Author: Natalie Salvo

Sydney Film Festival Review: A Dog Called Money sees the worlds of music and video collide

Inspiration can strike at any time. But if you’re an artist like PJ Harvey you may choose to go in search of this illusiveness. A Dog Called Money is a music documentary that depicts the process that spawned the album, The Hope 6 Demolition Project. The result is a beautifully-shot film that can be uneven…

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Book Review: Paul Dolan’s Happy Ever After proves we don’t have to be princes & princesses to experience bliss

I’ll have what she’s having. Or will I? When it comes to “Happy Ever After” many of us believe we all want the same things. But Paul Dolan’s latest book, Happy Ever After, challenges us to think otherwise. He does this with some myth-busting and some clear-eyed, intellectual arguments. Paul Dolan, as Professor of Behavioural Science…

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Film Review: All is True (UK, 2018) is a quiet look at Shakespeare in retirement

It’s fair to say that most people know Shakespeare and his plays. But, very little is known about the old Bard himself. All Is True is a bio-pic about ye olde William i.e. the writer in his twilight years. The result is a story that relies on some speculation and doesn’t always live up to…

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The 5 things we learned about Nico Muhly’s Marnie

The Omega Ensemble are Sydney’s Chamber music all-stars. In July, the group will feature in a world premiere. Young composer, Nico Muhly has composed, American Masters, especially for this troupe. The work looks poised to draw heavily on his inspirations like Philip Glass and Steve Reich. The Ensemble held a fundraiser for this new work…

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Book Review: Melina Marchetta’s The Place on Dalhousie makes you appreciate those boys & girls next door

Some people read books to escape their lives. For other readers, they want to consume a story that mirrors their own. Author, Melina Marchetta certainly fits into the latter camp. Her latest novel – the third in her Inner West trilogy, set in the suburbs of Sydney – is a close examination of the issues…

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Book Review: Janet Malcolm’s essay collection Nobody’s Looking At You prove that journalism is often skin deep

If there were a title for Grand Master of narrative fiction then the undisputed champion would be Janet Malcolm. This American author has been writing since the 1960’s when she first began with The New Yorker. The author of several books, her latest one, Nobody’s Looking At You, focuses on recent times by drawing together…

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Interview: Melina Marchetta holds up a magnifying glass to beautiful & ordinary aspects of suburban life

Melina Marchetta’s novels are often about the boy or girl who lives next door. Her book, Looking for Alibrandi, was a perfect example of this and continues to find new audiences, some thirty years after it was released. Marchetta’s latest novel, The Place on Dalhousie, takes a leaf out of her previous works by reprising…

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Theatre Review: Handa Opera on Sydney Harbour’s West Side Story proves that thunder & rainbows only happen when it’s raining

It was Wet Side Story at Handa Opera on Sydney Harbour on Friday night. Leonard Bernstein’s Broadway classic was an emotionally-charged and important affair. It may have been over 60 years since this musical first premiered in the States, but its themes and feel remain as fresh and resonant as ever. This production is the…

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Film Review: Nicole Kidman is unrecognisable as a broken cop in Destroyer (USA, 2018)

Cops are tops. But if you’re Erin Bell in Destroyer you’re less tops and more likely to be drinking hops. Nicole Kidman plays a bedraggled and unrecognisable detective in this noir. While there are some moments where it is thrilling, most of it is far too slow-burning and perfunctory to really cut through. This film…

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SXSW Film Festival Review: Show Me The Picture: The Story of Jim Marshall (USA, 2019) is a celebration of the infamous photographer’s rock & roll circus

Imagine the photo shoot for Bob Dylan’s Freewheelin’ or concerts like: Woodstock, Johnny Cash’s gigs at Folsom and San Quentin, and The Beatles’s last official show at Candlestick Park. Most of us would trade our left hands to have been there. But if you were Jim Marshall, you could boast that you went and shot…

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SXSW Film Festival Review: Raise Hell: The Life & Times of Molly Ivins (USA, 2019) examines the politics behind this unsinkable Molly

