Thanks to Kismet Movies, we have 3 double digital in-season passes (Admit 2) to see Olivia Colman and John Lithgow in the tender drama Jimpa, in Australian theatres from February 19th, 2026. From acclaimed director Sophie Hyde (Good Luck to You, Leo Grande), JIMPA is an uplifting multi-generational family story starring award-winning favourites Olivia Colman and John Lithgow. Hannah…
Every Valentine’s Day, the same titles trend. The Julia Roberts megahits. The Kate Hudson comfort rewatches. The Reese Witherspoon charm offensives. The Sandra Bullock slow-burns. And, if you’re feeling windswept and literary, perhaps another brooding dive into “Wuthering Heights” and its stormy declarations of doomed love. But what if this year you skipped the obvious?…
Few novels have been simultaneously romanticised and misunderstood as thoroughly as “Wuthering Heights“. Emily Brontë’s 1847 fever dream of obsession, cruelty, class resentment and emotional sadism has, over time, been softened into windswept yearning and tragic soulmates. Emerald Fennell’s “Wuthering Heights” arrives not to preserve that illusion, but to tear it open. This is not…
Corin Hardy’s Whistle wants to resurrect the kind of glossy, high-concept teen horror that flooded multiplexes in the early 2000s – and in some aspects, he succeeds. The problem is that it also inherits the era’s worst instincts. Riffing openly on Final Destination’s death-as-destiny mechanics and Smile’s trauma-tinged apparitions, the film follows a group of…
A sleek exercise in neo-noir, Crime 101 knows exactly how cool it wants to be – and mostly earns it. Set along California’s Highway 101, the film uses its coastal sprawl as both a backdrop and thematic spine, turning beach towns and long asphalt stretches into part of the story’s DNA. Here, the geography matters:…
Lauren Call is, in many ways, used to navigating dual roles. A fourth-generation Californian born and raised in Costa Mesa, she has been in front of cameras and on stages since she was six years old – from local and regional theatre across the state, to honing her craft at Orange County School of the…
The AACTA Awards red carpet always feels like a curious collision of celebration and anticipation – part victory lap for the year that was, part tea-leaf reading for the year to come. Under the camera flashes and polished smiles, there’s often a deeper conversation happening about what Australian screen culture is becoming, what it values,…
The Artful Dodger debuted in 2023, serving as an inventive sequel inspired by Charles Dickens’ “Oliver Twist.” Rather than focusing on Dickens’ original orphan, the series followed the “Artful Dodger”, Jack Dawkins (Thomas Brodie-Sangster), as he forged a new life in the British Colony of Australia, balancing ambition, love, and the lingering influence of Fagin…
Jack’s back – and so is the man who made him. With The Artful Dodger returning for an even darker, wilder second season, Port Victory’s most charming rogue finds himself staring down a noose, a relentless new lawman in Inspector Boxer, and an impossible love in Lady Belle that could get him killed. As the…
When Baz Luhrmann went searching for Elvis Presley, he didn’t just find an icon – he found a voice. Premiering to Australian audiences at the AACTA Festival, EPiC: Elvis Presley in Concert unveils long-lost footage painstakingly uncovered and restored by the Academy Award–nominated filmmaker, offering an intimate, unguarded portrait of the King that feels both…
Talking to Stephanie McIntosh at the AACTA Festival Awards Industry Gala, you’re reminded just how fluid her career has always been – and how thoughtfully she reflects on it. From her breakthrough years on Neighbours and her pioneering pop album, Tightrope, to the accompanying televisual journey The Steph Show that felt almost ahead of its…
Thanks to Sony Pictures Australia, we have 5 double in-season passes (Admit 2) to see the star-studded crime thriller Crime 101, starring Chris Hemsworth, Mark Ruffalo, Barry Keoghan and Halle Berry, in Australian theatres from February 12th, 2026. Set against the sun-bleached grit of Los Angeles, Crime 101 weaves the tale of an elusive jewel thief (Chris Hemsworth)…
The Gold Coast glittered a little brighter on the first night of the AACTA Festival on Wednesday, February 4th – not because of Hollywood shine, but because of something far rarer and more meaningful: a genuine celebration of Australia’s own. This opening night wasn’t about red carpets for the biggest stars or the climactic awards…
In a sport often defined by scoreboard lights, playoff runs, and Super Bowl glory, the new docuseries The Object of the Game turns its gaze back to where it all truly begins. Arriving February 4th on Prime Video (US) – timed for the most-watched week in American sport – the three-part series assembles an extraordinary…
Thanks to Roadshow Films, we have 5 double digital in-season passes (Admit 2) to see the terrifying new horror flick Whistle, in Australian theatres from February 12th, 2026. A group of high school misfits inadvertently come across an ancient Aztec death whistle. Blowing it summons their future deaths to hunt them down. As the body count…
