Reviews

Film Review: Paterson (USA, 2016) may be the most Jarmuschian film yet

Paterson is the new film from acclaimed auteur (and Iggy Pop fan) Jim Jarmusch. A man who enjoys character studies that are never rushed for the sake of plot progression, existing in some semblance of real time, watching a Jarmusch film involves a lot of patience on behalf of the viewer. If you’re a fan of…

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Film Review: Why Him? (MA15+) (USA, 2016) is an easily enjoyable comedy, buoyed by a strong cast

In the spirit of comedies like Father of the Bride and Meet the Parents, the new film Why Him? brings together some great actors for a mass consumption comedy about new additions to the family and the parents who struggle with their little girl (or boy) growing up. With these films in mind, there is…

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Film Review: Allied (USA/UK, 2016) is strengthened by a tour de force performance from Marion Cotillard

Robert Zemeckis is a film-maker that has both enthralled and frustrated me. For the most part, his films can be exciting, fun and incredibly well-told; take the Back to the Future series, Cast Away or the classic Who Framed Roger Rabbit. But at his worst, his films can be corny and indulgent; What Lies Beneath,…

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Film Review: Sing (G) (USA, 2016) is a pleasant outing for families this holiday season

Stacking itself plentiful with a heft of pop songs ranging from the classic sounds of Lennon & McCartney to the modern screech of Lady GaGa, Sing is a jukebox musical of sorts that’s suitably bold and bright. Seemingly content not reaching for critical acclaim in the same vein as recent animated offerings like Zootopia, this…

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Film Review: Disney’s newest heroine Moana (2016, USA) is destined to be a classic

Moana (Auli’i Cravalho) is the spirited daughter of a Polynesian chief, Chief Tui (Temuera Morrison). She’s loveable and affable and Chief Tui is pretty much training her up to be the next big kahuna in her village. Her father has warned her that their village and island paradise is the only safe place for her,…

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Film Review: Netflix’s Obama biopic Barry (MA15+) (USA, 2016) is at once thoughtful, intelligent and entertaining

The kind of film that benefits from its titular character being portrayed as less of an impression and more as a fully realised character, Barry is at once thoughtful, intelligent and particularly entertaining. Though he is introduced to us as Barry, we’re all aware of the Barack Obama he ultimately will become (so to speak),…

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Monster Fest Film Review: Dearest Sister (Laos, 2016) has an identity crisis

Laos director Mattie Do’s sophomore film Dearest Sister has an identity crisis. It just isn’t sure what story it wants to tell. And its an issue that is never repaired throughout its needless 100 minute running time. When Nok goes to stay with her blind and affluent sister Ana, the two begin fighting after Nok finds out…

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Film Review: Rogue One: A Star Wars Story (M, USA, 2016) is action packed and ruthless

The Star Wars saga is set to continue, this time with the first stand alone film in its ‘Anthology’ series. Singular films that will showcase interconnected stories or characters that basically provide an extended universe to our main trilogies. Rogue One: A Star Wars Story is first out of the gates and has a lot…

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Film Review: Office Christmas Party (USA, 2016) delivers chaos but no comedy

Subplots run amok in Office Christmas Party, an overwraught holiday comedy that marks a return to the big screen for directors Josh Gordon and Will Speck, who are best known for the Will Ferrell and Jon Heder mishap Blades of Glory. Though unlike the 2007 sports comedy, the team’s latest feature doesn’t have the thick…

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Film Review: Little Men (PG) (USA, 2016) survives on the natural performances of its cast

Similar to how director Ira Sachs‘ previous effort Love Is Strange commented on the increasing rate of renting in New York City, Little Men showcases how a simple financial squabble can become someone’s undoing. A relationship-based drama that survives mainly on the simplistic but natural performances of its cast, Little Men focuses on young Jake…

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Monster Fest Film Review: The Autopsy of Jane Doe (USA, 2016) is a must see for the non-squeamish

The best thing I can say about The Autopsy of Jane Doe, “Best International Feature” at this years Monster Fest, is that it is a welcome, fresh new take on the horror genre… until it isn’t. Jane Doe follows Tommy and his son Austin (Brian Cox & Emile Hirsch, respectively) who work in a family run morgue beneath their home….

