Reviews

Adelaide Fringe Review: Hello, The Hell: Othello is a darkly funny Korean play

Adelaide Arts Theatre is hosting the first ever Korean season for the Adelaide Fringe. AtoBiz and Global Cultural Exchange Committee have hand picked a small selection of physical theatre and music shows. The story Hello the Hell: Othello is a play by Creative Jakhwa, a young team that started with the meaning of “flowering a…

Read more

Theatre Review: Agatha Christie’s The Mousetrap is still a must-solve mystery 70 years later

Calling all budding detectives! There’s been a murder in London and we need your expertise to find the killer before they claim their next victim. Put your wits to the test and feast your eyes on the world’s longest-running play, The Mousetrap. Born from the incredible mind of Agatha Christie, this genre-defining murder-mystery has astonished…

Read more

Adelaide Fringe Review: i am root is a playful yet poignant reflection of the meaning of Mother Earth

i am root begins with a traditional Acknowledgement of Country, before Canadian-born Olenka Toroshenko calls upon her own ancestors to join her performance. From fleeing war and settling in Canada, to following love to Australia, what follows is a personal and eclectic mix of Ukrainian poetry, storytelling, dance, comedy and even cooking. There are tragic…

Read more

Theatre Review: Rocky Horror Show’s 50th Anniversary Production does the time warp – again!

If you can believe it, it’s been 50 glorious years of Rocky Horror, across stage and screen. It all started in a small 63-seater in London on the evening of 19 June 1973. Since, it has been performed worldwide in over thirty countries and has been translated into more than twenty languages. Of course, there…

Read more

Theatre Review: Joseph and the Amazing Technicolor Dreamcoat is a family-friendly explosion of music, colour, and joy

Created by Tim Rice and Andrew Lloyd Webber over half a century ago, Joseph and the Amazing Technicolor Dreamcoat has returned to Oz for the 2022/23 tour. It was this musical that gave Rice and Lloyd Webber the start in their illustrious careers which continued with theatrical collaborations including Jesus Christ Superstar and Evita. For…

Read more
Naughty Boy

Fringe World Review: Naughty Boy is a darkly hilarious one-man play that’s riveting until the last moment

Every now and then, there’s a show that reminds you how truly transformative theatre can be. A performance that has you holding your breath, unmoving, entranced, until the final moment. For me, one of these shows was Eddy Brimson’s one-man play, Naughty Boy, at Fringe World. In the dark theatre space of the Belgian Beer…

Read more
A woman sits alone on a darkened stage under a spotlight. She is wearing a stripped t-shirt and black overalls.

Theatre Review: Liz Kingsman’s One Woman Show – you’ll never look at a philodendron the same way again

When sitting down to review Liz Kingsman’s critically acclaimed One Woman Show at the Sydney Opera House, the real challenge is trying not to reveal too much while simultaneously describing one of the funniest comedic performances you’ll see this year. Written and performed by Kingsman and directed by Adam Brace, One Woman Show uses self-deprecating,…

Read more
Mary Poppins

Theatre Review: Mary Poppins is a dazzling, practically perfect musical

It’s a bird, it’s a plane, it’s Mary Poppins descending on Melbourne’s own 17 Cherry Tree Lane for an unforgettable night of splendour. Adapted from the beloved writings of P.L. Travers, Disney and Cameron Mackintosh present this new and improved Mary Poppins production highlighting an all-Australian cast. The magical narrative follows Mr and Mrs Banks,…

Read more
Lady Sings The Blues

Sydney Festival Review: Working through the power and the pain of women in music with Prinnie Stevens in Lady Sings the Blues

Best known as a finalist on the commercial television singing competition, The Voice, Prinnie Stevens is a singer and theatre performer, starring in productions including The Bodyguard and Thriller Live. In Lady Sings the Blues, Prinnie brings her Tongan Catholic heritage to stage and maps out a life and love of strong women in music….

Read more
Werk It

Sydney Festival Review: Werk It will have you asking, “How’d they do THAT?”