There is a strangely elegiac calm to the opening stretch of Ric Roman Waugh’s latest Jason Statham vehicle, Shelter – one that might catch viewers expecting immediate punches, car chases, and broken necks slightly off guard. For a while, this isn’t really a movie about violence so much as solitude: wind-battered cliffs, a creaking wooden…
There is something almost old-fashioned in the way writer/director Zak Hilditch approaches the end of the world in We Bury the Dead: less as a spectacle of chaos, more as a slow, sad reckoning with what remains when everything familiar has vanished. His latest film feels heavy with mourning from its very first frames, suffused…
Today at the Apple TV 2026 Press Day, the stars of Margo’s Got Money Troubles, alongside prolific storyteller David E. Kelley, took the stage to unveil a teaser and shared a glimpse into the star-studded new series starring and executive produced by Oscar, Emmy and Golden Globe Award nominee Elle Fanning, Golden Globe winner and…
It’s been an event thirty years in the making as Sidney Prescott faces her past in Scream 7. After sitting out the events of Scream VI, Neve Campbell is back facing the knife in the hotly anticipated sequel which sees original writer Kevin Williamson step into directing duties, three decades after the original film terrorised…
Silenced is a bracing, compassionate, and urgently necessary documentary that transforms complex legal battles into a deeply human story about power, credibility, and the precariousness of women’s voices in public life. Director Selina Miles delivers a film that is both rigorously investigated and profoundly felt, blending courtroom insight with intimate, vérité-style storytelling that keeps the…
Bradley Cooper’s Is This Thing On? is a film about what lingers after the end of a marriage – not the explosive rupture, but the quieter aftermath where two people must confront who they’ve become once the life they built together begins to dissolve. Rather than framing divorce as a dramatic turning point, Cooper is…
In Is This Thing On?, intimacy isn’t played for grand gestures or easy resolutions. It’s found in the quiet, uncomfortable spaces where love begins to shift shape. Directed by Bradley Cooper, the film observes Alex and Tess Novak as their marriage gently fractures, following two people forced to confront who they are beyond the roles…
The Musical is a prickly, uneven but intriguingly sharp first feature from director Giselle Bonilla, a film that clearly knows what it wants to be, even if it doesn’t always get there. Equal parts workplace satire, personal meltdown, and theatrical farce, the movie operates best when it leans into its absurdity, and falters when it…
Set in rural New Zealand in 2006, Big Girls Don’t Cry revels in its own humid, jangling state of being. Writer/director Paloma Schneideman, emerging from Jane Campion’s orbit (the director serving as an executive producer), has made a debut that feels lived-in rather than observed, patiently slipping inside the skin of a 14-year-old girl who…
Ramzi Bashour’s Hot Water arrives as a gentle, road-worn meditation on movement, belonging, and the complicated geometry of parent-child love. More interested in texture than plot, the film drifts across America with a perceptive eye, finding both beauty and banality in the stretch of highways that carry a Lebanese mother (Lubna Azabal) and her troubled…
When Valentine hit American theaters in February 2001, it arrived at a strange and unforgiving moment for horror. The post-Scream boom had peaked, critics were exhausted by the meta-wave, and studios were scrambling to find the next box-office darling. Into this atmosphere entered a stylish, glossy, almost defiantly straightforward slasher film – one that critics…
Assigned to a county-mandated drug court program, Cody Parsons begins a fragile and hard-won journey toward recovery in the shadow of the opioid crisis that continues to ravage rural Ohio. From that premise alone, Union County could have been another familiar tale of addiction and despair, but what unfolds instead is something far more tender,…
Night Nurse arrives already cloaked in intrigue: a psychosexual thriller set not in a glossy penthouse or shadowy alleyway, but inside the pristine, hushed corridors of a luxury retirement community. It is, on paper, a promisingly perverse collision of caregiving, exploitation, and desire – a place where intimacy is transactional, trust is fragile, and vulnerability…
Vera Miao’s feature debut, Rock Springs, is a film of undeniable importance, even when its storytelling struggles to cohere into a fully unified whole. Structured across three distinct acts – each with their own tonal and thematic weight – the film reaches for something vast: a reckoning with historical violence, inherited trauma, and the uneasy…
Sexual assault is one of cinema’s most fraught subjects. Not because it can’t be depicted, but because it so often can be mishandled. Films either flinch away from its reality, overtly depict the act with an almost exploitative lens, aestheticise it into something palatable, or frame it through adult comprehension that dulls its true terror….
