Reviews

“You guys are so talented.  So unbelievable.  This will break you.  This will fully destroy you.” Not exactly the type of words you expect to hear from the head of a theater camp said to a collection of young, eager pupils, but such is the way of creative existence at AdirondACTS Theater Camp where camp…

Despite the fact that screenwriter Dan Perrault is a fan of such canine-centric cinema as Homeward Bound and 101 Dalmatians, his Strays is far from the family-friendly temperament those aforementioned titles adhere to.  But that’s also not to say that Strays doesn’t love the four-legged furries at its core – if ever there was a…

Two powerful families unite through their son’s misunderstanding. A tale of enemies to lovers. Red, White & Royal Blue, based off the book by Casey McQuiston, is a romantic comedy directed by Matthew Lopez, produced by Amazon Studios and Berlanti-Schecter Films. The central characters are sons from two powerful families in the western world; Alex…

Whilst it’s easy to pick how Scrapper – Charlotte Regan‘s impossibly charming comedy/drama – will end when all is said and done, the central performances from newcomer Lola Campbell and Harris Dickinson as a feisty, self-reliant 12-year-old and her man-child father, respectively, are what keeps the quirky narrative continually engaging. It’s one of those “message”…

It seems only fitting that a character as undead as Dracula has an immortal lifespan when it comes to big screen adaptations.  It was only a few months ago we had Nicolas Cage’s iteration in the blackly comic Renfield, and now, in a complete mood shift from his camp goriness, we have Dracula: The Last…

Though there are the occasional exceptions, movies based off video games don’t have the greatest reputation when it comes down to it.  So it makes sense that, perhaps, there’s a certain sense of trepidation when going into Gran Turismo.  Despite the calibre of the creatives both behind and in front of the camera – it’s…

Another Wes Anderson creation, where the sheer cast alone is unfathomable in their collective talent and the twee is as twee as can be, Asteroid City, with its distinct colour pallet and deadpan performances, won’t convert any viewers over to the Wes way of watching, but those that have stuck with the auteur through his…

An eco-terrorism thriller where the bombers are the good guys, Daniel Goldhaber‘s How To Blow Up A Pipeline is structured as if it’s playing to a heist movie temperament, but it’s layered with a topical, current commentary that lends the film a young freshness; very much a movie of the “now”. Relying on ideas realised…

Despite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but.  Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…

Heartstopper Season 2 continues to explore the importance of representation. Not only in the LGBTQIA+ community, but through families, relationships, friendships, and abilities. The heartfelt romantic tv drama series aired on Netflix on the 3rd of August, produced by See-Saw Productions, written by Alice Oseman, and directed by Euros Lyn.  Based on Oseman’s webcomic and…

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

For a film that sold itself on the premise of action staple Jason Statham facing off against a giant, prehistoric shark – and grossed over $500 million globally in the process – it was a particular let-down that 2018’s The Meg had, well, very little of Statham v shark to speak of.  A creature feature…

Branding itself as a reimagining rather than a traditional remake – and this is one of those cases where that wording does actually tie into the overall mentality – River Wild takes the basic premise of Curtis Hanson’s 1994 thriller The River Wild, a Hitchcock-in-the-great-outdoors chiller that raised its own profile through the inclusion of…

Despite some satisfactory performances, a clear bout of good intentions, and a dollop of Irish charm, Thaddeus O’Sullivan‘s The Miracle Club can’t overcome its rather maudlin dialogue and sporadic meanness to earn a recommendation as the joyous Sunday afternoon viewing it so clearly wants to be. Set in 1967 in a small Irish village, the…

A historical figure whose achievements are all the more remarkable due to the obstacles faced as the son of a white father and black mother, Joseph Bologne, Chevalier de Saint-Georges, is highlighted, but not quite as richly celebrated in Stephen Williams‘s Chevalier. And given the extraordinary details of his life story, it’s a shame that…

There’s both a sense of adhering to the temperaments of action films gone by and embracing the current and future state of the genre present in Jalmari Helander‘s Sisu. Matching its dark sense of humour (and I mean dark) with a violently bloody mentality (and I mean bloody!), Sisu manages to present the simplest of…

