Reviews

Film Review: An Inconvenient Sequel: Truth to Power (USA, 2017) might have been saved by Donald Trump

Donald Trump could have saved An Inconvenient Sequel. If Al Gore is the John Wayne of climate activism, as directors Bonni Cohen and John Shenk would have you believe, then Trump is Lee Marvin (AKA Bad M.F). This time it’s personal, as they say. As it turns out, we get very little Truth To Power,…

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Film Review: The Time Of Their Lives (UK, 2017) is a pleasant road trip & light comedy about two unlikely friends

The Time Of Their Lives is a film about two unlikely friends getting a second chance at life. It’s one where you feel like if it had had its own second chance it could have been excellent, but instead will have to settle for being just good. This is ultimately a light, comedy caper and…

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Film Review: Valerian And The City Of A Thousand Planets (FRA/USA, 2017) is pure visual escapism but hampered by unconvincing casting

When visionary filmmaker Luc Besson first picked up a copy of the French graphic novel series Valerian and Laureline by Pierre Christin and Jean-Claude Mezieres he was inspired to bring that story to cinema screens and has been working towards that goal for most of his life. Coincidentally Mezieres was hired by Besson to assist…

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Melbourne Film Festival Review: Ask the Sexpert (USA, 2017) is a surprisingly funny, frank & fascinating discussion about sex

You may not be familiar with the name, Dr. Mahinder Watsa but to many people he could be “Dr Love.” This nonagenarian is a former gynaecologist turned sexologist and author of a daily column in the Mumbai Mirror. Ask The Sexpert is an intimate portrait of this charming, progressive and wise old man who will…

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Melbourne International Film Festival Review: Something Quite Peculiar (AUS/UK, 2017) is a rich and tantalising portrait about the one and only Steve Kilbey

You get the feeling that the story of The Church has enough in it to fill up several movies. But the documentary, Something Quite Peculiar doesn’t try to be a definitive guide to the band. Instead, it lays its focus squarely on front man, Steve Kilbey and adapts his 2014 memoir of the same name….

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Melbourne International Film Festival Review: Unrest (USA, 2017) is an illuminating documentary about people with Chronic Fatigue Syndrome

Unrest is a documentary that was difficult to make and a challenging one to watch. The film is the debut feature by journalist, Jennifer Brea who chronicles her life with myalgic encephalomyelitis (ME) or chronic fatigue syndrome. She also speaks to others that have this condition by conducting interviews from her bed via Skype. ME…

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Film Review: Atomic Blonde (USA, 2017) collates enough action, sensuality, and humour to deem it worthy

Proving that the no-hold barred mentality he so masterfully captured as co-director of the original John Wick was no flash in the pan, director David Leitch ventures as a soloist for the excessive Atomic Blonde and manages to collate enough action, sensuality, and humour to deem it a project worthy of one’s attention. It doesn’t…

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Film Review: The Big Sick (USA, 2017) Makes The Case For Big-Screen Romance

It sometimes feels like today’s romantic-comedy films have become a little of out of sync with the rest of the modern blockbuster landscapes. You just don’t see as many being made these days. There’s an easy argument to be made that the audience for these kinds of stories have largely migrated to TV shows like…

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Film Review: Love At First Child (Ange et Gabrielle) (France, 2015) is a pleasantly throwaway rom-com

Love At First Child (Ange et Gabrielle) is a film where a baby brings a man and woman together. And we’re not talking about its parents. This film is a light, French rom-com that is a little like eating a sweet soufflé, it’s fluffy and nice at the time but utterly forgettable shortly afterwards. The…

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Film Review: The Trip To Spain (UK, 2017) is the same meal but it still tastes great

The Trip To Spain follows the same route at the previous instalments. Not literally. This time around Steve Coogan and Rob Brydon traverse Spain in a film that does not hold any real surprises but it does make for one funny and entertaining trip. This film is directed by Michael Winterbottom who also helmed the…

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Film Review: A Ghost Story (USA, 2017)

David Lowery is a filmmaker whose work I have enjoyed due to thenrestrained approach to his direction, his way of humanizing his characters and his sincere, honest approach to storytelling. Whether it be a small-scale story like Ain’t Them Bodies Saints or a commercial film like the recent Pete’s Dragon, his directorial and screenwriting touch is…

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Film Review: War For The Planet Of The Apes (M, USA, 2017) complements and completes the Apes trilogy perfectly

In the third and final film of the rebooted Planet of the Apes trilogy, we pick up not long after where the previous film left off. The apes are here to stay and it’s only when they come up against a battalion of soldiers that the tentative truce between humans and apes is destroyed and…

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Film Review: A Monster Calls (USA, 2017) Strikes At Your Heart

It would be a mistake to write A Monster Calls off as ‘just another one of those’ modern young adult bestsellers that’s gotten the Hollywood treatment. Sure, the narrative of the film is propelled forward by the on-screen performance of an emerging child actor (Lewis MacDougall) and the CGI-performance of a big established figure (Liam…

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Film Review: Dunkirk (USA/UK, 2017) may be the most spectacular war film ever produced

When the name Christopher Nolan is attached to a film, you know you’re in for a blockbuster by any standards. Whether it’s a big budget sci-fi epic (as in Interstellar) or a comic book trilogy (The Dark Knight) to rival any of the genre, Nolan’s work has been virtually unmatched by any of his contemporaries….

