Album Reviews

Album Review: Don Broco’s Nightmare Tripping is an experience

Don Broco aren’t figuring it out anymore. That part’s done. With their fifth studio album, Nightmare Tripping, you get a band that knows exactly what it is and is running with it. Since they started out back in 2008, they’ve bounced all over the place stylistically, pulling from alt rock, pop, electronic and heavier, but…

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Album Review: Naomi Scott’s soulful pop record F.I.G is a statement of intent

There’s a quiet confidence running through F.I.G that immediately reframes expectations. This is not the glossy, hyper-engineered pop pivot some might anticipate from a former Disney Channel breakout, nor is it a continuation of the darker, urban-leaning textures flirted with as Skye Riley in Smile 2. Instead, Naomi Scott delivers one of the most assured…

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Album Review: Willa Ford oscillates between unapologetic pop excess and vulnerable reflection on playful LP amanda

More than two decades after bursting onto the pop scene, Willa Ford returns with amanda, a record that feels less like a comeback and more like a personal exhale. Ford has been open about the fact that the album “was never supposed to happen,” describing how music unexpectedly resurfaced in her life during a period…

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Molly Millington

Album Review: Molly Millington – Frank Morgan (2026 LP)

As someone who listens to their fair share of new music, there’s honestly not much better than seeing an artist you’ve followed on and off for a couple of years release a large body of work and absolutely crush it. In this instance, Molly Millington has gone about and released a debut album that’s one…

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Album Review: Hilary Duff balances romance with realism on clever statement LP luck…or something

On her new LP luck…or something, Hilary Duff sounds completely at ease with herself – no vocal acrobatics, no trend-chasing detours, just a confident embrace of her range and a sharp focus on songwriting. The album’s greatest strength is how naturally it balances humour with anxiety, and romance with realism. These songs live in the…

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Album Review: New Found Glory- Listen Up! (2026 LP)

New Found Glory have undeniably still got it. Their twelfth record, Listen Up! arrives as the band approaches their thirtieth anniversary, and it feels like them at their very best. Shaped by experiences such as guitarist Chad Gilbert’s ongoing battle with an aggressive cancer as well as their dynamic as a band all these years…

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Album Review: Story Of The Year- A.R.S.ON (2026 LP)

Missouri outfit Story Of The Year have never been easy to pin down. Floating somewhere between post-hardcore, pop-punk and emo, they’ve spent over two decades bending genres. Through hiatuses and line-up changes, they’ve weathered plenty- but their seventh studio album A.R.S.O.N genuinely feels like they’ve settled into themselves. Short for All Rage Still Only Numb,…

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Freya Skye dazzles with her debut EP stardust

At sixteen, most of us are just trying to survive school, friendships and our own feelings – not dropping a debut EP. For Freya Skye, though, this kind of early brilliance seems almost inevitable. The 16-year-old singer, songwriter and Zombies 4 star has officially stepped into her pop era with stardust– a five-track debut dripping…

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Album Review: Meg Mac stands firmly in her power on It’s My Party

This Friday, February 20th, ARIA #1 artist Meg Mac returns with her fourth studio album, It’s My Party. It’s a record that builds on Mac’s firmly established brand of pop-soul-indie fusion, while loosening up and finding new ground. Self-assured and sonically explorative, it’s a mature offering that buries some big questions in pop-song velvet. Written…

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Album Review: Mumford & Sons show their heavyweight status with their new album Prizefighter

I’ve been onboard with Mumford & Sons since Sigh No More in 2009, with some of their tunes featuring large in milestones in my own life, and there’s always been a sense of comfort for me in their unique sound. I freely admit to loving their rollicking tunes like “Little Lion Man” and “I Will…

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Album Review: Alexander Wolfe’s Everythinglessness is a purposeful musical journey told from beginning to end

Way back in 2010, a short lived BBC TV series called Whites featured a song called “Song For The Dead” over its opening and closing credits. The song was by Alexander Wolfe from his debut album Morning Brings A Flood, and I was immediately enthralled. 16 years later I continue to follow his musical endeavours…

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Album Review: Madison Beer’s Locket is a quietly devastating pop album – and one of her best

Madison Beer has spent much of her career being underestimated, written off as an influencer-adjacent pop star, praised faintly for singles but rarely credited for her artistry as a whole. Locket, her third album, should finally put that misconception to rest. It’s a deeply introspective, emotionally cohesive body of work that rewards close listening, offering…

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Album Review: LOS LEO – LL-1000 (2025 LP)

Adelaide musician and producer LOS LEO has released his latest record, LL-1000, an ambitious project that far transcends the music itself. Setting himself the seemingly impossible challenge of writing, recording, and producing an album within one calendar year, he has just scraped in, and the result is a stunning 14-track record that showcases this insane…

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5 Seconds of Summer’s EVERYONE’S A STAR! proves they’re not only the greatest boyband, but one of the greatest Australian bands

If you’ve clicked on this article, I’m going to assume that you are one of two types of people: you either think I’m rage-baiting you or you’re in complete agreement. If you’re the former, hear me out. If you’re the latter- hey, we were probably friends on Twitter back in 2011. I was first introduced…

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Album Review: Deadbeat may be Tame Impala’s most vulnerable album yet

It’s been five years between albums for Tame Impala. In the intervening years between 2020’s The Slow Rush and Deadbeat the multi-instrumentalist behind the project, Kevin Parker, has also become a husband and a father, making the choice of name for the album an interesting one indeed. Following on from the huge success of earlier…

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The Maple State

After 17 years, The Maple State return with new album Don’t Take Forever

The Maple State are back! Seventeen years after their original disbanding, the Manchester emo-punk outfit has released their new album Don’t Take Forever. A staple of the early 2000s punk scene, The Maple State steadily developed a loyal following over the years – one that includes Blink-182’s Mark Hoppus and The 1975’s frontman, Matty Healy….