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Monster Fest Film Review: The Hollow Point (USA, 2016) is a perfect blend of suspense-filled drama and action

Spanish Director Gonzalo Lopez Gallego has only helmed a handful of Hollywood films in his career. The Hollow Point is proof though that given a solid cast, a taut narrative and all the tools necessary to create some gritty action sequences, the man can hang with the best of his American cohorts. The Hollow Point…

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Film Review: Underworld: Blood Wars (MA15+, USA, 2016) misses its opportunity to reinvigorate the franchise

The Underworld franchise has had its fair share of ups and downs. The first film is considered a fantasy horror thriller vampire/werewolf classic. Heralded for its BAMF female protagonist and thought out vampire/werewolf mythology story, the films that followed in its wake had a lot to live up to. The second film Underworld: Evolution raised…

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Monster Fest Film Review: The Greasy Strangler (USA, 2016) is… undeniably original

Sometimes when you review movies, you’ll occasionally take something that you had no clue existed, and upon watching it, you’ll only be left with more questions. The Greasy Strangler is one of those movies. It’s the type of film that you tell your friends to watch, if only to have someone to go to therapy…

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Monster Fest Film Review: Dead Hands Dig Deep (USA, 2016) is a must-watch, harrowing memoir of a tortured soul

I love that Dead Hands Dig Deep is part of Monster Fest. I love that there wasn’t a caveat placed on it that only allowed serial killers and torture porn. The debut feature from filmmaker Jai Love is no less horrific just because it’s a documentary. On the contrary, it’s a bleak look at the…

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Film Review: Your Name (Kimi no Na wa) (Japan, 2016) will leave you spellbound

The Japanese Anime genre has a long history of producing masterpieces. Makoto Shinkai‘s Your Name is no exception. Ahead of its release in Australia, the film has enjoyed rave reviews around the world – and deservedly so. The film centres on Mitsuha (Mone Kamishiraishi) and Taki (Ryunosuke Kamiki), two people with nothing in common except…

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Film Review: The Founder (M15+) (USA, 2016) is an intriguing drama benefitting from Michael Keaton’s performance

Likely to come as a surprise to many that The Founder is less a success story regarding the origins of McDonalds, but more a tale on greed and the value of real estate, John Lee Hancock‘s engaging drama benefits from its stellar central performance from Michael Keaton, continuing the run he so assuredly began with…

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Film Review: Drama (Australia, 2016) offers a hopeful alternative to the usual coming-of-age story

Some people claim they don’t look for drama, that drama looks for them. In Anna’s case, drama’s reared its ugly head in her life in the form a breakup with older man John. She seeks solace and support in her best friend Jean, who lives across the English channel in Paris. Jean welcomes his London-based…

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Film Review: Fantastic Beasts and Where to Find Them (M) (UK, 2016) is visually spectacular and pure escapism

In Fantastic Beasts And Where To Find Them we are returned to the world of magic and wizards and witches but set in 1926 New York, USA well before our boy wonder Harry Potter was born. The film shifts the focus not only to a new protagonist but a brand new location which expands the…

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Film Review: War On Everyone (UK, 2016) shines a hilarious light on the worst of humanity

Pausing from his planned trilogy of films with Brendan Gleeson – which has already seen the release of the brilliant The Guard (2011) and Calvary (2014) – English/Irish director John Michael McDonagh makes his debut outside of Ireland with the incredibly black comedy War on Everyone, starring Alexander Skarsgård and Michael Peña – who are…

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Film Review: Hacksaw Ridge (MA15+) (Australia/USA, 2016) sees Gibson return in fine form