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Film Review: Paris Can Wait (USA, 2016) proves a dull exercise of endurance

When it comes to names in the film industry, none are more venerable than that of the Coppola’s. Illustriously crafting some of the greatest films in history, from Francis exalting works such as Apocalypse Now to The Godfather and more recently with his daughter’s Sofia success at Cannes with The Beguiled, the name brings an…

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Film Review: Netflix’s To the Bone (USA, 2017) will create controversy, but succeeds with strong cast and direction

Films containing subject matter of death or disease, particularly the ones that aim for a teenage audience, tend to be sappy (like My Sister’s Keeper), melodramatic and even deeply misguided, if done wrong. I tend to cringe whenever I hear about another film tacking such subject, but in the case of Netflix’s To the Bone…

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Film Review: Edgar Wright is a slave to the rhythm in Baby Driver (USA, 2017)

It’s obvious that great care and thought was put into Baby Driver; we should have expected nothing less from visionary Director Edgar Wright, he who has brought us incredibly unique films like Scott Pilgrim Vs. The World and Shaun of the Dead in the past. With the idea snowballing in his head for decades, road-tested…

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Melbourne Documentary Film Festival Review: The Orb playfully profiled in Lunar Orbit (Canada, 2016)

If you have never heard of The Orb before I would recommend listening to their 1989 hit A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld. Even just reading that title would be enough to vaguely understand what The Orb is about and what they continue to represent. Mixed in…

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Melbourne Documentary Film Festival Review: China’s 3 Dreams checks the aftermath of The Cultural Revolution two generations on

It’s been more than forty years since Emperor Mao Zedong passed, yet the events of the Revolution remain a foreign subject to much of China’s youth. Beneath the doctored history, propaganda and piecemeal curriculum, the impact of Mao’s leadership remains present in the generation that survived it. This is the heart of Nick Torrens’ documentary,…

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Film Review: It Comes at Night (USA, 2017) is a nightmare filled with suspense

It would be easy to expect a horror film from the trailer of It Comes At Night, but those familiar with Trey Edwards Shults’ debut feature Krisha should know better. Though he may not be quite skilled at the in-your-face scare, Shults is clearly an intelligent and unique voice for those who love to mix…

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Melbourne Documentary Film Festival Review: Placebo Alt.Russia (UK, 2016) is a fascinating documentary about Russia’s art & black market music

Placebo have always been a band that proudly sit outside of the mainstream. So it’s not a giant leap for this group of alternative musicians to want to seek out like-minded individuals when they are on tour. Placebo Alt.Russia is partially an arts and political documentary and part travelogue as the band traverse through different…

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Melbourne Documentary Film Festival Review: The Slippers (Canada, 2016) is unbelievable, whimsical and charming

In the film, The Wizard of Oz Dorothy taps her ruby red slippers and says, “There’s no place like home.” But have you ever wondered where was home for those striking shoes? The documentary, The Slippers is a fascinating film that covers what became of this beloved slice of movie history in a story that…

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Film Review: Spider-Man: Homecoming (USA, 2017) is a triumphant return to form

By the conclusion of The Amazing Spider-Man 2, the character and lore behind it had lost all sense of vigour on screen. The film was tired, painful and offensively deplorable, so much so it managed to master what many would consider near impossible — it made the promise of future instalments as something to dread…

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Melbourne Documentary Film Festival Review: Play Your Gender (Canada, 2016) is an inspiring music documentary that encourages female producers & engineers

Artists like Madonna, Beyoncé, Taylor Swift and Katy Perry are some of the biggest names in the music industry. But in the shadows of these successful women you will see lots of men. When you look behind-the-scenes at the music business it is one big old boys’ club but does it have to be this…

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Film Review: Monsieur Chocolat (France, 2016) (France, 2016) is the less colourful counterpart to Moulin Rouge!

Breathtaking and magical, Monsieur Chocolat (directed by Roschdy Zem) is one to watch if you want to experience a Parisian night. Immerse yourself in the world of 19th-century French circus and follow the biopic story of Chocolat (Omar Sy). He journeys from a performer acting as the “cannibal” to a more respected position as a…

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Sydney Film Festival Review: Vaya (South Africa, 2016) is a brutal coming of age story set in an unforgiving Johannesburg

Like it’s Tsotsitaal namesake meaning “to go”, Vaya, Directed by Akin Omotoso, literally begins on the move. Opening on a train bound to Johannesburg Vaya follows the intertwining paths of three young South Africans journeying from their rural homes in Kwazulu-Natal to eGoli, the city of Gold. All three are tasked with their own promises…

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Sydney Film Festival Review: A Quiet Dream (Korea, 2016) wakes up an invisible side of Seoul

Placing itself somewhere between the genres of mumblecore and slice of life, A Quiet Dream directed by Zhang Lu, is an almost observational look into the invisible world of lower class Seoul. Set in the grimy fringe suburbs of Seoul, A Quiet Dream is a glimpse into the everyday of misfits bound to a life determined…

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Film Review: Transformers: The Last Knight (USA, 2017) is a nonsensical, explosion littered mess

It’s gotten to a point now where it doesn’t matter what you think. 2014’s soft reboot Transformers: Age of Extinction was a woeful film, torn apart by critics and made its predecessors look like Citizen Kane in comparison. And yet, it grossed over $1 billion worldwide. It maintains a spot in the top 20 highest…

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Sydney Film Festival Review: The Beguiled (USA, 2017) is a worthy remake with an excellent cast and crew

Apart from Lost in Translation and Marie Antoinette, I haven’t seen much of director Sofia Coppola‘s work. Known for her filmmaking approach to humanize her subjects with unorthodox methods like gentle pathos, looking through different character points-of-views outside the norm and the use of anachronisms, Coppola has achieved a reputation of being a director that is…

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Film Review: Detour (UK, 2016) tells its simple story with a violent edge and an air of unpredictability

Having made something of an underground name for himself in the horror genre with such European productions as Creep, Triangle, and Black Death, British filmmaker Christopher Smith opted out for a brief moment to helm some TV work and an out-of-character holiday-themed comedy; Get Santa with Jim Broadbent and Warwick Davis, for those playing along…

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