Flitting between two separate timelines as it details a forbidden, youthful romance and the remnants of such a memory, Olivier Peyon‘s tender Lie With Me is a poignant journey, laced with beauty and unavoidable crispness despite its emotionally messy mentality. In the present day, Stéphane Belcourt (Guillaume de Tonquédec) is a famous author who has…
When the insertion of the number 4 in a film’s fourth outing as a substitute for the letter A is the smartest thing it’s able to execute, you know you aren’t in for the smoothest of operations. In a year where we’ve seen certain action sequels prove that there’s ample gas in the tank…
Given the big swings he took with his take on the Halloween series – the foul cries from fans were deafening at times – it stands to reason that writer/director David Gordon Green‘s tackling of such a classic genre piece as The Exorcist won’t be done by the books or to the liking of purists….
Though it may be a little haphazardly put together, there’s still a heft of intrigue and amusing genre blending in Kim Jee-woon‘s Cobweb, a blurring of reality and fantasy that places the magic of celluloid at the centre. Set in the 1970s, the film builds itself around Kim (Song Kang-ho), a director who has failed…
Whilst it commits to the kill from an on-screen carnage perspective, Nahnatchka Kahn‘s Totally Killer has a bit more of a Disney Channel Original vibe going for it in terms of its heart and structure; and that’s in no way meant as a diss against what’s ultimately a very digestible, oft witty slasher. In 2023,…
Between No Hard Feelings, Joy Ride, and Bottoms, female-fronted comedy has had an admirable run in 2023, managing to balance crude humour with a sense of earnestness. The Re-Education of Molly Singer, sadly, doesn’t continue that trend. With a narrative hook that isn’t too displaced from the aforementioned No Hard Feelings, whilst also owing a…
Despite the fact that 2010’s 7th Saw entry was subtitled The Final Chapter, the little horror series that could has continued to soldier on with an additional 3 sequels, proving that positive financial returns will always take priority over creativity. Now, that’s not to say that The Final Chapter itself wasn’t somewhat creative – its…
Unless you’re a Spielberg or a Cameron, it seems increasingly difficult to launch an original, high-concept, sizeably budgeted film with major studio backing. So, in that regard hats must go off to director Gareth Edwards for getting The Creator off the ground and into multiplexes; extra points for doing so with a film centred on…
There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby. A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy…
With its ludicrous potential built right into its title, Slotherhouse nabs your attention immediately with its narrative hook. A mammal as notoriously slow as a sloth surely can’t be fast enough to kill predatorial animals, let alone a house full of sorority girls, right? It’s just so bombastically ridiculous that it could absolutely work as…
There’s something rather amusing about the fact that even though Liam Neeson has a vast career of playing everything from a Jedi master to historical figures, it’s the not-always-an-average-man-with-a-certain-set-of-skills archetype that he’s become synonymous with. Ever since Taken proved that the then-56-year-old was a force to be reckoned with, the now 71-year-old has settled into…
Though it isn’t based on a true story, Miles Joris-Peyrafitte‘s drama The Good Mother has an air of “real world” grit to it. Of course, once the film commits to a certain narrative twist around the 1-hour mark it feels less organic, but its down-trodden location of Albany, New York, and the fact that its…
There’s a certain period-piece sexuality billowing through Widow Clicquot that brings to mind other such similarly-set efforts as Atonement and Pride & Prejudice. And given that those films’ second-unit director, Thomas Napper, is at the helm here, it makes perfect sense that such detail and intimacy is adhered to; fittingly, Joe Wright, director of the…
Described as a “traumedy” and navigating a narrative I have no personal connection to – or even a right to comment on in all honesty – Molly McGlynn‘s Fitting In has the same footprints as a coming-of-age comedy, but laces such with a queer mentality and the potential dehumanising reality of when your body “rejects”…
Whilst the mass hysteria and government control surrounding COVID-19 has subsided, the trauma of the pandemic itself is still something that lingers for many. Tautuktavuk (What We See) is a semi-autobiographical drama that looks at such an effect, furthered by the already isolated reality of the Inuit culture, co-directed by Lucy Tulugarjuk and Carol Kunnuk….
