (USA, 2016) dismantles segregation piece by piece

The ills of racial segregation have been well-documented in modern cinema; many pieces set in eras like the 60’s have tackled the absurdity and nonsensical way the division functioned in – mostly American – society even when black populations worked side by side with white populations. This is the core tension of Hidden Figures, the…

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Film Review: Fifty Shades Darker (MA15+) (USA, 2017) is a better film, but does it go anywhere?

“Are you just going to stand there and stare Christian Grey”? Anastasia Steele asks a tall well-dressed Christian Grey. “Yes”, he replies. Cue another sensually slow, but saucy scene where the two embrace and then another few roughly edited scenes later, we’re back at Steele’s work office, or a bar with her friends, as we cut back…

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Film Review: Fences (USA, 2016) proves too faithful to the original stageplay to shine as a film

Films adapted from a stageplay have always offered mixed results. While we have classics like Chicago, Glengarry Glen Ross and Sweeney Todd, we often have disasters like Rent and Mamma Mia! The reason for this is either because the stories of these plays or musicals do not have enough cinematic potential to succeed as a film-viewing experience or…

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Film Review: Winter at Westbeth (Australia, 2016) is a love letter to the power of creativity & pursuing your passion.

Winter at Westbeth is a film that’s all about “the art.” And celebrating it at every age. This documentary looks at three young at heart, elderly, American artists who live in a vibrant, housing complex called Westbeth Artists Housing in New York. It is ultimately a film that is like a love letter to the…

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Film Review: Peter Berg offers a spirited homage to “Boston Strong” with Patriot’s Day (USA, 2017)

There is no way for Peter Berg’s Patriot’s Day to avoid being labelled as exploitative and “too soon”, if even just for the title. For the past few weeks critics have been piling onto the director’s dramatic retelling of the bombings which took place during the annual Boston Marathon in April of 2013, killing three…

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Film Review: Gold (USA, 2017) roots for the underdog but takes itself too seriously

When you take an idea like the story of a dreamer, and mash it together with a cautionary tale about the wolves of Wall Street and big business. With your lead character as that grizzled underdog type, and have it all based loosely on a true story the result you get is Gold. Set in…

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Film Review: Buoyed by a masterful script and terrific performances, Manchester By The Sea (USA, 2016) is a powerful film

Written and directed by Kenneth Lonergan, Manchester By The Sea arrives in Australian cinemas this week, a year after it was the hit of Sundance and not long after it garnered an impressive six Oscar nominations. These accolades include surprise acting nods to Michelle Williams and Lucas Hedges, alongside Casey Affleck, who has already taken…

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Film Review: National Theatre Live: No Man’s Land (UK, 2017) starring Sir Ian McKellen and Sir Patrick Stewart

National Theatre Live in conjunction with Sharmill Films are once again bringing Australian cinema-goers a chance to experience the magic of the theatre. This time with Harold Pinter’s acclaimed play No Man’s Land, starring the incomparable Sir Ian McKellen and Sir Patrick Stewart. After a successful hit run in Broadway USA, the play returns to…

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Film Review: XXX: The Return of Xander Cage (USA, 2017) comes up short in nearly every aspect

“Kick some ass, get the girl, and try to look dope while doing it” That inane piece of dialogue is essentially what xXx: The Return of Xander Cage bases its existence on. Never a film that was going to be considered good, but at the very least could have been fun, this useless threequel comes…

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Film Review: Resident Evil: The Final Chapter (USA, 2017) brings the tale of the world’s unluckiest woman to a close

If there’s one thing you can rely on in a Resident Evil movie, it certainly isn’t subtlety.  Resident Evil: The Final Chapter is what it says on the tin — the last film in Paul W. S. Anderson‘s increasingly bonkers series of action horror films adapted from the video game franchise of the same name. For fans keen…

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Film Review: Ben Affleck’s Live By Night (USA, 2016) is a visually stunning yet slow running 1920s gangster film

Based on the 2012 novel by Dennis Lehane of the same name, Live By Night is set in the prohibition era across the 1920s and 1930s. The man at the centre of the story, Joe Coughlin, is played by Ben Affleck, who brought this adaptation to life. He directed, wrote and produced the film, which…

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Film Review: Moonlight (USA, 2016) is a stunningly beautiful character study; a modern masterpiece

