Film & TV

Big Little Lies and Three Billboards win big at the 75th Annual Golden Globe Awards

The 75th Annual Golden Globe Awards are now over, with all winners officially announced in a ceremony earlier today in Hollywood, California. Critically acclaimed film Three Billboards Outside Ebbing, Missouri came up strong, winning the award for best film for drama, while Frances McDormand and Sam Rockwell also won awards for their roles in the…

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Win a copy of Slasher 2: Guilty Party on DVD

Brought together by a horrific secret they’ve long kept buried, a group of former summer camp counsellors must return to an isolated resort in the dead of winter to retrieve evidence of a crime they committed in their youth. Deep in the snow-covered wilderness, the run-down camp has now become a private spiritual commune, cut-off…

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Win a double pass to the advanced screening of The Commuter starring Liam Neeson in Sydney

In this action-packed thriller, Liam Neeson plays Michael, an insurance salesman whose daily commute home quickly becomes anything but routine. After being contacted by a mysterious stranger, Michael is forced to uncover the identity of a hidden passenger on the train before the last stop. As he works against the clock to solve the puzzle,…

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Film Review: All the Money in the World is compelling but flawed (USA, 2017)

Ridley Scott made a very tough, very challenging decision in direct response to last year’s accusations of sexual assault against Kevin Spacey; he decided to pull the actor from All the Money in the World entirely, even after most of the scenes had been shot (and a trailer was released), with only a month left…

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Interview: Australian Documentary Star David Elliot-Jones on trying out Insta-Fame for his film Big In Japan

Directed by Lachlan McLeod and edited by Louis Dai, Big in Japan tells the story of David Elliot-Jones, a bigger than average Joe. Or was that just an average Joe? David isn’t anyone special, like you and I, he dreams of having his work seen, being heard, being noticed… but if it doesn’t happen, we shrug and get back…

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Film Review: Francis McDormand is unstoppable in Three Billboards Outside Ebbing, Missouri (USA, 2017)

Fearlessness and eagle-eyed justice drive Mildred Hayes as she takes an entire town’s police squad to task for failing to properly investigate her daughter’s rape and murder in Three Billboards Outside Ebbing, Missouri. Martin McDonagh’s black comedy is all it has been hyped up to be: sharp, wry, nuanced, clever, hilarious and utterly compelling as…

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Film Review: Pitch Perfect 3 (USA, 2017) is a little off key but still delivers the laughs

Welcome back Pitches! So the third and final installment of the Pitch Perfect franchise is about to land with all the Barden Bellas crew returning for one more hurrah. When the first film hit cinemas in 2012 it tapped into a hot new trend of reality tv-shows and Youtube performers and Glee-style musical numbers of…

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Interview: Ruby Rose talks Pitch Perfect 3 and why she doesn’t want to direct a feature

Ruby Rose chats to The Iris’ Peter Gray about how she landed her role in Pitch Perfect 3, getting to skip the action this time around… and she tells us why she doesn’t want to direct a feature film. Watch the full interview here: Pitch Perfect 3 is in cinemas on New Years Day through…

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Film Review: Big in Japan (Australia, 2017) is far more than one man’s vainglorious pursuit

Where most foreigners settling in Japan pass their time in Japanese pubs, English schools or seeking out every piece of longstanding architecture, David Elliot-Jones spent his trying to become famous. And you’ve probably never heard of the guy, but that doesn’t mean he failed. Big in Japan opens with a preface about the seemingly endless…

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Paul Verhoeven dishes on his Top 10 Video Games of 2017!

2017! What an unmitigated dumpster fire. Which I know is about as far from a hot take as you can get, but my point is this: somehow, escapism became a counterbalance. Some of the best games (and films, and movies, and albums, and books) came out this year, as if artistic antibodies hurried to fight…

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How does “Twice Upon a Time” stand up as a swansong for Doctor Who‘s Steven Moffat?

**SPOILER WARNING!** The following contains spoilers regarding the 2017 Doctor Who Christmas Special, “Twice Upon a Time”. And with that, the sprawling, often brilliant but mostly wildly inconsistent [Steven] Moffat run on Doctor Who is over!  …Oh, right. We’re meant to be talking about the regeneration of Capaldi into Whittaker. Well, that was brilliant, clearly….

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Film Review: The Greatest Showman (USA, 2017) is cheery lunacy that revels in its attempt to call back on the positive musicals of the past

Going for broke and wearing its heart on its sleeve for all to appreciate, The Greatest Showman is a corny yet engaging musical that embraces its overt positivity with stride. An enthusiastically romanticised telling of how legendary American showman P.T. Barnum (portrayed by a wholly committed Hugh Jackman) worked his way from rags to riches…

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TV Review: Black Mirror‘s fourth season marks a plateau point for a groundbreaking original

As it has done well over its past three seasons, Black Mirror has surprised me. However this year, the surprise hasn’t come in the form of a deadly plot twist halfway through the narrative’s third act, or a realisation that comes in the form of sad ending. No, this year it was the episode that I had,…

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Film Review: Jumanji: Welcome to the Jungle (USA, 2017) looks like a fun videogame, but plays like a cheat

It’s quite amusing that films based on videogames like Assassin’s Creed, Max Payne, Super Mario Bros. and Street Fighter are complete rubbish and yet films that revolve around videogames or reflect the videogame aesthetic are a different story. With films like David Cronenberg‘s sci-fi body horror film eXistenZ (which is a spiritual followup to Videodrome),…

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Film Review: Alexander Payne thinks a bit too big with Downsizing (USA, 2017)

