Film

Australian Box Office Report: Fifty Shades Darker hits all the right buttons this week, pushing Lion off its perch

You know that the natural order of the world has been restored when a film featuring sexy time does better than a film about a man searching for his birth mother. Fifty Shades Darker, the sequel to 2015’s Fifty Shades of Grey, premiered in theatres this weekend and promptly took its place at the top…

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Film Review: Fifty Shades Darker (MA15+) (USA, 2017) is a better film, but does it go anywhere?

“Are you just going to stand there and stare Christian Grey”? Anastasia Steele asks a tall well-dressed Christian Grey. “Yes”, he replies. Cue another sensually slow, but saucy scene where the two embrace and then another few roughly edited scenes later, we’re back at Steele’s work office, or a bar with her friends, as we cut back…

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Australian Box Office Report: No stopping the Lion juggernaut, at top of ladder for third week in a row

There seems to be no stopping the Lion juggernaut.  It made $3.05m at the box office this week, and sits at no. 1 on the ladder for the third week in a row.  To date, it has made  $16.22m, and if it make over $21m, it will sit alongside Red Dog, Mad Max: Fury Road and Strictly…

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Film Review: Fences (USA, 2016) proves too faithful to the original stageplay to shine as a film

Films adapted from a stageplay have always offered mixed results. While we have classics like Chicago, Glengarry Glen Ross and Sweeney Todd, we often have disasters like Rent and Mamma Mia! The reason for this is either because the stories of these plays or musicals do not have enough cinematic potential to succeed as a film-viewing experience or…

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Film Review: Winter at Westbeth (Australia, 2016) is a love letter to the power of creativity & pursuing your passion.

Winter at Westbeth is a film that’s all about “the art.” And celebrating it at every age. This documentary looks at three young at heart, elderly, American artists who live in a vibrant, housing complex called Westbeth Artists Housing in New York. It is ultimately a film that is like a love letter to the…

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Film Review: Peter Berg offers a spirited homage to “Boston Strong” with Patriot’s Day (USA, 2017)

There is no way for Peter Berg’s Patriot’s Day to avoid being labelled as exploitative and “too soon”, if even just for the title. For the past few weeks critics have been piling onto the director’s dramatic retelling of the bombings which took place during the annual Boston Marathon in April of 2013, killing three…

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Film Review: Gold (USA, 2017) roots for the underdog but takes itself too seriously

When you take an idea like the story of a dreamer, and mash it together with a cautionary tale about the wolves of Wall Street and big business. With your lead character as that grizzled underdog type, and have it all based loosely on a true story the result you get is Gold. Set in…

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Film Review: Buoyed by a masterful script and terrific performances, Manchester By The Sea (USA, 2016) is a powerful film

Written and directed by Kenneth Lonergan, Manchester By The Sea arrives in Australian cinemas this week, a year after it was the hit of Sundance and not long after it garnered an impressive six Oscar nominations. These accolades include surprise acting nods to Michelle Williams and Lucas Hedges, alongside Casey Affleck, who has already taken…

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Australian Box Office Report: Lion proves to be king of the box office for the 2nd week in a row

Hooray for Australian film! Oscar hopeful Lion continued to dominate at the box office this week, bringing in $4.18m.  As an Aussie indie production, it’s doing quite well.  Lion and The Great Gatsby have been the only Australian films to earn more at the box office in its second week in the cinemas. As predicted last week, M. Night Shyamalan’s newest…

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Film Review: National Theatre Live: No Man’s Land (UK, 2017) starring Sir Ian McKellen and Sir Patrick Stewart

National Theatre Live in conjunction with Sharmill Films are once again bringing Australian cinema-goers a chance to experience the magic of the theatre. This time with Harold Pinter’s acclaimed play No Man’s Land, starring the incomparable Sir Ian McKellen and Sir Patrick Stewart. After a successful hit run in Broadway USA, the play returns to…

