Four and a Half Stars

Film Review: Phantom Thread (USA, 2017) is a romantic comedy disguised as a period drama

I must be a really bad film critic since I have realised another error of my ways. After other mistakes, like never seeing a Agnes Varda film before until Faces Places, here’s another I must confess and rectify: I have never seen any of the works of Daniel Day-Lewis. Considered to be the best actor…

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Film Review: The Shape of Water (USA, 2017) is a breathtaking, big screen spectacle

At the Golden Globes last weekend, Director Guillermo Del Toro accepted a long overdue Best Director trophy for his latest effort The Shape of Water, which has been something of a surprise award season favourite around the world, topping both the Globes and BAFTA nominations lists (among others). In the speech, which brought the film’s…

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Film Review: Call Me By Your Name (USA, 2017) is a loving and fruitful experience

As of writing this review, the Australian Parliament has passed the law, allowing same-sex marriage. What great timing, right? Anyway, Call Me By Your Name. This film has been gathering up critical buzz ever since it made its premiere splash at Sundance back in January. Then it showed at many other film festivals like Toronto…

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Film Review: Paddington 2 (UK, 2017) guarantees to put a smile on your face

I don’t know how the first Paddington film became as good as it is. Considering that the trailers made it look awful and the late cast changes in regards to who provides the voice of the titular bear, I was actually expecting the worst. But to everyone’s shock, it turned out to be one of…

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Film Review: The Disaster Artist (USA, 2017) is a profound display of fearlessness

Tommy Wiseau’s laughably bad The Room has such a strong and passionate cult following that the “disasterpiece” is still being discussed, screened and dissected 14 years after its limited cinematic release. There aren’t many films that can boast that kind of staying power, existing in a singular universe where something is so bad it takes…

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Did Netflix just release their first Oscar winning feature film with Mudbound?

Over recent years, we have seen a wide range of films tackle racism across a number of genres, from 12 Years a Slave to The Birth of a Nation, I Am Not Your Negro to Get Out, among many others. While all gained some level of critical acclaim, the former two films came under criticism…

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Film Review: Netflix’s Mudbound (USA, 2017) is a breathtaking film that is persistent in its treatment of a difficult subject

Despite being associated with Netflix, Mudbound is no made-for-streaming affair.  Premiering to rave reviews in the earlier half of the year at Sundance, Dee Rees‘s film was snapped up by the media service after surprising snubs from the other major studio players.  Rees is arguably having the last laugh though as this film more than…

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Film Review: Professor Marston and the Wonder Women (USA, 2017) has such a compelling bond between the three leads, it will tie you in knots

Biopics these days feel like forced Oscar Bait; as though the formula for an award, on behalf of the actors, is to talk in a funny accent or shout. To truly nail a true character, there’s more to it than just imitation. Films like Patch Adams, Diana and even A Beautiful Mind fail to succeed…

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Netflix Review: Murder Mystery Alias Grace Is A Gripping Character Study

Alias Grace is a Netflix Original Series inspired by the historical true story of Grace Marks, a convicted murderer, and is based on the 1996 novel of the same name by Margaret Atwood. The six episode miniseries is written and produced by Sarah Polley, directed by Mary Harron (American Psycho), and stars Sarah Gadon (11.22.63) as Irish-Canadian immigrant…

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Film Review: Thor: Ragnarok (USA, 2017) may be the best entry into the MCU yet

Thor: Ragnarok hits Australian cinemas tomorrow, and by now you’ve heard that this Marvel series’ third instalment lives up to expectations. Helmed by the great Kiwi director Taika Waititi, who assembled a cast of returning favourites and a few excellent additions from his own repertoire, Thor: Ragnarok takes the Marvel Cinematic Universe to new heights,…

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Netflix Review: Mockumentary American Vandal is the surprise of the season

When spoofing a film or television series, one could create a shot-for-shot parody of the source material, or merely utilise its formula. The latter approach is the preferred option for many, but that brings with it a need to produce original, compelling material that is worthy of viewing in its own right. Such an example…

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TV Review: Fire reigns in epic Game of Thrones Season 7 Episode 4 “The Spoils of War”

In a move to rival the sheer scale and CGI glory of “Hardhome”, Game of Thrones have just presented what is probably its most epic battle yet, even outranking the “Battle of the Bastards” in some ways by pitting Jamie, Bronn and the Lannister forces against Dany, Drogon, and the Dothraki army. Like all of…

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Film Review: Dunkirk (USA/UK, 2017) may be the most spectacular war film ever produced

When the name Christopher Nolan is attached to a film, you know you’re in for a blockbuster by any standards. Whether it’s a big budget sci-fi epic (as in Interstellar) or a comic book trilogy (The Dark Knight) to rival any of the genre, Nolan’s work has been virtually unmatched by any of his contemporaries….