There is no escaping a society defined by over-consumption, over-population, excessive stress and glaring inequality as Alexander Payne delivers a big message with a small scale, working his surrealist charm and far-flung sense of adventure into Downsizing. The long-gestating project, directed by Payne and written with frequent collaborator Jim Taylor, is a grand, and at…

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Film Review: Bright (USA, 2017) is a gritty alternate universe take on the police procedural drama

Since Netflix’s launch the streaming service provider has been pumping out its own studio content to screen exclusively on its service. As the service provider grows it also attempts more ambitious projects working with directors, producers, script writers and actors of a higher calibre. We saw this in Okja that was released a couple of…

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Returning to Australia for Supanova Comic Con & Gaming is triple threat John Barrowman

Last month as one of Australia’s leading pop culture conventions, Supanova Comic Con And Gaming, wrapped up its final tour for the year, they dropped a huge guest announcement for their next shows in 2018. Following on from that broadcast comes yet another release that is sure to put a smile on Supanova fans dials….

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Film Review: Call Me By Your Name (USA, 2017) is a loving and fruitful experience

As of writing this review, the Australian Parliament has passed the law, allowing same-sex marriage. What great timing, right? Anyway, Call Me By Your Name. This film has been gathering up critical buzz ever since it made its premiere splash at Sundance back in January. Then it showed at many other film festivals like Toronto…

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We talk Pitch Perfect 3 with Anna Camp and Brittany Snow at the Australian premiere

Bringing their perfect pitch and poise to the red carpet on the (not-so) eve of the release of the closing chapter of the Pitch Perfect series – appropriately titled Pitch Perfect 3 – founding Bellas Rebel Wilson, Brittany Snow and Anna Camp, alongside new recruit Ruby Rose, allowed their devoted fanbase the opportunity to say…

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Feature: With The Last Jedi, has Rian Johnson shown he can helm a full Star Wars trilogy?

This piece contains spoilers regarding Star Wars: The Last Jedi. The Last Jedi is here. Rian Johnson, writer and director of Brick, The Brothers Bloom and Looper, has been given the reins to the Star Wars empire. I met and dined with Johnson back a few years, and he was utterly lovely. Quiet, friendly, humble….

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Film Review: Coco (USA, 2017) is yet another irresistible fable from a studio uniquely versed in their ways of storytelling

We really shouldn’t be overly surprised at this point when Pixar release yet another beautiful, thought provoking, emotionally stirring film. What’s more important is the respective film’s ranking in the overall studio canon, and if it will earn longevity (ala Toy Story) or leave little impression (2015’s The Good Dinosaur). Time will tell if Coco…

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Film Review: Just To Be Sure (Ôtez-moi d’un doute) (France, 2017) is a fun & whimsical little farce

Just To Be Sure (Ôtez-moi d’un doute) is a French comedy that doesn’t take itself too seriously. It deals with some important and weighty issues like: family, identity and roots but handles these in a quirky and funny way. What could have been a self-proclaimed neo-Greek tragedy actually turns out to be a fun and…

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Dead Rising 4: Frank’s Big Package (PS4, 2017) delivers a sleigh of mixed content

First things first, Dead Rising 4: Frank’s Big Package has a great sense of humour, as you can tell from the title, and its original release on the Xbox One was received well enough that PlayStation fans can now get a piece of the action as well.

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Interview: Actor Adeel Akhtar reflects on Victoria & Abdul; working with Judi Dench and Stephen Frears

Starring Judi Dench and Ali Fazal, Victoria and Abdul is Stephen Frears’ latest film, chronicling the unlikely friendship of Queen Victoria and her Indian attendant, Abdul Karim, in the late 1800s. The film was released on DVD and Blu-Ray this week, and to get some more perspective on the project, I caught up with British…

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TV Review: Mick Taylor is as chilling as ever in the second season of Wolf Creek

The Australian outback has provided the Wolf Creek universe with a terrifying, swallow-them-whole landscape across both film and TV for the past 12 years now. When director, producer and writer Greg McLean first unleashed his horror concept (and debut feature film) to the world back in 2005, word-of-mouth was swift and excitable, championing Australian horror…

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The nominations for the 2018 Golden Globe Awards have arrived

It’s that time of the year again, as the nominations for the 75th Golden Globe Awards were recently announced. Covering a range of entertainment forms, the Golden Globe Awards seek to shine a light on the most impressive performances and projects to grace our screens. Nominations flew in left, right and centre, with major films…

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Film Review: Star Wars: The Last Jedi (USA, 2017) is loaded with emotional battles to win and lose

With every new Star Wars film comes the obvious comparisons to its predecessors. Yes there are epic space battles between X-Wings and Tie Fighters. Yes there are wild twirling lightsaber fights. And most importantly there is the deep, spiritual and emotional journey of our characters (some more than others). These have always and will always…

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Film Review: In This Corner of the World (Japan, 2016) is thought-provoking anime for older audiences

Similar to the majority of other anime titles on offer, In This Corner of the World is suitably aimed at older audiences.  Whilst the animated medium usually suggests family-friendly viewing, Sunao Katabuchi‘s thematically heavy drama is more thought-provoking than visually reliant. Concerning itself predominantly with the bombing of Hiroshima towards the end of World War…

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Meet the new fab five as Queer Eye announces its return to television

Queer Eye for the Straight Guy was a wildly popular and Emmy Award-winning reality TV series, and will now return 15 years later, under the name Queer Eye. The series will make its return thanks to streaming service Netflix as its global influence will introduce new and familiar audiences to a modern aesthetic. The show…

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