Another slice of media that feeds into our obsession with true crime, Susie Searches is a quirky comedy/thriller that can’t altogether escape the trappings of its by-the-book structure, but an engaging performance from the always watchable Kiersey Clemons, a few neat twists and turns throughout, and one hell of an ending is sure to leave…

Whilst it’s fair to be tired of the “elevated horror” tag that so many genre pieces aim for nowadays, and the attachment of the-little-studio-that-could A24 only fans the fire, one needn’t worry with Talk To Me, an Australian-made horror effort that was acquired by the aforementioned studio for US distribution following wild reactions out of…

You have to hand it to Christopher Nolan for convincing a major studio to spend $100m (USD) on a 3-hour long drama detailing the development of the atomic bomb and releasing it in the prime film season that is the US summer. Whilst the film itself will prove drastic counter-programming to its fellow ambitious release…

Undoubtedly 2023’s most anticipated – and most aggressively marketed – filmic event, Barbie has finally arrived in cinemas for the masses to ingest in droves. It’s understandable though that some audiences still are unsure as to how it’ll taste as a whole, as despite its candy-coated aesthetic, pitch-perfect casting, and amusing, if ambiguous trailers, there’s still a…

Though the title of Benjamin Millepied‘s feature directorial debut Carmen – the dancer-turned filmmaker having cut his teeth on short films and music videos – suggests a connection to Georges Bizet‘s French opera of the same name, his script – co-written with Alexander Dinelaris Jr. and Loïc Barrere – only mildly references its narrative mentality and…

When it’s said that Tom Cruise saved cinema in 2022, it isn’t a statement made lightly or with any false sincerity.  Top Gun: Maverick was the invitation needed to truly bring audiences out of the comfort of their home after almost 2 years of enforced hibernation and the ease of the streaming services. Had the…

After a genuinely scary first offering in James Wan‘s Insidious (2010), the Leigh Whannell-created series has failed to make good on any of the unnerving potential with its sequels (and prequels) going forward.  As each subsequent film seems to earn less and less favourable word from critics and audiences, there’s an almost immediate sense of…

The themes tackled throughout Warwick Thornton‘s The New Boy are presented with symbolic, almost-magical and allegorical physicality.  And though its 1940’s Australian setting lends interesting conversation to its religious outlay and the clashing of beliefs at the time, the film itself doesn’t quite contain the spark needed to earn true impact; though it’s not for…

With No Hard Feelings reminding audiences that, yes, adult-aimed comedies do in fact belong on a big screen, and the streaming model doesn’t have to be a singular option now that we have shifted primarily out of the pandemic mentality, Adele Lim‘s raunchy Joy Ride continues that temperament that the big screen will always benefit…

The impact of drugs, violence and racism has always gripped the hearts and minds of audiences the world over. It’s quite a refreshing coat of paint to see that in your own Aussie backyard helmed by a writer-director with unquestionable lived experience in the matter: Ronnie S Riskalla. Yet after I left the Orpheum world…

Described as a “verbatim description” of what happened to Reality Winner (yes, that’s an actual name), an American Air Force veteran, who was suspected of leaking classified government information to the media while she was working as a translator with top-secret security clearance in June 0f 2017, Tina Satter‘s stage play “Is This A Room”…

There’ll always be a certain excitement in seeing Harrison Ford don a fedora and crack the whip when embodying one Indiana Jones.  After a tight, though not always flawless, original trilogy across the 1980’s (Raiders of the Lost Ark in 1981, Temple of Doom in 1984, and Last Crusade in 1989), many believed the magic…

Continuing from the toned-down sexualism that 2018’s Bumblebee adopted – the first Transformers sequel that was directed by someone other than series staple Michael Bay – which, coincidentally, earned the franchise its highest praise from collective critics, Steven Caple Jr.‘s Transformers: Rise of the Beasts is a similarly wholesome, Saturday morning popcorn flick that is…

Whilst Jennifer Lawrence has lightly flexed her comedic muscle over the years – her Golden Globe-winning turn in 2013’s American Hustle probably the closest she’s come to being the comedienne she so clearly is – No Hard Feelings finally allows the supremely charismatic and comedically capable performer to embrace the genre with all the shamelessness…