The Titanic had the Unsinkable Molly Brown. Texas meanwhile, had the unstoppable Molly Ivins. This tall, flame-haired woman was an outspoken, political commentator with a razor-sharp wit. Raise Hell is a documentary that covers every inch of this larger-than-life character. This film is the first documentary to be made about this formidable subject. It’s hard…

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SXSW Film Review: Human Nature (USA, 2019) describes powerful science & possibilities from tomorrow

At SXSW 2017, American biochemist, Jennifer Doudna was telling everybody about CRISPR. Allow me one last Human Nature reference… Doudna was telling the last ones to know about a new technology that has the potential to alter genes. Human Nature is a documentary that takes a deep dive into this fascinating scientific world, and chronicles…

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Film Review: Sometimes Always Never (UK, 2018) is a quiet story that often feels like a scrabble in the dark

Sometimes Always Never proves its only words. This UK dramedy is about a father and son’s complex relationship. It has an English sensibility and a profound love for the Scrabble board game. The result is a quirky and whimsical character study that feels like it pans out in real-time. This film at first was a…

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Alliance Française French Film Festival Review: Jean-Paul Gaultier: Freak & Chic (France, 2019) is no regular Jean’s parade of weird oddities

Models are cool people. Beautiful glamazons. You don’t think of them as freaks unless you’re Jean Paul Gaultier. The French designer dedicated an entire show to just this. Freak & Chic is a feature documentary that shows us this crazy world, as well as the hard work and creativity that went into shaping this wild…

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Alliance Française French Film Festival Review: Wine Calling (France, 2018) toasts France’s organic wine industry

It is not uncommon to see reviewers describe a film as “Like a love letter” to something. In the case of French documentary, Wine Calling this is also true, but given the subject matter a toast seems more appropriate. This film is a deep dive into the worlds inhabited by a group of passionate and…

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Food Review: Duncan Welgemoed (Africola) & Shannon Martinez (Smith & Daughters) cooked up mouth-watering dishes at their Carriageworks Masterclass

Carriageworks host an excellent farmers market every Saturday. They also feature chefs’ masterclasses which showcase the markets excellent and sustainable produce. Duncan Welgemoed of Adelaide’s Africola hosted the March edition with Shannon Martinez from Fitzroy’s vegan mecca, Smith & Daughters. They cooked up delicious dishes that were influenced by different cultural influences and fused together…

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Live Review: In Sydney Bananarama, Tiffany and Amber knew how to party like it’s 1989

Bananarama, Tiffany and Amber walk into a bar. It’s not 1989, even if it may feel that way. These artists know that girls just wanna have fun and they delivered joyous sets filled with nostalgic pop music. The Enmore Theatre could have been the setting for fluro outfits, large perms and shoulder pads, but these…

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Film Review: Celebration: Yves Saint Laurent (France, 2007) offers a rare look at the designer’s creative process

Most people have seen Yves Saint Laurent’s creations but how many have wondered what is going on beneath the covers? The documentary, Celebration: Yves Saint Laurent, should answer some of these questions. This French film is shot in cinéma vérité style and gives a behind-the-scenes look at the fashion legend and his army of helpers….

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Theatre Review: The Caretaker is a claustrophobic look at a world of pain (at Parramatta’s Riverside Theatre until 24 February)

The Caretaker focuses on three men in their natural habitat. The renowned, Harold Pinter play is a character-driven one that explores the relationship between a homeless man and two brothers. The story is a dense, dialogue-driven piece that unfolds within the confines of a West London flat. Some viewers may enjoy its clever lines, but…

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Interview: Duncan Welgemoed of Africola talks Maghreb cuisine and his upcoming Carriageworks Chef Series Masterclass

The Carriageworks Chef Series Masterclass returns again in 2019. The first person off of the rank is Duncan Welgemoed, the head chef and owner from the award-winning, Africola in Adelaide. Welgemoed’s techniques draw upon his rich cultural history including his chef dad, and Portuguese and Italian grandparents. We sat down with Duncan to learn more…

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Theatre Review: Glass Onion is no regular John, just a celebration of the Lennon legend (Sydney Opera House)

The walrus was Paul, Clapton was God and Lennon is Legend. John Waters knows this because he’s had a lot of practice. Playing the tribute show, Lennon: Glass Onion since 1992, he sure knows how to live and breathe John Lennon. Oh, and that’s along with a little help from a friend called, Stewart D’Arrietta….