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Film Review: XXX: The Return of Xander Cage (USA, 2017) comes up short in nearly every aspect

“Kick some ass, get the girl, and try to look dope while doing it” That inane piece of dialogue is essentially what xXx: The Return of Xander Cage bases its existence on. Never a film that was going to be considered good, but at the very least could have been fun, this useless threequel comes…

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Film Review: Resident Evil: The Final Chapter (USA, 2017) brings the tale of the world’s unluckiest woman to a close

If there’s one thing you can rely on in a Resident Evil movie, it certainly isn’t subtlety.  Resident Evil: The Final Chapter is what it says on the tin — the last film in Paul W. S. Anderson‘s increasingly bonkers series of action horror films adapted from the video game franchise of the same name. For fans keen…

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Film Review: Ben Affleck’s Live By Night (USA, 2016) is a visually stunning yet slow running 1920s gangster film

Based on the 2012 novel by Dennis Lehane of the same name, Live By Night is set in the prohibition era across the 1920s and 1930s. The man at the centre of the story, Joe Coughlin, is played by Ben Affleck, who brought this adaptation to life. He directed, wrote and produced the film, which…

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Film Review: Moonlight (USA, 2016) is a stunningly beautiful character study; a modern masterpiece

Two young African American males sit on a beach together, bathed in moonlight. One asks the other: “You cry?”. The other replies, “I cry so much sometimes, I feel like I’ma turn to drops,”. Ripped from the pages of the play Moonlight Black Boys Look Blue by Tarell Alvin McCraney, this scene for me perfectly…

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Australian Box Office Report: Nicole Kidman and Dev Patel take the lion’s share of this week’s box office earnings

Whether it’s from its recent positive publicity, school holidays drawing to a close or just the fact that it’s a brilliant film, Lion, starring Dev Patel and Nicole Kidman, did extremely well in its opening weekend, earning $4.19m, where it now sits at the top of the box office ladder.  Opening on 254 screens nationally, it…

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Film Review: Split (USA, 2017) is a stunning return to form for M. Night Shyamalan

There is plenty of real world evidence to suggest that, to a degree, our thoughts and feelings can in some way re-wire our brain. Neuroplasticity is a relatively young field, but an infinitely fascinating one nonetheless; discoveries are being made everyday, many on how our brain evolves for better or for worse and how we…

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Film Review: Lion (Australia/USA/UK, 2016) is a beautiful, emotional journey

Based on the true story of Saroo Brierley and his book A Long Way Home, this week’s anticipated release Lion takes its audience on the beautiful, emotional journey of Saroo; lost in India as a young child, raised in Tasmania, forever desperate to find his way back home. Starring Dev Patel (Slumdog Millionaire) as the…

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Australian Box Office Report: No Swan Song for Sing as it tops the ladder yet again

Animated musical flick Sing did well this week, earning $2.32m at the Australia box office.  In its third week in the cinema and second week at top spot, it’s already earned $22.3 million, although it has dropped in earnings from last week by 33%. Hot on its tail is the live action musical (no animals this time) La La Land, which took…

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Australian Box Office Report: Singing animals top this week’s box office charts

When 2016 ended, the world, and everyone in galaxies far far away, knew for bloody sure that Rogue One: A Star Wars Story was going to blitz the box office.  However, with the release of Christmas and holiday entertainment, this has now slipped down the ladder, making way, this week, for the Matthew McConaughey and Reese Witherspoon animated…

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Film Review: Natalie Portman delivers a searing, Oscar-worthy performance in Jackie (USA, 2016)

Jacqueline Kennedy (Onassis) has been depicted on the silver and small screens before but Jackie is the first film to really capture the complex nature of this remarkable woman. The film is not strictly a biopic in that it only focuses on a number of key events in Kennedy’s life prior to and in the…

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Film Review: Collateral Beauty (USA, 2016) wastes a phenomenal cast

