Film

Film Review: Battle of the Sexes (USA, 2017) is topical, crowd-pleasing entertainment

Despite its 1973 setting, Battle of the Sexes is very much a film for the now with Billie Jean King’s story appearing just as relevant today as it did back then.  Stances on sexuality and the pay parity between genders as depicted here is likely to strike a chord with many an audience member, but…

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Film Review: Captain Underpants: The First Epic Movie (USA, 2017) is a family treat for the senses

DreamWorks Animation is back with a new film, and what can we say about this little animation company, soon to celebrate a successful 20-year run? They’ve come an exceedingly long way since their first animated feature, Antz, in 1998, a film that felt so forced to catch up with Pixar (who released A Bug’s Life around the…

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Australian Box Office Report: Clowns and Emojis make strange bedfellows at the top

It turns out that Aussies like having the crap scared out of them, as for the second week in a row, It sits at no. 1 at the box office, this week taking in $4.99m.  It has made $14.71m since it’s opening week, the best double weekend earnings since Spider-Man: Homecoming. Having said that, it looks like…

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OzAsia Film Review: Villainess (South Korea, 2017) brings video game violence to the big screen

Villainess doesn’t waste any time, giving the audience exactly what they came for; a full on, bloody action movie. And boy does it deliver exactly what it promises. The whole premise – a story about an assassin out for revenge – comes with big expectations of huge action sequences and lots of knives, and with…

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Film Review: That’s Not Me (Australia, 2017) is a feel good film about disappointment

Riding on their wave of festival success, filmmaking couple Alice Foulcher and Gregory Erdstein’s debut feature film That’s Not Me shows just what you can achieve with a low budget and bucket loads of passion. Shot on a budget of $60,000, That’s Not Me follows the day to day slog of Polly (Alice Foulcher), a…

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OzAsia Film Review: Pop Aye (Singapore/Thailand, 2016) is an amiable, bittersweet and surprisingly surreal piece of work

Although I am a fan of all film genres, I have an affinity for the human-fantasy friendship trope. Whether it’s between a human and a horse (War Horse), a human and a robot (The Iron Giant), a human and a mutant super-pig (Okja) or a human and a Totoro (My Neighbour Totoro), a strong bond…

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Film Review: Kingsman: The Golden Circle (UK, 2017) is an enjoyable ride but does it overstay its welcome?

When Kingsman: The Secret Service debuted in 2015, it became a critical darling and surprise commercial hit due to strong word of mouth, and a truly original and exciting approach to the spy (and in many respects, the superhero / comic book) genre. Funny, irreverent and wholly memorable, it stands apart as one of the…

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Film Review: I Am Not Your Negro (USA/France, 2016) is a powerful and evocative look at the Civil Rights Movement

America has long been a country divided, afflicted by the separation between white and black men and it still continues to this day. I Am Not Your Negro is a unique documentary that is an analysis of the civil rights movements of the 50’s and 60’s right through to the current Black Lives Matter movement….

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Film Review: American Assassin (USA, 2017) doesn’t break convention but it gets the job done

Stop me if you’ve heard this before: A loose cannon who doesn’t play by the rules, but dammit if he doesn’t get the job done, is recruited by the CIA to assist in taking out some “very bad people who plan on doing some very bad things“… American Assassin is not the type of film…

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Australian Box Office Report: Fear and fright win the week as IT floats over the competition

After some pretty dismal weeks in earnings at the box office, cinemas nationwide are welcoming this week’s no. 1 film, the remake of Stephen King’s classic novel (and reason why so many kids in the 80s hated clowns), It.  Opening on  548 screens nationally, it made a phenomenal $7.46m in its opening weekend, and was the biggest…

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Film Review: mother! (USA, 2017) will test even the most stern of viewers

