Film & TV

Film Review: Looney Tunes: The Day the Earth Blew Up is a stupendously joyous family event

As someone who grew up with the Looney Tunes, there’s certainly a sense of nostalgic warmth when watching something as unapologetically wacky (and 2D) as Looney Tunes: The Day the Earth Blew Up. Nostalgia only takes you so far though, and as much as The Day the Earth Blew Up is a bombastically entertaining cartoon…

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Film Review: Oh, Canada; Self-reflective drama is muddled, but unquestionably fascinating

Given that he’s experienced his own health problems over the last few years, it would seem Paul Schrader is a man reflecting on his own mortality if Oh, Canada is anything to go by, the filmmaker’s fourth effort in almost as many years. Reuniting with his own American Gigolo, Richard Gere, Oh, Canada centres around…

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Series Review: The Studio; Seth Rogen’s “inside baseball” series about the film studio scene is perfectly constructed comedy

Whilst there is a certain “inside baseball”-like mentality to The Studio – the Seth Rogen–Evan Goldberg-created comedy series about the moving and shaking of a new film studio head and his attempt to salvage the newly acquired company’s evidently floundering reputation – such is the genius of Rogen and Goldberg’s handling (the duo co-directing each…

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Interview: Michela Carattini on her new film Carmen & Bolude and the importance of multicultural representation on screen

A movie for international, mixed and third culture kids, Carmen & Bolude is a multicultural comedy based on the real-life friendship of Michela Carattini and Bolude Watson. Written by the duo and co-directed by Carattini, Carmen & Bolude tells of two friends who must travel from New York City to Sydney, Australia, where they have…

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Interview: Matt Moran on fusing food and celebrity recollections in his new show Memory Bites with Matt Moran

We all have a “memory bite” – a dish that unlocks a treasure trove of memories and reminds us that food is a gateway to the stories and emotions that shape who we are. In the brand-new series Memory Bites with Matt Moran, the iconic chef and restaurateur transports beloved famous faces back to pivotal moments in…

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Here’s why you should be making plans to stay at Netflix’s The Residence

A queer President. An occasionally profane Kylie Minogue. An unseen Hugh Jackman. A birder-obsessed detective.  And a murder most foul. An Agatha Christie-meets-Clue-like mystery series from the Shondaland factory (i.e. Shonda Rhimes, the figurehead behind such TV successes as Grey’s Anatomy, How To Get Away With Murder, and Bridgerton), The Residence is an intelligent, witty…

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Interview: MWFF director Sian Mitchell on this year’s festival program and amplifying female voices in film

The Melbourne Women in Film Festival (MWFF) (March 20th – 24th, 2025) is an exciting, volunteer-run festival that aims to inspire and empower established and emerging women and gender diverse screen practitioners from Australia, Aotearoa/New Zealand and the wider Moana region through the celebration of their work and artistry. MWFF exhibits work from collaborative teams…

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Film Review: Of all the live-action Disney remakes, how fair is Snow White of them all?

It’s a shame that there’s been so much controversy surrounding Snow White, the latest Disney classic to get the live-action treatment, as Marc Webb‘s harmless musical is hardly strong or memorable enough to warrant the reaction it’s detractors have already decided it deserves. Sure, lead star Rachel Zegler didn’t help matters with her comments on…

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Interview: Director Geremy Jasper on his 20-years in the making rock opera O’Dessa; “I always build characters through music and sounds and lyrics.”

Set in a post-apocalyptic future, O’Dessa is an original rock opera about a farm girl (Sadie Sink) on an epic quest to recover a cherished family heirloom.  Her journey leads her to a strange and dangerous city where she meets her one true love – but in order to save his soul, she must put…

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Film Review: O’Dessa; Post-apocalyptic rock opera delights in its audacious maximalism

Whilst his previous film – 2017’s crowd-pleasing Patti Cake$ – had a scrappiness to it, it beamed with a personality larger than its budget.  For O’Dessa, director Geremy Jasper delights in supreme maximalism, as his post-apocalyptic musical-romance hybrid projects its bigness through both its visuals and its central thematic of how love can transform one’s…

