Music

Exclusive Video Premiere: Tobias Hengeveld “Separation Street” (2019)

Melbourne singer-songwriter Tobias Hengeveld today releases Naughts & Ones, his anticipated third solo album. Coinciding with this release, we’re stoked this morning to bring you an exclusive first look at the accompanying visuals for ‘Separation Street’, the third single lifted from the completed album.  Directed and cut by Mark Murray, and shot by Adrian Harrold…

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Photo Gallery: Illyria + Deadspace + Yomi Ship + Waste Not – Badlands Bar, Perth (03.05.19)

Illyria launched their latest album ‘The Carpathian Summit’ at the Badlands Bar with a powerful show. Joining in on the destruction were the unrelenting Deadspace, experimental rockers Yomi Ship and post-black metal band Waste Not. Our man on the ground Stuart Sevastos was there to capture the highlights of the night.

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Track of the Day: Drop Legs “Witness The Eucalyptus” (2019)

Byron Bay five piece have followed up their 2018 debut album King Brown Sun Down, with their latest slice of smooth and chilled vibes, new single, “Witness The Eucalyptus”.  The first of what promises to be many singles this year, “Witness The Eucalyptus”, is the product of several differing elements and genres all combined into…

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Exclusive Video Premiere: Angus Dawson “Ngurra” [Acoustic] (2019)

Last month, WA producer and singer-songwriter Angus Dawson released “Ngurra”, a poignant and introspective single born out of his experiences working with Western Australia’s remote Indigenous communities. Today we’re excited to bring you an exclusive first look at an acoustic live performance clip Dawson has put together for the single – it’s utterly beautiful stuff!…

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Track of the Day: SYML “Bed” (2019)

Our track of the day is a beautiful intimate song, “Bed”, by SYML (pronounced “Simmel”), the moniker for Seattle musician, Brian Fennell. Brian was previously in the Indie band Barcelona. The SYML sets at SXSW in 2019 were considered amongst the finest of that edition. “Bed” is about the words we convery with our intimate loved…

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The Rapture just played their first official gig since 2012 – here’s everything that happened in NYC (inc. Setlist)

Ahead of The Rapture’s long awaited return to the stage for the Just Like Heaven festival in Long Beach, CA (details HERE), on Monday night they played an intimate hometown show in Brooklyn, New York – a one night only performance that served as their second time on stage together since 2012*, as well as…

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The Great Escape programmer Adam Ryan on their 2019 festival’s Aussie focus & why the Sounds Australia team are the “best in the world”

Ahead of The Great Escape, which takes over Brighton in the UK next week, I caught up with the festival’s programmer Adam Ryan to talk about the growth of the festival, the involvement of Australian acts at it, working with Sounds Australia, and what it means for Australia to be the feature country in 2019….

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Album Review: Fire and Whistle Theory – Take Me Alive (2019 EP)

Three years since the release of their debut EP, Golden Guns in 2016, Brisbane blues rockers Fire and Whistle Theory, have released their sophomore EP Take Me Alive. Featuring a collection of tried and tested crowd favourites and new songs, the band took a live approach to the recording, hoping to capture a raw, genuine…

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Exclusive Video Premiere: Billy Fox “Let’s Be Honest” (2019)

Earlier this year, Sydney indie-electronic producer Billy Fox launched his latest single, “Let’s Be Honest”. It’s an absolute cracker of a track, packed with sultry RNB grooves, and accompanied by a killer video from director Alex Campbell. Now, with the release of his EP Lung just around the corner, we’ve got an exclusive look at…

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Interview: Alex Lahey (AUS) on her new album The Best of Luck Club, touring life, music producing and collaborating.

