There’s something quietly radical about a filmmaker as singular as Jim Jarmusch making a film that feels this small. Father Mother Sister Brother doesn’t announce itself with narrative urgency or emotional fireworks – instead, it invites you to lean in, to notice, to sit with the awkward silences and half-truths that define family. And in…
The majority of videogame films are, for a lack of a better term, complete tosh. From catastrophes like Street Fighter, Super Mario Bros. and most of Uwe Boll‘s filmography to films that are close to viewer satisfaction like Final Fantasy VII – Advent Children and Ace Attorney, the reputation of videogame films is not something…