Reviews

With its tried and true premise, and graphic novel origins, one may expect The Killer to fall into the expected traps and tropes of the hitman subsect of the action genre.  And though that wouldn’t necessarily be a bad thing, with David Fincher at the helm, as well as reuniting with his Se7en screenwriter Andrew…

Outside of New Zealand it’s highly likely that the political clash at the centre of Hamish Bennett and Paul Middleditch‘s Uproar is one that’s never been heard of. Set in 1981, the ultimately uplifting, oft-powerful coming-of-age dramedy centres around the controversy that arose from the South African rugby team touring New Zealand at the time. …

There’s already been an abundance of films, television series and books that have detailed the greedy, unethical foundations of the pharmaceutical industry in America.  And whilst Netflix’s Pain Hustlers may not be the most investigative and favours entertainment over education, it’s a further insight into the peddling of the opioid crisis and acts as something…

Watching Scarygirl it becomes even more increasingly annoying that Australian cinema hasn’t embraced animation as thoroughly as we should.  Sure, we have the likes of Blinky Bill and Ferngully to claim as our own (and, yes, I’m aware of Happy Feet, but it feels like an entity separate from the more independently funded productions), but,…

Watching Dumb Money it’s not hard to be reminded of The Social Network.  Aside from the fact that Craig Gillespie‘s comedic drama is produced by The Winklevoss Twins – the brothers who had a major role in the creation of Facebook, at least according to them – Dumb Money is similarly recounting one of the…

As someone who hasn’t played the Five Nights at Freddy’s video game series and, by extension, has no idea of the attached lore, I can’t comment on how faithful Emma Tammi‘s supernatural horror(ish) film truly is.  I have to hope that the purists will enjoy themselves with what is put forward, but as a casual…

As we have been told across filmic media for years, “The truth is out there”, and referencing the tagline for The X-Files feels more than appropriate when discussing Matt Vesely‘s science-fiction leaning chiller Monolith, an intimate, isolated feature that flirts with the notion of an alien invasion without complete penetration. Such a tease. An incredibly…

After announcing themselves as a queer filmmaking collective that weren’t afraid to take risks with both the horror genre they clearly adore and certain dynamics within their own community with their campy, giallo-inspired slasher Death Drop Gorgeous (now streaming on Shudder), Monster Makeup, LLC have more proven they aren’t a flash in the pan –…

True-crime docu-drama SPEEDWAY is based on the unsolved murders that claimed the lives of four teens working in a burger restaurant in 1978. The town of Speedway is the location of the famous Indianapolis Motor Speedway. This feature debut from Adelaide’s Luke Rynderman and co-director Adam Kamien tries to piece together the 40-year-old cold case…

Housekeeping for Beginners is set in a chaotic family home in Macedonia. However, this is no ordinary household. Dita lives with her girlfriend and her two daughters, tiny troublemaker Mia and rebellious teen Vanesa. The house is a sort of drop-in centre for the queer and homeless, with Toni, who tends to pick up younger guys…

Hen (Saoirse Ronan) and Junior (Paul Mescal) are farming a remote piece of land that has been in his family for generations. The land is under drought, and globally the environment is struggling. In the middle of the night, an uninvited government agent (Aaron Pierre) shows up at their door with a surprise. Junior has…

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy…

From the humblest of beginnings, where Australia’s ABC network weren’t sure on investing in their talent, to multi-million selling music artists that sold out Madison Square Garden and can count the likes of Jerry Seinfeld, John Travolta, and Sarah Jessica Parker as fans, The Wiggles defied the expectations of many to form a global brand…

Whilst it’s always best to go into films with zero expectations, plot synopses and narrative outlines at least provide an idea of what audiences can expect from a storytelling perspective – however loose the product itself wants to determine as such.  For New Strains, there was the idea of this being sold as a romantic…