Alex Lahey was nominated for Breakthrough Artist of the Year at the 2018 ARIAs, after her debut studio album I Love You Like A Brother reached the number 15 spot on the Album Charts. The Melbourne-local is following up her phenomenal success with her next studio album, The Best of Luck Club, which is described as an…

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Track of the Day: Emotional Oranges “Someone Else” (2019)

Operating on an alt-R&B edge, L.A group Emotional Oranges hooked up with Dante Johns of THEY to shape up new single “Someone Else”. A nifty preview of their forthcoming The Juice: Vol 1 project (out May 10th via Avant Garden), the track is an effervescent smack of funk that hangs off the sweet spot that…

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Live Review: AURORA + Tones and I – Enmore Theatre, Sydney (30.04.19)

Sweeping across the country as part of the annual Groovin’ The Moo national tour, Norweigan act AURORA hit up Sydney’s Enmore Theatre and proceeded to showcase why she is truly magical on stage, despite singing some tracks with some not-so-magical themes. Opening up the night was 2019’s first break out act, Byron Bay’s Tones and I. Having…

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Bad Friday Interview: Haiku Hands (AUS) on their collective’s creation and their upcoming album

Haiku Hands almost set the stage alight with their fiery energy at Bad Friday Festival. The Sydney-Melbourne collective is most well-known for their infectiously tireless performances filled with fun choreography and an array of masks. We got to catch up with them after their packed-out set to talk about how these artists came together to create Haiku Hands…

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Bad Friday Interview: Lime Cordiale (AUS) chat Lime Bikes, creating a festival and hitting the road

Sydney-band Lime Cordiale have just treated their Aussie fans to an epic regional tour, topping it all off with a performance at Bad Friday over the Easter long weekend. With their own festival The Squeeze and a European tour on the horizon, we caught up with them to get the low-down on their busy lives. Check out the chat…

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Exclusive Video Premiere: Wahoo Ghost “She Wolf” (2019)

Sydney based trio Wahoo Ghost have just released their album The Eighth Door, and we’re stoked to be hosting the exclusive premiere of the video for the gorgeously bluesy opener, “She Wolf”. Wahoo Ghost consists of Charli Rainford (vocals/guitar/percussion), Rob Crow (guitar, bass, piano, producer), and Jarvis Woolley (drums). The band draws on a huge…

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Interview: Sam Cromack of Ball Park Music (AUS) talks Spin Off Festival, Good Mood and a decade as a band.

Brisbane band Ball Park Music dropped their fifth studio album Good Mood last year, peaking at number five on the ARIA Australian Albums Charts. The band is back on the road and hitting up Spin Off Festival with the likes of Childish Gambino, Wolf Alice, Mallrat, Ocean Alley and more, for what should be an epic day in Adelaide. We got to catch…

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Track of the Day: Dom Youdan “Is Your Lover Still Cool” (2019)

Born in London but now based in Sydney, singer-songwriter Dom Youdan‘s music turned out to be the thing that led him to our rather sunnier shores, after he fell for an Australian at his second ever gig. Always working on his contemporary pop sound, “Is Your Lover Still Cool” is his first solo release since debut…

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Album of the Week: Nick Murphy’s Run Fast Sleep Naked forms an experience of enlightenment

Although Nick Murphy (formerly known as Chet Faker) has been consistent in releasing new singles over the past few years, Friday saw the release of his first album, Run Fast Sleep Naked, since 2014. The Melbournian artist has spent four years travelling around the world, recording content in places where he felt the most creatively…

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Exclusive Video Premiere: Mini Simmons “A Way With Murder” (2019)

Earlier this month New Zealand’s Mini Simmons dropped, “A Way With Murder”, the third offering from their forthcoming debut album. Today we’re excited to bring you an exclusive first look at that single’s brilliant accompanying music video.  Filmed and edited by Christian T. In Auckland, New Zealand, the video offers up a fun, somewhat kitschy,…

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Interview: The Veils’ Finn Andrews (NZ) unveils his debut solo album

The Veils’ frontman Finn Andrews is in a “rickety little house” in Auckland, New Zealand. “There was a storm last night and the whole thing nearly blew over,” he says. It’s the city where he first formed The Veils as a teenager, but now he has returned home a different person after spending over a…