Sitting in the audience at Werk It you’d be forgiven for rubbing your eyes and questioning what you’d imbibed prior. The 60-minute show performed by Circus Trick Tease was pretty much all killer, no filler. This was a crazy array of jaw-dropping stunts and circus artistry with lashings of sass and innuendo. As you walk…

Read more

Sydney Festival Theatre Review: Girls & Boys will leave you thinking long after you’ve left the theatre

Girls & Boys is a one-woman play that had its Australian debut at the Adelaide Festival last year. The name can be deceiving given it is a rather quaint one for a story that packs a lot of punch. Across 110 minutes, we hear one woman’s story of how her picture-perfect life and marriage unraveled….

Read more
Christmas Caroll

Theatre Review: A Christmas Carol is a deeply moving and wonderfully immersive theatre experience

Journey to Victorian London and immerse yourself in the joys of Christmas with this stunning Old Vic revival of the Charles Dickens classic, A Christmas Carol. A truly unique theatre experience, this production encompasses the heart, soul and meaning of what makes the festive season so special. After travelling through London, Broadway and across the…

Read more
A blind folded woman is kneeling down, her hands held up in prayer.

Theatre Review: The Jungle and the Sea at Belvoir is truly extraordinary theatre

Written and directed by S. Shakthidharan and Eamon Flack, The Jungle and the Sea at Belvoir follows a family as they fight to survive during the Sri Lankan Civil War. Spanning fifteen years, we witness the family, Mother Gowrie (Anandavalli), Father Siva (Prakash Belawadi) and their four children, Lakshmi (Emma Harvie), Madhu (Nadie Kammallaweera), Abi…

Read more

Theatre review: Ella Hickson’s Oil is bold and thought-provoking, though hindered by an overly ambitious scope

Oil has had a painfully obvious effect on our world, but we don’t often look back and wonder at how we got here. That’s what Oil, the production by British playwright Ella Hickson – brought to life once more by the Black Swan State Theatre Company of WA –  does in a surreal and ambitious…

Read more

Theatre Review: RBG: Of Many, One reminds us how far we’ve come and how much we stand to lose

Make no mistake, Ruth Bader Ginsburg was a bad-ass. The late US Supreme Court Justice didn’t get a name like ‘The Notorious RBG’ for standing in the shadows. This feminist icon is the inspiration for the new Sydney Theatre production RBG: Of Many, One and is a truly inspiring show. Heather Miller is incredible in…

Read more
Four friends sit around a table having a drink.

Theatre Review: Never Closer at Belvoir (25A) is a powerful depiction of friendship that is a must see

A group of friends gather in a house, drinks in hand, as one begins to tell a ghost story. The atmosphere is playful, vibrant and full of friendly bickering. Someone turns on the radio and they begin to dance. The throwaway abandon of youth is heavy in the air when suddenly, in the distance, an…

Read more

Theatre Review: RENT remains a timeless look at NYC during the AIDS crisis – The Queens Theatre, Adelaide

Rent is a musical written by Jonathan Larson about a year in the life of a group of artists struggling to survive in New York during the AIDS epidemic. It Is loosely based on Puccini’s opera La Bohème, contrasting the lavish life with the poverty and homelessness of New York. Some hundred years previously, in…

Read more
An older woman shows a younger woman photographs in an album.

Theatre Review: Looking for Alibrandi at Belvoir is heartfelt and courageous

Based on the 1992 novel by Melina Marchetta and adapted for the stage by Vidya Rajan, Looking for Alibrandi follows the trials and tribulations of 17 year old Josephine Alibrandi, a third generation Italian migrant, as she navigates life over the course of her final year of high school. Directed by Stephen Nicolazzo, the play…

Read more

Review: Milk Crate Theatre’s DUST is a collaborative work in reframing lockdown

For over 20 years, Milk Crate Theatre have engaged with disadvantaged people, devising works which challenge norms of performance. Developed over the 2020 and 2021 lockdowns, DUST was conceived over a number of zoom sessions before being fleshed-out in the person earlier this year. Drawing on themes of isolation and enforced reflection, the story centres…

Read more

Theatre Review: Razor Gang Wars will immerse you in the world of Sydney’s criminal underworld

It’s a cold, dark night in Sydney. As the wind whips around St James’ Cathedral, there’s a whisper of something sinister. The shadows appear to be moving and an overwhelming sense of anticipation hangs in the air. This is Deadhouse: Tales of Sydney Morgue and we are about to step into Razor Gang Wars: The…

Read more

Review: Sydney Theatre Company’s A Raisin in the Sun is as urgent as ever, 65 years later.