In many ways, Killers of the Flower Moon is a celebration of everything we love about Martin Scorsese, whether it’s the flawed gangster charm of Goodfellas or the arresting psychological nuances of Taxi Driver. Though with a budget of between $200-250 million for this epic crime western, you cannot fault this film on being a…

The type of film surrounding a character we know we shouldn’t like, Jennifer Cram‘s Sick Girl manages to overcome its central figure’s questionable morals by never asking its audience to forgive her. The “sick girl” in question is Wren Pepper (Nina Dobrev, great), a slacker, party girl-type who’s never grown up in the same manner…

The act of (or is it the art of) lip-syncing is one that practically goes part and parcel within the realms of pop music.  Some artists do so because their studio vocals can’t possibly be emulated live.  Others rely on such due to demanding dance routines.  And then there are those that, well, can’t sing…

Hopefully a film that won’t just become infamous for its lack of being seen – after it previewed one single screening at last year’s Toronto International Film Festival it was withdrawn due to “rights issues” – The People’s Joker is a bold, bonkers debut feature from Vera Drew that reimagines the mythology of a slew…

Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…

Flitting between two separate timelines as it details a forbidden, youthful romance and the remnants of such a memory, Olivier Peyon‘s tender Lie With Me is a poignant journey, laced with beauty and unavoidable crispness despite its emotionally messy mentality. In the present day, Stéphane Belcourt (Guillaume de Tonquédec) is a famous author who has…

  When the insertion of the number 4 in a film’s fourth outing as a substitute for the letter A is the smartest thing it’s able to execute, you know you aren’t in for the smoothest of operations. In a year where we’ve seen certain action sequels prove that there’s ample gas in the tank…

Given the big swings he took with his take on the Halloween series – the foul cries from fans were deafening at times – it stands to reason that writer/director David Gordon Green‘s tackling of such a classic genre piece as The Exorcist won’t be done by the books or to the liking of purists….

Though it may be a little haphazardly put together, there’s still a heft of intrigue and amusing genre blending in Kim Jee-woon‘s Cobweb, a blurring of reality and fantasy that places the magic of celluloid at the centre. Set in the 1970s, the film builds itself around Kim (Song Kang-ho), a director who has failed…

Whilst it commits to the kill from an on-screen carnage perspective, Nahnatchka Kahn‘s Totally Killer has a bit more of a Disney Channel Original vibe going for it in terms of its heart and structure; and that’s in no way meant as a diss against what’s ultimately a very digestible, oft witty slasher. In 2023,…

Between No Hard Feelings, Joy Ride, and Bottoms, female-fronted comedy has had an admirable run in 2023, managing to balance crude humour with a sense of earnestness.  The Re-Education of Molly Singer, sadly, doesn’t continue that trend. With a narrative hook that isn’t too displaced from the aforementioned No Hard Feelings, whilst also owing a…

Despite the fact that 2010’s 7th Saw entry was subtitled The Final Chapter, the little horror series that could has continued to soldier on with an additional 3 sequels, proving that positive financial returns will always take priority over creativity. Now, that’s not to say that The Final Chapter itself wasn’t somewhat creative – its…

Unless you’re a Spielberg or a Cameron, it seems increasingly difficult to launch an original, high-concept, sizeably budgeted film with major studio backing.  So, in that regard hats must go off to director Gareth Edwards for getting The Creator off the ground and into multiplexes; extra points for doing so with a film centred on…

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy…

With its ludicrous potential built right into its title, Slotherhouse nabs your attention immediately with its narrative hook.  A mammal as notoriously slow as a sloth surely can’t be fast enough to kill predatorial animals, let alone a house full of sorority girls, right?  It’s just so bombastically ridiculous that it could absolutely work as…

There’s something rather amusing about the fact that even though Liam Neeson has a vast career of playing everything from a Jedi master to historical figures, it’s the not-always-an-average-man-with-a-certain-set-of-skills archetype that he’s become synonymous with.  Ever since Taken proved that the then-56-year-old was a force to be reckoned with, the now 71-year-old has settled into…