Where does one even begin to describe the demented deliciousness that is mother!?  Despite the film’s rather studio-heavy calibre of talent on board, Darren Aronofsky‘s latest cinematic insanity is anything but an audience-friendly affair.  The mysterious marketing campaign has wound up viewer interest (and rightfully so), and I would wager many will be entering theatres…

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Film Review: Victoria & Abdul (UK, 2017) proves that it’s lonely at the top, even with a firm friend

Dame Judi Dench has played Queen Victoria before in Mrs Brown, which showed the grieving monarch’s relationship with John Brown. In Victoria & Abdul Dench reprises her previous role and plays the Queen when the latter is a tad older and wiser. It also focuses on the monarch’s unlikely friendship with an Indian servant. The…

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Film Review: Patti Cake$ (USA, 2017) constantly subverts our expectations

Patti Cake$ is the kind of movie that could have gone horribly wrong. The story of an overweight, white (trash) suburban girl gunning for glory in the hip-hop scene isn’t the most accessible story, nor is it culturally appropriate. Thanks to the wit of writer/director/composer Geremy Jasper though, Patti Cake$ disarms any of these potential…

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Australian Box Office Report: Hitman’s Bodyguard aims dead-on for no. 1 spot at the box office

Whilst not exactly top-notch cinematic fare, the Ryan Reynolds/Samuel L. Jackson action film The Hitman’s Bodyguard shot to no. 1 in its premiere week at the box office, earning $2.33m in the process. It beat out last week’s no. 1, American Made, which now sits at no. 2 on the box office ladder.  In its second week in cinemas, it made $1.52m…

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Film Review: IT (USA, 2017) is exactly as scary and as fun as you hoped it would be

In the early part of a person’s life, there is always that one scary story, whether it takes the form of a book, a campfire tale or a film, that will inherently scar a person for life when experienced. In my case (and that of many others), that story is Stephen King‘s IT.

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Film Review: The Dinner (USA, 2017) is an uncomfortable debate that will stay with you after you’ve left the cinema

In We Need To Talk About Kevin writer Lionel Shriver explored the idea of a mother grappling with her son’s heinous act. In The Dinner, four parents deal with the ramifications of a shocking crime perpetuated by their boys. They have to decide how far they will go in order to protect their teenage sons….

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Australian Box Office Report: American Made tops list, beats Annabelle to no. 1 position

After an impressive two weeks in the top spot, horror film Annabelle: Creation was ousted from its prime position by the new Tom Cruise action/comedy American Made.  The filmed debuted in cinemas by earning $2.13m in its opening weekend, while Annabelle: Creation pulled in a not-too-shabby $911k.  Our reviewer called this week’s no. 1 film a “a welcome return to…

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Film Review: Girls Trip (USA, 2017) is a hilarious time thanks to an energetically raunchy script

Director Malcolm D. Lee is a filmmaker whose work has been quite the mixed bag. While he has strong pieces of work like the action/comedy cult hit Undercover Brother, The Best Man films and the criminally underseen coming-of-age Roll Bounce, he also has terrible pieces of work (which is one way to put it) like Welcome…

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Film Review: Small Town Killers (Denmark, 2017) never completely commits to its nasty premise

Like fellow Danish filmmakers Lars von Trier and Nicholas Winding Refn, Ole Bornedal made the leap from his homeland to Hollywood, though he opted for more an entertaining stance on his career as opposed to the heavy artistry his peers practiced; Bornedal was behind the rather unspectacular 2012 haunted house pic The Possession, whilst von…

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Film Review: God’s Own Country (UK, 2017) is a moody and haunting emotional journey

As easy as it is to liken God’s Own Country to the similarly themed Brokeback Mountain, doing so is only ultimately stripping Francis Lee‘s film of its own identity.  A moody and haunting emotional journey for its protagonists, God’s Own Country is a slow burning, though rewarding drama propelled by a duo of strong performances…

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Film Review: The Hitman’s Bodyguard (USA, 2017) is a funny, familiar buddy-cop ride