A Raisin in the Sun was the first play in Broadway to be written by an African American woman, premiering in 1959 and starring Sidney Poitier. Sixty-five years later, it finally makes its Australian mainstage premiere, presented by Sydney Theatre Company. Three generations of Youngers live in a cramped 2-bedroom apartment on Chicago’s gritty south…

Read more
Jane Eyre

Theatre Review: A re-imagining of Jane Eyre that will leave you in the dark

There would be few people who are not familiar with Charlotte Brontë’s classic story of Jane Eyre. Even if you have not read the original novel, there are numerous film adaptations and stage productions that have re-imagined this haunting and Gothic tale. I was interested to see what this latest offering from director Michael Futcher…

Read more

Theatre Review: Come From Away is still as moving, uplifting and hilarious as ever (Melbourne)

Three years ago, Come From Away crash-landed on Australian shores to rave reviews praising everything from the performances to the music. Now, the Tony award-winning musical has returned to Melbourne’s Comedy Theatre to spread its infectious joy and poignant narrative to new and returning audiences. This is one of those shows where every individual element…

Read more

Theatre Review: Trust Me, It’s the End of Our World After All was an intense and entertaining 60-minute treat

In the world of endless streaming services and instantaneous hand-held entertainment, theatre can seem a bit inaccessible and highbrow – at least, to a large proportion of the younger generation. And that’s what the team at Beyond the Yard Theatre are trying to remedy with their production Trust Me, It’s the End of Our World…

Read more
Tell Me Why I'm Here

Theatre Review: Belvoir’sTell Me I’m Here shines a light on mental illness and will leave you stunned

As the applause dies down and the lights go up, the audience glances at one another, glassy-eyed and slightly dazed. What had we just experienced? It felt as if we had witnessed open heart surgery – while the person was still conscious – and the thought uppermost in my mind was – how the hell…

Read more

Theatre Review: Strange Case of Dr Jekyll and Mr Hyde is dynamism and intensity personified

Audiences watching Strange Case of Dr Jekyll and Mr Hyde either know the drill or at least have some concept of what happens. But it’s a testament to Kip Williams and the Sydney Theatre Company that this production bedazzles and surprises. This is a rendering that is brimming with so many different layers, that it…

Read more
The Glass Menagerie

Theatre review: The Glass Menagerie is a perfectly recreated classic, brought to life by talented locals

It’s easy to assume a classic story will feel tired and dull when it’s reproduced for the thousandth time – but that was not the case with The Glass Menagerie. Perhaps it was the vivacious talent delivering the script or the timelessness of family drama, but this Tennessee Williams piece felt just as relevant and…

Read more

Film Review: A brilliant Jodie Comer indicts the legal system in NT Live’s triumphant Prima Facie

Trigger warning: Sexual assault Prima Facie tells the story of Tessa (Jodie Comer), a young, tenacious and determined barrister who is at the prime of her career. With a sharp mind and an ironclad belief in the word of the law, she has never lost a case. Even when working on cases that would trigger…

Read more

Theatre Review: La Boite stuns with Lewis Treston’s reimagining of Wilde’s An Ideal Husband

1996-ish. Canberra-ish. Artie Whig (Will Carseldine) is facing an uncertain future, about to be cut off by his no-nonsense father John (Kevin Hides). Unless he marries and finds a career, the young gadabout can kiss his allowance goodbye. Meanwhile, Minister for the Environment Robyn Shi (Hsiao-Ling Tang) and her advisor Gertrude (an absolute scene-stealing Emily…

Read more

Theatre Review: Robyn Archer: An Australian Songbook brings a new repertoire to Queensland Theatre

After a delayed start, Robyn Archer: An Australian Songbook has finally made its way to the Bille Brown Theatre stage and, happily, it was more than worth the wait. Setting aside the assumed Aussie repertoire, An Australian Songbook explores the history of our country through a rather unexpected collection of Australian music, anchored by the…

Read more