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Taylor Acorn’s Poster Child is an angsty, heartfelt and irresistibly fun journey

Pop-punk favourite Taylor Acorn has finally dropped her debut LP, Poster Child – her first release since signing to Fearless Records last month. Across 12 tracks and a short but sweet 37-minute runtime, Acorn delivers an album that is sharp, emotional, anthemic, and so damn fun. Opening track “People Pleaser” immediately sets the tone with…

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Album Review: Jehnny Beth’s new solo album You Heartbreaker, You is a ride worth joining

Fans of UK post-punk/alt-rock band, Savages, will know Jehnny Beth from her time as their dynamic front woman. Others may know the French singer/songwriter from her numerous collaborations with some of music’s biggest names, including Trentemøller, Gorillaz, and Julian Casablancas, to name but a few. Released at the end of August, Beth’s second solo album…

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All Time Low

Review: All Time Low’s tenth studio album, Everyone’s Talking is a refreshing reset

All Time Low return with their tenth studio album, Everyone’s Talking, out today. The title alone feels loaded in all the right ways, coming after a few turbulent years that saw the band face some scrutiny- this record marks a reset and reclamation in their journey. The colourful album cover features the band in bright…

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Album Review: The Last Dinner Party – From the Pyre (2025 LP)

Little more than 18 months after their breakout debut album, The Last Dinner Party return with another instant classic, the soaring rock-opera From the Pyre. After initially coming out of nowhere with the singles from Prelude to Ecstasy (including “Sinner”, “Nothing Matters” and “My Lady of Mercy”), the majority British act wowed crowds and critics…

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Album Review: Khalid lives his best popstar life on slinky After The Sun Goes Down

A little over a year since the release of his Sincere LP, R&B singer Khalid has decidedly changed his tune from those airy, harmonic rhythms to a more pop-forward, liberating sound with After The Sun Goes Down, a confident, at times sexually charged collection of beats that leans into an almost Y2K sense of sound….

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Album Review: Zara Larsson proves herself a Euro-summer pop princess on jubilant LP Midnight Sun

Proving themselves each other’s muses, Swedish power popstar Zara Larsson and British singer-songwriter-producer MNEK have maintained their musical forces for her latest LP, the euphoric Midnight Sun, a decade after they first struck electropop gold on their 2015 collaboration “Never Forget You”. Their blend of EDM sonics and R&B sensibilities course through the veins of…

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EP Review: Torizon release debut EP Meliora

Meanjin/Brisbane petalcore outfit Torizon have just dropped their debut EP Meliora, exploring infertility through the characters of Luna and Sam. It’s rich and emotive, blending heavy sounds with vocal and lyrical vulnerability. Torizon teamed with Emerge Creative to create short videos accompanying the single releases, exploring how the couple fall apart from the grief, but…

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Review: Finneas and Ashe’s collaboration The Favors impress with debut album The Dream

Sometimes the greatest ideas come from a spur-of-the-moment text. Case in point: in 2023, Ashe, established star in her own right with her viral smash hit “Moral Of The Story” and incredible debut record Ashlyn, messaged her long-time pal Finneas, aka Grammy-magnet and brother/co-writer/bandmate of Billie Eilish, simply saying “Hear me out. Should we start…

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Album Review: Violent Nature proves that I Prevail have taken their biggest leap forward

I Prevail are no strangers to high stakes. The Michigan rock band has been carving out their place in the heavy since 2013, with massive choruses, crushing riffs and lyrics that cut deep. 2025, however, makes a turning point. With the departure of vocalist Brian Burkheiser earlier this year, co-vocalist Eric Vanlerberghe has stepped up…

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Review: Biffy Clyro remain at the top of their game with 10th LP, Futique

We’ve experienced a drought of shirtless Scottish rock in the four years since Biffy Clyro released their last studio album, The Myth of the Happily Ever After, but today, at long last, we have the release of their much-anticipated tenth album, Futique. The album’s title is a compound word, as explained by Simon Neil, combining…

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RinRin opens up her musical multiverse with The Nut House

RinRin – the musical project of Perth-based singer-songwriter Qarin Hipe – will drop debut album The Nut House later this week. Taking cues from the likes of Poppy, BABYMETAL, and Bring Me The Horizon, RinRin’s sound is an eclectic mash-up, with metal, pop-punk, and pop influences punctuated by big riffs and bigger screams. Upcoming LP…

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Rise Against prove they’ve still got it with tenth album Ricochet

Few bands wear their convictions as proudly as Rise Against. For over two decades, the Chicago rockers have been a voice of fury and hope, delivering anthem after anthem and balancing urgency with melody. Now, with their tenth studio album Ricochet, they’ve taken a huge leap forward. Produced by Catherine Marks (Boygenius, Wolf Alice, Frank…

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Album Review: Wolf Alice – The Clearing (2025 LP)

Wolf Alice have always been known for their edgy indie music; a sound that at times bordered on punk, littered with loud guitars, forceful percussion and sparingly, complete anger. They crafted this sound across multiple albums and EPs, touring the globe regularly to increasingly large crowds. And yet here on their new album The Clearing,…

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Album Review: Playlunch’s second LP Sex Ed is pure, unadulterated fun

In 2025, where everything either feels like a bin fire or no one can seemingly get along with anyone else, there always has to be a space for art that doesn’t take itself too seriously, while allowing those who consume it to have an unfettered experience when indulging in it. And honestly, this is exactly…

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