Album Reviews

Album Review: Lorde’s Melodrama (2017 LP) lives up to the hype

When “Liability” came out, it sucker punched me right in the face. You start listening to it and you’re like, ‘Oooo this is nice’, and then the lyrics sink in and your face turns red and the tears start welling and then BAM! Emotions! Lorde has a way of doing that. She knows how to…

Read More

Album Review: nyck – Alive (2017 EP)

There’s always something impressive about melancholic music. While it’s definitely not the most upbeat and joyous moods and genres to be in, the modesty, honesty and heart-wrenching nature of the music is what makes it so relatable to so many people; irrespective of their demographic. And here on the debut EP of nyck you’re more…

Read More

Album Review: Ceres – Stretch Ur Skin (2017 EP)

What can I say about Ceres that hasn’t already been said – often by me? Ceres is my favourite Australian band, hands down. Their first album, I Don’t Want To Be Anywhere But Here, is one of my favourite albums of all time. Their second album, Drag It Down On You, is a melodious, cathartic,…

Read More

Album Review: Girlpool – Powerplant (2017 LP)

Angst manifests in many different forms, and deny it all you want, it’s a necessary outlet for the frustrations of the mundane. It’s just a part of life and thankfully, we have music to get us through. More specifically however, we have Girlpool. Self titled as an anti-debut, the Californian duo recently dropped their latest record…

Read More

Album Review: alt-J – RELAXER (2017 LP)

UK indie-rockers alt-J first sent shock waves through the music world back in 2012, following the release of their debut album An Awesome Wave. Pocketing a Mercury Music Prize, an Ivor Novello ‘Album Award’ for songwriting and three BRIT award nominations, the band quickly rose to international acclaim, hooking listeners far and wide with their…

Read More

Album Review: Boat Show – Groundbreaking Masterpiece (2017 LP)

You know those days where you’re just kind of annoyed at the world and its patriarchal bullshit? You’re so irritated that it makes you want to laugh-cry. If only there was a Garage Punk album that would allow you to yell AND have a good chuckle, thus releasing all that pent up frustration. Enter Groundbreaking…

Read More

Album Review: Benjamin Booker – Witness (2017 LP)

When I first sat down to Benjamin Booker’s new album Witness, I entirely expected to hear much the same of what made me love his self-titled debut album: blues guitar being shredded like Marty McFly does in the first Back To The Future. And while there are still aspects of this on the new album,…

Read More

Album Review: Lil Yachty – Teenage Emotions (2017 LP)

For those expecting an album that completely revolutionises music, akin to Mozart, Bach, The Beatles, Rolling Stones, etc., please look elsewhere. For those expecting a fun, innovative rap album that provides a new style to an arguably often stale genre, look no further than the new Lil Yachty album, Teenage Emotions. The follow-up to impressive…

Read More

Album Review: Hachiku – Self-Titled (2017 EP)

Hachiku’s upcoming self-titled EP is dreamy. That sounds like a disingenuous, relatively vague description of the fuzzy beats and twinkly melodies, but Hachiku – otherwise known as Anika Ostendorf – has these deft, light vocals, sung in a clipped, wide-eyed accent are just that – dreamy. It’s an early summer, soft-lights-and-cool-water kind of sound, and…

Read More

Album Review: Zander Hawley – When I Get Blue (2017 LP)

Zander Hawley is an American songwriter truly coming into his own with this, his debut album, When I Get Blue. Having first come across his music a few years ago (he is one half of LA’s Honeywater with Amandla Stenberg), I’ve been keeping track on Hawley’s solo releases out of Nashville since. There’s a poignancy that permeates throughout Hawley’s…

Read More

Album Review: San Cisco – The Water (2017 LP)

The coolest kids on the block and possibly the sweetest kids of the bunch – Western Australian band San Cisco are back with The Water, a serenade of rich insistent pop tunes. Lets dive in. The band began their string of melodic love dedications back in 2010, with their first EP Golden Revolver. Led by storyteller Jordi Davieson on vocals, Scarlett Stevens, Josh Biondillo and Nick Gardner were…

Read More

Album Review: Joe Goddard – Electric Lines (2017 LP)

British ‘left hand’ pop artist, Joe Goddard, has finally graced us with his second LP, Electric Lines. It’s been a long eight year wait since his debut solo album Harvest Fest, but makes up for it with the 10 tracks on the LP full of irresistible, futuristic hymns. Starting off as a member of Hot…

Read More

Album Review: POND – The Weather (2017 LP) is chaotic, confrontational and compelling

Across six albums released since 2008, POND have made a name for themselves as a band with ever-interchangeable members and a thirst for reviving the best psychedelic rock of the 1960’s/70’s. The initial motivation for POND was to create a collaborative musical project that could have anybody involved whenever they wanted. The result is a band currently…

Read More

Album Review: Gorillaz – Humanz (2017 LP)

The much-hyped return of Gorillaz has been justified…to an extent. It’s been some years since 2010’s Plastic Beach introduced us to some brilliant pieces of songwriting and so understandably, when tour dates and hints of new music began filtering out, the excitement levels surrounding a new Gorillaz record began peaking long before any solid details about the record…

Read More

Album Review: Alex The Astronaut – To Whom It May Concern (2017 EP)

It’s a little demoralising finding a musician who is infinitely more talented than you in plenty more areas than just music. In this instance, it’s Alex The Astronaut, the multi-talented musician, soccer player, and scientist. Smarts and sporting prowess aside, Alex The Astronaut is a seriously talented, and supremely wordy lyricist and musician. Here on…