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Film Review: The Alto Knights; Robert De Niro pulls double duty in talky mobster drama

Robert De Niro and the role of a gangster have so often gone hand-in-hand that there’s an immediate sense of ease in entering The Alto Knights, with the feeling that, if nothing else, audiences can rest assured that the legendary actor will deliver a worthy performance. De Niro is ultimately the main reason to see…

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Interview: Barry Levinson on directing Robert De Niro in The Alto Knights and balancing historical accuracy with creative interpretation

Academy Award-winning director Barry Levinson (Rain Man, Bugsy) is no stranger to both the crime genre and collaborating with Robert De Niro, and their collective experience are fusing with The Alto Knights, which follows two of New York’s most notorious organized crime bosses, Frank Costello and Vito Genovese (both portrayed by De Niro), as they vie for…

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Interview: Bob Trevino Likes It writer/director Tracie Laymon on telling her unique story on film; “It was very important to me to speak to that truth and how I healed from the evolution of that.”

Inspired by the true friendship that writer/director Tracie Laymon found with a stranger when looking for her father online, Bob Trevino Likes It is a heartwarming tale about how even the smallest act of kindness can have the largest ripple effect on someone’s life. Often playing the role of caretaker to people like her father…

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Film Review: The Importance of Being Earnest; National Theatre Live’s fantastical take on Oscar Wilde’s classic is an absolute treat

This delightful reimagining of Oscar Wilde’s The Importance of Being Earnest is an absolute treat! Just over 130 years since the play first debuted at the St James’s Theatre in London, select cinemas across Australia are screening the play, filmed live at The National Theatre in London. The story follows Jack Worthing, played by the…

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Sydney Opera House will screen ‘In The Mood For Love’ with a full live orchestra

It was only a few months ago that the great Antonio Sánchez sat at a complex drum kit set up in one corner of the stage at City Recital Hall.  Alejandro González Iñárritu’s masterful 2014 hit, Birdman, screened to a sold-out crowd while Sánchez brought new meaning to the film with a live rendition of his…

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It’s a Freakier Friday for Jamie Lee Curtis and Lindsay Lohan in the first look trailer for their body-swap comedy

Here we go again! It’s been over 20 years since Jamie Lee Curtis and Lindsay Lohan first swapped bodies in 2003’s much loved remake Freaky Friday.  You’d think by now lessons would have been learned, but it seems the universe has some unfinished business for the Academy Award winner and the Mean Girls alum if…

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Interview: Emma Higgins on her directorial debut Sweetness, blending genres and passionate fandoms

Screening as part of this year’s SXSW Film & TV Festival in the Narrative Spotlight section, which showcases features having their World, North American or U.S. premiere, Sweetness tells of the chance encounter between 16-year-old Rylee and her rockstar crush, which leads to the discovery of his drug addiction and the subsequent spiral of her…

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Sweetness blends teen angst and obsessive horror: SXSW Film & TV Festival Review

That feeling of being a teenage music fan taps into an obsession that is both incredibly singular, yet universally known.  Specific music and, in many cases, the artist behind such can imprint so intimately on one’s psyche, and it’s that worship that forms the core of Emma Higgins‘ debut feature, Sweetness. Granted, Higgins laces this…

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Everything we learned at the F1 trailer launch from director Joseph Kosinski

From Apple Original Films and the filmmakers from Top Gun: Maverick comes the high-octane, action-packed feature film F1, starring Brad Pitt and directed by Joseph Kosinski, and produced by Jerry Bruckheimer, Kosinski, seven-time FORMULA 1 world champion Lewis Hamilton, Pitt, Dede Gardner, Jeremy Kleiner and Chad Oman. Dubbed “the greatest that never was,” Sonny Hayes…

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Interview: Michael Fassbender and the cast of Black Bag on character motives, script specificity, and trusting Australians

A top British intelligence officer faces the ultimate test of loyalty when he investigates a critical security breach in Black Bag, a riveting spy drama from Academy Award-winning director Steven Soderbergh.  An insightful and stylish take on a classic genre (you can read our review here), Black Bag amps up suspense and tension in a…

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Film Review: Black Bag; Steven Soderbergh’s witty espionage thriller delights in its narrative twists

