Reviews

There’s a whole lot of familiarity going on with Heads of State.  It’s a tested premise – that of mismatched partners in an action landscape – but screenwriters Josh Appelbaum, André Nemec and Harrison Query don’t try to pretend it’s anything otherwise, and so with a capable genre director in Ilya Naishuller (Nobody) and both…

Despite the general consensus very much being that the last two Jurassic World features – 2018’s Fallen Kingdom and 2022’s Dominion – were vastly underwhelming in the manner in which they pushed the story forward, audiences pushing each film to over a billion dollars each at the box office meant that they ultimately didn’t seem…

Director Hariharasidhen Nagarajan and writer Anghus Houvouras couldn’t accept “the new normal” of shootings in the United States.  Such mass attacks as the Parkland High School shooting and the Pulse Nightclub incident were part of a grim reality that the two weren’t willing to become accustomed to. They thought of not only the victims whose…

Given that Stealing Pulp Fiction very much wears its Tarantino affection openly, you’d be forgiven for expecting director Danny Turkiewicz to have the same kind of flair as the very filmmaker he’s adoring.  No, Turkiewicz isn’t replicating that same QT magic, but it would be a heavy ask to expect so, and on its own…

Whilst the original M3GAN was sold as a horror film, its camp sensibilities ultimately shone through, turning its titular killer “doll” from a slayer to an outright slay.  It had tense set-pieces and a terrifying mentality, but it found its personality sat more comfortably in the space of a meditation on A.I. and technology through…

In 2022, when cinemas were still largely recovering from the pandemic and blockbuster viewing wasn’t guaranteed, director Joseph Kosinski (and Tom Cruise) revitalized such a brand with Top Gun: Maverick.  It was undeniably thrilling popcorn entertainment that, with its heart, humour, action and dramatic stakes, checked all the boxes for each major demographic, ultimately resulting…

As evident by its title, 28 years Later takes up such a time period from the virus that first unleashed itself across Danny Boyle‘s 2002 post-apocalyptic horror effort 28 Days Later.  That film centered around the days that followed the actions of a group of animal rights activists who infiltrated a laboratory in Cambridge, where…

A cohesive storyline or if it makes you cry? Sometimes the personal success of a Pixar movie doesn’t always rely on the former, with many taking the latter as enough of a justification for its existence.  In such a case, Elio may be enough of a charming win for family audiences who could find themselves…

Whilst there’s a certain unevenness to how writer/director Emily Abt presents her story in Thirsty, there’s no denying it manages to maintain a sense of interest as it navigates the world of politics, domesticity, and the woman trying to perfect both. That woman is Audrey (Jamie Neumann), a sharp, some may say ruthless, defense attorney…

Delighting in the type of self-centred behaviour that more of us are guilty of than not, the character at the core of The Travel Companion, Alex Mallis and Travis Wood’s debut feature, sprouts lyrical to anyone who’ll listen (or tolerate) about his forthcoming directorial feature – an experimental, hybrid docu-fiction-travelogue about the cultural bridges and…

An education is viewed as an important thing. Former British PM, Tony Blair once ran on a platform where his party’s top three priorities were “Education, Education, Education.” The Shadow Scholars is a documentary that looks at the true cost of education and opportunity. First-time director Eloïse King shines a spotlight on the contract cheating…

There are some of us who have been fortunate enough to eat at a fine dining restaurant. But at a place like Japan’s Tokito, this experience is elevated so high it’s  almost like a religious experience. The documentary Tokito: The 540-Day Journey of a Culinary Maverick plays out like a real-life example of the TV…

The age-old question around if a tree falling in the forest makes a sound is asked in quite a compelling, pressure-cooker type of way in A Tree Fell in the Woods, Nora Kirkpatrick‘s debut dramedy about the implosion of relationships between two couples across a New Year’s Eve getaway in the snowy forests of Utah….