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Bad Friday Interview: Holiday Sidewinder (AUS) talks the importance of small festivals and her new single

Sydney singer-songwriter, musician and producer Holiday Sidewinder is officially back in Australia following a long London stint, opening the action at the tenth anniversary edition of Bad Friday Festival, which took place in Marrickville at the start of the Easter Long Weekend. We caught up with the indie-pop artist on the day to chat about…

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Track of the Day: Son of Cabe “Lynwood” (2019)

“Lynwood” is the latest track from British electro-pop artist Son of Cabe, and it’s a cracker. Packed with ambient synths and drums straight from 90s hip-hop, it blends melancholy musings on guilt and regret with beats that’ll stick in your head long after listening. Of the track, Son of Cabe says: “Lynwood’s about trying to say…

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Live Review: Jungle + Georgia – Enmore Theatre, Sydney (24.04.19)

In the country for a string of sold out shows, Jungle played their second Sydney show of the tour and brought the Enmore Theatre crowd to life with their own brand of downbeat dance music. Playing their second Sydney show of the tour (after a headlining slot at last week’s Bad Friday Festival), the seven-piece lords…

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Interview: Abbey Road Studio’s Mirek Stiles and Karim Fanous explain Spatial Audio and the power of AI

Last month, I sat down with Mirek Stiles, the head of Audio Products at Abbey Road, and Karim Fanous, Innovation Manager at Abbey Road Red, to learn more about the way the iconic British studio is embracing and helping develop the next generation of technologies, from spatial audio – which aims or the audio experience better…

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Track of the Day: Dan Howls “King Si” (2019)

Ahead of a big interstate tour, Fremantle-based bluesman Dan Howls has offered up a taster of his forthcoming album in the form of the swaggering new single, “King Si”.  Over the last few years Howls has been making steady inroads in the already bustling WA music scene, culminating in the release of his debut album…

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Barunga Festival continues celebration of First Nations music

The Barunga Festival is one of Australia’s most important cultural events celebrating the best of First Nations art, sport, cultural activities, and contemporary and traditional music from remote locations. Held over 3 days, from Friday June 7 to Sunday June 9, 80 kilometers south-east of Katherine, it brings together 4000 people from the Northern Territory…

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Live Review: Foals promise a spicy night of rock ‘n’ roll in Toronto with Preoccupations and Omni (and deliver)

Fresh off the release of the first part of their two part record Everything Not Saved Will Be Lost, UK quartet Foals are on a world tour that tonight saw them play Toronto venue Rebel supported by Canada’s Preoccupations and Atlanta outfit Omni. First up, three piece Omni were singing songs with entertaining lyrics like…

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Track of the Day: Good Pash “Richard” (2019)

Good Pash are a riotous indie-punk band based in Sydney. Formed in late 2016, they have been making a name for themselves on the Sydney scene since. Good Pash is Anna Free (guitar/vox), Madeleine Mallis (guitar/vox), Julia Goyen (bass) and Courtney Cunningham (drums), all members of well-regarded Sydney bands in their own rights.  They created the…

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Track of the Day: Owl Eyes “You And I” (2019)

After a long wait, it’s great to see that Owl Eyes is back with a new track, “You And I”. It’s a glorious funky track, think seventy’s, flares and smoke machines.  It talks of love, desire and has bold sass. It’s disco nirvana The track was written in Brussels, and is a collaboration between Owl Eyes and Belgian nu…

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Live Review: Bad Friday Festival proves how vital local festivals are to the music industry

Marrickville was turned into a grungy experimental boombox as Bad Friday Festival rolled in. The annual event held each Easter Good Friday was celebrating its 10th anniversary with a killer line-up featuring The Avalanches, DMA’s, Jungle, DZ Deathrays and more. But, importantly in a time where the political climate of live music festivals is souring,…

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