Sometimes it’s not always necessary for a film to be unique or spectacular or innovative for it to be enjoyable. Sometimes all we need is for it to be fun and ridiculous and easily digestible for it to provide that escapism. The Hitman’s Bodyguard brings together two particular Hollywood actors who have their own distinct…

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Film Review: Ali’s Wedding (Australia, 2017) is a warm comedy with a big heart

It’s a mad, mad, mad, mad world. The events depicted in Ali’s Wedding, the new Australian film and Muslim rom-com are based on true events. Unfortunately. This comedy is a funny and vibrant look at life in Australia for a family of Middle Eastern immigrants and like Looking For Alibrandi, The Family Law and Acropolis…

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Australian Box Office Report: Annabelle: Creation still thrills audience in its 2nd week in cinemas

Audiences are still into creepy dead-eyed children’s toys, so Annabelle: Creation stays in the no.1  spot for the 2nd week in a row.  Earning $1.52m this week, it has also made $4.58m since its theatrical debut in theatres. New to the box office this week is the Matthew McConaughey and Idris Elba sci-fi The Dark Tower.  Based on the Stephen…

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Film Review: Killing Ground (Australia, 2017) is an assured and unapologetic debut feature

Offsetting its grand, sprawling Australian outback locale with a dark, often uncomfortably intimate story that crosscuts between altering timelines, Killing Ground is an assured, at times unapologetic, debut feature from writer/director Damien Power. Taut, tightly wound and brutal without resorting to exploitation, the film initially focuses on sprightly couple Ian (Ian Meadows) and Sam (Harriet…

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Melbourne International Film Festival Review: The Killing of a Sacred Deer (USA/UK, 2017) is the product of skilful filmmaking

It’s not often that an art-house thriller comes together so perfectly to create an unsettling horror capable of antagonising your thoughts even after you’ve walked out the cinema doors. But that is exactly what The Killing of a Sacred Deer does, the fifth feature film of Greek auteur Yorgos Lanthimos. As a darkly comic rendition…

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Film Review: Maudie (Canada, 2016) is a colourful portrait which proves that love & talent can be found in unlikely places

If Forrest Gump where a female, Canadian folk artist you would get Maudie. This film is a biopic about the late artist, Maud Lewis who was born a “little different” and whose story is one that is likely to charm some theatregoers. This movie is ultimately a rather romanticised view of her creative and impoverished…

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Australian Box Office Report: Annabelle: Creation makes a thrilling debut at the box office

Looks like audiences are down for creepy possessed dolls! In its debut weekend in cinemas, Annabelle: Creation, the prequel to the Annabelle storyline from 2014, shot straight to no. 1 and earned $2.28m in the process.  It generated a screen average of $9,903 across its 231 screens nationally. Annabelle: Creation beat out last week’s no. 1 to push it…

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Film Review: American Made (USA, 2017) is a sharply paced outing that proves a welcome return to form for Tom Cruise

Simultaneously stepping away from the action brands they’re both primarily recognised for, there’s a sense of material re-engagement for director Doug Liman (The Bourne Identity, Mr. and Mrs. Smith, Edge of Tomorrow) and star Tom Cruise with American Made.  Telling a story that’s less reliant on aesthetic spectacle and star power, Gary Spinelli’s account of…

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Film Review: The Dark Tower (USA, 2017) is tolerable for casual viewers but disappointing for die-hard King fans

Full disclosure, I have not read any of the Stephen King The Dark Tower series of books. As somebody who is unaware of the source material, I was going into the film adaptation of The Dark Tower with the simple expectation of wanting to enjoy a film, to be transported to another place, be invested…

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Film Review: Hampstead (UK, 2017) is London’s answer to Lady & The Tramp

Hampstead is a film that is based on a true story. But you get the sense that it’s a glossy, feel-good version of reality. The film is a pleasant rom-com that is a nice way to wile away 102 minutes so long as you don’t expect any surprises or social realism. The film is directed…

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