Two young African American males sit on a beach together, bathed in moonlight. One asks the other: “You cry?”. The other replies, “I cry so much sometimes, I feel like I’ma turn to drops,”. Ripped from the pages of the play Moonlight Black Boys Look Blue by Tarell Alvin McCraney, this scene for me perfectly…

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Film Review: Split (USA, 2017) is a stunning return to form for M. Night Shyamalan

There is plenty of real world evidence to suggest that, to a degree, our thoughts and feelings can in some way re-wire our brain. Neuroplasticity is a relatively young field, but an infinitely fascinating one nonetheless; discoveries are being made everyday, many on how our brain evolves for better or for worse and how we…

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Film Review: Lion (Australia/USA/UK, 2016) is a beautiful, emotional journey

Based on the true story of Saroo Brierley and his book A Long Way Home, this week’s anticipated release Lion takes its audience on the beautiful, emotional journey of Saroo; lost in India as a young child, raised in Tasmania, forever desperate to find his way back home. Starring Dev Patel (Slumdog Millionaire) as the…

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Film Review: Natalie Portman delivers a searing, Oscar-worthy performance in Jackie (USA, 2016)

Jacqueline Kennedy (Onassis) has been depicted on the silver and small screens before but Jackie is the first film to really capture the complex nature of this remarkable woman. The film is not strictly a biopic in that it only focuses on a number of key events in Kennedy’s life prior to and in the…

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Film Review: Collateral Beauty (USA, 2016) wastes a phenomenal cast

With Christmas time comes awards season, and every so often a film comes along that attempts to tackle both markets – deliver a heartfelt drama set around the holidays that will bring people into the cinema after they’ve finished exchanging gifts; while voters cast the film on their award season ballot. Such a forced ploy…

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Film Review: Bright Lights: Starring Carrie Fisher and Debbie Reynolds is the humble closing chapter to an enigmatic entertainment family

During the parting moments of 2016, a year already marked by the deaths of so many luminaries and childhood favourites, actress Carrie Fisher suffered a cardiac arrest during a transatlantic flight, causing her death four days later on the 27th of December. Her mother, actress and performer Debbie Reynolds, passed the very next day, reportedly leaving with…

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Film Review: The Edge of Seventeen (M15+) (USA, 2016) is touching and hilarious; a must-see

Teenage films have always been a cinematic staple for me. Whether they are quality films (like Heathers, Stand By Me), plain fun (Mean Girls, Easy A, Say Anything) or just plain silliness (Porky’s, American Pie), I’ve always found enjoyment in both entertainment value and nostalgia. But the past few years, the portrayal of teenagers in film…

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Film Review: Passengers (M) (USA, 2016) is far from the grand space opera many will be expecting

Similar to how the recently released Allied arrived in cinemas preempted by an action-heavy advertising campaign that proved somewhat misleading, Passengers is far from the grand space opera many will be expecting.  Instead of a sci-fi outing that’s more brawn than brains, Morten Tyldum‘s intriguing film is surprisingly simple, personal, and (mostly) effective. As we…

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Film Review: Red Dog: True Blue (PG) (Australia, 2016) hardly proves a necessary excursion

Just as emotionally manipulative as the 2011 original Red Dog but less successful in its execution, Red Dog: True Blue looks to merely survive on a superficial level as the “aww shucks” cuteness of the titular canine appears to be the sole reasoning behind this sequel/prequel hybrid coming to fruition. The stunning harsh red dirt…

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Film Review: Author: The JT LeRoy Story (USA, 2016)

One lonely night in the mid-nineties, a struggling writer named Laura Albert telephones a psychologist, Dr Terrence Owens, pretending to be a younger man named Terminator. He has a lot to talk about; most notoriously his years as an underage truck-stop prostitute pimped out by his mother. Dr Owens thinks it would be healthy for…

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Film Review: Assassin’s Creed (M15+) (USA, 2016) is another game-to-screen disappointment

The majority of videogame films are, for a lack of a better term, complete tosh. From catastrophes like Street Fighter, Super Mario Bros. and most of Uwe Boll‘s filmography to films that are close to viewer satisfaction like Final Fantasy VII – Advent Children and Ace Attorney, the reputation of videogame films is not something…

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Film Review: Damien Chazelle’s La La Land (USA, 2016) achieves cinematic and musical perfection

La La Land is the new film from offensively talented director Damien Chazelle, who last impressed with the Oscar winning film Whiplash, a story (in part) about the search for musical perfection in a young Jazz drummer. In La La Land, we remain in a musical world, as Chazelle takes us back to the classic Hollywood…

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