Read More

Album Review: Chris Shiflett – West Coast Town (2017 LP)

Though firmly anchored in Americana Chris Shiflett‘s third solo album, West Coast Town, translates beautifully to the Australian country scene.  I most recently listened to the album as I churned through a road trip through Victoria and New South Wales and it made many of the 1400 kilometers melt away.  There’s something about the wide…

Read More

Album Review: Local Natives – Sunlit Youth (2017 LP)

On Local Natives‘ third full-length effort, we see the five-piece opting to stay consistent with their sound on their 12-track offering of harmony-rich, up-beat indie-rock. Sunlit Youth follows their sophomore album Hummingbird (2013), a release that saw the band grapple darker themes and question whether their future material would resemble a recovery. In Sunlit Youth, Local Natives have successfully created…

Read More

Album Review: Polish Club – Alright Already (2017 LP)

This just in: guitar and drums aren’t dead. Who’d have thought it? In an age where every man, woman, and dog seem to only use synths and drum pads, Sydney two-piece Polish Club have gone about releasing a blistering debut album. On the back of a couple years crafting their blues and garage rock sound,…

Read More

Album Review: Sean Heathcliff – A Boy And His Rose (2017 EP)

Evolution is what makes humans the race we are. While Darwin’s theory of evolution is most notably recognised by the summary of ‘survival of the fittest’, it also speaks about one’s ability to adapt and change to its environment. And here on his current EP A Boy And His Rose, Sean Heathcliff has shown that…

Read More

Album Review: The Franklin Electric – This Is How I Let You Down (2016 LP)

Canadian four-piece The Franklin Electric have been moving and shaking in the folk scene since 2012, entering and winning a Nashville songwriting competition with over 8000 other bands from around the world. Flavoured with alternative pop, their debut LP This Is How I Let You Down layers perceptive lyrics with string-based harmonies, emotive piano chords and their self-proclaimed secret weapon, the…

Read More

Album Review: The Waifs – Ironbark (2017 LP)

To celebrate 25 years in the business, The Waifs have delivered their glorious eighth LP, Ironbark. They asked their fans what they wanted, and delivered a stunningly created 25 song album. All tracks were recorded at the Karl Marx beared guitarist, Josh Cunningham‘s quaint bushland house in rugged Moruya in New South Wales. Still very…

Read More

Album Review: Laura Marling – Semper Femina (2017 LP)

Let me preface this review by saying I am in love with Laura Marling. I have been since 2013, when she enchanted the entire tent at Splendour in the Grass. Her songwriting shows wisdom and depth beyond her years, and many of her songs make me feel like they’ve been written just for me. I’ve…

Read More

Album Review: Augustines – This is Your Life (2017 LP)

The first time I listened to this album, I had questions. The first: why are they breaking up their band when their latest album is this good? The second: where are the subdued, quiet Augustines I remember from their 2014 self-titled album? Opening track “Are We Alive” assaulted my ears with a drum frenzy and…

Read More

Album Review: Hanni El Khatib – Savage Times (2017 LP)

Listening to this 19 track long album before you realise it’s a collection of EPs can be confronting. Hanni El Khatib produced five separate EPs last year and this collection is all of them thrown together. The first track, “Baby’s OK” has a strong drum beat and starts with the line, “I was high as…

Read More

Album Review: Ty Segall – Ty Segall (2017 LP)

Ty Segall‘s latest, self-titled album – the ninth in his discography – starts with the dirty, riff-driven track “Break a Guitar”. It’s the perfect opener for an album full of more dirty, riff-driven tracks and sets the scene. Segall’s voice stays within an easy range and complements the rest of the instruments, with its familiar…

Read More

Album Review: Flume – Skin Companion EP II (2017 EP)

Harley Streten, known to the rest of the world as Flume, dropped his freshest music on the market titled Skin Companion EP II, alongside his 2016 LP Skin. The companion EP came to fans as a surprise, offering his audience a chance to hear Flume’s work with artists such as Glass Animals, Pusha T and Moses Sumney. 2017 can only calls success for…

Read More

Album Review: Hurray for the Riff Raff – The Navigator (2017 LP)

2016 was a hard year, globally, politically, environmentally. People made half-hearted jokes last November that at least we’d be getting a lot of good punk music pretty soon – small compensation, honestly. But the genre that flourishes the most under backwards political regimes doesn’t actually seem to be punk – often, what we remember the…

Read More

Album Review: Sons of Volt – Notes of Blue (2017 LP)

One of the most influential bands of the 90’s alternative-country movement, Son Volt, are back and better than ever. The LP, Notes of Blue, is the band’s first since 2013, made up of 10 blues galvanised tracks, inspired by a glorious mix of Skip James and English acoustic guitarist Nick Drake. Having grown up listening…

Read More

Album Review: FOAM – Coping Mechanisms (2017 LP)

FOAM, the trio out of Perth who have been making waves since 2012 with the raucous live shows, have this month released their first full length, Coping Mechanisms. Recorded over two years and following up four successful EP’s, Coping Mechanisms is an experimental shift in style that proves this alt-rock act have a far more expansive world…

Read More

Album Review: Iluka – Blue My Soul (2017 EP)

Iluka first appeared on the national music scene in 2011, releasing EPs To The Place and Eyes Closed under her given name, Nikki Thorburn. The youthful acoustics of her earlier releases hinted at the raw creative talent Iluka brings to her songwriting, and as her musical style has evolved from such quietly enchanting pieces to the…

Read More