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TV Review: The first season of American Gods revels in its weirdness

In our first impressions piece of American Gods we examined why this show even in its first episode had the makings of being one of the hot new television series for 2017. Adapted from the Neil Gaiman book of the same name, helmed by showrunners Bryan Fuller and Michael Green and starring a ridiculously talented…

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Sydney Film Festival Review: Okja (USA/Korea, 2017) delivers an exhilarating, heartfelt ride from a master filmmaker

Okja is a film involving a giant mutated pig. What more do you want? But seriously, in order to understand the hype of the film, you have to know the filmmaker Bong Joon-Ho. Bong Joon-Ho is an acclaimed Korean filmmaker who has made some incredible films. And the reason he is so acclaimed is his…

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Sydney Film Festival Review: Call Me By Your Name (Italy/USA, 2017) is a near-flawless picture that celebrates the universality of love

Thoroughly engaging, immensely poignant, and remarkably evocative, Call Me By Your Name functions as both a coming-of-age tale and a love story, likely to surprise viewers as to where it travels on both accounts. Based on the novel by Andre Aciman, and co-penned for the screen by director Luca Guadagnino (A Bigger Splash), James Ivory…

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Sydney Film Festival Review: Better Watch Out (Australia, 2016) is a brilliant twist to the home invasion thriller

You may want to walk away from Better Watch Out during its first half. For the first 30 minutes Chris Peckover gives us a Christmas-themed home invasion thriller that is sorely lacking in originality and only manages a few mild chuckles, upheld by teenage actors who are clearly struggling with the seemingly insipid material script….

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Sydney Film Festival Review: Sami Blood (Sweden, 2016) highlights the brutality of extreme prejudice

Fundamentally there is much about Sami Blood that cinema has seen many times over, though for her debut feature writer-director Amanda Kernell has delivered a uniquely complex and painfully relevant coming-of-age while also shedding light on the largely unknown indigenous population of Swedish Lappland. A film of cultural identity and great pain, the prodigiously talented…

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Sydney Film Festival Review: Lady Macbeth (UK, 2016) is an undeniably powerful piece of cinema

Based on the Nikolai Leskov novel Lady Macbeth of the Mtsensk District, itself inspired by the character in Shakespeare’s classic Macbeth, William Oldroyd‘s daring film is far from the period piece one might expect given its title. Tightly pieced together by Alice Birch‘s bold screenplay via a star-making performance from Florence Pugh, Lady Macbeth is a psycho-sexual thriller disguised…

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Sydney Film Festival Review: In My Own Words (Australia, 2017) is an inspiring documentary about a program we should all support

Imagine living in a world where you found it impossible to understand your bills, where you couldn’t text people and you had difficulty getting a driver’s licence because you couldn’t pass the Ls test. For around 40-65% of Indigenous Australians this is a reality because they are functionally illiterate. The documentary film, In My Own…

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Sydney Film Festival Review: Ellipsis (AUS, 2017) is an intimate and beautifully real film

There’s a lot that can happen in 24 hours, and unless you stop and take a moment to let it sink in, you might just miss something magical. From acclaimed actor David Wenham comes his feature film directorial debut with Ellipsis, a film that came together under unusual circumstances but the end result is something…

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Film Review: Hounds of Love (Australia, 2016) rewards those with strong stomachs with one of the best films of the year

Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…

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Netflix Review: Season 2 of the Wachowski’s Sense8 stays true to itself

Though far from perfect, there was always something special about the first season of Sense8. In line with the Wachowski’s previous efforts, there was nothing quite like it and even when it rambled, it did so in a way that earned your attention (coincidentally, writing about the first season of Sense8 was one of the…

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Film Review: The Innocents (Poland/France, 2016) is a remarkable, must-see film

Films based on true events are often met with a mixed response; audience left to question the validity of the liberties its filmmakers have taken. Though it can render some films as potentially predictable or even unbelievable, others can be inspiring and heart-wrenching. In the case of The Innocents, we find cinema that belongs to the latter camp; quietly powerful,…

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Gold Coast Film Festival Review: My Entire High School Sinking Into The Sea (USA, 2016) is high school through a kaleidoscope

My Entire High School Sinking Into The Sea is a psychedelic trip through four storeys of a floating high school. About as bad of a place as someone would want to take a transcendental journey, but for the main characters it’s an edifying one, filled with colour, strange visuals and awkward relationships. Dash (Jason Schwartzman)…

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Netflix Review: Dear White People (USA, 2017) is a binge-worthy treat

Dear White People directed by Justin Simien, was a 2014 indie hit film that went wild, from word of mouth at Sundance Film Festival. Critics applauded it and it garnered a massive fan base – so why wouldn’t we want to see it back as a hit Netflix series? Well, it’s here and it could…

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Film Review: Colossal (Canada/Spain, 2017) is a miraculous achievement

Nacho Vigalondo has always been an exciting filmmaker for me. Ever since I saw his first feature film Timecrimes, I’ve always wanted to see more of this work. His handling of genre film and melding it with themes of humanity or topical themes has always fascinated and thrilled me. Timecrimes was a great time-travel film that…

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Blu-Ray Review: The single disc release of Doctor Strange (USA, 2016) arrives jam-packed

As we now roll into Phase 3 of the Marvel Cinematic Universe we are pulled to the beginning of one character’s story. Doctor Strange is Marvel’s step back to delivering an origin story for a new superhero but in some ways this film is a giant leap forward in universe building. It’s hard to fathom…

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SXSW Film Review: Long Strange Trip (USA, 2017) celebrates the magic, myth and madness that is The Grateful Dead

Long Strange Trip is a documentary about the Grateful Dead that feels just like being at one of the band’s concerts. It is a sprawling, swirling psychedelic affair that lives up to its name as it celebrates a band that has notched up over 50 years in the music business as the reigning kings of…

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SXSW Film Review: Hounds of Love (Australia, 2016) flips the conventions of the serial killer genre

Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…

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