Whilst Black Bag sets itself up as a spy thriller in slightly the same vein as the (former) Brangelina vehicle Mr. & Mrs. Smith, with the two supremely charming (and, let’s face it, beautiful) leads dancing around the question of whether or not two spies in a marriage can stay truthful to one another, director…

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Nathan Lane and Matt Bomer are old friends and new roommates in first trailer for their new sitcom Mid-Century Modern

Described as a sitcom in the same vein as the classic Golden Girls, Will & Grace creators Max Mutchnick & David Kohan and executive producer Ryan Murphy (Glee, American Horror Story, Pose) have brought together a trio of friends by chance, but family by choice in Mid-Century Modern, which today has revealed its trailer ahead…

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Interview: Mike Leigh on Hard Truths, his collaborative process, and the enduring power of independent film

A titan of British cinema, Mike Leigh brings his signature blend of realism and emotional depth to Hard Truths, further solidifying his reputation as a chronicler of contemporary life. Delving into the complexities of everyday existence, Hard Truths stars Marianne Jean-Baptiste as a woman tormented by anger and depression, hypersensitive to the slightest possible offence…

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Film Review: Hard Truths; Mike Leigh’s tragicomedy earns our compassion in spite of its cantankerous protagonist

At the centre of Hard Truths, the latest tragicomedy from writer/director Mike Leigh, is a woman who seemingly seeks conflict in each of her interactions, making her personal relationships challenging in the process. The woman – the embodiment of someone who tests patience and will, but still earns enough love from those that she hasn’t…

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Interview: Sally Aitken on her documentary Every Little Thing, the interconnectedness of nature, and its importance in the wake of the Los Angeles fires

Every Little Thing follows retired writer and teacher Terry Masear over a summer as she takes in and rehabilitates injured hummingbirds. Shot with stunning close-ups of the birds against the backdrop of Masear’s storied life, this film is a mediation on human-animal relationships and our capacity for care. Bringing this stunning story to the screen…

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Interview: Spit director Jonathan Teplitzky and star David Wenham on their Gettin’ Square sequel; “I love having the permission to be an idiot.”

22 years on from its predecessor premiering at the Brisbane International Film Festival, Spit, the long awaited sequel to Aussie crime comedy Gettin’ Square, kicked off its proceedings last month at the AACTA Festival, where director Jonathan Teplitzky and Johnny “Spit” Spitieri himself, David Wenham, introduced the film before it toured across the country on…

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Film Review: Spit; David Wenham provides a masterclass in comedy in amusing, poignant Gettin’ Square sequel

Whilst the 2003 Australian crime comedy Gettin’ Square has its loyal fans and critical acclaim to its name, it severely underwhelmed at the Australian box office upon its release, leading the very existence of Spit to be quite an anomaly in itself.  A two decades-on sequel to a flop genre flick is not the usual…

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Interview: Daniel Henshall on working with “genius” Bong Joon Ho on Mickey 17 and silently channeling Mick Jagger

Australian actor Daniel Henshall is no stranger to working with the genius that is Bong Joon Ho, having collaborated on 2017’s science fiction comedy Okja. Now, the two are reuniting on the director’s eagerly anticipated Mickey 17, the first since his historic Oscar win in 2020.  Mickey 17 tells of an unlikely hero, Mickey Barnes…

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Film Review: Mickey 17; Expect the unexpected from Bong Joon Ho, with Parasite follow-up anything but safe cinema

In some ways it’s unfair for Mickey 17 to use director Bong Joon Ho‘s Oscar-winning Parasite in its marketing, as this bonkers sci-fi effort is quite far removed from that aforementioned satirical thriller, and may lure audiences into a false sense of security. Of course, being a Bong picture, satire is still utilised, but waiting…

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Interview: Keke Palmer on her new film One of Them Days, breaking generational curses, and “vibing” with SZA

Across television, film, music, literature and live theatre, Keke Palmer has rarely left a stone unturned.  And she’s certainly not looking to give up the exploration any time soon. With the release of One of Them Days, not only is Palmer headlining alongside the Grammy-winning SZA, she’s flexing her big boss energy as one of…

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