Even though Ruby Gillman, Teenage Kraken‘s script is co-penned by Pam Brady, a scribe with South Park: Bigger, Longer & Uncut and Team America: World Police to her name, family audiences needn’t worry that her evident penchant for blue humour will seep through. No, alongside Brian C. Brown and Elliott DiGuiseppi (the duo having collaborated…
A parallel between the systematic racism towards the Arab community in Europe and the fatalities experienced across the United States during the Black Lives Matter movement, Mehdii Fikri‘s After the Fire is an affective drama that commands conversation. Though a fictional story, the film’s credits take note that this is “based on the real struggle…
It’s rare these days for the “superhero origin story” to deviate from a familiar path. It’s what is done within and around said path that manages to make even the most tested of narratives somewhat exciting. Blue Beetle is another case of been there, done that, with its story centring around a symbiote that transforms…
After the lush, star-studded class of Murder on the Orient Express (2017) and the campier inclinations of 2022’s Death on the Nile, it makes sense that Kenneth Branagh would again change the temperament of his latest Hercule Poirot mystery. Adhering to a darker, more supernaturally-infused mentality, A Haunting In Venice is the most unsettling of…
It’s not uncommon for predominant comedic personalities to flex their talent in opposing genres. We’ve seen the likes of Jordan Peele and Zoe Lister-Jones move from situational humour to helming their own horror works (the former with Get Out, Us, and Nope, the latter behind The Craft: Legacy) to varying degrees of success, furthering the…
If you, like I was, are hesitant in seeing The Nun II off the back of the original film failing to make good on the character’s horrific potential or because director Michael Chaves hasn’t exactly got the strongest track record in directing genre films under the Conjuring Universe banner – he helmed 2019’s largely forgotten…
Nia Vardalos truly caught lightning in a bottle when it came to My Big Fat Greek Wedding in 2002. Produced on a miniscule $5m budget, it garnered favourable reviews from critics and audiences alike, eventually grossing over $365m globally; to this day it remains the highest grossing romantic comedy and, adjusted for inflation, the highest…
Whilst it’s a general rule of thumb that the less you know going into any movie is for the better, it must be said that it absolutely must be practiced when it comes to Biosphere. A wonderfully strange film, Mel Eslyn‘s two hander focuses on the friendship between Ray (Sterling K. Brown) and Billy (Mark…
“You guys are so talented. So unbelievable. This will break you. This will fully destroy you.” Not exactly the type of words you expect to hear from the head of a theater camp said to a collection of young, eager pupils, but such is the way of creative existence at AdirondACTS Theater Camp where camp…
Since their creation some almost-40-years ago, the Teenage Mutant Ninja Turtles have seen their brand of comedic, family-aimed action spread across six feature films (in three separate timelines) and countless television, comic book and video games. Despite all this, and each respective creative honing their own spin, the younger, more appropriately teen-aged years of the…
With The Equalizer 3 promoting itself as “the final chapter” of a movie series I think many of us were surprised made it past the 2014 original, there’s an understandable sense of expectation when it comes to the packaged deal of star Denzel Washington, director Antoine Fuqua and screenwriter Richard Wenk. Whilst the first two…
Unlike Pirates of the Caribbean and Jungle Cruise, The Haunted Mansion is one such Disney theme park ride that actually has a decent jumping point for a filmic incarnation. But unlike the Pirates of the Caribbean and Jungle Cruise films we saw defy the odds and turn the most basic of premises into larger-than-life adventure…
Leaning into a meta self-awareness that even the knowing winks of such slashers as Scream would deem a little too overt, Marcel Walz‘s That’s A Wrap perhaps works with a few too many layers of knowingness. It starts off with enough of a sense of humour though as a horror-inclined actress, lamenting to her manager…
Despite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but. Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…
A truly bizarre melting pot of a film that takes pride in its giallo-inspired-horror-melded-with-camp-musical-comedy mentality, Big Easy Queens in an intentionally ridiculous, over-the-top experiment that, for the right audience, will prove a bloody wild ride. Set in a mob-run criminal underworld of sorts, Erynn Dalton‘s genre-mash of a movie has been primarily made for the…