With Christmas time comes awards season, and every so often a film comes along that attempts to tackle both markets – deliver a heartfelt drama set around the holidays that will bring people into the cinema after they’ve finished exchanging gifts; while voters cast the film on their award season ballot. Such a forced ploy…

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Film Review: Bright Lights: Starring Carrie Fisher and Debbie Reynolds is the humble closing chapter to an enigmatic entertainment family

During the parting moments of 2016, a year already marked by the deaths of so many luminaries and childhood favourites, actress Carrie Fisher suffered a cardiac arrest during a transatlantic flight, causing her death four days later on the 27th of December. Her mother, actress and performer Debbie Reynolds, passed the very next day, reportedly leaving with…

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DVD Review: The Confirmation (USA, 2016) is a learning experience, for cast and audiences alike

The Confirmation plays out like a Sherlock Holmes tale set in a scarce stretch of rural America, with weekend dad Walt (Clive Owen) and his precocious son Anthony (Jaeden Lieberher) spending a murky 24 hours chasing down a stolen tool kit. In the directorial debut from Nebraska writer Bob Nelson, the role of Sherlock and…

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Film Review: The Edge of Seventeen (M15+) (USA, 2016) is touching and hilarious; a must-see

Teenage films have always been a cinematic staple for me. Whether they are quality films (like Heathers, Stand By Me), plain fun (Mean Girls, Easy A, Say Anything) or just plain silliness (Porky’s, American Pie), I’ve always found enjoyment in both entertainment value and nostalgia. But the past few years, the portrayal of teenagers in film…

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DVD Review: Take Down (USA/UK, 2016) is a contrived thriller that tries too hard to be Brat Camp meets Hunger Games

Take Down (aka Billionaire Ransom) is what you would get if you made cardboard cut-outs characters and put them in a world that was like Brat Camp-meets-The Hunger Games. The film is a thriller that is short on character development and suspense. It means that what ensues feels rather slow, tedious and contrived. The story…

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Film Review: Passengers (M) (USA, 2016) is far from the grand space opera many will be expecting

Similar to how the recently released Allied arrived in cinemas preempted by an action-heavy advertising campaign that proved somewhat misleading, Passengers is far from the grand space opera many will be expecting.  Instead of a sci-fi outing that’s more brawn than brains, Morten Tyldum‘s intriguing film is surprisingly simple, personal, and (mostly) effective. As we…

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Film Review: Red Dog: True Blue (PG) (Australia, 2016) hardly proves a necessary excursion

Just as emotionally manipulative as the 2011 original Red Dog but less successful in its execution, Red Dog: True Blue looks to merely survive on a superficial level as the “aww shucks” cuteness of the titular canine appears to be the sole reasoning behind this sequel/prequel hybrid coming to fruition. The stunning harsh red dirt…

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DVD Review: Rosehaven Series One (Australia, 2016) is a funny comedy misadventure about two unlikely friends

Rosehaven is a comedy show that finds the funny in lots of things. It’s a fish-out-of-water comedy, a buddy comedy and a sitcom set in rural Australia. This eight-part series debuted on the ABC in 2016 and it was a hit with audiences. This is because it’s a funny show about two rather unlikely friends…

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Film Review: Author: The JT LeRoy Story (USA, 2016)

One lonely night in the mid-nineties, a struggling writer named Laura Albert telephones a psychologist, Dr Terrence Owens, pretending to be a younger man named Terminator. He has a lot to talk about; most notoriously his years as an underage truck-stop prostitute pimped out by his mother. Dr Owens thinks it would be healthy for…

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Film Review: Assassin’s Creed (M15+) (USA, 2016) is another game-to-screen disappointment

The majority of videogame films are, for a lack of a better term, complete tosh. From catastrophes like Street Fighter, Super Mario Bros. and most of Uwe Boll‘s filmography to films that are close to viewer satisfaction like Final Fantasy VII – Advent Children and Ace Attorney, the reputation of videogame films is not something…

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