In the same week that Ferrari arrives in Australian theatres, Race for Glory: Audi vs. Lancia hits American multiplexes, digital and On Demand (an Australian release is yet to be determined), showcasing a more accessible racing story and the men driving such to fruition. Creative licence and enhanced melodrama are unavoidable in telling this particular…
There’s nothing wrong with a movie being nice, but George Clooney‘s old-fashioned drama The Boys in the Boat is a little too sweet and tropey for its own good. Based on Daniel James Brown‘s best-selling nonfiction novel of the same name, the 1930s set tale feels as if it’s been made in that era through…
Given the calibre of horror talent on board with Night Swim (between them, producers Jason Blum and James Wan have such genre treats as the Halloween series, The Conjuring films, M3GAN and Malignant), as well as the fact that the short film it’s based on earned critical acclaim upon its release a decade ago, one…
Compared to the other “exceptional man” biopics of the last year (Oppenheimer, Maestro, Napoleon), Michael Mann‘s Ferrari is, sadly, the least interesting. Whilst it doesn’t take an entirely traditional narrative – the film only shows us a certain chunk of the man’s life – and Adam Driver does his best with his showy role, to…
If you browse long enough on Twitter, sorry, X, you’ll note that there’s still chatter and self-diagnosed “hot takes” regarding Taika Waititi‘s 2019 outing Jojo Rabbit. The film already had its share of detractors in the immediate aftermath of its release, but an Oscar win for Best Screenplay and the general good word for its…
And just like that, the DCEU comes to a close with a droplet rather than the splash we were expecting a decade ago. In 2013, when Man of Steel premiered, there was the promise of an exciting future of storytelling to be told for the variety of characters within the DC lore. There was rousing,…
There’s been a lot of chatter around Wish and the fact that its release celebrates Disney’s centennial, where the major theme across a heft of the studio’s films – that of wishes being granted – would be tied together. It’s a sweet notion, without question, but it would appear that the creatives behind the film…
Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the eccentric…
Even if Anyone But You isn’t the type of film that would ordinarily interest you, it’s difficult to not know about Will Gluck‘s frisky romcom due to the “Are they/aren’t they” chemistry of stars Sydney Sweeney and Glen Powell, two impossibly gorgeous actors who leaned into their own sex appeal during the filming in Sydney…
Given that Migration, the latest animated offering from the Illumination collective (the production company behind such successes as Despicable Me and the inexplicable Minions), is penned by White Lotus creator Mike White, it makes sense that the film manages to make us care about its characters, rather than just be mildly amused at their comedic…
Whilst Dermot Mulroney won’t exactly see a career shift in the same manner as Liam Neeson did as an action-heavy persona in the wake of Taken, his rough and ready stature as a vigilante wrestling coach in Ruthless certainly works in his favour, and proves the film’s only true saving grace. Directed by Art Camacho…
Given how important a person’s online presence (or persona, even) is in this age of social media, and that “influencer” is now apparently so prime that it can be considered a career, it’s not surprising that such a topic is readily explored in other forms of media. In the case of Alex Haughey‘s Under the…
There’s something rather ironic in Paul King‘s Wonka being deliciously, inoffensively sweet, given that the character at its core has done plenty to unnerve (however slightly) young audiences across the near six decades of his existence. As written by Roald Dahl in 1964’s “Charlie and the Chocolate Factory” and then brought to life by the…
Making his feature-length debut, director Simon Ross proves a capable genre helmer with The Portrait, which, initially, expresses its terror through the artwork that sits in the attic (where else?) of the expansive mansion that serves as the film’s lead location. Why it proves unsettling to the film’s tortured heroine, Sofia (Natalia Córdova-Buckley, committed to…
Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer cinema has taken a…
Though prolific action director John Woo has maintained a steady hand behind the camera for decades now, it’s been 20 years since he helmed an American production; the last standing as the largely-forgotten Ben Affleck sci-fi leaning Paycheck. Returning stateside with a mentality that feels far removed from the oft-outlandish, budget-aplenty genre films he was…
Whilst films set around Christmas more often than not romanticise the holiday, there are still the occasional offerings that bathe in a downtrodden light that, for many, hits a far more realistic note. In the case of Christmess, writer/director Heath Davis perhaps leans a little too heavily into the downward spiral of his main character,…
There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby. A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy that honours John Hughes as much…
Outside of New Zealand it’s highly likely that the political clash at the centre of Hamish Bennett and Paul Middleditch‘s Uproar is one that’s never been heard of. Set in 1981, the ultimately uplifting, oft-powerful coming-of-age dramedy centres around the controversy that arose from the South African rugby team touring New Zealand at the time. A cultural reckoning was born…
Aiming to exist on the same surface as Death Wish, with a little Robert Rodriguez-like gore on hand to really enhance its nasty spirit, The Retaliators is a bloody revenge flick that doesn’t quite land on even footing, but proves for fine genre escapism for those that have the stomach and appreciation. After a violent,…
Despite the grandeur of some of its large scale battle sequences and reliable talent across the board, there’s a disjointedness to Ridley Scott‘s Napoleon that renders it shockingly inept at times and, overall, rather underwhelming. Hailed as one of the greatest military leaders and strategists in history, the Napoleon depicted here (as portrayed by Joaquin…
As someone who’s childless and pushing a certain age bracket, on the surface it would seem as if the Trolls films shouldn’t necessarily appeal to me. But within their candy-coated, unicorn fever dream-like aesthetic are surprisingly well-aimed jokes of maturity and, as an unashamed pop music enthusiast, a far-too-enjoyable soundtrack. Children will absolutely lap this…
The thematics of power and the consequences of privilege Emerald Fennell explored in 2020’s confronting Promising Young Woman are exacerbated in her wicked follow-up, Saltburn, which feels as if The Great Gatsby and The Talented Mr. Ripley were invited to participate in an orgy with Bret Easton Ellis and the cast of Euphoria in a…
Similar to how Robert Rodriguez expanded his faux trailer Machete into a feature-length exploitation action movie following its positive reception ahead of his and Quentin Tarantino’s joint B-movie double feature Grindhouse (2007), Eli Roth has finally made good on his mock trailer and turned in Thanksgiving, a self-aware slasher that embraces its R-rated bad taste…
If you’ve read any (or all) of the Hunger Games novels or seen the films then you’re likely to have a specific view on one Coriolanus Snow. But the presidential position (and villainous temperament) the character held in the original trilogy of novels, and later quartet of films as played by Donald Sutherland, is far…
It’s a Wonderful Knife tells the story of Winnie Carruthers (Jane Widdop), a socially withdrawn teenager whose life has gone down a less than wonderful path. In the freewheeling, happy-go-lucky mountain town of Angel Falls, she manages to stop the Angel Killer, who had just gone on a massive killing spree, including the death of…
It wasn’t so long ago that the Marvel machine was something of an unstoppable force to be reckoned with. Each film seemed to pull record-breaking numbers upon its opening weekend and, more often than not, were winners across the board with critics; at least enough to be deemed “Fresh” on Rotten Tomatoes, which has become…
As far as savvy sex-working women go, the character driving the bulk of The Big Dog‘s emotional and psychological torture isn’t the most traditional. Pretty Woman this isn’t, with the financial dominatrix side of sexual services being explored here (Findom, for those in the know) in Dane McCusker‘s intriguing black dramedy that delights in the…
Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the…
Within the opening minutes of May December, small-town mother Gracie Atherton-Yoo (Julianne Moore) is throwing a community BBQ with all the social niceties we come to see over the future 113 minutes she shrewdly projects. In hoping she has enough food to feed the masses, she opens the refrigerator and questions if she has enough…
