Kitty Green

Interview: Kitty Green on directing The Royal Hotel, subverting genre tropes and committing to an unhappy ending

After the uncomfortable mastery of The Assistant, an increasingly intense drama following the daily activity of an assistant to an insidious, powerful movie mogul, director Kitty Green easily placed herself on the map of filmmakers to follow. For her sophomore feature she’s maintaining that sense of dread – though she would beg to differ –…

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The Royal Hotel is a slow-burn thriller ripe with human horror: SXSW Sydney Screen Festival Review

Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…

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Film Review: The Assistant is uncomfortable but necessary viewing

Though disgraced movie producer Harvey Weinstein does not physically appear in The Assistant, nor does his likeness or even his name, this quietly disturbing drama from Australian filmmaker Kitty Green very much has him in mind. There’s a humiliation and systemic mentality that rings true throughout the film’s brisk 85 minute running time as it…

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The Iris Interview: Kitty Green, director of Ukraine Is Not A Brothel, at Sydney Film Festival.

The Iris’ Larry Heath talks to Kitty Green, director of Ukraine Is Not A Brothel, about the conception and creation of the documentary, the Ukrainian protest movement, and her goal of creating a new level of intimacy within the film – “I was conscious of making it quite cinematic… I really wanted to get that…

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