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Interview: John Waters reflects on Lennon – Through a Glass Onion ahead of Sydney Opera House shows

Created and performed by renowned Australian actor/musician John Waters and esteemed singer/pianist Stewart D’Arrietta, Lennon – Through a Glass Onion is part concert and part biography, revealing the essence of the life and astonishing talent of one of the most admired icons of the past century. It’s a compelling story and features 31 iconic hits…

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Film Review: Stan & Ollie (UK, 2018) doffs a bowler hat to Laurel & Hardy’s classic comedy

Some acts come as a package deal. Bert and Ernie. Batman and Robin. Tom and Jerry. Stan Laurel and Oliver Hardy AKA comedy duo, Laurel & Hardy, can be added to this list. The two comedians made over a hundred silent and talking films. They entertained audiences with their funny antics and slapstick for decades….

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Theatre review: Jesus Christ Superstar was an electric & biblical performance in more ways than one (Parramatta’s Riverside Theatre until 23 February)

A weather report can be a clichéd way to open a review. But when it’s opening night of Jesus Christ Superstar and it has rained to biblical proportions, what do you do? You can sing, “Christ you know it ain’t easy” or tell people that Parramatta has been turned into a scene from Noah’s ark,…

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Film Review: Maria by Callas (France, 2017) is a rich documentary that overstays its curtain call

Maria Callas is a legendary opera singer whose life often resembled a Greek tragedy. The documentary, Maria by Callas, captures some of this sadness and heartbreak in its two-hour runtime. This film is a complex and detailed one about an infamous prima donna that should appeal to opera aficionados. This documentary is directed by Tom…

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Film Review: On the Basis of Sex (USA, 2018) shows us how justice prevailed for the Notorious RBG

Ruth Bader Ginsburg is an American Supreme court justice who has been dubbed, “The Notorious RBG.” This woman in an incredible one so it should come as no surprise that in the past few years she has inspired not one, but two films. RBG was a comprehensive documentary about her life while the latest offering…

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Live Review: Phil Collins’ live show in Sydney was a nostalgic jaunt from Genesis to his funky solo hits

Fifty years in the music business and Phil Collins is adamant that he’s not dead yet. His current Australian tour – named after his memoir that is also marking over 20 years between drinks – may be designed for people to lower their expectations. The English multi-instrumentalist seems older than his 67 years but while…

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Theatre Review: Brett & Wendy…A Love Story Bound By Art is both visually arresting & a restless drama (Parramatta’s Riverside Theatre until 27 January)

It should come as no shock that a theatre show about one of our nation’s greatest artists looks fabulous. The world premiere of Brett & Wendy…A Love Story Bound By Art is one vivid and lyrical look at two creative tour de forces. This production is an ambitious one that covers a lot in its…

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Sydney Festival Review: Paul Capsis with the Fitzroy Youth Orchestra showed a dark gothic chameleon paying tribute to his inspirations

Paul Capsis is a performer who appreciates artists who are both unique and true to their real selves. You could argue that he too fits into this distinctive mould. His Sydney Festival show at the Magic Mirrors Spiegeltent was an eclectic love letter to his many inspirations. The repertoire for the night was arranged by…

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Theatre Review: In The Heights had us singing and dancing in the street (Sydney Opera House until 20 January)

They say you should write about what you know. You get the sense that Lin-Manuel Miranda did just that with In The Heights. This musical is the first one that the Hamilton creator ever wrote. It’s also a love letter to his loud and proud Puerto Rican heritage and the colourful people from his neighbourhood,…

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