Mel Gibson’s new directorial effort Hacksaw Ridge is by far one of his most ambitious and surprising efforts in years. Not even his previous war film We Were Soldiers could reach the same heights as this; maybe because the subject matter is something more of a celebration of the true heroes of war, the Medics…

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Film Review: Miss Saigon translates well to the screen in its 25th Anniversary & will leave you misty-eyed

Miss Saigon has been a regular favourite among theatregoers and in the 25th anniversary film showing the 2014 West End production it’s easy to see why. The musical is a high-stakes love story set in and after the Vietnam War. It also boasts an excellent score that captures the full gamut of emotions and fragility…

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Film Review: Arrival (M15+) (USA, 2016) is an emotionally immersive film

Grounded by Amy Adams’ breathtaking performance, Arrival is a departure of sorts for director Denis Villeneuve, opting to showcase the lighter sound of humanity here as opposed to the more pessimistic tones he showcased with Prisoners and Sicario.  A film that feels both personal and grand, Arrival intertwines the beginnings and endings of time, creating…

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Film Review: The Accountant (MA15+) (USA, 2016) is a surprisingly funny and engaging actioner

Taking its outlandish concept and maintaining a balance of wit and intelligence, Gavin O’Connor illustrates a sense of faith for his audience with The Accountant, allowing the film to entertain them without pandering in the process.  With its sense of humour in check the film utilises Ben Affleck’s stone-cold gaze and considerable physique to the…

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Film Review: Nocturnal Animals (MA15+) (USA, 2016) is one of the best films of the year

Better known as one of the world’s greatest fashion designers, Tom Ford proves himself every inch the competent filmmaker with Nocturnal Animals.  Verifying his debut feature A Single Man was no flash in the pan either, Ford juxtaposes a relationship drama feature with a violent revenge tale in such an effortless fashion you’d swear you…

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Film Review: The Frontier (USA, 2016) serves as a striking calling card for its director Oren Shai

I hate to admit that I do not really know a lot about classical film noir, despite watching many films in the neo-noir genre like Brick, Sin City and of course, Veronica Mars. But what I do know are some of the main tropes of film noir: the femme fatale, the dirty cop and the…

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Film Review: American Honey (MA15+) (UK/USA, 2016) is a hypnotic, optimistic and euphoric experience

Director Andrea Arnold is probably one of the most distinct British directors working today. Her visual eye, her ability to capture slice-of-life moments in a compellingly cinematic way, and especially her way of extracting fantastic performances out of non-actors. Her films like Fish Tank (2009) and Wuthering Heights (2011) are true examples of such. Her latest…

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Film Review: The Light Between Oceans (M) (AUS/UK/USA, 2016) is an Oscar-worthy heartwarming but heartbreaking film

Based on the bestselling novel by Australian author M.L. Stedman, The Light Between Oceans, directed by Derek Cianfrance, is an Oscar-worthy heartwarming but heartbreaking film. It centres on Tom Sherbourne (Michael Fassbender) who retreats to a tiny town in Australia to forget the horrors of WWI. He gets a job as a lighthouse keeper on…

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Film Review: The Age of Shadows (MA15+) (South Korea, 2016) is a brilliant, gripping, must-see experience

South Korean Director Jee-woon Kim’s film credits comprise an impressive catalogue of thrilling action films. His balls to the wall 2005 film A Bittersweet Life is still one of my favourite action movies; he’s payed homage to Sergio Leonne with The Good, The Bad, The Weird and in 2013 he teamed with Arnold Schwarzenegger for his…

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Film Review: Doctor Strange (M) (USA, 2016) is visually and aurally exquisite

As we now roll into Phase 3 of the Marvel Cinematic Universe we are pulled to the beginning of one character’s story. Doctor Strange is Marvel’s step back to delivering an origin story for a new superhero but in some ways this film is a giant leap forward in universe building. It’s hard to fathom…

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