Directed by Alexander Ullom, It Ends was originally a short film that turned into a feature (87 minutes, to be precise), which debuted at SXSW 2025. It tells the story of a group of college kids embarking on a road trip. However, when they miss a turn-off, they realise they are driving directly through a…

“Are you here for the boat or the tooth?” And with that sentence, writer/director Olivia Accardo welcomes us into the bizarre reality of Baby Tooth, a wild five minute short film screening as part of this year’s Tribeca Film Festival; it’s set to play before the feature The Trainer, as well as being included in…

Whilst Everything’s Going to Be Great starts out a bit more eccentric and comedically minded than how it ends, the performances at the core of Jon S. Baird‘s dramedy, and the sense that it celebrates art and those that have always felt a little different in doing so, keeps it continually moving at an enjoyable…

One of the great things about documentaries such as The Rose: Come Back to Me is that it both provides further insight into a rock outfit for the legions of fans, as well as introducing uninitiated viewers into a world that proves endlessly fascinating.  I am personally of the latter, as going into this film,…

Intentionally testing audience patience across its increasingly bizarre, tension-laced 100 minutes, Lorcan Finnegan‘s Australian thriller The Surfer is more about breaking points than Point Break as it mashes surfing culture localism and toxic masculinity. Thomas Martin‘s script doesn’t give specific names to the majority of its players, instead referring to the film’s protagonist as simply…

If hearing the title I Was Born This Way immediately brings to mind the Lady Gaga song “Born This Way”, the coincidence is intentional.  Gaga, one of the few interviewees featured in Daniel Junge and Sam Pollard‘s beautiful, insightful documentary, talks about how Carl Bean‘s legacy influenced her songwriting, as he did for the likes…

The female matchmaker.  The handsome singleton.  And her familiar ex-boyfriend. The set-up feels ripe for the most standard of romantic comedy practices, and perhaps in the hands of a more traditionally-minded writer/director that’s what we would have received.  But under Celine Song (Past Lives), Materialists defies genre expectation with a meditation on love and its…

A self-awareness regarding certain specifications in getting his film made along with a universality in conjunction with its narrative, writer/director Alireza Khatami goes beyond genre conventions with The Things You Kill, a twisted thriller that breaks apart what it is to transform. At one point in the film, the language professor at the centre of…

As far as hair-brained schemes go, Beat The Lotto has this down pat. The story of how a syndicate in Ireland tried to rig the lotto, this documentary is an absolutely thrilling spectacle that will leave you guessing right up until the very end. Ross Whitaker does an excellent job of telling this stranger than…

It feels inevitable that something like Together will earn comparisons to last year’s The Substance, purely off the fact that the horror it indulges in – that would be the body variety – escalates considerably leading into its wild climax.  Sure, The Substance being a great example of body horror is all well and good,…

The feeling that your childhood ride-or-die will remain so is something that many of us – if not all – have experienced.  But whether it’s through distance or altering priorities, it’s a common practice that adulthood (and everything that comes with growing up) can wedge itself between even the strongest of connections, and it’s that…

Whilst it’s predominantly the House of Mouse that have been transforming their animated back catalogue into live-action features that have all varied in their quality output, DreamWorks have entered the chat with one of their most ambitious updates in How to Train Your Dragon.  Hoping they can avoid a lot of the soulless critiques that…

A film that embraces a more eclectic hobby over ridiculing its eccentricities, Horsegirls is a sweet natured drama that speaks to the importance of independence and inclusivity. Written and directed by Lauren Meyering, Horsegirls embraces the defiance of its lead character, Margarita (so beautifully embodied by Lillian Carrier), and how her perceived fragility gives way…

It is incredible to think that Edna O’Brien grew up in a house with no books. It was an oppressive Catholic childhood in a small Irish town, but that didn’t stop this formidable woman from becoming a literary great. Blue Road – The Edna O’Brien Story is an intimate documentary and portrait of her life, which…

There’s a lived-in mentality to Poreless that is sure to resonate with certain audiences – it’s lead is a gay Muslim – but the comedic nature of its script, written by director Harris Doran and Fawzia Mirza, is particularly universal, looking at the vapid disconnection of the beauty world, the tightrope many walk when it…

Screening as part of the ‘Freak Me Out’ programme strand for Sydney Film Festival, Redux Redux is a self-reflexive blend of science fiction and horror, coming in fresh from its 2025 SXSW premiere. Quite simply, the film tells the story of Irene (Michaela McManus), who travels through parallel universes to find her daughter’s killer. Directed…

What sets itself up as something of a meet-cute between two grieving men who form an unlikely friendship in the midst of their trauma, James Sweeney‘s Twinless ultimately reveals itself as something else – a particularly pitch-black dramedy that asks its audience to stay with its morally bankrupt lead as it shifts from an original…